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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F98EA it is the complementary color #806715. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F98EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F98EA shade: #8498E5, #95AAF8, #A6BCFF, #B7CEFF and #C8E0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F98EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F98EA shade: #7F98EA, #6E86D7, #5D74C4, #4C62B1 and #3B509E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F98EA shade: #8099EA, #8480EA, #A080EA, #BD80EA and #DA80EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F98EA shade: #8099EA and #8080EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F98EA shade matches the following richer shades: #8099EA and #7492F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F98EA shade: #8099EA, #8C9FDE, #98A5D2, #A4ACC6 and #B0B2BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F98EA shade: #80D3EA, #80B7EA, #809AEA, #8280EA and #9E80EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F98EA shade: #3960DF, #5C7CE5, #8099EA, #A3B5F0 and #C7D2F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F98EA shade: #7F98EA, #E580EA and #C5EA80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F98EA shade: #7F98EA, #EA809A and #9AEA80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F98EA shade: #7F98EA, #E580EA, #EAD080 and #85EA80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F98EA shade: #7F98EA, #EA80D0, #EAD080 and #80EA9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 35 / 0 / 8

HEX #7F98EA

RGB 127 152 234

HSL 225.98, 0.72%, 0.71%

LAB 64.09, 12.6, -44.15

 

Complementary color

CMYK 0 / 20 / 84 / 50

HEX #806715

RGB 128 103 21

HSL 45.98, 0.72%, 0.29%

LAB 44.72, 1.62, 46.04

 

CMYK 42 / 34 / 0 / 10

HEX #8498E5

RGB 132 152 229

HSL 227.63, 0.65%, 0.71%

LAB 64.18, 12.41, -41.22

 

CMYK 40 / 31 / 0 / 3

HEX #95AAF8

RGB 149 170 248

HSL 227.27, 0.88%, 0.78%

LAB 70.81, 11.75, -41.16

 

CMYK 35 / 26 / 0 / 0

HEX #A6BCFF

RGB 166 188 255

HSL 225.17, 1%, 0.83%

LAB 76.86, 8.06, -35.46

 

CMYK 28 / 19 / 0 / 0

HEX #B7CEFF

RGB 183 206 255

HSL 220.83, 1%, 0.86%

LAB 82.61, 3.04, -26.52

 

CMYK 22 / 12 / 0 / 0

HEX #C8E0FF

RGB 200 224 255

HSL 213.82, 1%, 0.89%

LAB 88.36, -1.48, -17.7

 

CMYK 46 / 35 / 0 / 8

HEX #7F98EA

RGB 127 152 234

HSL 225.98, 0.72%, 0.71%

LAB 64.09, 12.6, -44.15

 

CMYK 49 / 38 / 0 / 16

HEX #6E86D7

RGB 110 134 215

HSL 226.29, 0.57%, 0.64%

LAB 57.34, 13.46, -44.28

 

CMYK 53 / 41 / 0 / 23

HEX #5D74C4

RGB 93 116 196

HSL 226.6, 0.47%, 0.57%

LAB 50.46, 14.49, -44.47

 

CMYK 57 / 45 / 0 / 31

HEX #4C62B1

RGB 76 98 177

HSL 226.93, 0.4%, 0.5%

LAB 43.43, 15.74, -44.71

 

CMYK 63 / 49 / 0 / 38

HEX #3B509E

RGB 59 80 158

HSL 227.27, 0.46%, 0.43%

LAB 36.24, 17.31, -44.99

 

CMYK 45 / 35 / 0 / 8

HEX #8099EA

RGB 128 153 234

HSL 225.85, 0.72%, 0.71%

LAB 64.41, 12.27, -43.63

 

CMYK 44 / 45 / 0 / 8

HEX #8480EA

RGB 132 128 234

HSL 242.26, 0.72%, 0.71%

LAB 58.31, 27.86, -53.27

 

CMYK 32 / 45 / 0 / 8

HEX #A080EA

RGB 160 128 234

HSL 258.11, 0.72%, 0.71%

LAB 60.65, 34.91, -49.4

 

CMYK 19 / 45 / 0 / 8

HEX #BD80EA

RGB 189 128 234

HSL 274.53, 0.72%, 0.71%

LAB 63.51, 42.79, -44.71

 

CMYK 7 / 45 / 0 / 8

HEX #DA80EA

RGB 218 128 234

HSL 290.94, 0.72%, 0.71%

LAB 66.74, 50.96, -39.41

 

CMYK 45 / 35 / 0 / 8

HEX #8099EA

RGB 128 153 234

HSL 225.85, 0.72%, 0.71%

LAB 64.41, 12.27, -43.63

 

CMYK 45 / 45 / 0 / 8

HEX #8080EA

RGB 128 128 234

HSL 240, 0.72%, 0.71%

LAB 58.01, 26.92, -53.77

 

CMYK 45 / 35 / 0 / 8

HEX #8099EA

RGB 128 153 234

HSL 225.85, 0.72%, 0.71%

LAB 64.41, 12.27, -43.63

 

CMYK 53 / 41 / 0 / 4

HEX #7492F6

RGB 116 146 246

HSL 226.15, 0.88%, 0.71%

LAB 62.44, 17.22, -53.39

 

CMYK 45 / 35 / 0 / 8

HEX #8099EA

RGB 128 153 234

HSL 225.85, 0.72%, 0.71%

LAB 64.41, 12.27, -43.63

 

CMYK 37 / 28 / 0 / 13

HEX #8C9FDE

RGB 140 159 222

HSL 226.1, 0.55%, 0.71%

LAB 66.25, 8.57, -34.09

 

CMYK 28 / 21 / 0 / 18

HEX #98A5D2

RGB 152 165 210

HSL 226.55, 0.39%, 0.71%

LAB 68.2, 5.55, -24.39

 

CMYK 17 / 13 / 0 / 22

HEX #A4ACC6

RGB 164 172 198

HSL 225.88, 0.23%, 0.71%

LAB 70.51, 2.61, -14.19

 

CMYK 5 / 4 / 0 / 27

HEX #B0B2BA

RGB 176 178 186

HSL 228, 0.07%, 0.71%

LAB 72.64, 0.84, -4.32

 

CMYK 45 / 10 / 0 / 8

HEX #80D3EA

RGB 128 211 234

HSL 193.02, 0.72%, 0.71%

LAB 80.25, -19.33, -19.21

 

CMYK 45 / 22 / 0 / 8

HEX #80B7EA

RGB 128 183 234

HSL 208.87, 0.72%, 0.71%

LAB 72.49, -4.61, -31.05

 

CMYK 45 / 34 / 0 / 8

HEX #809AEA

RGB 128 154 234

HSL 225.28, 0.72%, 0.71%

LAB 64.68, 11.69, -43.21

 

CMYK 44 / 45 / 0 / 8

HEX #8280EA

RGB 130 128 234

HSL 241.13, 0.72%, 0.71%

LAB 58.16, 27.39, -53.52

 

CMYK 32 / 45 / 0 / 8

HEX #9E80EA

RGB 158 128 234

HSL 256.98, 0.72%, 0.71%

LAB 60.47, 34.39, -49.7

 

CMYK 74 / 57 / 0 / 13

HEX #3960DF

RGB 57 96 223

HSL 225.9, 0.72%, 0.55%

LAB 45.03, 30.26, -68.7

 

CMYK 60 / 46 / 0 / 10

HEX #5C7CE5

RGB 92 124 229

HSL 225.99, 0.72%, 0.63%

LAB 54.39, 20.17, -56.88

 

CMYK 45 / 35 / 0 / 8

HEX #8099EA

RGB 128 153 234

HSL 225.85, 0.72%, 0.71%

LAB 64.41, 12.27, -43.63

 

CMYK 32 / 25 / 0 / 6

HEX #A3B5F0

RGB 163 181 240

HSL 225.97, 0.72%, 0.79%

LAB 74.27, 7.29, -31.39

 

CMYK 19 / 15 / 0 / 4

HEX #C7D2F6

RGB 199 210 246

HSL 225.96, 0.72%, 0.87%

LAB 84.43, 3.62, -18.88

 

CMYK 46 / 35 / 0 / 8

HEX #7F98EA

RGB 127 152 234

HSL 225.98, 0.72%, 0.71%

LAB 64.09, 12.6, -44.15

 

CMYK 2 / 45 / 0 / 8

HEX #E580EA

RGB 229 128 234

HSL 297.17, 0.72%, 0.71%

LAB 68.05, 54.09, -37.27

 

CMYK 16 / 0 / 45 / 8

HEX #C5EA80

RGB 197 234 128

HSL 80.94, 0.72%, 0.71%

LAB 88.1, -28.68, 47.34

 

CMYK 46 / 35 / 0 / 8

HEX #7F98EA

RGB 127 152 234

HSL 225.98, 0.72%, 0.71%

LAB 64.09, 12.6, -44.15

 

CMYK 0 / 45 / 34 / 8

HEX #EA809A

RGB 234 128 154

HSL 345.28, 0.72%, 0.71%

LAB 65.95, 43.49, 4.46

 

CMYK 34 / 0 / 45 / 8

HEX #9AEA80

RGB 154 234 128

HSL 105.28, 0.72%, 0.71%

LAB 85.64, -43.72, 43.75

 

CMYK 46 / 35 / 0 / 8

HEX #7F98EA

RGB 127 152 234

HSL 225.98, 0.72%, 0.71%

LAB 64.09, 12.6, -44.15

 

CMYK 2 / 45 / 0 / 8

HEX #E580EA

RGB 229 128 234

HSL 297.17, 0.72%, 0.71%

LAB 68.05, 54.09, -37.27

 

CMYK 0 / 11 / 45 / 8

HEX #EAD080

RGB 234 208 128

HSL 45.28, 0.72%, 0.71%

LAB 84.05, -1.42, 42.9

 

CMYK 43 / 0 / 45 / 8

HEX #85EA80

RGB 133 234 128

HSL 117.17, 0.72%, 0.71%

LAB 84.68, -50.17, 42.34

 

CMYK 46 / 35 / 0 / 8

HEX #7F98EA

RGB 127 152 234

HSL 225.98, 0.72%, 0.71%

LAB 64.09, 12.6, -44.15

 

CMYK 0 / 45 / 11 / 8

HEX #EA80D0

RGB 234 128 208

HSL 314.72, 0.72%, 0.71%

LAB 67.64, 51.12, -23.43

 

CMYK 0 / 11 / 45 / 8

HEX #EAD080

RGB 234 208 128

HSL 45.28, 0.72%, 0.71%

LAB 84.05, -1.42, 42.9

 

CMYK 45 / 0 / 34 / 8

HEX #80EA9A

RGB 128 234 154

HSL 134.72, 0.72%, 0.71%

LAB 84.88, -47.57, 29.58

 

Description

Color code: HEX #7F98EA | qconv.com Color code: HEX #7F98EA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 152 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 152 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 35 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 35% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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