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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FBDF3 it is the complementary color #80420C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FBDF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FBDF3 shade: #84BDEE, #95CFFF, #A6E1FF, #B7F3FF and #C8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FBDF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FBDF3 shade: #7FBDF3, #6EABE0, #5D99CD, #4C87BA and #3B75A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FBDF3 shade: #81BEF3, #819FF3, #8281F3, #A081F3 and #BF81F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FBDF3 shade: #81BEF3, #819FF3 and #8181F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FBDF3 shade matches the following richer shades: #81BEF3 and #76BFFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FBDF3 shade: #81BEF3, #8CBDE8, #97BDDD, #A2BCD2 and #AEBBC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FBDF3 shade: #81F3EA, #81DEF3, #81C0F3, #81A1F3 and #8183F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FBDF3 shade: #3697EC, #5BABF0, #81BEF3, #A7D2F7 and #CDE5FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FBDF3 shade: #7FBDF3, #CB81F3 and #EEF381

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FBDF3 shade: #7FBDF3, #F381C0 and #C0F381

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FBDF3 shade: #7FBDF3, #CB81F3, #F3B481 and #A9F381

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FBDF3 shade: #7FBDF3, #EE81F3, #F3B481 and #87F381

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 22 / 0 / 5

HEX #7FBDF3

RGB 127 189 243

HSL 207.93, 0.83%, 0.73%

LAB 74.43, -5.57, -32.93

 

Complementary color

CMYK 0 / 48 / 91 / 50

HEX #80420C

RGB 128 66 12

HSL 27.93, 0.83%, 0.27%

LAB 35.03, 23.1, 40.95

 

CMYK 45 / 21 / 0 / 7

HEX #84BDEE

RGB 132 189 238

HSL 207.74, 0.76%, 0.73%

LAB 74.49, -5.78, -30.12

 

CMYK 42 / 19 / 0 / 0

HEX #95CFFF

RGB 149 207 255

HSL 207.17, 1%, 0.79%

LAB 80.87, -6.63, -29.36

 

CMYK 35 / 12 / 0 / 0

HEX #A6E1FF

RGB 166 225 255

HSL 200.22, 1%, 0.83%

LAB 86.59, -11.62, -20.56

 

CMYK 28 / 5 / 0 / 0

HEX #B7F3FF

RGB 183 243 255

HSL 190, 1%, 0.86%

LAB 92.3, -16.09, -11.89

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 48 / 22 / 0 / 5

HEX #7FBDF3

RGB 127 189 243

HSL 207.93, 0.83%, 0.73%

LAB 74.43, -5.57, -32.93

 

CMYK 51 / 24 / 0 / 12

HEX #6EABE0

RGB 110 171 224

HSL 207.89, 0.65%, 0.65%

LAB 67.89, -5.11, -32.78

 

CMYK 55 / 25 / 0 / 20

HEX #5D99CD

RGB 93 153 205

HSL 207.86, 0.53%, 0.58%

LAB 61.24, -4.53, -32.64

 

CMYK 59 / 27 / 0 / 27

HEX #4C87BA

RGB 76 135 186

HSL 207.82, 0.44%, 0.51%

LAB 54.46, -3.81, -32.51

 

CMYK 65 / 30 / 0 / 35

HEX #3B75A7

RGB 59 117 167

HSL 207.78, 0.48%, 0.44%

LAB 47.55, -2.88, -32.39

 

CMYK 47 / 22 / 0 / 5

HEX #81BEF3

RGB 129 190 243

HSL 207.89, 0.83%, 0.73%

LAB 74.8, -5.65, -32.35

 

CMYK 47 / 35 / 0 / 5

HEX #819FF3

RGB 129 159 243

HSL 224.21, 0.83%, 0.73%

LAB 66.47, 11.67, -45.33

 

CMYK 47 / 47 / 0 / 5

HEX #8281F3

RGB 130 129 243

HSL 240.53, 0.83%, 0.73%

LAB 58.9, 29.41, -57.33

 

CMYK 34 / 47 / 0 / 5

HEX #A081F3

RGB 160 129 243

HSL 256.32, 0.83%, 0.73%

LAB 61.35, 36.64, -53.28

 

CMYK 21 / 47 / 0 / 5

HEX #BF81F3

RGB 191 129 243

HSL 272.63, 0.83%, 0.73%

LAB 64.36, 44.79, -48.31

 

CMYK 47 / 22 / 0 / 5

HEX #81BEF3

RGB 129 190 243

HSL 207.89, 0.83%, 0.73%

LAB 74.8, -5.65, -32.35

 

CMYK 47 / 35 / 0 / 5

HEX #819FF3

RGB 129 159 243

HSL 224.21, 0.83%, 0.73%

LAB 66.47, 11.67, -45.33

 

CMYK 47 / 47 / 0 / 5

HEX #8181F3

RGB 129 129 243

HSL 240, 0.83%, 0.73%

LAB 58.82, 29.19, -57.45

 

CMYK 47 / 22 / 0 / 5

HEX #81BEF3

RGB 129 190 243

HSL 207.89, 0.83%, 0.73%

LAB 74.8, -5.65, -32.35

 

CMYK 54 / 25 / 0 / 0

HEX #76BFFE

RGB 118 191 254

HSL 207.79, 0.99%, 0.73%

LAB 74.99, -5.45, -38.01

 

CMYK 47 / 22 / 0 / 5

HEX #81BEF3

RGB 129 190 243

HSL 207.89, 0.83%, 0.73%

LAB 74.8, -5.65, -32.35

 

CMYK 40 / 19 / 0 / 9

HEX #8CBDE8

RGB 140 189 232

HSL 208.04, 0.67%, 0.73%

LAB 74.7, -5.38, -26.53

 

CMYK 32 / 14 / 0 / 13

HEX #97BDDD

RGB 151 189 221

HSL 207.43, 0.51%, 0.73%

LAB 74.95, -5.19, -20.13

 

CMYK 23 / 10 / 0 / 18

HEX #A2BCD2

RGB 162 188 210

HSL 207.5, 0.35%, 0.73%

LAB 75.01, -4.01, -13.99

 

CMYK 13 / 6 / 0 / 22

HEX #AEBBC7

RGB 174 187 199

HSL 208.8, 0.18%, 0.73%

LAB 75.24, -2.05, -7.59

 

CMYK 47 / 0 / 4 / 5

HEX #81F3EA

RGB 129 243 234

HSL 175.26, 0.83%, 0.73%

LAB 89.26, -34.64, -5.74

 

CMYK 47 / 9 / 0 / 5

HEX #81DEF3

RGB 129 222 243

HSL 191.05, 0.83%, 0.73%

LAB 83.64, -22.26, -18.86

 

CMYK 47 / 21 / 0 / 5

HEX #81C0F3

RGB 129 192 243

HSL 206.84, 0.83%, 0.73%

LAB 75.35, -6.72, -31.51

 

CMYK 47 / 34 / 0 / 5

HEX #81A1F3

RGB 129 161 243

HSL 223.16, 0.83%, 0.73%

LAB 67, 10.52, -44.5

 

CMYK 47 / 46 / 0 / 5

HEX #8183F3

RGB 129 131 243

HSL 238.95, 0.83%, 0.73%

LAB 59.32, 28.01, -56.67

 

CMYK 77 / 36 / 0 / 7

HEX #3697EC

RGB 54 151 236

HSL 208.02, 0.83%, 0.57%

LAB 60.76, 0.76, -50.71

 

CMYK 62 / 29 / 0 / 6

HEX #5BABF0

RGB 91 171 240

HSL 207.79, 0.83%, 0.65%

LAB 67.76, -3.98, -41.81

 

CMYK 47 / 22 / 0 / 5

HEX #81BEF3

RGB 129 190 243

HSL 207.89, 0.83%, 0.73%

LAB 74.8, -5.65, -32.35

 

CMYK 32 / 15 / 0 / 3

HEX #A7D2F7

RGB 167 210 247

HSL 207.75, 0.83%, 0.81%

LAB 82.39, -5.51, -22.69

 

CMYK 18 / 8 / 0 / 2

HEX #CDE5FA

RGB 205 229 250

HSL 208, 0.82%, 0.89%

LAB 89.82, -3.63, -12.85

 

CMYK 48 / 22 / 0 / 5

HEX #7FBDF3

RGB 127 189 243

HSL 207.93, 0.83%, 0.73%

LAB 74.43, -5.57, -32.93

 

CMYK 16 / 47 / 0 / 5

HEX #CB81F3

RGB 203 129 243

HSL 278.95, 0.83%, 0.73%

LAB 65.65, 48.06, -46.2

 

CMYK 2 / 0 / 47 / 5

HEX #EEF381

RGB 238 243 129

HSL 62.63, 0.83%, 0.73%

LAB 93.39, -17.26, 53.99

 

CMYK 48 / 22 / 0 / 5

HEX #7FBDF3

RGB 127 189 243

HSL 207.93, 0.83%, 0.73%

LAB 74.43, -5.57, -32.93

 

CMYK 0 / 47 / 21 / 5

HEX #F381C0

RGB 243 129 192

HSL 326.84, 0.83%, 0.73%

LAB 68.43, 51.02, -13.17

 

CMYK 21 / 0 / 47 / 5

HEX #C0F381

RGB 192 243 129

HSL 86.84, 0.83%, 0.73%

LAB 90.27, -34.58, 49.48

 

CMYK 48 / 22 / 0 / 5

HEX #7FBDF3

RGB 127 189 243

HSL 207.93, 0.83%, 0.73%

LAB 74.43, -5.57, -32.93

 

CMYK 16 / 47 / 0 / 5

HEX #CB81F3

RGB 203 129 243

HSL 278.95, 0.83%, 0.73%

LAB 65.65, 48.06, -46.2

 

CMYK 0 / 26 / 47 / 5

HEX #F3B481

RGB 243 180 129

HSL 26.84, 0.83%, 0.73%

LAB 78.04, 16.9, 34.9

 

CMYK 30 / 0 / 47 / 5

HEX #A9F381

RGB 169 243 129

HSL 98.95, 0.83%, 0.73%

LAB 88.98, -42.58, 47.59

 

CMYK 48 / 22 / 0 / 5

HEX #7FBDF3

RGB 127 189 243

HSL 207.93, 0.83%, 0.73%

LAB 74.43, -5.57, -32.93

 

CMYK 2 / 47 / 0 / 5

HEX #EE81F3

RGB 238 129 243

HSL 297.37, 0.83%, 0.73%

LAB 69.72, 57.74, -39.53

 

CMYK 0 / 26 / 47 / 5

HEX #F3B481

RGB 243 180 129

HSL 26.84, 0.83%, 0.73%

LAB 78.04, 16.9, 34.9

 

CMYK 44 / 0 / 47 / 5

HEX #87F381

RGB 135 243 129

HSL 116.84, 0.83%, 0.73%

LAB 87.41, -53.14, 45.29

 

Description

Color code: HEX #7FBDF3 | qconv.com Color code: HEX #7FBDF3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 189 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 189 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 22 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 22% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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