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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FD371 it is the complementary color #802C8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FD371. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FD371 shade: #84D36C, #95E57F, #A6F792, #B7FFA5 and #C8FFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FD371. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FD371 shade: #7FD371, #6EC15E, #5DAF4B, #4C9D38 and #3B8B25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FD371 shade: #80D473, #9BD473, #B5D473, #CFD473 and #D4BE73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FD371 shade: #80D473, #73D47F, #73D499, #73D4B3 and #73D4CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FD371 shade matches the following richer shades: #80D473, #76E364 and #6BF255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FD371 shade: #80D473, #8BC581, #96B690, #A0A79F and #AB98AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FD371 shade: #B5D473, #9BD473, #81D473, #73D47E and #73D498

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FD371 shade: #4CBB39, #64CA53, #80D473, #9DDE92 and #B9E7B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FD371 shade: #7FD371, #73CFD4 and #D473A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FD371 shade: #7FD371, #7381D4 and #D47381

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FD371 shade: #7FD371, #73CFD4, #C573D4 and #D47773

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FD371 shade: #7FD371, #73B2D4, #C573D4 and #D49573

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 46 / 17

HEX #7FD371

RGB 127 211 113

HSL 111.43, 0.53%, 0.64%

LAB 77.46, -44.35, 40.54

 

Complementary color

CMYK 10 / 69 / 0 / 44

HEX #802C8E

RGB 128 44 142

HSL 291.43, 0.53%, 0.36%

LAB 34.69, 49.81, -37.36

 

CMYK 37 / 0 / 49 / 17

HEX #84D36C

RGB 132 211 108

HSL 106.02, 0.54%, 0.63%

LAB 77.62, -43.42, 43.24

 

CMYK 35 / 0 / 45 / 10

HEX #95E57F

RGB 149 229 127

HSL 107.06, 0.66%, 0.7%

LAB 83.95, -43.29, 42.04

 

CMYK 33 / 0 / 41 / 3

HEX #A6F792

RGB 166 247 146

HSL 108.12, 0.86%, 0.77%

LAB 90.19, -43.13, 40.87

 

CMYK 28 / 0 / 35 / 0

HEX #B7FFA5

RGB 183 255 165

HSL 108, 1%, 0.82%

LAB 93.58, -38.52, 36.09

 

CMYK 22 / 0 / 28 / 0

HEX #C8FFB8

RGB 200 255 184

HSL 106.48, 1%, 0.86%

LAB 94.85, -30.1, 28.44

 

CMYK 40 / 0 / 46 / 17

HEX #7FD371

RGB 127 211 113

HSL 111.43, 0.53%, 0.64%

LAB 77.46, -44.35, 40.54

 

CMYK 43 / 0 / 51 / 24

HEX #6EC15E

RGB 110 193 94

HSL 110.3, 0.44%, 0.56%

LAB 71.05, -44.44, 41.77

 

CMYK 47 / 0 / 57 / 31

HEX #5DAF4B

RGB 93 175 75

HSL 109.2, 0.4%, 0.49%

LAB 64.56, -44.42, 42.98

 

CMYK 52 / 0 / 64 / 38

HEX #4C9D38

RGB 76 157 56

HSL 108.12, 0.47%, 0.42%

LAB 57.98, -44.22, 44.07

 

CMYK 58 / 0 / 73 / 45

HEX #3B8B25

RGB 59 139 37

HSL 107.06, 0.58%, 0.35%

LAB 51.3, -43.72, 44.8

 

CMYK 40 / 0 / 46 / 17

HEX #80D473

RGB 128 212 115

HSL 111.96, 0.53%, 0.64%

LAB 77.82, -44.2, 40.02

 

CMYK 27 / 0 / 46 / 17

HEX #9BD473

RGB 155 212 115

HSL 95.26, 0.53%, 0.64%

LAB 79.21, -35.21, 42.05

 

CMYK 15 / 0 / 46 / 17

HEX #B5D473

RGB 181 212 115

HSL 79.18, 0.53%, 0.64%

LAB 80.82, -25.64, 44.41

 

CMYK 2 / 0 / 46 / 17

HEX #CFD473

RGB 207 212 115

HSL 63.09, 0.53%, 0.64%

LAB 82.69, -15.5, 47.13

 

CMYK 0 / 10 / 46 / 17

HEX #D4BE73

RGB 212 190 115

HSL 46.39, 0.53%, 0.64%

LAB 77.32, -2.24, 40.58

 

CMYK 40 / 0 / 46 / 17

HEX #80D473

RGB 128 212 115

HSL 111.96, 0.53%, 0.64%

LAB 77.82, -44.2, 40.02

 

CMYK 46 / 0 / 40 / 17

HEX #73D47F

RGB 115 212 127

HSL 127.42, 0.53%, 0.64%

LAB 77.44, -46.28, 33.39

 

CMYK 46 / 0 / 28 / 17

HEX #73D499

RGB 115 212 153

HSL 143.51, 0.53%, 0.64%

LAB 77.89, -41.74, 20.51

 

CMYK 46 / 0 / 16 / 17

HEX #73D4B3

RGB 115 212 179

HSL 159.59, 0.53%, 0.64%

LAB 78.45, -36.38, 7.5

 

CMYK 46 / 0 / 3 / 17

HEX #73D4CE

RGB 115 212 206

HSL 176.29, 0.53%, 0.64%

LAB 79.15, -30.03, -5.93

 

CMYK 40 / 0 / 46 / 17

HEX #80D473

RGB 128 212 115

HSL 111.96, 0.53%, 0.64%

LAB 77.82, -44.2, 40.02

 

CMYK 48 / 0 / 56 / 11

HEX #76E364

RGB 118 227 100

HSL 111.5, 0.69%, 0.64%

LAB 81.68, -55.16, 51.74

 

CMYK 56 / 0 / 65 / 5

HEX #6BF255

RGB 107 242 85

HSL 111.59, 0.86%, 0.64%

LAB 85.65, -65.15, 62.52

 

CMYK 40 / 0 / 46 / 17

HEX #80D473

RGB 128 212 115

HSL 111.96, 0.53%, 0.64%

LAB 77.82, -44.2, 40.02

 

CMYK 29 / 0 / 35 / 23

HEX #8BC581

RGB 139 197 129

HSL 111.18, 0.37%, 0.64%

LAB 74.19, -31.84, 28.29

 

CMYK 18 / 0 / 21 / 29

HEX #96B690

RGB 150 182 144

HSL 110.53, 0.21%, 0.64%

LAB 70.84, -18.19, 15.82

 

CMYK 4 / 0 / 5 / 35

HEX #A0A79F

RGB 160 167 159

HSL 112.5, 0.04%, 0.64%

LAB 67.74, -4.01, 3.27

 

CMYK 2 / 13 / 0 / 32

HEX #AB98AE

RGB 171 152 174

HSL 291.82, 0.12%, 0.64%

LAB 65.1, 11.07, -8.89

 

CMYK 15 / 0 / 46 / 17

HEX #B5D473

RGB 181 212 115

HSL 79.18, 0.53%, 0.64%

LAB 80.82, -25.64, 44.41

 

CMYK 27 / 0 / 46 / 17

HEX #9BD473

RGB 155 212 115

HSL 95.26, 0.53%, 0.64%

LAB 79.21, -35.21, 42.05

 

CMYK 39 / 0 / 46 / 17

HEX #81D473

RGB 129 212 115

HSL 111.34, 0.53%, 0.64%

LAB 77.87, -43.89, 40.09

 

CMYK 46 / 0 / 41 / 17

HEX #73D47E

RGB 115 212 126

HSL 126.8, 0.53%, 0.64%

LAB 77.42, -46.43, 33.88

 

CMYK 46 / 0 / 28 / 17

HEX #73D498

RGB 115 212 152

HSL 142.89, 0.53%, 0.64%

LAB 77.87, -41.93, 21.01

 

CMYK 59 / 0 / 70 / 27

HEX #4CBB39

RGB 76 187 57

HSL 111.23, 0.53%, 0.48%

LAB 67.56, -55.55, 53.97

 

CMYK 50 / 0 / 59 / 21

HEX #64CA53

RGB 100 202 83

HSL 111.43, 0.53%, 0.56%

LAB 73.27, -52.34, 49.46

 

CMYK 40 / 0 / 46 / 17

HEX #80D473

RGB 128 212 115

HSL 111.96, 0.53%, 0.64%

LAB 77.82, -44.2, 40.02

 

CMYK 29 / 0 / 34 / 13

HEX #9DDE92

RGB 157 222 146

HSL 111.32, 0.54%, 0.72%

LAB 82.64, -34.85, 30.91

 

CMYK 20 / 0 / 23 / 9

HEX #B9E7B2

RGB 185 231 178

HSL 112.08, 0.52%, 0.8%

LAB 87.33, -24.68, 21.05

 

CMYK 40 / 0 / 46 / 17

HEX #7FD371

RGB 127 211 113

HSL 111.43, 0.53%, 0.64%

LAB 77.46, -44.35, 40.54

 

CMYK 46 / 2 / 0 / 17

HEX #73CFD4

RGB 115 207 212

HSL 183.09, 0.53%, 0.64%

LAB 77.89, -26.09, -11.02

 

CMYK 0 / 46 / 21 / 17

HEX #D473A8

RGB 212 115 168

HSL 327.22, 0.53%, 0.64%

LAB 60.86, 44.5, -11.36

 

CMYK 40 / 0 / 46 / 17

HEX #7FD371

RGB 127 211 113

HSL 111.43, 0.53%, 0.64%

LAB 77.46, -44.35, 40.54

 

CMYK 46 / 39 / 0 / 17

HEX #7381D4

RGB 115 129 212

HSL 231.34, 0.53%, 0.64%

LAB 56.19, 16.74, -44.4

 

CMYK 0 / 46 / 39 / 17

HEX #D47381

RGB 212 115 129

HSL 351.34, 0.53%, 0.64%

LAB 59.75, 39.39, 9.48

 

CMYK 40 / 0 / 46 / 17

HEX #7FD371

RGB 127 211 113

HSL 111.43, 0.53%, 0.64%

LAB 77.46, -44.35, 40.54

 

CMYK 46 / 2 / 0 / 17

HEX #73CFD4

RGB 115 207 212

HSL 183.09, 0.53%, 0.64%

LAB 77.89, -26.09, -11.02

 

CMYK 7 / 46 / 0 / 17

HEX #C573D4

RGB 197 115 212

HSL 290.72, 0.53%, 0.64%

LAB 60.68, 47.4, -36.8

 

CMYK 0 / 44 / 46 / 17

HEX #D47773

RGB 212 119 115

HSL 2.47, 0.53%, 0.64%

LAB 60.27, 35.8, 18.26

 

CMYK 40 / 0 / 46 / 17

HEX #7FD371

RGB 127 211 113

HSL 111.43, 0.53%, 0.64%

LAB 77.46, -44.35, 40.54

 

CMYK 46 / 16 / 0 / 17

HEX #73B2D4

RGB 115 178 212

HSL 201.03, 0.53%, 0.64%

LAB 69.64, -11.18, -23.48

 

CMYK 7 / 46 / 0 / 17

HEX #C573D4

RGB 197 115 212

HSL 290.72, 0.53%, 0.64%

LAB 60.68, 47.4, -36.8

 

CMYK 0 / 30 / 46 / 17

HEX #D49573

RGB 212 149 115

HSL 21.03, 0.53%, 0.64%

LAB 67.07, 19.69, 27.41

 

Description

Color code: HEX #7FD371 | qconv.com Color code: HEX #7FD371 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 211 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 211 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 46 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 46% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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