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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FECC0 it is the complementary color #80133F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FECC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FECC0 shade: #84ECBB, #95FECE, #A6FFE1, #B7FFF4 and #C8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FECC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FECC0 shade: #7FECC0, #6EDAAD, #5DC89A, #4CB687 and #3BA474

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FECC0 shade: #7EECC0, #7EECA2, #7EEC85, #96EC7E and #B3EC7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FECC0 shade: #7EECC0, #7EECDD, #7EDDEC, #7EBFEC and #7EA2EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FECC0 shade matches the following richer shades: #7EECC0 and #72F8C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FECC0 shade: #7EECC0, #8AE0BD, #96D4BB, #A2C8B9 and #AEBCB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FECC0 shade: #7EEC84, #7EECA1, #7EECBE, #7EECDB and #7EDFEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FECC0 shade: #37E19C, #5AE6AE, #7EECC0, #A2F1D1 and #C6F7E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FECC0 shade: #7FECC0, #7E96EC and #EC927E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FECC0 shade: #7FECC0, #BE7EEC and #ECBE7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FECC0 shade: #7FECC0, #7E96EC, #EC7EAC and #ECD47E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FECC0 shade: #7FECC0, #877EEC, #EC7EAC and #E3EC7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 19 / 7

HEX #7FECC0

RGB 127 236 192

HSL 155.78, 0.74%, 0.71%

LAB 86.16, -41.45, 11.71

 

Complementary color

CMYK 0 / 85 / 51 / 50

HEX #80133F

RGB 128 19 63

HSL 335.78, 0.74%, 0.29%

LAB 27.88, 47.15, 3.01

 

CMYK 44 / 0 / 21 / 7

HEX #84ECBB

RGB 132 236 187

HSL 151.73, 0.73%, 0.72%

LAB 86.25, -41.23, 14.46

 

CMYK 41 / 0 / 19 / 0

HEX #95FECE

RGB 149 254 206

HSL 152.57, 0.98%, 0.79%

LAB 92.46, -41.01, 13.51

 

CMYK 35 / 0 / 12 / 0

HEX #A6FFE1

RGB 166 255 225

HSL 159.78, 1%, 0.83%

LAB 93.91, -33.06, 5.91

 

CMYK 28 / 0 / 4 / 0

HEX #B7FFF4

RGB 183 255 244

HSL 170.83, 1%, 0.86%

LAB 95.21, -24.37, -1.9

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 46 / 0 / 19 / 7

HEX #7FECC0

RGB 127 236 192

HSL 155.78, 0.74%, 0.71%

LAB 86.16, -41.45, 11.71

 

CMYK 50 / 0 / 21 / 15

HEX #6EDAAD

RGB 110 218 173

HSL 155, 0.59%, 0.64%

LAB 79.88, -41.6, 12.7

 

CMYK 54 / 0 / 23 / 22

HEX #5DC89A

RGB 93 200 154

HSL 154.21, 0.49%, 0.57%

LAB 73.53, -41.71, 13.78

 

CMYK 58 / 0 / 26 / 29

HEX #4CB687

RGB 76 182 135

HSL 153.4, 0.42%, 0.51%

LAB 67.08, -41.73, 14.95

 

CMYK 64 / 0 / 29 / 36

HEX #3BA474

RGB 59 164 116

HSL 152.57, 0.47%, 0.44%

LAB 60.55, -41.61, 16.23

 

CMYK 47 / 0 / 19 / 7

HEX #7EECC0

RGB 126 236 192

HSL 156, 0.74%, 0.71%

LAB 86.12, -41.7, 11.65

 

CMYK 47 / 0 / 31 / 7

HEX #7EECA2

RGB 126 236 162

HSL 139.64, 0.74%, 0.71%

LAB 85.52, -47.55, 26.35

 

CMYK 47 / 0 / 44 / 7

HEX #7EEC85

RGB 126 236 133

HSL 123.82, 0.74%, 0.71%

LAB 85.06, -52.25, 40.31

 

CMYK 36 / 0 / 47 / 7

HEX #96EC7E

RGB 150 236 126

HSL 106.91, 0.74%, 0.71%

LAB 86, -46.12, 45.11

 

CMYK 24 / 0 / 47 / 7

HEX #B3EC7E

RGB 179 236 126

HSL 91.09, 0.74%, 0.71%

LAB 87.52, -36.37, 47.34

 

CMYK 47 / 0 / 19 / 7

HEX #7EECC0

RGB 126 236 192

HSL 156, 0.74%, 0.71%

LAB 86.12, -41.7, 11.65

 

CMYK 47 / 0 / 6 / 7

HEX #7EECDD

RGB 126 236 221

HSL 171.82, 0.74%, 0.71%

LAB 86.82, -35.18, -2.53

 

CMYK 47 / 6 / 0 / 7

HEX #7EDDEC

RGB 126 221 236

HSL 188.18, 0.74%, 0.71%

LAB 83.02, -24.27, -16.1

 

CMYK 47 / 19 / 0 / 7

HEX #7EBFEC

RGB 126 191 236

HSL 204.55, 0.74%, 0.71%

LAB 74.67, -8.85, -28.79

 

CMYK 47 / 31 / 0 / 7

HEX #7EA2EC

RGB 126 162 236

HSL 220.36, 0.74%, 0.71%

LAB 66.77, 7.2, -41.04

 

CMYK 47 / 0 / 19 / 7

HEX #7EECC0

RGB 126 236 192

HSL 156, 0.74%, 0.71%

LAB 86.12, -41.7, 11.65

 

CMYK 54 / 0 / 22 / 3

HEX #72F8C2

RGB 114 248 194

HSL 155.82, 0.91%, 0.71%

LAB 89.21, -49.2, 14.92

 

CMYK 47 / 0 / 19 / 7

HEX #7EECC0

RGB 126 236 192

HSL 156, 0.74%, 0.71%

LAB 86.12, -41.7, 11.65

 

CMYK 38 / 0 / 16 / 12

HEX #8AE0BD

RGB 138 224 189

HSL 155.58, 0.58%, 0.71%

LAB 83.12, -33.76, 9.01

 

CMYK 29 / 0 / 12 / 17

HEX #96D4BB

RGB 150 212 187

HSL 155.81, 0.42%, 0.71%

LAB 80.27, -24.99, 6.06

 

CMYK 19 / 0 / 8 / 22

HEX #A2C8B9

RGB 162 200 185

HSL 156.32, 0.26%, 0.71%

LAB 77.57, -15.64, 3.32

 

CMYK 7 / 0 / 3 / 26

HEX #AEBCB6

RGB 174 188 182

HSL 154.29, 0.09%, 0.71%

LAB 75.04, -5.97, 1.37

 

CMYK 47 / 0 / 44 / 7

HEX #7EEC84

RGB 126 236 132

HSL 123.27, 0.74%, 0.71%

LAB 85.04, -52.4, 40.78

 

CMYK 47 / 0 / 32 / 7

HEX #7EECA1

RGB 126 236 161

HSL 139.09, 0.74%, 0.71%

LAB 85.5, -47.72, 26.83

 

CMYK 47 / 0 / 19 / 7

HEX #7EECBE

RGB 126 236 190

HSL 154.91, 0.74%, 0.71%

LAB 86.08, -42.11, 12.63

 

CMYK 47 / 0 / 7 / 7

HEX #7EECDB

RGB 126 236 219

HSL 170.73, 0.74%, 0.71%

LAB 86.77, -35.66, -1.56

 

CMYK 47 / 6 / 0 / 7

HEX #7EDFEC

RGB 126 223 236

HSL 187.09, 0.74%, 0.71%

LAB 83.58, -25.25, -15.25

 

CMYK 76 / 0 / 31 / 12

HEX #37E19C

RGB 55 225 156

HSL 155.65, 0.74%, 0.55%

LAB 80.21, -58.05, 21.88

 

CMYK 61 / 0 / 24 / 10

HEX #5AE6AE

RGB 90 230 174

HSL 156, 0.74%, 0.63%

LAB 82.82, -50.77, 16.22

 

CMYK 47 / 0 / 19 / 7

HEX #7EECC0

RGB 126 236 192

HSL 156, 0.74%, 0.71%

LAB 86.12, -41.7, 11.65

 

CMYK 33 / 0 / 13 / 5

HEX #A2F1D1

RGB 162 241 209

HSL 155.7, 0.74%, 0.79%

LAB 89.48, -30.91, 7.8

 

CMYK 20 / 0 / 8 / 3

HEX #C6F7E3

RGB 198 247 227

HSL 155.51, 0.75%, 0.87%

LAB 93.48, -19.48, 4.47

 

CMYK 46 / 0 / 19 / 7

HEX #7FECC0

RGB 127 236 192

HSL 155.78, 0.74%, 0.71%

LAB 86.16, -41.45, 11.71

 

CMYK 47 / 36 / 0 / 7

HEX #7E96EC

RGB 126 150 236

HSL 226.91, 0.74%, 0.71%

LAB 63.59, 14.11, -46.03

 

CMYK 0 / 38 / 47 / 7

HEX #EC927E

RGB 236 146 126

HSL 10.91, 0.74%, 0.71%

LAB 69.4, 31.84, 24.97

 

CMYK 46 / 0 / 19 / 7

HEX #7FECC0

RGB 127 236 192

HSL 155.78, 0.74%, 0.71%

LAB 86.16, -41.45, 11.71

 

CMYK 19 / 47 / 0 / 7

HEX #BE7EEC

RGB 190 126 236

HSL 274.91, 0.74%, 0.71%

LAB 63.28, 44.58, -46.16

 

CMYK 0 / 19 / 47 / 7

HEX #ECBE7E

RGB 236 190 126

HSL 34.91, 0.74%, 0.71%

LAB 79.71, 8.55, 38.46

 

CMYK 46 / 0 / 19 / 7

HEX #7FECC0

RGB 127 236 192

HSL 155.78, 0.74%, 0.71%

LAB 86.16, -41.45, 11.71

 

CMYK 47 / 36 / 0 / 7

HEX #7E96EC

RGB 126 150 236

HSL 226.91, 0.74%, 0.71%

LAB 63.59, 14.11, -46.03

 

CMYK 0 / 47 / 27 / 7

HEX #EC7EAC

RGB 236 126 172

HSL 334.91, 0.74%, 0.71%

LAB 66.32, 47.47, -5.17

 

CMYK 0 / 10 / 47 / 7

HEX #ECD47E

RGB 236 212 126

HSL 46.91, 0.74%, 0.71%

LAB 85.21, -2.86, 45.39

 

CMYK 46 / 0 / 19 / 7

HEX #7FECC0

RGB 127 236 192

HSL 155.78, 0.74%, 0.71%

LAB 86.16, -41.45, 11.71

 

CMYK 43 / 47 / 0 / 7

HEX #877EEC

RGB 135 126 236

HSL 244.91, 0.74%, 0.71%

LAB 58.16, 30.32, -54.61

 

CMYK 0 / 47 / 27 / 7

HEX #EC7EAC

RGB 236 126 172

HSL 334.91, 0.74%, 0.71%

LAB 66.32, 47.47, -5.17

 

CMYK 4 / 0 / 47 / 7

HEX #E3EC7E

RGB 227 236 126

HSL 64.91, 0.74%, 0.71%

LAB 90.7, -18.41, 51.96

 

Description

Color code: HEX #7FECC0 | qconv.com Color code: HEX #7FECC0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 236 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 236 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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