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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FD226 it is the complementary color #802DD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FD226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FD226 shade: #84D221, #95E434, #A6F647, #B7FF5A and #C8FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FD226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FD226 shade: #7FD226, #6EC013, #5DAE00, #4C9C00 and #3B8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FD226 shade: #80D327, #AED327, #D3C927, #D39B27 and #D36C27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FD226 shade: #80D327, #51D327, #27D32A, #27D359 and #27D387

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FD226 shade matches the following richer shades: #80D327 and #81E713

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FD226 shade: #80D327, #7FBF3B, #7FAB4F, #7E9763 and #7D8278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FD226 shade: #D3C827, #B1D327, #83D327, #55D327 and #27D327

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FD226 shade: #568D1A, #6BB020, #80D327, #94DD46 and #A8E369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FD226 shade: #7FD226, #27D39A and #D327C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FD226 shade: #7FD226, #2783D3 and #D32783

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FD226 shade: #7FD226, #27D39A, #7727D3 and #D32760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FD226 shade: #7FD226, #27D3CD, #7727D3 and #D3272C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 82 / 18

HEX #7FD226

RGB 127 210 38

HSL 88.95, 0.69%, 0.49%

LAB 76.52, -50.44, 69.49

 

Complementary color

CMYK 41 / 79 / 0 / 15

HEX #802DD9

RGB 128 45 217

HSL 268.95, 0.69%, 0.51%

LAB 40.37, 65.71, -72.65

 

CMYK 37 / 0 / 84 / 18

HEX #84D221

RGB 132 210 33

HSL 86.44, 0.73%, 0.48%

LAB 76.74, -48.92, 70.97

 

CMYK 35 / 0 / 77 / 11

HEX #95E434

RGB 149 228 52

HSL 86.93, 0.77%, 0.55%

LAB 82.98, -49.59, 71.94

 

CMYK 33 / 0 / 71 / 4

HEX #A6F647

RGB 166 246 71

HSL 87.43, 0.91%, 0.62%

LAB 89.15, -50.07, 72.11

 

CMYK 28 / 0 / 65 / 0

HEX #B7FF5A

RGB 183 255 90

HSL 86.18, 1%, 0.68%

LAB 92.72, -46.64, 69.11

 

CMYK 22 / 0 / 57 / 0

HEX #C8FF6D

RGB 200 255 109

HSL 82.6, 1%, 0.71%

LAB 93.84, -39.03, 62.85

 

CMYK 40 / 0 / 82 / 18

HEX #7FD226

RGB 127 210 38

HSL 88.95, 0.69%, 0.49%

LAB 76.52, -50.44, 69.49

 

CMYK 43 / 0 / 90 / 25

HEX #6EC013

RGB 110 192 19

HSL 88.44, 0.82%, 0.41%

LAB 70.22, -49.58, 67.77

 

CMYK 47 / 0 / 100 / 32

HEX #5DAE00

RGB 93 174 0

HSL 87.93, 1%, 0.34%

LAB 63.84, -48.47, 64.82

 

CMYK 51 / 0 / 100 / 39

HEX #4C9C00

RGB 76 156 0

HSL 90.77, 1%, 0.31%

LAB 57.38, -46.88, 59.47

 

CMYK 57 / 0 / 100 / 46

HEX #3B8A00

RGB 59 138 0

HSL 94.35, 1%, 0.27%

LAB 50.81, -45.12, 54.03

 

CMYK 39 / 0 / 82 / 17

HEX #80D327

RGB 128 211 39

HSL 88.95, 0.69%, 0.49%

LAB 76.87, -50.46, 69.56

 

CMYK 18 / 0 / 82 / 17

HEX #AED327

RGB 174 211 39

HSL 72.91, 0.69%, 0.49%

LAB 79.46, -33.33, 72.85

 

CMYK 0 / 5 / 82 / 17

HEX #D3C927

RGB 211 201 39

HSL 56.51, 0.69%, 0.49%

LAB 79.48, -13.07, 73.95

 

CMYK 0 / 27 / 82 / 17

HEX #D39B27

RGB 211 155 39

HSL 40.47, 0.69%, 0.49%

LAB 67.6, 11.03, 63.67

 

CMYK 0 / 49 / 82 / 17

HEX #D36C27

RGB 211 108 39

HSL 24.07, 0.69%, 0.49%

LAB 56.8, 36.17, 54.03

 

CMYK 39 / 0 / 82 / 17

HEX #80D327

RGB 128 211 39

HSL 88.95, 0.69%, 0.49%

LAB 76.87, -50.46, 69.56

 

CMYK 62 / 0 / 82 / 17

HEX #51D327

RGB 81 211 39

HSL 105.35, 0.69%, 0.49%

LAB 75.13, -63.9, 67.33

 

CMYK 82 / 0 / 80 / 17

HEX #27D32A

RGB 39 211 42

HSL 121.05, 0.69%, 0.49%

LAB 74.31, -70.84, 65.46

 

CMYK 82 / 0 / 58 / 17

HEX #27D359

RGB 39 211 89

HSL 137.44, 0.69%, 0.49%

LAB 74.66, -66.48, 47.99

 

CMYK 82 / 0 / 36 / 17

HEX #27D387

RGB 39 211 135

HSL 153.49, 0.69%, 0.49%

LAB 75.31, -58.89, 26.09

 

CMYK 39 / 0 / 82 / 17

HEX #80D327

RGB 128 211 39

HSL 88.95, 0.69%, 0.49%

LAB 76.87, -50.46, 69.56

 

CMYK 44 / 0 / 92 / 9

HEX #81E713

RGB 129 231 19

HSL 88.87, 0.85%, 0.49%

LAB 82.84, -58.52, 78.51

 

CMYK 39 / 0 / 82 / 17

HEX #80D327

RGB 128 211 39

HSL 88.95, 0.69%, 0.49%

LAB 76.87, -50.46, 69.56

 

CMYK 34 / 0 / 69 / 25

HEX #7FBF3B

RGB 127 191 59

HSL 89.09, 0.53%, 0.49%

LAB 70.93, -41.33, 57.37

 

CMYK 26 / 0 / 54 / 33

HEX #7FAB4F

RGB 127 171 79

HSL 88.7, 0.37%, 0.49%

LAB 65.12, -30.48, 42.16

 

CMYK 17 / 0 / 34 / 41

HEX #7E9763

RGB 126 151 99

HSL 88.85, 0.21%, 0.49%

LAB 59.41, -18.39, 24.58

 

CMYK 4 / 0 / 8 / 49

HEX #7D8278

RGB 125 130 120

HSL 90, 0.04%, 0.49%

LAB 53.69, -3.82, 4.76

 

CMYK 0 / 5 / 82 / 17

HEX #D3C827

RGB 211 200 39

HSL 56.16, 0.69%, 0.49%

LAB 79.22, -12.56, 73.72

 

CMYK 16 / 0 / 82 / 17

HEX #B1D327

RGB 177 211 39

HSL 71.86, 0.69%, 0.49%

LAB 79.66, -32.12, 73.1

 

CMYK 38 / 0 / 82 / 17

HEX #83D327

RGB 131 211 39

HSL 87.91, 0.69%, 0.49%

LAB 77.02, -49.44, 69.75

 

CMYK 60 / 0 / 82 / 17

HEX #55D327

RGB 85 211 39

HSL 103.95, 0.69%, 0.49%

LAB 75.24, -62.96, 67.48

 

CMYK 82 / 0 / 82 / 17

HEX #27D327

RGB 39 211 39

HSL 120, 0.69%, 0.49%

LAB 74.3, -71.01, 66.26

 

CMYK 39 / 0 / 82 / 45

HEX #568D1A

RGB 86 141 26

HSL 88.7, 0.69%, 0.33%

LAB 53.06, -36.49, 50.77

 

CMYK 39 / 0 / 82 / 31

HEX #6BB020

RGB 107 176 32

HSL 88.75, 0.69%, 0.41%

LAB 65.18, -43.64, 60.5

 

CMYK 39 / 0 / 82 / 17

HEX #80D327

RGB 128 211 39

HSL 88.95, 0.69%, 0.49%

LAB 76.87, -50.46, 69.56

 

CMYK 33 / 0 / 68 / 13

HEX #94DD46

RGB 148 221 70

HSL 89.01, 0.69%, 0.57%

LAB 80.99, -45.96, 63.9

 

CMYK 26 / 0 / 54 / 11

HEX #A8E369

RGB 168 227 105

HSL 89.02, 0.69%, 0.65%

LAB 84.11, -38.48, 52.91

 

CMYK 40 / 0 / 82 / 18

HEX #7FD226

RGB 127 210 38

HSL 88.95, 0.69%, 0.49%

LAB 76.52, -50.44, 69.49

 

CMYK 82 / 0 / 27 / 17

HEX #27D39A

RGB 39 211 154

HSL 160.12, 0.69%, 0.49%

LAB 75.67, -54.84, 16.6

 

CMYK 0 / 82 / 5 / 17

HEX #D327C8

RGB 211 39 200

HSL 303.84, 0.69%, 0.49%

LAB 51.23, 78.59, -44.7

 

CMYK 40 / 0 / 82 / 18

HEX #7FD226

RGB 127 210 38

HSL 88.95, 0.69%, 0.49%

LAB 76.52, -50.44, 69.49

 

CMYK 82 / 38 / 0 / 17

HEX #2783D3

RGB 39 131 211

HSL 207.91, 0.69%, 0.49%

LAB 53.35, 1.96, -48.54

 

CMYK 0 / 82 / 38 / 17

HEX #D32783

RGB 211 39 131

HSL 327.91, 0.69%, 0.49%

LAB 48.18, 70.05, -8.58

 

CMYK 40 / 0 / 82 / 18

HEX #7FD226

RGB 127 210 38

HSL 88.95, 0.69%, 0.49%

LAB 76.52, -50.44, 69.49

 

CMYK 82 / 0 / 27 / 17

HEX #27D39A

RGB 39 211 154

HSL 160.12, 0.69%, 0.49%

LAB 75.67, -54.84, 16.6

 

CMYK 44 / 82 / 0 / 17

HEX #7727D3

RGB 119 39 211

HSL 267.91, 0.69%, 0.49%

LAB 37.98, 65.18, -73.16

 

CMYK 0 / 82 / 55 / 17

HEX #D32760

RGB 211 39 96

HSL 340.12, 0.69%, 0.49%

LAB 47.16, 67.04, 11.4

 

CMYK 40 / 0 / 82 / 18

HEX #7FD226

RGB 127 210 38

HSL 88.95, 0.69%, 0.49%

LAB 76.52, -50.44, 69.49

 

CMYK 82 / 0 / 3 / 17

HEX #27D3CD

RGB 39 211 205

HSL 177.91, 0.69%, 0.49%

LAB 76.94, -41.7, -8.88

 

CMYK 44 / 82 / 0 / 17

HEX #7727D3

RGB 119 39 211

HSL 267.91, 0.69%, 0.49%

LAB 37.98, 65.18, -73.16

 

CMYK 0 / 82 / 79 / 17

HEX #D3272C

RGB 211 39 44

HSL 358.26, 0.69%, 0.49%

LAB 46.29, 64.39, 41.5

 

Description

Color code: HEX #7FD226 | qconv.com Color code: HEX #7FD226 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 210 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 210 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 82 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 82% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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