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Color name
HEX #7FDA26

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FDA26 it is the complementary color #8025D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FDA26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FDA26 shade: #84DA21, #95EC34, #A6FE47, #B7FF5A and #C8FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FDA26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FDA26 shade: #7FDA26, #6EC813, #5DB600, #4CA400 and #3B9200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FDA26 shade: #7FDA25, #AFDA25, #DAD425, #DAA325 and #DA7225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FDA26 shade: #7FDA25, #4EDA25, #25DA2D, #25DA5E and #25DA8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FDA26 shade matches the following richer shades: #7FDA25 and #7EEF10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FDA26 shade: #7FDA25, #7FC53A, #7FB14E, #7F9C63 and #7F8877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FDA26 shade: #DAD425, #B0DA25, #80DA25, #4FDA25 and #25DA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FDA26 shade: #569319, #6AB71F, #7FDA25, #93E048 and #A8E66C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FDA26 shade: #7FDA26, #25DAA4 and #DA25C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FDA26 shade: #7FDA26, #2580DA and #DA2580

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FDA26 shade: #7FDA26, #25DAA4, #8025DA and #DA255B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FDA26 shade: #7FDA26, #25DADA, #8025DA and #DA2525

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 83 / 15

HEX #7FDA26

RGB 127 218 38

HSL 90.33, 0.71%, 0.5%

LAB 78.92, -53.61, 71.63

 

Complementary color

CMYK 41 / 83 / 0 / 15

HEX #8025D9

RGB 128 37 217

HSL 270.33, 0.71%, 0.5%

LAB 39.45, 68.4, -74.16

 

CMYK 39 / 0 / 85 / 15

HEX #84DA21

RGB 132 218 33

HSL 87.89, 0.74%, 0.49%

LAB 79.13, -52.14, 73.05

 

CMYK 37 / 0 / 78 / 7

HEX #95EC34

RGB 149 236 52

HSL 88.37, 0.83%, 0.56%

LAB 85.32, -52.84, 74.12

 

CMYK 35 / 0 / 72 / 0

HEX #A6FE47

RGB 166 254 71

HSL 88.85, 0.99%, 0.64%

LAB 91.44, -53.35, 74.38

 

CMYK 28 / 0 / 65 / 0

HEX #B7FF5A

RGB 183 255 90

HSL 86.18, 1%, 0.68%

LAB 92.72, -46.64, 69.11

 

CMYK 22 / 0 / 57 / 0

HEX #C8FF6D

RGB 200 255 109

HSL 82.6, 1%, 0.71%

LAB 93.84, -39.03, 62.85

 

CMYK 42 / 0 / 83 / 15

HEX #7FDA26

RGB 127 218 38

HSL 90.33, 0.71%, 0.5%

LAB 78.92, -53.61, 71.63

 

CMYK 45 / 0 / 91 / 22

HEX #6EC813

RGB 110 200 19

HSL 89.83, 0.83%, 0.43%

LAB 72.67, -52.71, 69.81

 

CMYK 49 / 0 / 100 / 29

HEX #5DB600

RGB 93 182 0

HSL 89.34, 1%, 0.36%

LAB 66.35, -51.54, 66.79

 

CMYK 54 / 0 / 100 / 36

HEX #4CA400

RGB 76 164 0

HSL 92.2, 1%, 0.32%

LAB 59.97, -49.91, 61.5

 

CMYK 60 / 0 / 100 / 43

HEX #3B9200

RGB 59 146 0

HSL 95.75, 1%, 0.29%

LAB 53.48, -48.07, 56.14

 

CMYK 42 / 0 / 83 / 15

HEX #7FDA25

RGB 127 218 37

HSL 90.17, 0.71%, 0.5%

LAB 78.92, -53.65, 71.87

 

CMYK 20 / 0 / 83 / 15

HEX #AFDA25

RGB 175 218 37

HSL 74.25, 0.71%, 0.5%

LAB 81.51, -36.19, 75.13

 

CMYK 0 / 3 / 83 / 15

HEX #DAD425

RGB 218 212 37

HSL 58.01, 0.71%, 0.5%

LAB 82.98, -15.64, 77.62

 

CMYK 0 / 25 / 83 / 15

HEX #DAA325

RGB 218 163 37

HSL 41.77, 0.71%, 0.5%

LAB 70.34, 9.73, 66.96

 

CMYK 0 / 48 / 83 / 15

HEX #DA7225

RGB 218 114 37

HSL 25.52, 0.71%, 0.5%

LAB 59.04, 35.82, 57.21

 

CMYK 42 / 0 / 83 / 15

HEX #7FDA25

RGB 127 218 37

HSL 90.17, 0.71%, 0.5%

LAB 78.92, -53.65, 71.87

 

CMYK 64 / 0 / 83 / 15

HEX #4EDA25

RGB 78 218 37

HSL 106.41, 0.71%, 0.5%

LAB 77.22, -66.96, 69.7

 

CMYK 83 / 0 / 79 / 15

HEX #25DA2D

RGB 37 218 45

HSL 122.65, 0.71%, 0.5%

LAB 76.51, -72.91, 66.68

 

CMYK 83 / 0 / 57 / 15

HEX #25DA5E

RGB 37 218 94

HSL 138.9, 0.71%, 0.5%

LAB 76.89, -68.26, 48.33

 

CMYK 83 / 0 / 34 / 15

HEX #25DA8F

RGB 37 218 143

HSL 155.14, 0.71%, 0.5%

LAB 77.59, -60, 25.01

 

CMYK 42 / 0 / 83 / 15

HEX #7FDA25

RGB 127 218 37

HSL 90.17, 0.71%, 0.5%

LAB 78.92, -53.65, 71.87

 

CMYK 47 / 0 / 93 / 6

HEX #7EEF10

RGB 126 239 16

HSL 90.4, 0.87%, 0.5%

LAB 85.1, -62.45, 80.65

 

CMYK 42 / 0 / 83 / 15

HEX #7FDA25

RGB 127 218 37

HSL 90.17, 0.71%, 0.5%

LAB 78.92, -53.65, 71.87

 

CMYK 36 / 0 / 71 / 23

HEX #7FC53A

RGB 127 197 58

HSL 90.22, 0.55%, 0.5%

LAB 72.73, -43.98, 59.59

 

CMYK 28 / 0 / 56 / 31

HEX #7FB14E

RGB 127 177 78

HSL 90.3, 0.39%, 0.5%

LAB 66.91, -33.4, 44.73

 

CMYK 19 / 0 / 37 / 39

HEX #7F9C63

RGB 127 156 99

HSL 90.53, 0.22%, 0.5%

LAB 60.95, -20.58, 26.62

 

CMYK 7 / 0 / 13 / 47

HEX #7F8877

RGB 127 136 119

HSL 91.76, 0.07%, 0.5%

LAB 55.54, -6.62, 8.01

 

CMYK 0 / 3 / 83 / 15

HEX #DAD425

RGB 218 212 37

HSL 58.01, 0.71%, 0.5%

LAB 82.98, -15.64, 77.62

 

CMYK 19 / 0 / 83 / 15

HEX #B0DA25

RGB 176 218 37

HSL 73.92, 0.71%, 0.5%

LAB 81.57, -35.8, 75.21

 

CMYK 41 / 0 / 83 / 15

HEX #80DA25

RGB 128 218 37

HSL 89.83, 0.71%, 0.5%

LAB 78.96, -53.32, 71.92

 

CMYK 64 / 0 / 83 / 15

HEX #4FDA25

RGB 79 218 37

HSL 106.08, 0.71%, 0.5%

LAB 77.24, -66.75, 69.74

 

CMYK 83 / 0 / 80 / 15

HEX #25DA2B

RGB 37 218 43

HSL 121.99, 0.71%, 0.5%

LAB 76.5, -73.03, 67.23

 

CMYK 41 / 0 / 83 / 42

HEX #569319

RGB 86 147 25

HSL 90, 0.71%, 0.34%

LAB 54.99, -39.13, 52.83

 

CMYK 42 / 0 / 83 / 28

HEX #6AB71F

RGB 106 183 31

HSL 90.39, 0.71%, 0.42%

LAB 67.3, -46.91, 62.65

 

CMYK 42 / 0 / 83 / 15

HEX #7FDA25

RGB 127 218 37

HSL 90.17, 0.71%, 0.5%

LAB 78.92, -53.65, 71.87

 

CMYK 34 / 0 / 68 / 12

HEX #93E048

RGB 147 224 72

HSL 90.39, 0.71%, 0.58%

LAB 81.83, -47.42, 64

 

CMYK 27 / 0 / 53 / 10

HEX #A8E66C

RGB 168 230 108

HSL 90.49, 0.71%, 0.66%

LAB 85, -39.52, 52.58

 

CMYK 42 / 0 / 83 / 15

HEX #7FDA26

RGB 127 218 38

HSL 90.33, 0.71%, 0.5%

LAB 78.92, -53.61, 71.63

 

CMYK 83 / 0 / 25 / 15

HEX #25DAA4

RGB 37 218 164

HSL 162.1, 0.71%, 0.5%

LAB 78, -55.42, 14.57

 

CMYK 0 / 83 / 8 / 15

HEX #DA25C8

RGB 218 37 200

HSL 305.97, 0.71%, 0.5%

LAB 52.29, 80.36, -42.96

 

CMYK 42 / 0 / 83 / 15

HEX #7FDA26

RGB 127 218 38

HSL 90.33, 0.71%, 0.5%

LAB 78.92, -53.61, 71.63

 

CMYK 83 / 41 / 0 / 15

HEX #2580DA

RGB 37 128 218

HSL 209.83, 0.71%, 0.5%

LAB 52.83, 6.23, -53.32

 

CMYK 0 / 83 / 41 / 15

HEX #DA2580

RGB 218 37 128

HSL 329.83, 0.71%, 0.5%

LAB 49.24, 71.89, -5.04

 

CMYK 42 / 0 / 83 / 15

HEX #7FDA26

RGB 127 218 38

HSL 90.33, 0.71%, 0.5%

LAB 78.92, -53.61, 71.63

 

CMYK 83 / 0 / 25 / 15

HEX #25DAA4

RGB 37 218 164

HSL 162.1, 0.71%, 0.5%

LAB 78, -55.42, 14.57

 

CMYK 41 / 83 / 0 / 15

HEX #8025DA

RGB 128 37 218

HSL 270.17, 0.71%, 0.5%

LAB 39.54, 68.62, -74.59

 

CMYK 0 / 83 / 58 / 15

HEX #DA255B

RGB 218 37 91

HSL 342.1, 0.71%, 0.5%

LAB 48.24, 68.98, 16.17

 

CMYK 42 / 0 / 83 / 15

HEX #7FDA26

RGB 127 218 38

HSL 90.33, 0.71%, 0.5%

LAB 78.92, -53.61, 71.63

 

CMYK 83 / 0 / 0 / 15

HEX #25DADA

RGB 37 218 218

HSL 180, 0.71%, 0.5%

LAB 79.38, -41.22, -12.2

 

CMYK 41 / 83 / 0 / 15

HEX #8025DA

RGB 128 37 218

HSL 270.17, 0.71%, 0.5%

LAB 39.54, 68.62, -74.59

 

CMYK 0 / 83 / 83 / 15

HEX #DA2525

RGB 218 37 37

HSL 0, 0.71%, 0.5%

LAB 47.45, 66.61, 46.83

 

Description

Color code: HEX #7FDA26 | qconv.com Color code: HEX #7FDA26 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 218 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 218 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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