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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FDF16 it is the complementary color #8020E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FDF16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FDF16 shade: #84DF11, #95F124, #A6FF37, #B7FF4A and #C8FF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FDF16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FDF16 shade: #7FDF16, #6ECD03, #5DBB00, #4CA900 and #3B9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FDF16 shade: #7FDF16, #B5DF16, #DFD216, #DF9C16 and #DF6616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FDF16 shade: #7FDF16, #49DF16, #16DF19, #16DF50 and #16DF86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FDF16 shade matches the following richer shades: #7FDF16 and #80F302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FDF16 shade: #7FDF16, #7ECB2A, #7DB73E, #7CA351 and #7B9065

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FDF16 shade: #DFD116, #B7DF16, #81DF16, #4CDF16 and #16DF16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FDF16 shade: #54940F, #69B912, #7FDF16, #93EB33 and #A7EF59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FDF16 shade: #7FDF16, #16DF9C and #DF16D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FDF16 shade: #7FDF16, #1681DF and #DF1681

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FDF16 shade: #7FDF16, #16DF9C, #7416DF and #DF1659

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FDF16 shade: #7FDF16, #16DFD8, #7416DF and #DF161D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 90 / 13

HEX #7FDF16

RGB 127 223 22

HSL 88.66, 0.82%, 0.48%

LAB 80.37, -56.05, 76.02

 

Complementary color

CMYK 45 / 86 / 0 / 9

HEX #8020E9

RGB 128 32 233

HSL 268.66, 0.82%, 0.52%

LAB 40.42, 73.4, -81.71

 

CMYK 41 / 0 / 92 / 13

HEX #84DF11

RGB 132 223 17

HSL 86.5, 0.86%, 0.47%

LAB 80.58, -54.53, 76.97

 

CMYK 38 / 0 / 85 / 5

HEX #95F124

RGB 149 241 36

HSL 86.93, 0.88%, 0.54%

LAB 86.72, -55.46, 79.27

 

CMYK 35 / 0 / 78 / 0

HEX #A6FF37

RGB 166 255 55

HSL 86.7, 1%, 0.61%

LAB 91.64, -54.57, 79.42

 

CMYK 28 / 0 / 71 / 0

HEX #B7FF4A

RGB 183 255 74

HSL 83.87, 1%, 0.65%

LAB 92.61, -47.68, 74.83

 

CMYK 22 / 0 / 64 / 0

HEX #C8FF5D

RGB 200 255 93

HSL 80.37, 1%, 0.68%

LAB 93.71, -40.28, 69.28

 

CMYK 43 / 0 / 90 / 13

HEX #7FDF16

RGB 127 223 22

HSL 88.66, 0.82%, 0.48%

LAB 80.37, -56.05, 76.02

 

CMYK 46 / 0 / 99 / 20

HEX #6ECD03

RGB 110 205 3

HSL 88.22, 0.97%, 0.41%

LAB 74.18, -54.91, 72.9

 

CMYK 50 / 0 / 100 / 27

HEX #5DBB00

RGB 93 187 0

HSL 90.16, 1%, 0.37%

LAB 67.92, -53.42, 68.02

 

CMYK 55 / 0 / 100 / 34

HEX #4CA900

RGB 76 169 0

HSL 93.02, 1%, 0.33%

LAB 61.58, -51.75, 62.77

 

CMYK 61 / 0 / 100 / 41

HEX #3B9700

RGB 59 151 0

HSL 96.56, 1%, 0.3%

LAB 55.14, -49.87, 57.45

 

CMYK 43 / 0 / 90 / 13

HEX #7FDF16

RGB 127 223 22

HSL 88.66, 0.82%, 0.48%

LAB 80.37, -56.05, 76.02

 

CMYK 19 / 0 / 90 / 13

HEX #B5DF16

RGB 181 223 22

HSL 72.54, 0.82%, 0.48%

LAB 83.26, -36.46, 79.57

 

CMYK 0 / 6 / 90 / 13

HEX #DFD216

RGB 223 210 22

HSL 56.12, 0.82%, 0.48%

LAB 82.83, -12.83, 80.55

 

CMYK 0 / 30 / 90 / 13

HEX #DF9C16

RGB 223 156 22

HSL 40, 0.82%, 0.48%

LAB 69.13, 15.31, 70.04

 

CMYK 0 / 54 / 90 / 13

HEX #DF6616

RGB 223 102 22

HSL 23.88, 0.82%, 0.48%

LAB 57.32, 43.48, 61.22

 

CMYK 43 / 0 / 90 / 13

HEX #7FDF16

RGB 127 223 22

HSL 88.66, 0.82%, 0.48%

LAB 80.37, -56.05, 76.02

 

CMYK 67 / 0 / 90 / 13

HEX #49DF16

RGB 73 223 22

HSL 104.78, 0.82%, 0.48%

LAB 78.61, -70.1, 73.83

 

CMYK 90 / 0 / 89 / 13

HEX #16DF19

RGB 22 223 25

HSL 120.9, 0.82%, 0.48%

LAB 77.88, -76.42, 72.44

 

CMYK 90 / 0 / 64 / 13

HEX #16DF50

RGB 22 223 80

HSL 137.31, 0.82%, 0.48%

LAB 78.18, -72.61, 55.9

 

CMYK 90 / 0 / 40 / 13

HEX #16DF86

RGB 22 223 134

HSL 153.43, 0.82%, 0.48%

LAB 78.85, -64.58, 31.3

 

CMYK 43 / 0 / 90 / 13

HEX #7FDF16

RGB 127 223 22

HSL 88.66, 0.82%, 0.48%

LAB 80.37, -56.05, 76.02

 

CMYK 47 / 0 / 99 / 5

HEX #80F302

RGB 128 243 2

HSL 88.63, 0.98%, 0.48%

LAB 86.35, -63.5, 82.88

 

CMYK 43 / 0 / 90 / 13

HEX #7FDF16

RGB 127 223 22

HSL 88.66, 0.82%, 0.48%

LAB 80.37, -56.05, 76.02

 

CMYK 38 / 0 / 79 / 20

HEX #7ECB2A

RGB 126 203 42

HSL 88.7, 0.66%, 0.48%

LAB 74.39, -47.76, 66.45

 

CMYK 32 / 0 / 66 / 28

HEX #7DB73E

RGB 125 183 62

HSL 88.76, 0.49%, 0.48%

LAB 68.44, -38.32, 53.53

 

CMYK 24 / 0 / 50 / 36

HEX #7CA351

RGB 124 163 81

HSL 88.54, 0.34%, 0.48%

LAB 62.57, -27.56, 38.07

 

CMYK 15 / 0 / 30 / 44

HEX #7B9065

RGB 123 144 101

HSL 89.3, 0.18%, 0.48%

LAB 57.17, -15.58, 20.45

 

CMYK 0 / 6 / 90 / 13

HEX #DFD116

RGB 223 209 22

HSL 55.82, 0.82%, 0.48%

LAB 82.56, -12.33, 80.35

 

CMYK 18 / 0 / 90 / 13

HEX #B7DF16

RGB 183 223 22

HSL 71.94, 0.82%, 0.48%

LAB 83.39, -35.67, 79.73

 

CMYK 42 / 0 / 90 / 13

HEX #81DF16

RGB 129 223 22

HSL 88.06, 0.82%, 0.48%

LAB 80.46, -55.41, 76.13

 

CMYK 66 / 0 / 90 / 13

HEX #4CDF16

RGB 76 223 22

HSL 103.88, 0.82%, 0.48%

LAB 78.68, -69.51, 73.92

 

CMYK 90 / 0 / 90 / 13

HEX #16DF16

RGB 22 223 22

HSL 120, 0.82%, 0.48%

LAB 77.88, -76.51, 72.92

 

CMYK 43 / 0 / 90 / 42

HEX #54940F

RGB 84 148 15

HSL 88.87, 0.82%, 0.32%

LAB 55.17, -40.65, 55.38

 

CMYK 43 / 0 / 90 / 27

HEX #69B912

RGB 105 185 18

HSL 88.74, 0.82%, 0.4%

LAB 67.83, -48.49, 65.85

 

CMYK 43 / 0 / 90 / 13

HEX #7FDF16

RGB 127 223 22

HSL 88.66, 0.82%, 0.48%

LAB 80.37, -56.05, 76.02

 

CMYK 37 / 0 / 78 / 8

HEX #93EB33

RGB 147 235 51

HSL 88.7, 0.82%, 0.56%

LAB 84.92, -53.16, 74

 

CMYK 30 / 0 / 63 / 6

HEX #A7EF59

RGB 167 239 89

HSL 88.8, 0.82%, 0.64%

LAB 87.32, -45.52, 63.46

 

CMYK 43 / 0 / 90 / 13

HEX #7FDF16

RGB 127 223 22

HSL 88.66, 0.82%, 0.48%

LAB 80.37, -56.05, 76.02

 

CMYK 90 / 0 / 30 / 13

HEX #16DF9C

RGB 22 223 156

HSL 160, 0.82%, 0.48%

LAB 79.24, -60.1, 20.48

 

CMYK 0 / 90 / 6 / 13

HEX #DF16D1

RGB 223 22 209

HSL 304.18, 0.82%, 0.48%

LAB 52.8, 84.96, -47.26

 

CMYK 43 / 0 / 90 / 13

HEX #7FDF16

RGB 127 223 22

HSL 88.66, 0.82%, 0.48%

LAB 80.37, -56.05, 76.02

 

CMYK 90 / 42 / 0 / 13

HEX #1681DF

RGB 22 129 223

HSL 208.06, 0.82%, 0.48%

LAB 53.17, 6.52, -55.61

 

CMYK 0 / 90 / 42 / 13

HEX #DF1681

RGB 223 22 129

HSL 328.06, 0.82%, 0.48%

LAB 49.31, 75.78, -5.44

 

CMYK 43 / 0 / 90 / 13

HEX #7FDF16

RGB 127 223 22

HSL 88.66, 0.82%, 0.48%

LAB 80.37, -56.05, 76.02

 

CMYK 90 / 0 / 30 / 13

HEX #16DF9C

RGB 22 223 156

HSL 160, 0.82%, 0.48%

LAB 79.24, -60.1, 20.48

 

CMYK 48 / 90 / 0 / 13

HEX #7416DF

RGB 116 22 223

HSL 268.06, 0.82%, 0.48%

LAB 37.14, 72.29, -81.46

 

CMYK 0 / 90 / 60 / 13

HEX #DF1659

RGB 223 22 89

HSL 340, 0.82%, 0.48%

LAB 48.24, 72.82, 17.57

 

CMYK 43 / 0 / 90 / 13

HEX #7FDF16

RGB 127 223 22

HSL 88.66, 0.82%, 0.48%

LAB 80.37, -56.05, 76.02

 

CMYK 90 / 0 / 3 / 13

HEX #16DFD8

RGB 22 223 216

HSL 177.91, 0.82%, 0.48%

LAB 80.69, -44.84, -9.21

 

CMYK 48 / 90 / 0 / 13

HEX #7416DF

RGB 116 22 223

HSL 268.06, 0.82%, 0.48%

LAB 37.14, 72.29, -81.46

 

CMYK 0 / 90 / 87 / 13

HEX #DF161D

RGB 223 22 29

HSL 357.91, 0.82%, 0.48%

LAB 47.43, 70.54, 51.13

 

Description

Color code: HEX #7FDF16 | qconv.com Color code: HEX #7FDF16 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 223 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 223 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 90 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 90% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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