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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FA7E6 it is the complementary color #805819. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FA7E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FA7E6 shade: #84A7E1, #95B9F4, #A6CBFF, #B7DDFF and #C8EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FA7E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FA7E6 shade: #7FA7E6, #6E95D3, #5D83C0, #4C71AD and #3B5F9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FA7E6 shade: #7FA7E6, #7F8BE6, #8F7FE6, #AA7FE6 and #C67FE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FA7E6 shade: #7FA7E6, #7F8BE6 and #7F7FE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FA7E6 shade matches the following richer shades: #7FA7E6, #73A4F2 and #66A2FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FA7E6 shade: #7FA7E6, #8CAAD9, #98ADCD, #A4AFC1 and #B1B2B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FA7E6 shade: #7FDFE6, #7FC4E6, #7FA8E6, #7F8DE6 and #8D7FE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FA7E6 shade: #3A78D8, #5D8FDF, #7FA7E6, #A2BFED and #C4D6F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FA7E6 shade: #7FA7E6, #D17FE6 and #D1E67F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FA7E6 shade: #7FA7E6, #E67FA8 and #A8E67F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FA7E6 shade: #7FA7E6, #D17FE6, #E6BD7F and #94E67F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FA7E6 shade: #7FA7E6, #E67FDC, #E6BD7F and #7FE689

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 27 / 0 / 10

HEX #7FA7E6

RGB 127 167 230

HSL 216.7, 0.67%, 0.7%

LAB 67.92, 2.88, -35.95

 

Complementary color

CMYK 0 / 31 / 80 / 50

HEX #805819

RGB 128 88 25

HSL 36.7, 0.67%, 0.3%

LAB 40.64, 10.6, 40.77

 

CMYK 41 / 26 / 0 / 12

HEX #84A7E1

RGB 132 167 225

HSL 217.42, 0.61%, 0.7%

LAB 68.01, 2.74, -33.05

 

CMYK 39 / 24 / 0 / 4

HEX #95B9F4

RGB 149 185 244

HSL 217.26, 0.81%, 0.77%

LAB 74.58, 2.32, -33.14

 

CMYK 35 / 20 / 0 / 0

HEX #A6CBFF

RGB 166 203 255

HSL 215.06, 1%, 0.83%

LAB 80.76, -0.08, -29.44

 

CMYK 28 / 13 / 0 / 0

HEX #B7DDFF

RGB 183 221 255

HSL 208.33, 1%, 0.86%

LAB 86.5, -4.88, -20.6

 

CMYK 22 / 6 / 0 / 0

HEX #C8EFFF

RGB 200 239 255

HSL 197.45, 1%, 0.89%

LAB 92.23, -9.19, -11.89

 

CMYK 45 / 27 / 0 / 10

HEX #7FA7E6

RGB 127 167 230

HSL 216.7, 0.67%, 0.7%

LAB 67.92, 2.88, -35.95

 

CMYK 48 / 29 / 0 / 17

HEX #6E95D3

RGB 110 149 211

HSL 216.83, 0.53%, 0.63%

LAB 61.23, 3.46, -35.93

 

CMYK 52 / 32 / 0 / 25

HEX #5D83C0

RGB 93 131 192

HSL 216.97, 0.44%, 0.56%

LAB 54.41, 4.16, -35.94

 

CMYK 56 / 35 / 0 / 32

HEX #4C71AD

RGB 76 113 173

HSL 217.11, 0.39%, 0.49%

LAB 47.45, 5.04, -36

 

CMYK 62 / 38 / 0 / 40

HEX #3B5F9A

RGB 59 95 154

HSL 217.26, 0.45%, 0.42%

LAB 40.32, 6.15, -36.09

 

CMYK 45 / 27 / 0 / 10

HEX #7FA7E6

RGB 127 167 230

HSL 216.7, 0.67%, 0.7%

LAB 67.92, 2.88, -35.95

 

CMYK 45 / 40 / 0 / 10

HEX #7F8BE6

RGB 127 139 230

HSL 233.01, 0.67%, 0.7%

LAB 60.51, 19.03, -47.58

 

CMYK 38 / 45 / 0 / 10

HEX #8F7FE6

RGB 143 127 230

HSL 249.32, 0.67%, 0.7%

LAB 58.73, 30.04, -50.33

 

CMYK 26 / 45 / 0 / 10

HEX #AA7FE6

RGB 170 127 230

HSL 265.05, 0.67%, 0.7%

LAB 61.17, 37.18, -46.3

 

CMYK 14 / 45 / 0 / 10

HEX #C67FE6

RGB 198 127 230

HSL 281.36, 0.67%, 0.7%

LAB 64.08, 45, -41.52

 

CMYK 45 / 27 / 0 / 10

HEX #7FA7E6

RGB 127 167 230

HSL 216.7, 0.67%, 0.7%

LAB 67.92, 2.88, -35.95

 

CMYK 45 / 40 / 0 / 10

HEX #7F8BE6

RGB 127 139 230

HSL 233.01, 0.67%, 0.7%

LAB 60.51, 19.03, -47.58

 

CMYK 45 / 45 / 0 / 10

HEX #7F7FE6

RGB 127 127 230

HSL 240, 0.67%, 0.7%

LAB 57.47, 26.11, -52.4

 

CMYK 45 / 27 / 0 / 10

HEX #7FA7E6

RGB 127 167 230

HSL 216.7, 0.67%, 0.7%

LAB 67.92, 2.88, -35.95

 

CMYK 52 / 32 / 0 / 5

HEX #73A4F2

RGB 115 164 242

HSL 216.85, 0.83%, 0.7%

LAB 66.98, 5.33, -44.04

 

CMYK 60 / 36 / 0 / 0

HEX #66A2FF

RGB 102 162 255

HSL 216.47, 1%, 0.7%

LAB 66.43, 7.95, -52.03

 

CMYK 45 / 27 / 0 / 10

HEX #7FA7E6

RGB 127 167 230

HSL 216.7, 0.67%, 0.7%

LAB 67.92, 2.88, -35.95

 

CMYK 35 / 22 / 0 / 15

HEX #8CAAD9

RGB 140 170 217

HSL 216.62, 0.5%, 0.7%

LAB 68.99, 1.07, -27.1

 

CMYK 26 / 16 / 0 / 20

HEX #98ADCD

RGB 152 173 205

HSL 216.23, 0.35%, 0.7%

LAB 70.16, -0.09, -18.65

 

CMYK 15 / 9 / 0 / 24

HEX #A4AFC1

RGB 164 175 193

HSL 217.24, 0.19%, 0.7%

LAB 71.15, -0.12, -10.48

 

CMYK 2 / 1 / 0 / 29

HEX #B1B2B4

RGB 177 178 180

HSL 220, 0.02%, 0.7%

LAB 72.55, 0.03, -1.15

 

CMYK 45 / 3 / 0 / 10

HEX #7FDFE6

RGB 127 223 230

HSL 184.08, 0.67%, 0.7%

LAB 83.44, -26.56, -12.28

 

CMYK 45 / 15 / 0 / 10

HEX #7FC4E6

RGB 127 196 230

HSL 199.81, 0.67%, 0.7%

LAB 75.89, -12.9, -23.68

 

CMYK 45 / 27 / 0 / 10

HEX #7FA8E6

RGB 127 168 230

HSL 216.12, 0.67%, 0.7%

LAB 68.19, 2.32, -35.53

 

CMYK 45 / 39 / 0 / 10

HEX #7F8DE6

RGB 127 141 230

HSL 231.84, 0.67%, 0.7%

LAB 61.02, 17.86, -46.76

 

CMYK 39 / 45 / 0 / 10

HEX #8D7FE6

RGB 141 127 230

HSL 248.16, 0.67%, 0.7%

LAB 58.56, 29.53, -50.6

 

CMYK 73 / 44 / 0 / 15

HEX #3A78D8

RGB 58 120 216

HSL 216.46, 0.67%, 0.54%

LAB 51.03, 12.68, -55.05

 

CMYK 58 / 36 / 0 / 13

HEX #5D8FDF

RGB 93 143 223

HSL 216.92, 0.67%, 0.62%

LAB 59.25, 6.97, -45.8

 

CMYK 45 / 27 / 0 / 10

HEX #7FA7E6

RGB 127 167 230

HSL 216.7, 0.67%, 0.7%

LAB 67.92, 2.88, -35.95

 

CMYK 32 / 19 / 0 / 7

HEX #A2BFED

RGB 162 191 237

HSL 216.8, 0.68%, 0.78%

LAB 76.71, 0.79, -26.02

 

CMYK 19 / 12 / 0 / 5

HEX #C4D6F3

RGB 196 214 243

HSL 217.02, 0.66%, 0.86%

LAB 85.15, -0.06, -16.23

 

CMYK 45 / 27 / 0 / 10

HEX #7FA7E6

RGB 127 167 230

HSL 216.7, 0.67%, 0.7%

LAB 67.92, 2.88, -35.95

 

CMYK 9 / 45 / 0 / 10

HEX #D17FE6

RGB 209 127 230

HSL 287.77, 0.67%, 0.7%

LAB 65.32, 48.13, -39.5

 

CMYK 9 / 0 / 45 / 10

HEX #D1E67F

RGB 209 230 127

HSL 72.23, 0.67%, 0.7%

LAB 87.81, -22.35, 47.65

 

CMYK 45 / 27 / 0 / 10

HEX #7FA7E6

RGB 127 167 230

HSL 216.7, 0.67%, 0.7%

LAB 67.92, 2.88, -35.95

 

CMYK 0 / 45 / 27 / 10

HEX #E67FA8

RGB 230 127 168

HSL 336.12, 0.67%, 0.7%

LAB 65.62, 44.41, -4.03

 

CMYK 27 / 0 / 45 / 10

HEX #A8E67F

RGB 168 230 127

HSL 96.12, 0.67%, 0.7%

LAB 85.23, -37.38, 43.87

 

CMYK 45 / 27 / 0 / 10

HEX #7FA7E6

RGB 127 167 230

HSL 216.7, 0.67%, 0.7%

LAB 67.92, 2.88, -35.95

 

CMYK 9 / 45 / 0 / 10

HEX #D17FE6

RGB 209 127 230

HSL 287.77, 0.67%, 0.7%

LAB 65.32, 48.13, -39.5

 

CMYK 0 / 18 / 45 / 10

HEX #E6BD7F

RGB 230 189 127

HSL 36.12, 0.67%, 0.7%

LAB 78.9, 6.76, 36.79

 

CMYK 36 / 0 / 45 / 10

HEX #94E67F

RGB 148 230 127

HSL 107.77, 0.67%, 0.7%

LAB 84.18, -44.05, 42.34

 

CMYK 45 / 27 / 0 / 10

HEX #7FA7E6

RGB 127 167 230

HSL 216.7, 0.67%, 0.7%

LAB 67.92, 2.88, -35.95

 

CMYK 0 / 45 / 4 / 10

HEX #E67FDC

RGB 230 127 220

HSL 305.83, 0.67%, 0.7%

LAB 67.4, 52.41, -30.51

 

CMYK 0 / 18 / 45 / 10

HEX #E6BD7F

RGB 230 189 127

HSL 36.12, 0.67%, 0.7%

LAB 78.9, 6.76, 36.79

 

CMYK 45 / 0 / 40 / 10

HEX #7FE689

RGB 127 230 137

HSL 125.83, 0.67%, 0.7%

LAB 83.4, -48.91, 36.19

 

Description

Color code: HEX #7FA7E6 | qconv.com Color code: HEX #7FA7E6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 167 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 167 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 27 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 27% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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