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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FD93F it is the complementary color #8026C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FD93F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FD93F shade: #84D93A, #95EB4D, #A6FD60, #B7FF73 and #C8FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FD93F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FD93F shade: #7FD93F, #6EC72C, #5DB519, #4CA306 and #3B9100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FD93F shade: #7FD93F, #A9D93F, #D2D93F, #D9B73F and #D98D3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FD93F shade: #7FD93F, #56D93F, #3FD952, #3FD97C and #3FD9A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FD93F shade matches the following richer shades: #7FD93F, #7CEC2D and #79FE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FD93F shade: #7FD93F, #82C752, #86B465, #89A177 and #8C8F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FD93F shade: #D1D93F, #A8D93F, #7FD93F, #56D93F and #3FD951

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FD93F shade: #58A521, #6AC827, #7FD93F, #96E062 and #ADE784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FD93F shade: #7FD93F, #3FD9B8 and #D93FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FD93F shade: #7FD93F, #3F7FD9 and #D93F7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FD93F shade: #7FD93F, #3FD9B8, #993FD9 and #D93F61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FD93F shade: #7FD93F, #3FCCD9, #993FD9 and #D94C3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

Complementary color

CMYK 33 / 80 / 0 / 25

HEX #8026C0

RGB 128 38 192

HSL 275.06, 0.67%, 0.45%

LAB 37.45, 62.54, -62.92

 

CMYK 39 / 0 / 73 / 15

HEX #84D93A

RGB 132 217 58

HSL 92.08, 0.68%, 0.54%

LAB 78.95, -50.56, 65.89

 

CMYK 37 / 0 / 67 / 8

HEX #95EB4D

RGB 149 235 77

HSL 92.66, 0.8%, 0.61%

LAB 85.17, -50.93, 65.62

 

CMYK 34 / 0 / 62 / 1

HEX #A6FD60

RGB 166 253 96

HSL 93.25, 0.98%, 0.68%

LAB 91.33, -51.16, 64.97

 

CMYK 28 / 0 / 55 / 0

HEX #B7FF73

RGB 183 255 115

HSL 90.86, 1%, 0.73%

LAB 92.94, -44.53, 58.95

 

CMYK 22 / 0 / 47 / 0

HEX #C8FF86

RGB 200 255 134

HSL 87.27, 1%, 0.76%

LAB 94.11, -36.62, 51.94

 

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

CMYK 45 / 0 / 78 / 22

HEX #6EC72C

RGB 110 199 44

HSL 94.45, 0.64%, 0.48%

LAB 72.46, -51.35, 63.8

 

CMYK 49 / 0 / 86 / 29

HEX #5DB519

RGB 93 181 25

HSL 93.85, 0.76%, 0.4%

LAB 66.09, -50.56, 62.81

 

CMYK 53 / 0 / 96 / 36

HEX #4CA306

RGB 76 163 6

HSL 93.25, 0.93%, 0.33%

LAB 59.66, -49.4, 60.39

 

CMYK 59 / 0 / 100 / 43

HEX #3B9100

RGB 59 145 0

HSL 95.59, 1%, 0.28%

LAB 53.15, -47.71, 55.87

 

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

CMYK 22 / 0 / 71 / 15

HEX #A9D93F

RGB 169 217 63

HSL 78.7, 0.67%, 0.55%

LAB 80.97, -36.92, 66.82

 

CMYK 3 / 0 / 71 / 15

HEX #D2D93F

RGB 210 217 63

HSL 62.73, 0.67%, 0.55%

LAB 83.8, -20.49, 70.56

 

CMYK 0 / 16 / 71 / 15

HEX #D9B73F

RGB 217 183 63

HSL 46.75, 0.67%, 0.55%

LAB 75.44, -0.3, 62.54

 

CMYK 0 / 35 / 71 / 15

HEX #D98D3F

RGB 217 141 63

HSL 30.39, 0.67%, 0.55%

LAB 65.09, 22.14, 51.92

 

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

CMYK 60 / 0 / 71 / 15

HEX #56D93F

RGB 86 217 63

HSL 111.04, 0.67%, 0.55%

LAB 77.26, -63.26, 61.87

 

CMYK 71 / 0 / 62 / 15

HEX #3FD952

RGB 63 217 82

HSL 127.4, 0.67%, 0.55%

LAB 76.86, -66.03, 53.71

 

CMYK 71 / 0 / 43 / 15

HEX #3FD97C

RGB 63 217 124

HSL 143.77, 0.67%, 0.55%

LAB 77.36, -60.11, 34.51

 

CMYK 71 / 0 / 24 / 15

HEX #3FD9A5

RGB 63 217 165

HSL 159.74, 0.67%, 0.55%

LAB 78.11, -51.92, 14.25

 

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

CMYK 47 / 0 / 81 / 7

HEX #7CEC2D

RGB 124 236 45

HSL 95.18, 0.83%, 0.55%

LAB 84.21, -61.08, 74.59

 

CMYK 52 / 0 / 90 / 0

HEX #79FE1A

RGB 121 254 26

HSL 95, 0.99%, 0.55%

LAB 89.4, -68.97, 82.83

 

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

CMYK 35 / 0 / 59 / 22

HEX #82C752

RGB 130 199 82

HSL 95.38, 0.51%, 0.55%

LAB 73.68, -41.8, 50.73

 

CMYK 26 / 0 / 44 / 29

HEX #86B465

RGB 134 180 101

HSL 94.94, 0.34%, 0.55%

LAB 68.5, -29.54, 35.37

 

CMYK 15 / 0 / 26 / 37

HEX #89A177

RGB 137 161 119

HSL 94.29, 0.18%, 0.55%

LAB 63.46, -16.3, 19.17

 

CMYK 2 / 0 / 3 / 44

HEX #8C8F8A

RGB 140 143 138

HSL 96, 0.02%, 0.55%

LAB 59.03, -2.07, 2.27

 

CMYK 4 / 0 / 71 / 15

HEX #D1D93F

RGB 209 217 63

HSL 63.12, 0.67%, 0.55%

LAB 83.73, -20.9, 70.45

 

CMYK 23 / 0 / 71 / 15

HEX #A8D93F

RGB 168 217 63

HSL 79.09, 0.67%, 0.55%

LAB 80.91, -37.31, 66.74

 

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

CMYK 60 / 0 / 71 / 15

HEX #56D93F

RGB 86 217 63

HSL 111.04, 0.67%, 0.55%

LAB 77.26, -63.26, 61.87

 

CMYK 71 / 0 / 63 / 15

HEX #3FD951

RGB 63 217 81

HSL 127.01, 0.67%, 0.55%

LAB 76.85, -66.13, 54.13

 

CMYK 47 / 0 / 80 / 35

HEX #58A521

RGB 88 165 33

HSL 95, 0.67%, 0.39%

LAB 60.87, -45.5, 55.92

 

CMYK 47 / 0 / 81 / 22

HEX #6AC827

RGB 106 200 39

HSL 95.03, 0.67%, 0.47%

LAB 72.57, -53.25, 65.3

 

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

CMYK 33 / 0 / 56 / 12

HEX #96E062

RGB 150 224 98

HSL 95.24, 0.67%, 0.63%

LAB 82.2, -44.17, 53.61

 

CMYK 25 / 0 / 43 / 9

HEX #ADE784

RGB 173 231 132

HSL 95.15, 0.67%, 0.71%

LAB 85.86, -35.48, 42.28

 

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

CMYK 71 / 0 / 15 / 15

HEX #3FD9B8

RGB 63 217 184

HSL 167.14, 0.67%, 0.55%

LAB 78.55, -47.39, 4.77

 

CMYK 0 / 71 / 13 / 15

HEX #D93FBD

RGB 217 63 189

HSL 310.91, 0.67%, 0.55%

LAB 54.01, 71.62, -33.91

 

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

CMYK 71 / 41 / 0 / 15

HEX #3F7FD9

RGB 63 127 217

HSL 215.06, 0.67%, 0.55%

LAB 53.22, 9.41, -52.1

 

CMYK 0 / 71 / 41 / 15

HEX #D93F7F

RGB 217 63 127

HSL 335.06, 0.67%, 0.55%

LAB 51.65, 64.1, -0.9

 

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

CMYK 71 / 0 / 15 / 15

HEX #3FD9B8

RGB 63 217 184

HSL 167.14, 0.67%, 0.55%

LAB 78.55, -47.39, 4.77

 

CMYK 29 / 71 / 0 / 15

HEX #993FD9

RGB 153 63 217

HSL 275.06, 0.67%, 0.55%

LAB 46.09, 62.81, -63.19

 

CMYK 0 / 71 / 55 / 15

HEX #D93F61

RGB 217 63 97

HSL 346.75, 0.67%, 0.55%

LAB 50.89, 61.52, 16.1

 

CMYK 41 / 0 / 71 / 15

HEX #7FD93F

RGB 127 217 63

HSL 95.06, 0.67%, 0.55%

LAB 78.75, -51.87, 63.87

 

CMYK 71 / 6 / 0 / 15

HEX #3FCCD9

RGB 63 204 217

HSL 185.06, 0.67%, 0.55%

LAB 75.61, -32.54, -17.3

 

CMYK 29 / 71 / 0 / 15

HEX #993FD9

RGB 153 63 217

HSL 275.06, 0.67%, 0.55%

LAB 46.09, 62.81, -63.19

 

CMYK 0 / 65 / 71 / 15

HEX #D94C3F

RGB 217 76 63

HSL 5.06, 0.67%, 0.55%

LAB 52.15, 54.43, 37.67

 

Description

Color code: HEX #7FD93F | qconv.com Color code: HEX #7FD93F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 217 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 217 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 71 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 71% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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