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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FD2F83F it is the complementary color #802D073F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FD2F83F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FD2F83F shade: #84D2F33F, #95E4FF3F, #A6F6FF3F, #B7FFFF3F and #C8FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FD2F83F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FD2F83F shade: #7FD2F83F, #6EC0E53F, #5DAED23F, #4C9CBF3F and #3B8AAC3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FD2F83F shade: #81D3F8, #81B3F8, #8193F8, #9081F8 and #B081F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FD2F83F shade: #81D3F8, #81B3F8, #8193F8 and #8181F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FD2F83F shade matches the following richer shades: #81D3F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FD2F83F shade: #81D3F8, #8CCFEE, #96CBE3, #A1C7D8 and #ACC3CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FD2F83F shade: #81F8DD, #81F4F8, #81D5F8, #81B5F8 and #8195F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FD2F83F shade: #33B7F4, #5AC5F6, #81D3F8, #A8E1FA and #CFEEFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FD2F83F shade: #7FD2F8, #BD81F8 and #F8EC81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FD2F83F shade: #7FD2F8, #F881D5 and #D5F881

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FD2F83F shade: #7FD2F8, #BD81F8, #F8A581 and #BDF881

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FD2F83F shade: #7FD2F8, #E181F8, #F8A581 and #99F881

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 4 / 0 / 1

HEX #7FD2F83F

RGBA 127 210 248 0.25

HSLA 198.84, 0.9%, 0.74%, 0.25

LABA 80.39, -15.28, -26.45, 0.25

 

Complementary color

CMYK 0 / 16 / 24 / 12

HEX #802D073F

RGBA 128 45 7 0.25

HSLA 18.84, 0.9%, 0.26%, 0.25

LABA 30.6, 34.24, 39.43, 0.25

 

CMYK 11 / 3 / 0 / 1

HEX #84D2F33F

RGBA 132 210 243 0.25

HSLA 197.84, 0.82%, 0.74%, 0.25

LABA 80.44, -15.5, -23.69, 0.25

 

CMYK 10 / 3 / 0 / 0

HEX #95E4FF3F

RGBA 149 228 255 0.25

HSLA 195.28, 1%, 0.79%, 0.25

LABA 86.55, -17.48, -20.7, 0.25

 

CMYK 9 / 1 / 0 / 0

HEX #A6F6FF3F

RGBA 166 246 255 0.25

HSLA 186.07, 1%, 0.83%, 0.25

LABA 92.24, -22.15, -12.08, 0.25

 

CMYK 7 / 0 / 0 / 0

HEX #B7FFFF3F

RGBA 183 255 255 0.25

HSLA 180, 1%, 0.86%, 0.25

LABA 95.5, -22, -7.15, 0.25

 

CMYK 5 / 0 / 0 / 0

HEX #C8FFFF3F

RGBA 200 255 255 0.25

HSLA 180, 1%, 0.89%, 0.25

LABA 96.42, -17.18, -5.69, 0.25

 

CMYK 12 / 4 / 0 / 1

HEX #7FD2F83F

RGBA 127 210 248 0.25

HSLA 198.84, 0.9%, 0.74%, 0.25

LABA 80.39, -15.28, -26.45, 0.25

 

CMYK 13 / 4 / 0 / 3

HEX #6EC0E53F

RGBA 110 192 229 0.25

HSLA 198.66, 0.7%, 0.66%, 0.25

LABA 73.98, -14.96, -26.13, 0.25

 

CMYK 14 / 4 / 0 / 4

HEX #5DAED23F

RGBA 93 174 210 0.25

HSLA 198.46, 0.57%, 0.59%, 0.25

LABA 67.47, -14.55, -25.79, 0.25

 

CMYK 15 / 5 / 0 / 6

HEX #4C9CBF3F

RGBA 76 156 191 0.25

HSLA 198.26, 0.47%, 0.52%, 0.25

LABA 60.85, -14.02, -25.44, 0.25

 

CMYK 16 / 5 / 0 / 8

HEX #3B8AAC3F

RGBA 59 138 172 0.25

HSLA 198.05, 0.49%, 0.45%, 0.25

LABA 54.12, -13.31, -25.07, 0.25

 

CMYK 48 / 15 / 0 / 3

HEX #81D3F8

RGB 129 211 248

HSL 198.66, 0.89%, 0.74%

LAB 80.76, -15.35, -25.89

 

CMYK 48 / 28 / 0 / 3

HEX #81B3F8

RGB 129 179 248

HSL 214.79, 0.89%, 0.74%

LAB 72.02, 1.81, -39.37

 

CMYK 48 / 41 / 0 / 3

HEX #8193F8

RGB 129 147 248

HSL 230.92, 0.89%, 0.74%

LAB 63.6, 20.1, -52.6

 

CMYK 42 / 48 / 0 / 3

HEX #9081F8

RGB 144 129 248

HSL 247.56, 0.89%, 0.74%

LAB 60.25, 34.06, -57.86

 

CMYK 29 / 48 / 0 / 3

HEX #B081F8

RGB 176 129 248

HSL 263.7, 0.89%, 0.74%

LAB 63.1, 41.98, -53.16

 

CMYK 48 / 15 / 0 / 3

HEX #81D3F8

RGB 129 211 248

HSL 198.66, 0.89%, 0.74%

LAB 80.76, -15.35, -25.89

 

CMYK 48 / 28 / 0 / 3

HEX #81B3F8

RGB 129 179 248

HSL 214.79, 0.89%, 0.74%

LAB 72.02, 1.81, -39.37

 

CMYK 48 / 41 / 0 / 3

HEX #8193F8

RGB 129 147 248

HSL 230.92, 0.89%, 0.74%

LAB 63.6, 20.1, -52.6

 

CMYK 48 / 48 / 0 / 3

HEX #8181F8

RGB 129 129 248

HSL 240, 0.89%, 0.74%

LAB 59.11, 30.66, -59.76

 

CMYK 48 / 15 / 0 / 3

HEX #81D3F8

RGB 129 211 248

HSL 198.66, 0.89%, 0.74%

LAB 80.76, -15.35, -25.89

 

CMYK 48 / 15 / 0 / 3

HEX #81D3F8

RGB 129 211 248

HSL 198.66, 0.89%, 0.74%

LAB 80.76, -15.35, -25.89

 

CMYK 41 / 13 / 0 / 7

HEX #8CCFEE

RGB 140 207 238

HSL 198.98, 0.74%, 0.74%

LAB 79.83, -13.33, -21.93

 

CMYK 34 / 11 / 0 / 11

HEX #96CBE3

RGB 150 203 227

HSL 198.7, 0.58%, 0.74%

LAB 78.89, -11.4, -17.4

 

CMYK 25 / 8 / 0 / 15

HEX #A1C7D8

RGB 161 199 216

HSL 198.55, 0.41%, 0.74%

LAB 78.1, -8.77, -12.62

 

CMYK 16 / 5 / 0 / 20

HEX #ACC3CD

RGB 172 195 205

HSL 198.18, 0.25%, 0.74%

LAB 77.41, -5.69, -7.64

 

CMYK 48 / 0 / 11 / 3

HEX #81F8DD

RGB 129 248 221

HSL 166.39, 0.89%, 0.74%

LAB 90.33, -39.98, 2.61

 

CMYK 48 / 2 / 0 / 3

HEX #81F4F8

RGB 129 244 248

HSL 182.02, 0.89%, 0.74%

LAB 89.93, -31.64, -12.05

 

CMYK 48 / 14 / 0 / 3

HEX #81D5F8

RGB 129 213 248

HSL 197.65, 0.89%, 0.74%

LAB 81.31, -16.37, -25.05

 

CMYK 48 / 27 / 0 / 3

HEX #81B5F8

RGB 129 181 248

HSL 213.78, 0.89%, 0.74%

LAB 72.56, 0.7, -38.53

 

CMYK 48 / 40 / 0 / 3

HEX #8195F8

RGB 129 149 248

HSL 229.92, 0.89%, 0.74%

LAB 64.11, 18.93, -51.79

 

CMYK 79 / 25 / 0 / 4

HEX #33B7F4

RGB 51 183 244

HSL 198.96, 0.9%, 0.58%

LAB 70.25, -14.65, -40.17

 

CMYK 63 / 20 / 0 / 4

HEX #5AC5F6

RGB 90 197 246

HSL 198.85, 0.9%, 0.66%

LAB 75.3, -16.31, -33.32

 

CMYK 48 / 15 / 0 / 3

HEX #81D3F8

RGB 129 211 248

HSL 198.66, 0.89%, 0.74%

LAB 80.76, -15.35, -25.89

 

CMYK 33 / 10 / 0 / 2

HEX #A8E1FA

RGB 168 225 250

HSL 198.29, 0.89%, 0.82%

LAB 86.54, -12.29, -17.99

 

CMYK 18 / 6 / 0 / 1

HEX #CFEEFC

RGB 207 238 252

HSL 198.67, 0.88%, 0.9%

LAB 92.33, -7.21, -10.14

 

CMYK 49 / 15 / 0 / 3

HEX #7FD2F8

RGB 127 210 248

HSL 198.84, 0.9%, 0.74%

LAB 80.39, -15.28, -26.45

 

CMYK 24 / 48 / 0 / 3

HEX #BD81F8

RGB 189 129 248

HSL 270.25, 0.89%, 0.74%

LAB 64.4, 45.38, -51.02

 

CMYK 0 / 5 / 48 / 3

HEX #F8EC81

RGB 248 236 129

HSL 53.95, 0.89%, 0.74%

LAB 92.37, -9.9, 52.94

 

CMYK 49 / 15 / 0 / 3

HEX #7FD2F8

RGB 127 210 248

HSL 198.84, 0.9%, 0.74%

LAB 80.39, -15.28, -26.45

 

CMYK 0 / 48 / 14 / 3

HEX #F881D5

RGB 248 129 213

HSL 317.65, 0.89%, 0.74%

LAB 69.8, 55.67, -22.75

 

CMYK 14 / 0 / 48 / 3

HEX #D5F881

RGB 213 248 129

HSL 77.65, 0.89%, 0.74%

LAB 92.96, -29.19, 53.05

 

CMYK 49 / 15 / 0 / 3

HEX #7FD2F8

RGB 127 210 248

HSL 198.84, 0.9%, 0.74%

LAB 80.39, -15.28, -26.45

 

CMYK 24 / 48 / 0 / 3

HEX #BD81F8

RGB 189 129 248

HSL 270.25, 0.89%, 0.74%

LAB 64.4, 45.38, -51.02

 

CMYK 0 / 33 / 48 / 3

HEX #F8A581

RGB 248 165 129

HSL 18.15, 0.89%, 0.74%

LAB 75.11, 26.78, 31.18

 

CMYK 24 / 0 / 48 / 3

HEX #BDF881

RGB 189 248 129

HSL 89.75, 0.89%, 0.74%

LAB 91.48, -37.91, 50.91

 

CMYK 49 / 15 / 0 / 3

HEX #7FD2F8

RGB 127 210 248

HSL 198.84, 0.9%, 0.74%

LAB 80.39, -15.28, -26.45

 

CMYK 9 / 48 / 0 / 3

HEX #E181F8

RGB 225 129 248

HSL 288.4, 0.89%, 0.74%

LAB 68.38, 55.09, -44.48

 

CMYK 0 / 33 / 48 / 3

HEX #F8A581

RGB 248 165 129

HSL 18.15, 0.89%, 0.74%

LAB 75.11, 26.78, 31.18

 

CMYK 38 / 0 / 48 / 3

HEX #99F881

RGB 153 248 129

HSL 107.9, 0.89%, 0.74%

LAB 89.62, -49.86, 48.22

 

Description

Color code: HEX #7FD2F83F | qconv.com Color code: HEX #7FD2F83F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 210 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 210 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 4 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 4% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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