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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FE981 it is the complementary color #80167E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FE981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FE981 shade: #84E97C, #95FB8F, #A6FFA2, #B7FFB5 and #C8FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FE981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FE981 shade: #7FE981, #6ED76E, #5DC55B, #4CB348 and #3BA135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FE981 shade: #81EA83, #9BEA81, #B7EA81, #D4EA81 and #EAE381

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FE981 shade: #81EA83, #81EA9F, #81EABB, #81EAD7 and #81DFEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FE981 shade matches the following richer shades: #81EA83 and #75F677

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FE981 shade: #81EA83, #8DDE8E, #98D29A, #A4C6A5 and #B0BAB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FE981 shade: #B7EA81, #9BEA81, #81EA82, #81EA9E and #81EABA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FE981 shade: #3ADE3D, #5DE460, #81EA83, #A4F0A5 and #C7F6C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FE981 shade: #7FE981, #81D3EA and #EA81A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FE981 shade: #7FE981, #8281EA and #EA8281

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FE981 shade: #7FE981, #81D3EA, #EA81E8 and #EA9781

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FE981 shade: #7FE981, #81B3EA, #EA81E8 and #EAB781

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 45 / 9

HEX #7FE981

RGB 127 233 129

HSL 121.13, 0.71%, 0.71%

LAB 84.16, -51.33, 41.13

 

Complementary color

CMYK 0 / 83 / 2 / 50

HEX #80167E

RGB 128 22 126

HSL 301.13, 0.71%, 0.29%

LAB 31.04, 54.55, -33.23

 

CMYK 43 / 0 / 47 / 9

HEX #84E97C

RGB 132 233 124

HSL 115.6, 0.71%, 0.7%

LAB 84.3, -50.59, 43.78

 

CMYK 41 / 0 / 43 / 2

HEX #95FB8F

RGB 149 251 143

HSL 116.67, 0.93%, 0.77%

LAB 90.49, -50.47, 42.56

 

CMYK 35 / 0 / 36 / 0

HEX #A6FFA2

RGB 166 255 162

HSL 117.42, 1%, 0.82%

LAB 92.68, -44.33, 36.23

 

CMYK 28 / 0 / 29 / 0

HEX #B7FFB5

RGB 183 255 181

HSL 118.38, 1%, 0.85%

LAB 93.85, -36.1, 28.44

 

CMYK 22 / 0 / 22 / 0

HEX #C8FFC8

RGB 200 255 200

HSL 120, 1%, 0.89%

LAB 95.15, -27.54, 20.74

 

CMYK 45 / 0 / 45 / 9

HEX #7FE981

RGB 127 233 129

HSL 121.13, 0.71%, 0.71%

LAB 84.16, -51.33, 41.13

 

CMYK 49 / 0 / 49 / 16

HEX #6ED76E

RGB 110 215 110

HSL 120, 0.57%, 0.64%

LAB 77.9, -51.39, 42.4

 

CMYK 53 / 0 / 54 / 23

HEX #5DC55B

RGB 93 197 91

HSL 118.87, 0.48%, 0.56%

LAB 71.57, -51.33, 43.68

 

CMYK 58 / 0 / 60 / 30

HEX #4CB348

RGB 76 179 72

HSL 117.76, 0.43%, 0.49%

LAB 65.16, -51.08, 44.92

 

CMYK 63 / 0 / 67 / 37

HEX #3BA135

RGB 59 161 53

HSL 116.67, 0.5%, 0.42%

LAB 58.67, -50.53, 45.98

 

CMYK 45 / 0 / 44 / 8

HEX #81EA83

RGB 129 234 131

HSL 121.14, 0.71%, 0.71%

LAB 84.56, -50.89, 40.68

 

CMYK 34 / 0 / 45 / 8

HEX #9BEA81

RGB 155 234 129

HSL 105.14, 0.71%, 0.71%

LAB 85.71, -43.27, 43.35

 

CMYK 22 / 0 / 45 / 8

HEX #B7EA81

RGB 183 234 129

HSL 89.14, 0.71%, 0.71%

LAB 87.24, -33.68, 45.6

 

CMYK 9 / 0 / 45 / 8

HEX #D4EA81

RGB 212 234 129

HSL 72.57, 0.71%, 0.71%

LAB 89.12, -22.93, 48.35

 

CMYK 0 / 3 / 45 / 8

HEX #EAE381

RGB 234 227 129

HSL 56, 0.71%, 0.71%

LAB 88.93, -10.95, 48.48

 

CMYK 45 / 0 / 44 / 8

HEX #81EA83

RGB 129 234 131

HSL 121.14, 0.71%, 0.71%

LAB 84.56, -50.89, 40.68

 

CMYK 45 / 0 / 32 / 8

HEX #81EA9F

RGB 129 234 159

HSL 137.14, 0.71%, 0.71%

LAB 85, -46.44, 27.2

 

CMYK 45 / 0 / 20 / 8

HEX #81EABB

RGB 129 234 187

HSL 153.14, 0.71%, 0.71%

LAB 85.55, -41.1, 13.47

 

CMYK 45 / 0 / 8 / 8

HEX #81EAD7

RGB 129 234 215

HSL 169.14, 0.71%, 0.71%

LAB 86.22, -34.97, -0.26

 

CMYK 45 / 5 / 0 / 8

HEX #81DFEA

RGB 129 223 234

HSL 186.29, 0.71%, 0.71%

LAB 83.64, -25.09, -14.09

 

CMYK 45 / 0 / 44 / 8

HEX #81EA83

RGB 129 234 131

HSL 121.14, 0.71%, 0.71%

LAB 84.56, -50.89, 40.68

 

CMYK 52 / 0 / 52 / 4

HEX #75F677

RGB 117 246 119

HSL 120.93, 0.88%, 0.71%

LAB 87.5, -60.43, 49.97

 

CMYK 45 / 0 / 44 / 8

HEX #81EA83

RGB 129 234 131

HSL 121.14, 0.71%, 0.71%

LAB 84.56, -50.89, 40.68

 

CMYK 36 / 0 / 36 / 13

HEX #8DDE8E

RGB 141 222 142

HSL 120.74, 0.55%, 0.71%

LAB 81.76, -40.58, 31.64

 

CMYK 28 / 0 / 27 / 18

HEX #98D29A

RGB 152 210 154

HSL 122.07, 0.39%, 0.71%

LAB 79.1, -29.59, 21.93

 

CMYK 17 / 0 / 17 / 22

HEX #A4C6A5

RGB 164 198 165

HSL 121.76, 0.23%, 0.71%

LAB 76.68, -17.74, 12.81

 

CMYK 5 / 0 / 5 / 27

HEX #B0BAB1

RGB 176 186 177

HSL 126, 0.07%, 0.71%

LAB 74.52, -5.16, 3.35

 

CMYK 22 / 0 / 45 / 8

HEX #B7EA81

RGB 183 234 129

HSL 89.14, 0.71%, 0.71%

LAB 87.24, -33.68, 45.6

 

CMYK 34 / 0 / 45 / 8

HEX #9BEA81

RGB 155 234 129

HSL 105.14, 0.71%, 0.71%

LAB 85.71, -43.27, 43.35

 

CMYK 45 / 0 / 44 / 8

HEX #81EA82

RGB 129 234 130

HSL 120.57, 0.71%, 0.71%

LAB 84.55, -51.04, 41.15

 

CMYK 45 / 0 / 32 / 8

HEX #81EA9E

RGB 129 234 158

HSL 136.57, 0.71%, 0.71%

LAB 84.99, -46.61, 27.69

 

CMYK 45 / 0 / 21 / 8

HEX #81EABA

RGB 129 234 186

HSL 152.57, 0.71%, 0.71%

LAB 85.53, -41.31, 13.96

 

CMYK 74 / 0 / 73 / 13

HEX #3ADE3D

RGB 58 222 61

HSL 121.1, 0.71%, 0.55%

LAB 78.16, -70.37, 63.29

 

CMYK 59 / 0 / 58 / 11

HEX #5DE460

RGB 93 228 96

HSL 121.33, 0.71%, 0.63%

LAB 81.1, -62.33, 52.65

 

CMYK 45 / 0 / 44 / 8

HEX #81EA83

RGB 129 234 131

HSL 121.14, 0.71%, 0.71%

LAB 84.56, -50.89, 40.68

 

CMYK 32 / 0 / 31 / 6

HEX #A4F0A5

RGB 164 240 165

HSL 120.79, 0.72%, 0.79%

LAB 88.41, -37.84, 29.02

 

CMYK 19 / 0 / 19 / 4

HEX #C7F6C8

RGB 199 246 200

HSL 121.28, 0.72%, 0.87%

LAB 92.67, -23.58, 17.27

 

CMYK 45 / 0 / 45 / 9

HEX #7FE981

RGB 127 233 129

HSL 121.13, 0.71%, 0.71%

LAB 84.16, -51.33, 41.13

 

CMYK 45 / 10 / 0 / 8

HEX #81D3EA

RGB 129 211 234

HSL 193.14, 0.71%, 0.71%

LAB 80.29, -19.1, -19.14

 

CMYK 0 / 45 / 28 / 8

HEX #EA81A9

RGB 234 129 169

HSL 337.14, 0.71%, 0.71%

LAB 66.56, 44.89, -3.14

 

CMYK 45 / 0 / 45 / 9

HEX #7FE981

RGB 127 233 129

HSL 121.13, 0.71%, 0.71%

LAB 84.16, -51.33, 41.13

 

CMYK 44 / 45 / 0 / 8

HEX #8281EA

RGB 130 129 234

HSL 240.57, 0.71%, 0.71%

LAB 58.4, 26.8, -53.13

 

CMYK 0 / 44 / 45 / 8

HEX #EA8281

RGB 234 130 129

HSL 0.57, 0.71%, 0.71%

LAB 65.78, 39.7, 18.35

 

CMYK 45 / 0 / 45 / 9

HEX #7FE981

RGB 127 233 129

HSL 121.13, 0.71%, 0.71%

LAB 84.16, -51.33, 41.13

 

CMYK 45 / 10 / 0 / 8

HEX #81D3EA

RGB 129 211 234

HSL 193.14, 0.71%, 0.71%

LAB 80.29, -19.1, -19.14

 

CMYK 0 / 45 / 1 / 8

HEX #EA81E8

RGB 234 129 232

HSL 301.14, 0.71%, 0.71%

LAB 68.77, 54.66, -35

 

CMYK 0 / 35 / 45 / 8

HEX #EA9781

RGB 234 151 129

HSL 12.57, 0.71%, 0.71%

LAB 70.32, 28.73, 24.53

 

CMYK 45 / 0 / 45 / 9

HEX #7FE981

RGB 127 233 129

HSL 121.13, 0.71%, 0.71%

LAB 84.16, -51.33, 41.13

 

CMYK 45 / 24 / 0 / 8

HEX #81B3EA

RGB 129 179 234

HSL 211.43, 0.71%, 0.71%

LAB 71.45, -2.18, -32.65

 

CMYK 0 / 45 / 1 / 8

HEX #EA81E8

RGB 234 129 232

HSL 301.14, 0.71%, 0.71%

LAB 68.77, 54.66, -35

 

CMYK 0 / 22 / 45 / 8

HEX #EAB781

RGB 234 183 129

HSL 30.86, 0.71%, 0.71%

LAB 77.84, 11.73, 34.46

 

Description

Color code: HEX #7FE981 | qconv.com Color code: HEX #7FE981 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 233 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 233 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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