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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FEE3E it is the complementary color #8011C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FEE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FEE3E shade: #84EE39, #95FF4C, #A6FF5F, #B7FF72 and #C8FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FEE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FEE3E shade: #7FEE3E, #6EDC2B, #5DCA18, #4CB805 and #3BA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FEE3E shade: #7FEE3E, #AEEE3E, #DEEE3E, #EECE3E and #EE9F3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FEE3E shade: #7FEE3E, #50EE3E, #3EEE5C, #3EEE8B and #3EEEBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FEE3E shade matches the following richer shades: #7FEE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FEE3E shade: #7FEE3E, #83DD4F, #88CC60, #8CBB71 and #91AA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FEE3E shade: #DFEE3E, #B0EE3E, #81EE3E, #53EE3E and #3EEE58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FEE3E shade: #55C811, #66EA18, #7FEE3E, #98F164 and #B1F48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FEE3E shade: #7FEE3E, #3EEECE and #EE3EC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FEE3E shade: #7FEE3E, #3E81EE and #EE3E81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FEE3E shade: #7FEE3E, #3EEECE, #AA3EEE and #EE3E5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FEE3E shade: #7FEE3E, #3ED9EE, #AA3EEE and #EE533E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 74 / 7

HEX #7FEE3E

RGB 127 238 62

HSL 97.84, 0.84%, 0.59%

LAB 85, -60.04, 70.43

 

Complementary color

CMYK 34 / 91 / 0 / 24

HEX #8011C1

RGB 128 17 193

HSL 277.84, 0.84%, 0.41%

LAB 35.68, 68.22, -66.4

 

CMYK 45 / 0 / 76 / 7

HEX #84EE39

RGB 132 238 57

HSL 95.14, 0.84%, 0.58%

LAB 85.17, -58.83, 72.25

 

CMYK 42 / 0 / 70 / 0

HEX #95FF4C

RGB 149 255 76

HSL 95.53, 1%, 0.65%

LAB 90.98, -58.94, 71.96

 

CMYK 35 / 0 / 63 / 0

HEX #A6FF5F

RGB 166 255 95

HSL 93.38, 1%, 0.69%

LAB 91.89, -52.07, 65.99

 

CMYK 28 / 0 / 55 / 0

HEX #B7FF72

RGB 183 255 114

HSL 90.64, 1%, 0.72%

LAB 92.93, -44.63, 59.38

 

CMYK 22 / 0 / 48 / 0

HEX #C8FF85

RGB 200 255 133

HSL 87.05, 1%, 0.76%

LAB 94.1, -36.73, 52.39

 

CMYK 47 / 0 / 74 / 7

HEX #7FEE3E

RGB 127 238 62

HSL 97.84, 0.84%, 0.59%

LAB 85, -60.04, 70.43

 

CMYK 50 / 0 / 80 / 14

HEX #6EDC2B

RGB 110 220 43

HSL 97.29, 0.72%, 0.52%

LAB 78.85, -59.36, 70.03

 

CMYK 54 / 0 / 88 / 21

HEX #5DCA18

RGB 93 202 24

HSL 96.74, 0.79%, 0.44%

LAB 72.65, -58.37, 68.66

 

CMYK 59 / 0 / 97 / 28

HEX #4CB805

RGB 76 184 5

HSL 96.2, 0.95%, 0.37%

LAB 66.39, -56.99, 65.95

 

CMYK 64 / 0 / 100 / 35

HEX #3BA600

RGB 59 166 0

HSL 98.67, 1%, 0.33%

LAB 60.07, -55.08, 61.35

 

CMYK 47 / 0 / 74 / 7

HEX #7FEE3E

RGB 127 238 62

HSL 97.84, 0.84%, 0.59%

LAB 85, -60.04, 70.43

 

CMYK 27 / 0 / 74 / 7

HEX #AEEE3E

RGB 174 238 62

HSL 81.82, 0.84%, 0.59%

LAB 87.24, -44.35, 73.37

 

CMYK 7 / 0 / 74 / 7

HEX #DEEE3E

RGB 222 238 62

HSL 65.45, 0.84%, 0.59%

LAB 90.33, -25.71, 77.4

 

CMYK 0 / 13 / 74 / 7

HEX #EECE3E

RGB 238 206 62

HSL 49.09, 0.84%, 0.59%

LAB 83.27, -3.29, 71.21

 

CMYK 0 / 33 / 74 / 7

HEX #EE9F3E

RGB 238 159 62

HSL 33.07, 0.84%, 0.59%

LAB 71.77, 21.3, 60.02

 

CMYK 47 / 0 / 74 / 7

HEX #7FEE3E

RGB 127 238 62

HSL 97.84, 0.84%, 0.59%

LAB 85, -60.04, 70.43

 

CMYK 66 / 0 / 74 / 7

HEX #50EE3E

RGB 80 238 62

HSL 113.86, 0.84%, 0.59%

LAB 83.55, -71.55, 68.51

 

CMYK 74 / 0 / 61 / 7

HEX #3EEE5C

RGB 62 238 92

HSL 130.23, 0.84%, 0.59%

LAB 83.41, -71.87, 56.85

 

CMYK 74 / 0 / 42 / 7

HEX #3EEE8B

RGB 62 238 139

HSL 146.25, 0.84%, 0.59%

LAB 83.99, -65.16, 35.61

 

CMYK 74 / 0 / 21 / 7

HEX #3EEEBB

RGB 62 238 187

HSL 162.61, 0.84%, 0.59%

LAB 84.87, -55.39, 12.25

 

CMYK 47 / 0 / 74 / 7

HEX #7FEE3E

RGB 127 238 62

HSL 97.84, 0.84%, 0.59%

LAB 85, -60.04, 70.43

 

CMYK 47 / 0 / 74 / 7

HEX #7FEE3E

RGB 127 238 62

HSL 97.84, 0.84%, 0.59%

LAB 85, -60.04, 70.43

 

CMYK 41 / 0 / 64 / 13

HEX #83DD4F

RGB 131 221 79

HSL 98.03, 0.68%, 0.59%

LAB 80.24, -50.96, 59.32

 

CMYK 33 / 0 / 53 / 20

HEX #88CC60

RGB 136 204 96

HSL 97.78, 0.51%, 0.59%

LAB 75.62, -40.46, 46.61

 

CMYK 25 / 0 / 40 / 27

HEX #8CBB71

RGB 140 187 113

HSL 98.11, 0.35%, 0.59%

LAB 71.08, -29.1, 32.56

 

CMYK 15 / 0 / 24 / 33

HEX #91AA82

RGB 145 170 130

HSL 97.5, 0.19%, 0.59%

LAB 66.81, -16.2, 17.82

 

CMYK 6 / 0 / 74 / 7

HEX #DFEE3E

RGB 223 238 62

HSL 65.11, 0.84%, 0.59%

LAB 90.41, -25.31, 77.49

 

CMYK 26 / 0 / 74 / 7

HEX #B0EE3E

RGB 176 238 62

HSL 81.14, 0.84%, 0.59%

LAB 87.35, -43.62, 73.52

 

CMYK 46 / 0 / 74 / 7

HEX #81EE3E

RGB 129 238 62

HSL 97.16, 0.84%, 0.59%

LAB 85.08, -59.45, 70.54

 

CMYK 65 / 0 / 74 / 7

HEX #53EE3E

RGB 83 238 62

HSL 112.84, 0.84%, 0.59%

LAB 83.62, -70.97, 68.61

 

CMYK 74 / 0 / 63 / 7

HEX #3EEE58

RGB 62 238 88

HSL 128.86, 0.84%, 0.59%

LAB 83.38, -72.3, 58.49

 

CMYK 58 / 0 / 92 / 22

HEX #55C811

RGB 85 200 17

HSL 97.7, 0.84%, 0.43%

LAB 71.74, -59.99, 68.96

 

CMYK 56 / 0 / 90 / 8

HEX #66EA18

RGB 102 234 24

HSL 97.71, 0.83%, 0.51%

LAB 82.77, -67.13, 77.34

 

CMYK 47 / 0 / 74 / 7

HEX #7FEE3E

RGB 127 238 62

HSL 97.84, 0.84%, 0.59%

LAB 85, -60.04, 70.43

 

CMYK 37 / 0 / 59 / 5

HEX #98F164

RGB 152 241 100

HSL 97.87, 0.83%, 0.67%

LAB 87.24, -50.46, 58.55

 

CMYK 27 / 0 / 43 / 4

HEX #B1F48A

RGB 177 244 138

HSL 97.92, 0.83%, 0.75%

LAB 89.81, -39.22, 44.4

 

CMYK 47 / 0 / 74 / 7

HEX #7FEE3E

RGB 127 238 62

HSL 97.84, 0.84%, 0.59%

LAB 85, -60.04, 70.43

 

CMYK 74 / 0 / 13 / 7

HEX #3EEECE

RGB 62 238 206

HSL 169.09, 0.84%, 0.59%

LAB 85.32, -50.8, 2.94

 

CMYK 0 / 74 / 16 / 7

HEX #EE3EC8

RGB 238 62 200

HSL 312.95, 0.84%, 0.59%

LAB 57.84, 78.25, -34

 

CMYK 47 / 0 / 74 / 7

HEX #7FEE3E

RGB 127 238 62

HSL 97.84, 0.84%, 0.59%

LAB 85, -60.04, 70.43

 

CMYK 74 / 46 / 0 / 7

HEX #3E81EE

RGB 62 129 238

HSL 217.16, 0.84%, 0.59%

LAB 54.97, 15.61, -61.06

 

CMYK 0 / 74 / 46 / 7

HEX #EE3E81

RGB 238 62 129

HSL 337.16, 0.84%, 0.59%

LAB 55.29, 70.36, 3.64

 

CMYK 47 / 0 / 74 / 7

HEX #7FEE3E

RGB 127 238 62

HSL 97.84, 0.84%, 0.59%

LAB 85, -60.04, 70.43

 

CMYK 74 / 0 / 13 / 7

HEX #3EEECE

RGB 62 238 206

HSL 169.09, 0.84%, 0.59%

LAB 85.32, -50.8, 2.94

 

CMYK 29 / 74 / 0 / 7

HEX #AA3EEE

RGB 170 62 238

HSL 276.82, 0.84%, 0.59%

LAB 49.69, 70.84, -69.15

 

CMYK 0 / 74 / 61 / 7

HEX #EE3E5E

RGB 238 62 94

HSL 349.09, 0.84%, 0.59%

LAB 54.48, 67.76, 23.38

 

CMYK 47 / 0 / 74 / 7

HEX #7FEE3E

RGB 127 238 62

HSL 97.84, 0.84%, 0.59%

LAB 85, -60.04, 70.43

 

CMYK 74 / 9 / 0 / 7

HEX #3ED9EE

RGB 62 217 238

HSL 187.16, 0.84%, 0.59%

LAB 80.08, -32.6, -21.79

 

CMYK 29 / 74 / 0 / 7

HEX #AA3EEE

RGB 170 62 238

HSL 276.82, 0.84%, 0.59%

LAB 49.69, 70.84, -69.15

 

CMYK 0 / 65 / 74 / 7

HEX #EE533E

RGB 238 83 62

HSL 7.16, 0.84%, 0.59%

LAB 56.79, 58.49, 44.41

 

Description

Color code: HEX #7FEE3E | qconv.com Color code: HEX #7FEE3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 238 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 238 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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