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Color name
HEX #7FAF13

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FAF13 it is the complementary color #8050EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FAF13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FAF13 shade: #84AF0E, #95C121, #A6D334, #B7E547 and #C8F75A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FAF13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FAF13 shade: #7FAF13, #6E9D00, #5D8B00, #4C7900 and #3B6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FAF13 shade: #7FAE13, #A9AE13, #AE8B13, #AE6113 and #AE3713

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FAF13 shade: #7FAE13, #55AE13, #2BAE13, #13AE25 and #13AE4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FAF13 shade matches the following richer shades: #7FAE13 and #85BE04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FAF13 shade: #7FAE13, #799F23, #738F33, #6D7F42 and #677052

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FAF13 shade: #AE8A13, #A9AE13, #80AE13, #57AE13 and #2DAE13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FAF13 shade: #49640B, #64890F, #7FAE13, #9AD418 and #AEE82D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FAF13 shade: #7FAF13, #13AE61 and #9F13AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FAF13 shade: #7FAF13, #1380AE and #AE1380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FAF13 shade: #7FAF13, #13AE61, #4213AE and #AE1361

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FAF13 shade: #7FAF13, #13AE8F, #4213AE and #AE1332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 89 / 31

HEX #7FAF13

RGB 127 175 19

HSL 78.46, 0.8%, 0.38%

LAB 65.92, -36.19, 64.55

 

Complementary color

CMYK 46 / 66 / 0 / 7

HEX #8050EC

RGB 128 80 236

HSL 258.46, 0.8%, 0.62%

LAB 47.47, 54.73, -71.86

 

CMYK 25 / 0 / 92 / 31

HEX #84AF0E

RGB 132 175 14

HSL 76.02, 0.85%, 0.37%

LAB 66.21, -34.32, 65.75

 

CMYK 23 / 0 / 83 / 24

HEX #95C121

RGB 149 193 33

HSL 76.5, 0.71%, 0.44%

LAB 72.65, -35.24, 67.77

 

CMYK 21 / 0 / 75 / 17

HEX #A6D334

RGB 166 211 52

HSL 76.98, 0.64%, 0.52%

LAB 79.01, -35.95, 68.55

 

CMYK 20 / 0 / 69 / 10

HEX #B7E547

RGB 183 229 71

HSL 77.47, 0.75%, 0.59%

LAB 85.28, -36.5, 68.55

 

CMYK 19 / 0 / 64 / 3

HEX #C8F75A

RGB 200 247 90

HSL 77.96, 0.91%, 0.66%

LAB 91.48, -36.92, 68.09

 

CMYK 27 / 0 / 89 / 31

HEX #7FAF13

RGB 127 175 19

HSL 78.46, 0.8%, 0.38%

LAB 65.92, -36.19, 64.55

 

CMYK 30 / 0 / 100 / 38

HEX #6E9D00

RGB 110 157 0

HSL 77.96, 1%, 0.31%

LAB 59.37, -35.17, 61.73

 

CMYK 33 / 0 / 100 / 45

HEX #5D8B00

RGB 93 139 0

HSL 79.86, 1%, 0.27%

LAB 52.72, -33.76, 56.2

 

CMYK 37 / 0 / 100 / 53

HEX #4C7900

RGB 76 121 0

HSL 82.31, 1%, 0.24%

LAB 45.92, -32.31, 50.54

 

CMYK 43 / 0 / 100 / 60

HEX #3B6700

RGB 59 103 0

HSL 85.63, 1%, 0.2%

LAB 38.95, -30.79, 44.74

 

CMYK 27 / 0 / 89 / 32

HEX #7FAE13

RGB 127 174 19

HSL 78.19, 0.8%, 0.38%

LAB 65.62, -35.74, 64.3

 

CMYK 3 / 0 / 89 / 32

HEX #A9AE13

RGB 169 174 19

HSL 61.94, 0.8%, 0.38%

LAB 68.57, -18.1, 67.93

 

CMYK 0 / 20 / 89 / 32

HEX #AE8B13

RGB 174 139 19

HSL 46.45, 0.8%, 0.38%

LAB 59.44, 2.7, 60.86

 

CMYK 0 / 44 / 89 / 32

HEX #AE6113

RGB 174 97 19

HSL 30.19, 0.8%, 0.38%

LAB 49, 26.11, 52.61

 

CMYK 0 / 68 / 89 / 32

HEX #AE3713

RGB 174 55 19

HSL 13.94, 0.8%, 0.38%

LAB 40.86, 46.95, 46.24

 

CMYK 27 / 0 / 89 / 32

HEX #7FAE13

RGB 127 174 19

HSL 78.19, 0.8%, 0.38%

LAB 65.62, -35.74, 64.3

 

CMYK 51 / 0 / 89 / 32

HEX #55AE13

RGB 85 174 19

HSL 94.45, 0.8%, 0.38%

LAB 63.55, -50.53, 61.73

 

CMYK 75 / 0 / 89 / 32

HEX #2BAE13

RGB 43 174 19

HSL 110.71, 0.8%, 0.38%

LAB 62.37, -60.28, 60.25

 

CMYK 89 / 0 / 79 / 32

HEX #13AE25

RGB 19 174 37

HSL 126.97, 0.8%, 0.38%

LAB 62.12, -62.16, 55.28

 

CMYK 89 / 0 / 55 / 32

HEX #13AE4F

RGB 19 174 79

HSL 143.23, 0.8%, 0.38%

LAB 62.49, -57.61, 38.15

 

CMYK 27 / 0 / 89 / 32

HEX #7FAE13

RGB 127 174 19

HSL 78.19, 0.8%, 0.38%

LAB 65.62, -35.74, 64.3

 

CMYK 30 / 0 / 98 / 25

HEX #85BE04

RGB 133 190 4

HSL 78.39, 0.96%, 0.38%

LAB 70.75, -40.79, 70.58

 

CMYK 27 / 0 / 89 / 32

HEX #7FAE13

RGB 127 174 19

HSL 78.19, 0.8%, 0.38%

LAB 65.62, -35.74, 64.3

 

CMYK 24 / 0 / 78 / 38

HEX #799F23

RGB 121 159 35

HSL 78.39, 0.64%, 0.38%

LAB 60.77, -30.61, 55.83

 

CMYK 20 / 0 / 64 / 44

HEX #738F33

RGB 115 143 51

HSL 78.26, 0.47%, 0.38%

LAB 55.61, -24.28, 44.31

 

CMYK 14 / 0 / 48 / 50

HEX #6D7F42

RGB 109 127 66

HSL 77.7, 0.32%, 0.38%

LAB 50.48, -17.08, 30.84

 

CMYK 8 / 0 / 27 / 56

HEX #677052

RGB 103 112 82

HSL 78, 0.15%, 0.38%

LAB 45.75, -9.12, 15.59

 

CMYK 0 / 21 / 89 / 32

HEX #AE8A13

RGB 174 138 19

HSL 46.06, 0.8%, 0.38%

LAB 59.18, 3.25, 60.65

 

CMYK 3 / 0 / 89 / 32

HEX #A9AE13

RGB 169 174 19

HSL 61.94, 0.8%, 0.38%

LAB 68.57, -18.1, 67.93

 

CMYK 26 / 0 / 89 / 32

HEX #80AE13

RGB 128 174 19

HSL 77.81, 0.8%, 0.38%

LAB 65.68, -35.35, 64.37

 

CMYK 50 / 0 / 89 / 32

HEX #57AE13

RGB 87 174 19

HSL 93.68, 0.8%, 0.38%

LAB 63.63, -49.93, 61.83

 

CMYK 74 / 0 / 89 / 32

HEX #2DAE13

RGB 45 174 19

HSL 109.94, 0.8%, 0.38%

LAB 62.4, -59.95, 60.3

 

CMYK 27 / 0 / 89 / 61

HEX #49640B

RGB 73 100 11

HSL 78.2, 0.8%, 0.22%

LAB 38.82, -23.13, 42.05

 

CMYK 27 / 0 / 89 / 46

HEX #64890F

RGB 100 137 15

HSL 78.2, 0.8%, 0.3%

LAB 52.55, -29.61, 53.51

 

CMYK 27 / 0 / 89 / 32

HEX #7FAE13

RGB 127 174 19

HSL 78.19, 0.8%, 0.38%

LAB 65.62, -35.74, 64.3

 

CMYK 27 / 0 / 89 / 17

HEX #9AD418

RGB 154 212 24

HSL 78.51, 0.8%, 0.46%

LAB 78.48, -42.02, 74.68

 

CMYK 25 / 0 / 81 / 9

HEX #AEE82D

RGB 174 232 45

HSL 78.61, 0.8%, 0.54%

LAB 85.45, -42.52, 76.62

 

CMYK 27 / 0 / 89 / 31

HEX #7FAF13

RGB 127 175 19

HSL 78.46, 0.8%, 0.38%

LAB 65.92, -36.19, 64.55

 

CMYK 89 / 0 / 44 / 32

HEX #13AE61

RGB 19 174 97

HSL 150.19, 0.8%, 0.38%

LAB 62.74, -54.6, 29.3

 

CMYK 9 / 89 / 0 / 32

HEX #9F13AE

RGB 159 19 174

HSL 294.19, 0.8%, 0.38%

LAB 39.4, 69, -48.88

 

CMYK 27 / 0 / 89 / 31

HEX #7FAF13

RGB 127 175 19

HSL 78.46, 0.8%, 0.38%

LAB 65.92, -36.19, 64.55

 

CMYK 89 / 26 / 0 / 32

HEX #1380AE

RGB 19 128 174

HSL 197.81, 0.8%, 0.38%

LAB 50.25, -11.66, -32.29

 

CMYK 0 / 89 / 26 / 32

HEX #AE1380

RGB 174 19 128

HSL 317.81, 0.8%, 0.38%

LAB 39.62, 65.31, -20.41

 

CMYK 27 / 0 / 89 / 31

HEX #7FAF13

RGB 127 175 19

HSL 78.46, 0.8%, 0.38%

LAB 65.92, -36.19, 64.55

 

CMYK 89 / 0 / 44 / 32

HEX #13AE61

RGB 19 174 97

HSL 150.19, 0.8%, 0.38%

LAB 62.74, -54.6, 29.3

 

CMYK 62 / 89 / 0 / 32

HEX #4213AE

RGB 66 19 174

HSL 258.19, 0.8%, 0.38%

LAB 25.8, 56.8, -71.66

 

CMYK 0 / 89 / 44 / 32

HEX #AE1361

RGB 174 19 97

HSL 329.81, 0.8%, 0.38%

LAB 38.42, 62.04, -2.73

 

CMYK 27 / 0 / 89 / 31

HEX #7FAF13

RGB 127 175 19

HSL 78.46, 0.8%, 0.38%

LAB 65.92, -36.19, 64.55

 

CMYK 89 / 0 / 18 / 32

HEX #13AE8F

RGB 19 174 143

HSL 168, 0.8%, 0.38%

LAB 63.67, -44.21, 5.55

 

CMYK 62 / 89 / 0 / 32

HEX #4213AE

RGB 66 19 174

HSL 258.19, 0.8%, 0.38%

LAB 25.8, 56.8, -71.66

 

CMYK 0 / 89 / 71 / 32

HEX #AE1332

RGB 174 19 50

HSL 348, 0.8%, 0.38%

LAB 37.29, 58.84, 25.8

 

Description

Color code: HEX #7FAF13 | qconv.com Color code: HEX #7FAF13 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 175 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 175 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 89 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 89% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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