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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FEDEC it is the complementary color #801213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FEDEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FEDEC shade: #84EDE7, #95FFFA, #A6FFFF, #B7FFFF and #C8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FEDEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FEDEC shade: #7FEDEC, #6EDBD9, #5DC9C6, #4CB7B3 and #3BA5A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FEDEC shade: #7EEDEB, #7EEDCE, #7EEDB0, #7EED92 and #87ED7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FEDEC shade: #7EEDEB, #7ED0ED, #7EB2ED, #7E94ED and #7E7EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FEDEC shade matches the following richer shades: #7EEDEB and #72F8F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FEDEC shade: #7EEDEB, #8AE1E0, #96D5D4, #A1C9C8 and #ADBDBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FEDEC shade: #7EEDB0, #7EEDCD, #7EEDEB, #7ED1ED and #7EB3ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FEDEC shade: #35E2E1, #59E7E6, #7EEDEB, #A2F2F1 and #C6F7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FEDEC shade: #7FEDEC, #927EED and #EDBE7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FEDEC shade: #7FEDEC, #EB7EED and #EDEB7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FEDEC shade: #7FEDEC, #927EED, #ED7E7F and #D8ED7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FEDEC shade: #7FEDEC, #B37EED, #ED7E7F and #B7ED7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 0 / 7

HEX #7FEDEC

RGB 127 237 236

HSL 179.45, 0.75%, 0.71%

LAB 87.55, -31.77, -9.32

 

Complementary color

CMYK 0 / 86 / 85 / 50

HEX #801213

RGB 128 18 19

HSL 359.45, 0.75%, 0.29%

LAB 26.93, 44.83, 30.68

 

CMYK 44 / 0 / 3 / 7

HEX #84EDE7

RGB 132 237 231

HSL 176.57, 0.74%, 0.72%

LAB 87.6, -31.88, -6.6

 

CMYK 42 / 0 / 2 / 0

HEX #95FFFA

RGB 149 255 250

HSL 177.17, 1%, 0.79%

LAB 93.8, -31.84, -7.25

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 46 / 0 / 0 / 7

HEX #7FEDEC

RGB 127 237 236

HSL 179.45, 0.75%, 0.71%

LAB 87.55, -31.77, -9.32

 

CMYK 50 / 0 / 1 / 14

HEX #6EDBD9

RGB 110 219 217

HSL 178.9, 0.6%, 0.65%

LAB 81.28, -31.7, -8.66

 

CMYK 54 / 0 / 1 / 21

HEX #5DC9C6

RGB 93 201 198

HSL 178.33, 0.5%, 0.58%

LAB 74.94, -31.57, -7.95

 

CMYK 58 / 0 / 2 / 28

HEX #4CB7B3

RGB 76 183 179

HSL 177.76, 0.43%, 0.51%

LAB 68.5, -31.34, -7.18

 

CMYK 64 / 0 / 3 / 35

HEX #3BA5A0

RGB 59 165 160

HSL 177.17, 0.47%, 0.44%

LAB 61.98, -30.98, -6.34

 

CMYK 47 / 0 / 1 / 7

HEX #7EEDEB

RGB 126 237 235

HSL 178.92, 0.76%, 0.71%

LAB 87.49, -32.24, -8.9

 

CMYK 47 / 0 / 13 / 7

HEX #7EEDCE

RGB 126 237 206

HSL 163.24, 0.76%, 0.71%

LAB 86.73, -39.1, 5.2

 

CMYK 47 / 0 / 26 / 7

HEX #7EEDB0

RGB 126 237 176

HSL 147.03, 0.76%, 0.71%

LAB 86.08, -45.37, 19.9

 

CMYK 47 / 0 / 38 / 7

HEX #7EED92

RGB 126 237 146

HSL 130.81, 0.76%, 0.71%

LAB 85.54, -50.68, 34.49

 

CMYK 43 / 0 / 47 / 7

HEX #87ED7E

RGB 135 237 126

HSL 115.14, 0.76%, 0.71%

LAB 85.62, -51.1, 44.49

 

CMYK 47 / 0 / 1 / 7

HEX #7EEDEB

RGB 126 237 235

HSL 178.92, 0.76%, 0.71%

LAB 87.49, -32.24, -8.9

 

CMYK 47 / 12 / 0 / 7

HEX #7ED0ED

RGB 126 208 237

HSL 195.68, 0.76%, 0.71%

LAB 79.42, -17.47, -22.07

 

CMYK 47 / 25 / 0 / 7

HEX #7EB2ED

RGB 126 178 237

HSL 211.89, 0.76%, 0.71%

LAB 71.14, -1.5, -34.78

 

CMYK 47 / 38 / 0 / 7

HEX #7E94ED

RGB 126 148 237

HSL 228.11, 0.76%, 0.71%

LAB 63.12, 15.57, -47.33

 

CMYK 47 / 47 / 0 / 7

HEX #7E7EED

RGB 126 126 237

HSL 240, 0.76%, 0.71%

LAB 57.53, 28.52, -56.2

 

CMYK 47 / 0 / 1 / 7

HEX #7EEDEB

RGB 126 237 235

HSL 178.92, 0.76%, 0.71%

LAB 87.49, -32.24, -8.9

 

CMYK 54 / 0 / 0 / 3

HEX #72F8F7

RGB 114 248 247

HSL 179.55, 0.91%, 0.71%

LAB 90.52, -36.76, -10.7

 

CMYK 47 / 0 / 1 / 7

HEX #7EEDEB

RGB 126 237 235

HSL 178.92, 0.76%, 0.71%

LAB 87.49, -32.24, -8.9

 

CMYK 39 / 0 / 0 / 12

HEX #8AE1E0

RGB 138 225 224

HSL 179.31, 0.59%, 0.71%

LAB 84.3, -26.38, -7.78

 

CMYK 30 / 0 / 0 / 16

HEX #96D5D4

RGB 150 213 212

HSL 179.05, 0.43%, 0.71%

LAB 81.2, -20.07, -5.93

 

CMYK 20 / 0 / 0 / 21

HEX #A1C9C8

RGB 161 201 200

HSL 178.5, 0.27%, 0.71%

LAB 78.18, -13.36, -3.88

 

CMYK 8 / 0 / 0 / 26

HEX #ADBDBD

RGB 173 189 189

HSL 180, 0.11%, 0.71%

LAB 75.42, -5.47, -1.89

 

CMYK 47 / 0 / 26 / 7

HEX #7EEDB0

RGB 126 237 176

HSL 147.03, 0.76%, 0.71%

LAB 86.08, -45.37, 19.9

 

CMYK 47 / 0 / 14 / 7

HEX #7EEDCD

RGB 126 237 205

HSL 162.7, 0.76%, 0.71%

LAB 86.71, -39.33, 5.69

 

CMYK 47 / 0 / 1 / 7

HEX #7EEDEB

RGB 126 237 235

HSL 178.92, 0.76%, 0.71%

LAB 87.49, -32.24, -8.9

 

CMYK 47 / 12 / 0 / 7

HEX #7ED1ED

RGB 126 209 237

HSL 195.14, 0.76%, 0.71%

LAB 79.7, -17.98, -21.65

 

CMYK 47 / 24 / 0 / 7

HEX #7EB3ED

RGB 126 179 237

HSL 211.35, 0.76%, 0.71%

LAB 71.41, -2.05, -34.36

 

CMYK 77 / 0 / 0 / 11

HEX #35E2E1

RGB 53 226 225

HSL 179.65, 0.75%, 0.55%

LAB 82.16, -41.48, -11.76

 

CMYK 61 / 0 / 0 / 9

HEX #59E7E6

RGB 89 231 230

HSL 179.58, 0.75%, 0.63%

LAB 84.48, -37.77, -10.87

 

CMYK 47 / 0 / 1 / 7

HEX #7EEDEB

RGB 126 237 235

HSL 178.92, 0.76%, 0.71%

LAB 87.49, -32.24, -8.9

 

CMYK 33 / 0 / 0 / 5

HEX #A2F2F1

RGB 162 242 241

HSL 179.25, 0.75%, 0.79%

LAB 90.57, -24.48, -7.3

 

CMYK 20 / 0 / 0 / 3

HEX #C6F7F6

RGB 198 247 246

HSL 178.78, 0.75%, 0.87%

LAB 93.96, -15.69, -4.67

 

CMYK 46 / 0 / 0 / 7

HEX #7FEDEC

RGB 127 237 236

HSL 179.45, 0.75%, 0.71%

LAB 87.55, -31.77, -9.32

 

CMYK 38 / 47 / 0 / 7

HEX #927EED

RGB 146 126 237

HSL 250.81, 0.76%, 0.71%

LAB 59.11, 33.26, -53.59

 

CMYK 0 / 20 / 47 / 7

HEX #EDBE7E

RGB 237 190 126

HSL 34.59, 0.76%, 0.71%

LAB 79.81, 8.95, 38.6

 

CMYK 46 / 0 / 0 / 7

HEX #7FEDEC

RGB 127 237 236

HSL 179.45, 0.75%, 0.71%

LAB 87.55, -31.77, -9.32

 

CMYK 1 / 47 / 0 / 7

HEX #EB7EED

RGB 235 126 237

HSL 298.92, 0.76%, 0.71%

LAB 68.53, 57.3, -38.11

 

CMYK 0 / 1 / 47 / 7

HEX #EDEB7E

RGB 237 235 126

HSL 58.92, 0.76%, 0.71%

LAB 91.2, -14.01, 52.74

 

CMYK 46 / 0 / 0 / 7

HEX #7FEDEC

RGB 127 237 236

HSL 179.45, 0.75%, 0.71%

LAB 87.55, -31.77, -9.32

 

CMYK 38 / 47 / 0 / 7

HEX #927EED

RGB 146 126 237

HSL 250.81, 0.76%, 0.71%

LAB 59.11, 33.26, -53.59

 

CMYK 0 / 47 / 46 / 7

HEX #ED7E7F

RGB 237 126 127

HSL 359.46, 0.76%, 0.71%

LAB 65.32, 42.64, 18.91

 

CMYK 9 / 0 / 47 / 7

HEX #D8ED7E

RGB 216 237 126

HSL 71.35, 0.76%, 0.71%

LAB 90.17, -23.14, 51.13

 

CMYK 46 / 0 / 0 / 7

HEX #7FEDEC

RGB 127 237 236

HSL 179.45, 0.75%, 0.71%

LAB 87.55, -31.77, -9.32

 

CMYK 24 / 47 / 0 / 7

HEX #B37EED

RGB 179 126 237

HSL 268.65, 0.76%, 0.71%

LAB 62.19, 41.82, -48.52

 

CMYK 0 / 47 / 46 / 7

HEX #ED7E7F

RGB 237 126 127

HSL 359.46, 0.76%, 0.71%

LAB 65.32, 42.64, 18.91

 

CMYK 23 / 0 / 47 / 7

HEX #B7ED7E

RGB 183 237 126

HSL 89.19, 0.76%, 0.71%

LAB 88.04, -35.4, 48.03

 

Description

Color code: HEX #7FEDEC | qconv.com Color code: HEX #7FEDEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 237 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 237 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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