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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FDC1C it is the complementary color #8023E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FDC1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FDC1C shade: #84DC17, #95EE2A, #A6FF3D, #B7FF50 and #C8FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FDC1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FDC1C shade: #7FDC1C, #6ECA09, #5DB800, #4CA600 and #3B9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FDC1C shade: #80DD1D, #B4DD1D, #DDD31D, #DD9F1D and #DD6B1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FDC1C shade: #80DD1D, #4CDD1D, #1DDD21, #1DDD55 and #1DDD89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FDC1C shade matches the following richer shades: #80DD1D and #81F109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FDC1C shade: #80DD1D, #7FC931, #7FB545, #7EA159 and #7D8C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FDC1C shade: #DDD41D, #B3DD1D, #80DD1D, #4DDD1D and #1DDD20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FDC1C shade: #569413, #6BB918, #80DD1D, #94E63D and #A8EB62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FDC1C shade: #7FDC1C, #1DDDA0 and #DD1DCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FDC1C shade: #7FDC1C, #1D80DD and #DD1D80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FDC1C shade: #7FDC1C, #1DDDA0, #7A1DDD and #DD1D5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FDC1C shade: #7FDC1C, #1DDDDA, #7A1DDD and #DD1D20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 87 / 14

HEX #7FDC1C

RGB 127 220 28

HSL 89.06, 0.77%, 0.49%

LAB 79.49, -54.74, 74.27

 

Complementary color

CMYK 44 / 85 / 0 / 11

HEX #8023E3

RGB 128 35 227

HSL 269.06, 0.77%, 0.51%

LAB 40.14, 71.24, -78.75

 

CMYK 40 / 0 / 90 / 14

HEX #84DC17

RGB 132 220 23

HSL 86.8, 0.81%, 0.48%

LAB 79.7, -53.23, 75.4

 

CMYK 37 / 0 / 82 / 7

HEX #95EE2A

RGB 149 238 42

HSL 87.24, 0.85%, 0.55%

LAB 85.86, -54.06, 77.21

 

CMYK 35 / 0 / 76 / 0

HEX #A6FF3D

RGB 166 255 61

HSL 87.53, 1%, 0.62%

LAB 91.67, -54.29, 77.75

 

CMYK 28 / 0 / 69 / 0

HEX #B7FF50

RGB 183 255 80

HSL 84.69, 1%, 0.66%

LAB 92.65, -47.32, 72.77

 

CMYK 22 / 0 / 61 / 0

HEX #C8FF63

RGB 200 255 99

HSL 81.15, 1%, 0.69%

LAB 93.75, -39.84, 66.94

 

CMYK 42 / 0 / 87 / 14

HEX #7FDC1C

RGB 127 220 28

HSL 89.06, 0.77%, 0.49%

LAB 79.49, -54.74, 74.27

 

CMYK 46 / 0 / 96 / 21

HEX #6ECA09

RGB 110 202 9

HSL 88.6, 0.91%, 0.41%

LAB 73.27, -53.68, 71.56

 

CMYK 49 / 0 / 100 / 28

HEX #5DB800

RGB 93 184 0

HSL 89.67, 1%, 0.36%

LAB 66.98, -52.3, 67.28

 

CMYK 54 / 0 / 100 / 35

HEX #4CA600

RGB 76 166 0

HSL 92.53, 1%, 0.33%

LAB 60.61, -50.65, 62.01

 

CMYK 60 / 0 / 100 / 42

HEX #3B9400

RGB 59 148 0

HSL 96.08, 1%, 0.29%

LAB 54.14, -48.8, 56.66

 

CMYK 42 / 0 / 87 / 13

HEX #80DD1D

RGB 128 221 29

HSL 89.06, 0.77%, 0.49%

LAB 79.84, -54.77, 74.39

 

CMYK 19 / 0 / 87 / 13

HEX #B4DD1D

RGB 180 221 29

HSL 72.81, 0.77%, 0.49%

LAB 82.65, -35.8, 77.89

 

CMYK 0 / 5 / 87 / 13

HEX #DDD31D

RGB 221 211 29

HSL 56.88, 0.77%, 0.49%

LAB 82.94, -14.06, 79.37

 

CMYK 0 / 28 / 87 / 13

HEX #DD9F1D

RGB 221 159 29

HSL 40.63, 0.77%, 0.49%

LAB 69.65, 12.97, 68.73

 

CMYK 0 / 52 / 87 / 13

HEX #DD6B1D

RGB 221 107 29

HSL 24.38, 0.77%, 0.49%

LAB 58.01, 40.37, 59.42

 

CMYK 42 / 0 / 87 / 13

HEX #80DD1D

RGB 128 221 29

HSL 89.06, 0.77%, 0.49%

LAB 79.84, -54.77, 74.39

 

CMYK 66 / 0 / 87 / 13

HEX #4CDD1D

RGB 76 221 29

HSL 105.31, 0.77%, 0.49%

LAB 78.07, -68.66, 72.18

 

CMYK 87 / 0 / 85 / 13

HEX #1DDD21

RGB 29 221 33

HSL 121.25, 0.77%, 0.49%

LAB 77.33, -75.08, 70.42

 

CMYK 87 / 0 / 62 / 13

HEX #1DDD55

RGB 29 221 85

HSL 137.5, 0.77%, 0.49%

LAB 77.66, -70.99, 53.2

 

CMYK 87 / 0 / 38 / 13

HEX #1DDD89

RGB 29 221 137

HSL 153.75, 0.77%, 0.49%

LAB 78.33, -62.89, 29.09

 

CMYK 42 / 0 / 87 / 13

HEX #80DD1D

RGB 128 221 29

HSL 89.06, 0.77%, 0.49%

LAB 79.84, -54.77, 74.39

 

CMYK 46 / 0 / 96 / 5

HEX #81F109

RGB 129 241 9

HSL 88.97, 0.93%, 0.49%

LAB 85.8, -62.39, 81.9

 

CMYK 42 / 0 / 87 / 13

HEX #80DD1D

RGB 128 221 29

HSL 89.06, 0.77%, 0.49%

LAB 79.84, -54.77, 74.39

 

CMYK 37 / 0 / 76 / 21

HEX #7FC931

RGB 127 201 49

HSL 89.21, 0.61%, 0.49%

LAB 73.87, -46.22, 63.85

 

CMYK 30 / 0 / 62 / 29

HEX #7FB545

RGB 127 181 69

HSL 88.93, 0.45%, 0.49%

LAB 68.01, -36.1, 50.11

 

CMYK 22 / 0 / 45 / 37

HEX #7EA159

RGB 126 161 89

HSL 89.17, 0.29%, 0.49%

LAB 62.21, -24.84, 33.55

 

CMYK 11 / 0 / 21 / 45

HEX #7D8C6E

RGB 125 140 110

HSL 90, 0.12%, 0.49%

LAB 56.33, -11.18, 14.25

 

CMYK 0 / 4 / 87 / 13

HEX #DDD41D

RGB 221 212 29

HSL 57.19, 0.77%, 0.49%

LAB 83.2, -14.55, 79.59

 

CMYK 19 / 0 / 87 / 13

HEX #B3DD1D

RGB 179 221 29

HSL 73.13, 0.77%, 0.49%

LAB 82.59, -36.2, 77.81

 

CMYK 42 / 0 / 87 / 13

HEX #80DD1D

RGB 128 221 29

HSL 89.06, 0.77%, 0.49%

LAB 79.84, -54.77, 74.39

 

CMYK 65 / 0 / 87 / 13

HEX #4DDD1D

RGB 77 221 29

HSL 105, 0.77%, 0.49%

LAB 78.1, -68.45, 72.21

 

CMYK 87 / 0 / 86 / 13

HEX #1DDD20

RGB 29 221 32

HSL 120.94, 0.77%, 0.49%

LAB 77.33, -75.12, 70.63

 

CMYK 42 / 0 / 87 / 42

HEX #569413

RGB 86 148 19

HSL 88.84, 0.77%, 0.33%

LAB 55.28, -39.81, 54.64

 

CMYK 42 / 0 / 87 / 27

HEX #6BB918

RGB 107 185 24

HSL 89.07, 0.77%, 0.41%

LAB 67.94, -47.64, 64.85

 

CMYK 42 / 0 / 87 / 13

HEX #80DD1D

RGB 128 221 29

HSL 89.06, 0.77%, 0.49%

LAB 79.84, -54.77, 74.39

 

CMYK 36 / 0 / 73 / 10

HEX #94E63D

RGB 148 230 61

HSL 89.11, 0.77%, 0.57%

LAB 83.56, -50.28, 69.67

 

CMYK 29 / 0 / 58 / 8

HEX #A8EB62

RGB 168 235 98

HSL 89.34, 0.77%, 0.65%

LAB 86.32, -42.68, 58.58

 

CMYK 42 / 0 / 87 / 14

HEX #7FDC1C

RGB 127 220 28

HSL 89.06, 0.77%, 0.49%

LAB 79.49, -54.74, 74.27

 

CMYK 87 / 0 / 28 / 13

HEX #1DDDA0

RGB 29 221 160

HSL 160.94, 0.77%, 0.49%

LAB 78.76, -58.06, 17.73

 

CMYK 0 / 87 / 7 / 13

HEX #DD1DCD

RGB 221 29 205

HSL 305, 0.77%, 0.49%

LAB 52.57, 83.06, -45.34

 

CMYK 42 / 0 / 87 / 14

HEX #7FDC1C

RGB 127 220 28

HSL 89.06, 0.77%, 0.49%

LAB 79.49, -54.74, 74.27

 

CMYK 87 / 42 / 0 / 13

HEX #1D80DD

RGB 29 128 221

HSL 209.06, 0.77%, 0.49%

LAB 52.86, 6.78, -54.97

 

CMYK 0 / 87 / 42 / 13

HEX #DD1D80

RGB 221 29 128

HSL 329.06, 0.77%, 0.49%

LAB 49.26, 74.16, -4.94

 

CMYK 42 / 0 / 87 / 14

HEX #7FDC1C

RGB 127 220 28

HSL 89.06, 0.77%, 0.49%

LAB 79.49, -54.74, 74.27

 

CMYK 87 / 0 / 28 / 13

HEX #1DDDA0

RGB 29 221 160

HSL 160.94, 0.77%, 0.49%

LAB 78.76, -58.06, 17.73

 

CMYK 45 / 87 / 0 / 13

HEX #7A1DDD

RGB 122 29 221

HSL 269.06, 0.77%, 0.49%

LAB 38.26, 70.83, -78.44

 

CMYK 0 / 87 / 59 / 13

HEX #DD1D5A

RGB 221 29 90

HSL 340.94, 0.77%, 0.49%

LAB 48.25, 71.29, 16.89

 

CMYK 42 / 0 / 87 / 14

HEX #7FDC1C

RGB 127 220 28

HSL 89.06, 0.77%, 0.49%

LAB 79.49, -54.74, 74.27

 

CMYK 87 / 0 / 1 / 13

HEX #1DDDDA

RGB 29 221 218

HSL 179.06, 0.77%, 0.49%

LAB 80.2, -43.05, -10.99

 

CMYK 45 / 87 / 0 / 13

HEX #7A1DDD

RGB 122 29 221

HSL 269.06, 0.77%, 0.49%

LAB 38.26, 70.83, -78.44

 

CMYK 0 / 87 / 86 / 13

HEX #DD1D20

RGB 221 29 32

HSL 359.06, 0.77%, 0.49%

LAB 47.44, 68.95, 49.54

 

Description

Color code: HEX #7FDC1C | qconv.com Color code: HEX #7FDC1C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 220 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 220 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 87 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 87% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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