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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FDD19 it is the complementary color #8022E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FDD19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FDD19 shade: #84DD14, #95EF27, #A6FF3A, #B7FF4D and #C8FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FDD19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FDD19 shade: #7FDD19, #6ECB06, #5DB900, #4CA700 and #3B9500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FDD19 shade: #7EDC18, #B3DC18, #DCD118, #DC9C18 and #DC6718

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FDD19 shade: #7EDC18, #4ADC18, #18DC1C, #18DC51 and #18DC86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FDD19 shade matches the following richer shades: #7EDC18 and #7FF005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FDD19 shade: #7EDC18, #7EC92C, #7DB540, #7CA154 and #7B8D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FDD19 shade: #DCCF18, #B5DC18, #81DC18, #4DDC18 and #18DC18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FDD19 shade: #549210, #69B714, #7EDC18, #93E935 and #A7ED5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FDD19 shade: #7FDD19, #18DC9B and #DC18CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FDD19 shade: #7FDD19, #1881DC and #DC1881

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FDD19 shade: #7FDD19, #18DC9B, #7418DC and #DC185A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FDD19 shade: #7FDD19, #18DCD6, #7418DC and #DC181F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 89 / 13

HEX #7FDD19

RGB 127 221 25

HSL 88.78, 0.8%, 0.48%

LAB 79.78, -55.21, 75.05

 

Complementary color

CMYK 44 / 85 / 0 / 10

HEX #8022E6

RGB 128 34 230

HSL 268.78, 0.8%, 0.52%

LAB 40.32, 72.19, -80.16

 

CMYK 40 / 0 / 91 / 13

HEX #84DD14

RGB 132 221 20

HSL 86.57, 0.83%, 0.47%

LAB 79.99, -53.69, 76.09

 

CMYK 38 / 0 / 84 / 6

HEX #95EF27

RGB 149 239 39

HSL 87, 0.86%, 0.55%

LAB 86.14, -54.57, 78.14

 

CMYK 35 / 0 / 77 / 0

HEX #A6FF3A

RGB 166 255 58

HSL 87.11, 1%, 0.61%

LAB 91.65, -54.44, 78.6

 

CMYK 28 / 0 / 70 / 0

HEX #B7FF4D

RGB 183 255 77

HSL 84.27, 1%, 0.65%

LAB 92.63, -47.5, 73.82

 

CMYK 22 / 0 / 62 / 0

HEX #C8FF60

RGB 200 255 96

HSL 80.75, 1%, 0.69%

LAB 93.73, -40.06, 68.12

 

CMYK 43 / 0 / 89 / 13

HEX #7FDD19

RGB 127 221 25

HSL 88.78, 0.8%, 0.48%

LAB 79.78, -55.21, 75.05

 

CMYK 46 / 0 / 97 / 20

HEX #6ECB06

RGB 110 203 6

HSL 88.32, 0.94%, 0.41%

LAB 73.57, -54.11, 72.11

 

CMYK 50 / 0 / 100 / 27

HEX #5DB900

RGB 93 185 0

HSL 89.84, 1%, 0.36%

LAB 67.3, -52.68, 67.53

 

CMYK 54 / 0 / 100 / 35

HEX #4CA700

RGB 76 167 0

HSL 92.69, 1%, 0.33%

LAB 60.93, -51.02, 62.26

 

CMYK 60 / 0 / 100 / 42

HEX #3B9500

RGB 59 149 0

HSL 96.24, 1%, 0.29%

LAB 54.47, -49.16, 56.92

 

CMYK 43 / 0 / 89 / 14

HEX #7EDC18

RGB 126 220 24

HSL 88.78, 0.8%, 0.48%

LAB 79.44, -55.17, 74.91

 

CMYK 19 / 0 / 89 / 14

HEX #B3DC18

RGB 179 220 24

HSL 72.55, 0.8%, 0.48%

LAB 82.29, -35.86, 78.43

 

CMYK 0 / 5 / 89 / 14

HEX #DCD118

RGB 220 209 24

HSL 56.63, 0.8%, 0.48%

LAB 82.32, -13.58, 79.73

 

CMYK 0 / 29 / 89 / 14

HEX #DC9C18

RGB 220 156 24

HSL 40.41, 0.8%, 0.48%

LAB 68.79, 14.04, 69.2

 

CMYK 0 / 53 / 89 / 14

HEX #DC6718

RGB 220 103 24

HSL 24.18, 0.8%, 0.48%

LAB 57.06, 41.87, 60.23

 

CMYK 43 / 0 / 89 / 14

HEX #7EDC18

RGB 126 220 24

HSL 88.78, 0.8%, 0.48%

LAB 79.44, -55.17, 74.91

 

CMYK 66 / 0 / 89 / 14

HEX #4ADC18

RGB 74 220 24

HSL 104.69, 0.8%, 0.48%

LAB 77.7, -68.91, 72.75

 

CMYK 89 / 0 / 87 / 14

HEX #18DC1C

RGB 24 220 28

HSL 121.22, 0.8%, 0.48%

LAB 76.96, -75.37, 71.1

 

CMYK 89 / 0 / 63 / 14

HEX #18DC51

RGB 24 220 81

HSL 137.45, 0.8%, 0.48%

LAB 77.27, -71.49, 54.46

 

CMYK 89 / 0 / 39 / 14

HEX #18DC86

RGB 24 220 134

HSL 153.67, 0.8%, 0.48%

LAB 77.94, -63.43, 30.09

 

CMYK 43 / 0 / 89 / 14

HEX #7EDC18

RGB 126 220 24

HSL 88.78, 0.8%, 0.48%

LAB 79.44, -55.17, 74.91

 

CMYK 47 / 0 / 98 / 6

HEX #7FF005

RGB 127 240 5

HSL 88.85, 0.96%, 0.48%

LAB 85.42, -62.67, 81.89

 

CMYK 43 / 0 / 89 / 14

HEX #7EDC18

RGB 126 220 24

HSL 88.78, 0.8%, 0.48%

LAB 79.44, -55.17, 74.91

 

CMYK 37 / 0 / 78 / 21

HEX #7EC92C

RGB 126 201 44

HSL 88.66, 0.64%, 0.48%

LAB 73.8, -46.84, 65.32

 

CMYK 31 / 0 / 65 / 29

HEX #7DB540

RGB 125 181 64

HSL 88.72, 0.48%, 0.48%

LAB 67.86, -37.26, 52.07

 

CMYK 23 / 0 / 48 / 37

HEX #7CA154

RGB 124 161 84

HSL 88.83, 0.31%, 0.48%

LAB 62.01, -26.23, 35.86

 

CMYK 13 / 0 / 26 / 45

HEX #7B8D68

RGB 123 141 104

HSL 89.19, 0.15%, 0.48%

LAB 56.35, -13.5, 17.65

 

CMYK 0 / 6 / 89 / 14

HEX #DCCF18

RGB 220 207 24

HSL 56.02, 0.8%, 0.48%

LAB 81.79, -12.58, 79.32

 

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

CMYK 41 / 0 / 89 / 14

HEX #81DC18

RGB 129 220 24

HSL 87.86, 0.8%, 0.48%

LAB 79.57, -54.19, 75.07

 

CMYK 65 / 0 / 89 / 14

HEX #4DDC18

RGB 77 220 24

HSL 103.78, 0.8%, 0.48%

LAB 77.77, -68.3, 72.84

 

CMYK 89 / 0 / 89 / 14

HEX #18DC18

RGB 24 220 24

HSL 120, 0.8%, 0.48%

LAB 76.95, -75.51, 71.81

 

CMYK 42 / 0 / 89 / 43

HEX #549210

RGB 84 146 16

HSL 88.62, 0.8%, 0.32%

LAB 54.53, -39.78, 54.63

 

CMYK 43 / 0 / 89 / 28

HEX #69B714

RGB 105 183 20

HSL 88.71, 0.8%, 0.4%

LAB 67.22, -47.64, 64.99

 

CMYK 43 / 0 / 89 / 14

HEX #7EDC18

RGB 126 220 24

HSL 88.78, 0.8%, 0.48%

LAB 79.44, -55.17, 74.91

 

CMYK 37 / 0 / 77 / 9

HEX #93E935

RGB 147 233 53

HSL 88.67, 0.8%, 0.56%

LAB 84.35, -52.26, 72.89

 

CMYK 30 / 0 / 62 / 7

HEX #A7ED5B

RGB 167 237 91

HSL 88.77, 0.8%, 0.64%

LAB 86.77, -44.5, 62.03

 

CMYK 43 / 0 / 89 / 13

HEX #7FDD19

RGB 127 221 25

HSL 88.78, 0.8%, 0.48%

LAB 79.78, -55.21, 75.05

 

CMYK 89 / 0 / 30 / 14

HEX #18DC9B

RGB 24 220 155

HSL 160.1, 0.8%, 0.48%

LAB 78.31, -59.1, 19.72

 

CMYK 0 / 89 / 6 / 14

HEX #DC18CF

RGB 220 24 207

HSL 303.98, 0.8%, 0.48%

LAB 52.26, 83.9, -47.01

 

CMYK 43 / 0 / 89 / 13

HEX #7FDD19

RGB 127 221 25

HSL 88.78, 0.8%, 0.48%

LAB 79.78, -55.21, 75.05

 

CMYK 89 / 41 / 0 / 14

HEX #1881DC

RGB 24 129 220

HSL 207.86, 0.8%, 0.48%

LAB 53.02, 5.48, -54.16

 

CMYK 0 / 89 / 41 / 14

HEX #DC1881

RGB 220 24 129

HSL 327.86, 0.8%, 0.48%

LAB 48.83, 74.83, -6.22

 

CMYK 43 / 0 / 89 / 13

HEX #7FDD19

RGB 127 221 25

HSL 88.78, 0.8%, 0.48%

LAB 79.78, -55.21, 75.05

 

CMYK 89 / 0 / 30 / 14

HEX #18DC9B

RGB 24 220 155

HSL 160.1, 0.8%, 0.48%

LAB 78.31, -59.1, 19.72

 

CMYK 47 / 89 / 0 / 14

HEX #7418DC

RGB 116 24 220

HSL 268.16, 0.8%, 0.48%

LAB 36.99, 71.18, -79.98

 

CMYK 0 / 89 / 59 / 14

HEX #DC185A

RGB 220 24 90

HSL 339.8, 0.8%, 0.48%

LAB 47.76, 71.87, 16.2

 

CMYK 43 / 0 / 89 / 13

HEX #7FDD19

RGB 127 221 25

HSL 88.78, 0.8%, 0.48%

LAB 79.78, -55.21, 75.05

 

CMYK 89 / 0 / 3 / 14

HEX #18DCD6

RGB 24 220 214

HSL 178.16, 0.8%, 0.48%

LAB 79.75, -44.02, -9.53

 

CMYK 47 / 89 / 0 / 14

HEX #7418DC

RGB 116 24 220

HSL 268.16, 0.8%, 0.48%

LAB 36.99, 71.18, -79.98

 

CMYK 0 / 89 / 86 / 14

HEX #DC181F

RGB 220 24 31

HSL 357.86, 0.8%, 0.48%

LAB 46.93, 69.51, 49.52

 

Description

Color code: HEX #7FDD19 | qconv.com Color code: HEX #7FDD19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 221 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 221 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 89 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 89% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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