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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FAE1F it is the complementary color #8051E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FAE1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FAE1F shade: #84AE1A, #95C02D, #A6D240, #B7E453 and #C8F666

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FAE1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FAE1F shade: #7FAE1F, #6E9C0C, #5D8A00, #4C7800 and #3B6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FAE1F shade: #7EAD1F, #A5AD1F, #AD8F1F, #AD691F and #AD421F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FAE1F shade: #7EAD1F, #58AD1F, #31AD1F, #1FAD32 and #1FAD59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FAE1F shade matches the following richer shades: #7EAD1F and #84BE0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FAE1F shade: #7EAD1F, #799D2F, #738C40, #6E7C50 and #686B61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FAE1F shade: #AD8E1F, #A6AD1F, #80AD1F, #5AAD1F and #34AD1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FAE1F shade: #4B6712, #658A18, #7EAD1F, #98D025 and #AADD41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FAE1F shade: #7FAE1F, #1FAD68 and #A21FAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FAE1F shade: #7FAE1F, #1F80AD and #AD1F80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FAE1F shade: #7FAE1F, #1FAD68, #4C1FAD and #AD1F64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FAE1F shade: #7FAE1F, #1FAD93, #4C1FAD and #AD1F39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 82 / 32

HEX #7FAE1F

RGB 127 174 31

HSL 79.72, 0.7%, 0.4%

LAB 65.66, -35.35, 61.61

 

Complementary color

CMYK 43 / 64 / 0 / 12

HEX #8051E0

RGB 128 81 224

HSL 259.72, 0.7%, 0.6%

LAB 46.78, 51.01, -66.19

 

CMYK 24 / 0 / 85 / 32

HEX #84AE1A

RGB 132 174 26

HSL 77.03, 0.74%, 0.39%

LAB 65.94, -33.54, 63.23

 

CMYK 22 / 0 / 77 / 25

HEX #95C02D

RGB 149 192 45

HSL 77.55, 0.62%, 0.46%

LAB 72.41, -34.29, 64.18

 

CMYK 21 / 0 / 70 / 18

HEX #A6D240

RGB 166 210 64

HSL 78.08, 0.62%, 0.54%

LAB 78.79, -34.84, 64.22

 

CMYK 20 / 0 / 64 / 11

HEX #B7E453

RGB 183 228 83

HSL 78.62, 0.73%, 0.61%

LAB 85.09, -35.26, 63.75

 

CMYK 19 / 0 / 59 / 4

HEX #C8F666

RGB 200 246 102

HSL 79.17, 0.89%, 0.68%

LAB 91.3, -35.57, 62.98

 

CMYK 27 / 0 / 82 / 32

HEX #7FAE1F

RGB 127 174 31

HSL 79.72, 0.7%, 0.4%

LAB 65.66, -35.35, 61.61

 

CMYK 29 / 0 / 92 / 39

HEX #6E9C0C

RGB 110 156 12

HSL 79.17, 0.86%, 0.33%

LAB 59.08, -34.47, 59.73

 

CMYK 33 / 0 / 100 / 46

HEX #5D8A00

RGB 93 138 0

HSL 79.57, 1%, 0.27%

LAB 52.4, -33.3, 55.95

 

CMYK 37 / 0 / 100 / 53

HEX #4C7800

RGB 76 120 0

HSL 82, 1%, 0.24%

LAB 45.59, -31.85, 50.29

 

CMYK 42 / 0 / 100 / 60

HEX #3B6600

RGB 59 102 0

HSL 85.29, 1%, 0.2%

LAB 38.61, -30.33, 44.48

 

CMYK 27 / 0 / 82 / 32

HEX #7EAD1F

RGB 126 173 31

HSL 79.86, 0.7%, 0.4%

LAB 65.3, -35.29, 61.26

 

CMYK 5 / 0 / 82 / 32

HEX #A5AD1F

RGB 165 173 31

HSL 63.38, 0.7%, 0.4%

LAB 68.01, -19.02, 64.69

 

CMYK 0 / 17 / 82 / 32

HEX #AD8F1F

RGB 173 143 31

HSL 47.32, 0.7%, 0.4%

LAB 60.45, 0.38, 58.41

 

CMYK 0 / 39 / 82 / 32

HEX #AD691F

RGB 173 105 31

HSL 31.27, 0.7%, 0.4%

LAB 50.79, 21.57, 49.83

 

CMYK 0 / 62 / 82 / 32

HEX #AD421F

RGB 173 66 31

HSL 14.79, 0.7%, 0.4%

LAB 42.58, 42.03, 42.26

 

CMYK 27 / 0 / 82 / 32

HEX #7EAD1F

RGB 126 173 31

HSL 79.86, 0.7%, 0.4%

LAB 65.3, -35.29, 61.26

 

CMYK 49 / 0 / 82 / 32

HEX #58AD1F

RGB 88 173 31

HSL 95.92, 0.7%, 0.4%

LAB 63.39, -48.76, 58.83

 

CMYK 72 / 0 / 82 / 32

HEX #31AD1F

RGB 49 173 31

HSL 112.39, 0.7%, 0.4%

LAB 62.2, -58.39, 57.3

 

CMYK 82 / 0 / 71 / 32

HEX #1FAD32

RGB 31 173 50

HSL 128.03, 0.7%, 0.4%

LAB 62.01, -59.67, 50.59

 

CMYK 82 / 0 / 49 / 32

HEX #1FAD59

RGB 31 173 89

HSL 144.51, 0.7%, 0.4%

LAB 62.42, -54.6, 33.07

 

CMYK 27 / 0 / 82 / 32

HEX #7EAD1F

RGB 126 173 31

HSL 79.86, 0.7%, 0.4%

LAB 65.3, -35.29, 61.26

 

CMYK 31 / 0 / 93 / 25

HEX #84BE0E

RGB 132 190 14

HSL 79.77, 0.86%, 0.4%

LAB 70.71, -41.02, 69.37

 

CMYK 27 / 0 / 82 / 32

HEX #7EAD1F

RGB 126 173 31

HSL 79.86, 0.7%, 0.4%

LAB 65.3, -35.29, 61.26

 

CMYK 23 / 0 / 70 / 38

HEX #799D2F

RGB 121 157 47

HSL 79.64, 0.54%, 0.4%

LAB 60.23, -28.96, 50.98

 

CMYK 18 / 0 / 54 / 45

HEX #738C40

RGB 115 140 64

HSL 79.74, 0.37%, 0.4%

LAB 54.84, -21.56, 37.23

 

CMYK 11 / 0 / 35 / 51

HEX #6E7C50

RGB 110 124 80

HSL 79.09, 0.22%, 0.4%

LAB 49.87, -13.2, 22.36

 

CMYK 3 / 0 / 9 / 58

HEX #686B61

RGB 104 107 97

HSL 78, 0.05%, 0.4%

LAB 44.69, -3.16, 5.2

 

CMYK 0 / 18 / 82 / 32

HEX #AD8E1F

RGB 173 142 31

HSL 46.9, 0.7%, 0.4%

LAB 60.18, 0.92, 58.18

 

CMYK 4 / 0 / 82 / 32

HEX #A6AD1F

RGB 166 173 31

HSL 62.96, 0.7%, 0.4%

LAB 68.09, -18.59, 64.79

 

CMYK 26 / 0 / 82 / 32

HEX #80AD1F

RGB 128 173 31

HSL 79.01, 0.7%, 0.4%

LAB 65.42, -34.5, 61.41

 

CMYK 48 / 0 / 82 / 32

HEX #5AAD1F

RGB 90 173 31

HSL 95.07, 0.7%, 0.4%

LAB 63.47, -48.14, 58.94

 

CMYK 70 / 0 / 82 / 32

HEX #34AD1F

RGB 52 173 31

HSL 111.13, 0.7%, 0.4%

LAB 62.27, -57.83, 57.38

 

CMYK 27 / 0 / 83 / 60

HEX #4B6712

RGB 75 103 18

HSL 79.76, 0.7%, 0.24%

LAB 39.98, -23.45, 41.01

 

CMYK 27 / 0 / 83 / 46

HEX #658A18

RGB 101 138 24

HSL 79.47, 0.7%, 0.32%

LAB 52.96, -29.34, 51.6

 

CMYK 27 / 0 / 82 / 32

HEX #7EAD1F

RGB 126 173 31

HSL 79.86, 0.7%, 0.4%

LAB 65.3, -35.29, 61.26

 

CMYK 27 / 0 / 82 / 18

HEX #98D025

RGB 152 208 37

HSL 79.65, 0.7%, 0.48%

LAB 77.23, -40.65, 70.87

 

CMYK 23 / 0 / 71 / 13

HEX #AADD41

RGB 170 221 65

HSL 79.62, 0.7%, 0.56%

LAB 82.19, -38.22, 67.34

 

CMYK 27 / 0 / 82 / 32

HEX #7FAE1F

RGB 127 174 31

HSL 79.72, 0.7%, 0.4%

LAB 65.66, -35.35, 61.61

 

CMYK 82 / 0 / 40 / 32

HEX #1FAD68

RGB 31 173 104

HSL 150.85, 0.7%, 0.4%

LAB 62.66, -51.87, 25.52

 

CMYK 6 / 82 / 0 / 32

HEX #A21FAD

RGB 162 31 173

HSL 295.35, 0.7%, 0.4%

LAB 40.7, 66.88, -46.17

 

CMYK 27 / 0 / 82 / 32

HEX #7FAE1F

RGB 127 174 31

HSL 79.72, 0.7%, 0.4%

LAB 65.66, -35.35, 61.61

 

CMYK 82 / 26 / 0 / 32

HEX #1F80AD

RGB 31 128 173

HSL 199.01, 0.7%, 0.4%

LAB 50.39, -11.08, -31.49

 

CMYK 0 / 82 / 26 / 32

HEX #AD1F80

RGB 173 31 128

HSL 319.01, 0.7%, 0.4%

LAB 40.28, 62.62, -19.4

 

CMYK 27 / 0 / 82 / 32

HEX #7FAE1F

RGB 127 174 31

HSL 79.72, 0.7%, 0.4%

LAB 65.66, -35.35, 61.61

 

CMYK 82 / 0 / 40 / 32

HEX #1FAD68

RGB 31 173 104

HSL 150.85, 0.7%, 0.4%

LAB 62.66, -51.87, 25.52

 

CMYK 56 / 82 / 0 / 32

HEX #4C1FAD

RGB 76 31 173

HSL 259.01, 0.7%, 0.4%

LAB 28.2, 53.23, -67.05

 

CMYK 0 / 82 / 42 / 32

HEX #AD1F64

RGB 173 31 100

HSL 330.85, 0.7%, 0.4%

LAB 39.21, 59.52, -3.49

 

CMYK 27 / 0 / 82 / 32

HEX #7FAE1F

RGB 127 174 31

HSL 79.72, 0.7%, 0.4%

LAB 65.66, -35.35, 61.61

 

CMYK 82 / 0 / 15 / 32

HEX #1FAD93

RGB 31 173 147

HSL 169.01, 0.7%, 0.4%

LAB 63.58, -41.82, 3.21

 

CMYK 56 / 82 / 0 / 32

HEX #4C1FAD

RGB 76 31 173

HSL 259.01, 0.7%, 0.4%

LAB 28.2, 53.23, -67.05

 

CMYK 0 / 82 / 67 / 32

HEX #AD1F39

RGB 173 31 57

HSL 349.01, 0.7%, 0.4%

LAB 38.13, 56.26, 22.38

 

Description

Color code: HEX #7FAE1F | qconv.com Color code: HEX #7FAE1F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 174 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 174 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 82 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 82% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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