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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F95CF it is the complementary color #806A30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F95CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F95CF shade: #8495CA, #95A7DD, #A6B9F0, #B7CBFF and #C8DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F95CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F95CF shade: #7F95CF, #6E83BC, #5D71A9, #4C5F96 and #3B4D83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F95CF shade: #7E94CE, #7E7ECE, #937ECE, #A87ECE and #BE7ECE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F95CF shade: #7E94CE and #7E7ECE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F95CF shade matches the following richer shades: #7E94CE, #6F8DDC, #6187EB and #5280F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F95CF shade: #7E94CE, #8C9ABF, #9AA1B1, #A9A7A3 and #B7AE94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F95CF shade: #7EBFCE, #7EAACE, #7E94CE, #7E7FCE and #927ECE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F95CF shade: #4463B5, #607BC3, #7E94CE, #9CACD9 and #B9C5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F95CF shade: #7F95CF, #C77ECE and #B4CE7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F95CF shade: #7F95CF, #CE7E94 and #94CE7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F95CF shade: #7F95CF, #C77ECE, #CEB77E and #84CE7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F95CF shade: #7F95CF, #CE7EBD, #CEB77E and #7ECE8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 28 / 0 / 19

HEX #7F95CF

RGB 127 149 207

HSL 223.5, 0.45%, 0.65%

LAB 62.09, 6.68, -32.28

 

Complementary color

CMYK 0 / 17 / 63 / 50

HEX #806A30

RGB 128 106 48

HSL 43.5, 0.45%, 0.35%

LAB 45.79, 1.4, 35.18

 

CMYK 35 / 26 / 0 / 21

HEX #8495CA

RGB 132 149 202

HSL 225.43, 0.4%, 0.65%

LAB 62.22, 6.72, -29.25

 

CMYK 33 / 24 / 0 / 13

HEX #95A7DD

RGB 149 167 221

HSL 225, 0.51%, 0.73%

LAB 68.93, 6.3, -29.34

 

CMYK 31 / 23 / 0 / 6

HEX #A6B9F0

RGB 166 185 240

HSL 224.59, 0.71%, 0.8%

LAB 75.51, 5.94, -29.46

 

CMYK 28 / 20 / 0 / 0

HEX #B7CBFF

RGB 183 203 255

HSL 223.33, 1%, 0.86%

LAB 81.84, 4.65, -27.7

 

CMYK 22 / 13 / 0 / 0

HEX #C8DDFF

RGB 200 221 255

HSL 217.09, 1%, 0.89%

LAB 87.59, 0.09, -18.86

 

CMYK 39 / 28 / 0 / 19

HEX #7F95CF

RGB 127 149 207

HSL 223.5, 0.45%, 0.65%

LAB 62.09, 6.68, -32.28

 

CMYK 41 / 30 / 0 / 26

HEX #6E83BC

RGB 110 131 188

HSL 223.85, 0.37%, 0.58%

LAB 55.26, 7.23, -32.27

 

CMYK 45 / 33 / 0 / 34

HEX #5D71A9

RGB 93 113 169

HSL 224.21, 0.31%, 0.51%

LAB 48.26, 7.89, -32.31

 

CMYK 49 / 37 / 0 / 41

HEX #4C5F96

RGB 76 95 150

HSL 224.59, 0.33%, 0.44%

LAB 41.09, 8.7, -32.41

 

CMYK 55 / 41 / 0 / 49

HEX #3B4D83

RGB 59 77 131

HSL 225, 0.38%, 0.37%

LAB 33.72, 9.74, -32.58

 

CMYK 39 / 28 / 0 / 19

HEX #7E94CE

RGB 126 148 206

HSL 223.5, 0.45%, 0.65%

LAB 61.72, 6.71, -32.31

 

CMYK 39 / 39 / 0 / 19

HEX #7E7ECE

RGB 126 126 206

HSL 240, 0.45%, 0.65%

LAB 55.9, 19.6, -41.41

 

CMYK 29 / 39 / 0 / 19

HEX #937ECE

RGB 147 126 206

HSL 255.75, 0.45%, 0.65%

LAB 57.64, 25.41, -38.56

 

CMYK 18 / 39 / 0 / 19

HEX #A87ECE

RGB 168 126 206

HSL 271.5, 0.45%, 0.65%

LAB 59.62, 31.58, -35.31

 

CMYK 8 / 39 / 0 / 19

HEX #BE7ECE

RGB 190 126 206

HSL 288, 0.45%, 0.65%

LAB 61.93, 38.26, -31.53

 

CMYK 39 / 28 / 0 / 19

HEX #7E94CE

RGB 126 148 206

HSL 223.5, 0.45%, 0.65%

LAB 61.72, 6.71, -32.31

 

CMYK 39 / 39 / 0 / 19

HEX #7E7ECE

RGB 126 126 206

HSL 240, 0.45%, 0.65%

LAB 55.9, 19.6, -41.41

 

CMYK 39 / 28 / 0 / 19

HEX #7E94CE

RGB 126 148 206

HSL 223.5, 0.45%, 0.65%

LAB 61.72, 6.71, -32.31

 

CMYK 50 / 36 / 0 / 14

HEX #6F8DDC

RGB 111 141 220

HSL 223.49, 0.61%, 0.65%

LAB 59.52, 11.07, -43.63

 

CMYK 59 / 43 / 0 / 8

HEX #6187EB

RGB 97 135 235

HSL 223.48, 0.78%, 0.65%

LAB 57.91, 16.43, -54.59

 

CMYK 67 / 49 / 0 / 2

HEX #5280F9

RGB 82 128 249

HSL 223.47, 0.93%, 0.65%

LAB 56.16, 22.84, -65.2

 

CMYK 39 / 28 / 0 / 19

HEX #7E94CE

RGB 126 148 206

HSL 223.5, 0.45%, 0.65%

LAB 61.72, 6.71, -32.31

 

CMYK 27 / 19 / 0 / 25

HEX #8C9ABF

RGB 140 154 191

HSL 223.53, 0.28%, 0.65%

LAB 63.71, 3.43, -20.76

 

CMYK 13 / 9 / 0 / 31

HEX #9AA1B1

RGB 154 161 177

HSL 221.74, 0.13%, 0.65%

LAB 66.16, 0.81, -9.13

 

CMYK 0 / 1 / 4 / 34

HEX #A9A7A3

RGB 169 167 163

HSL 40, 0.03%, 0.65%

LAB 68.55, -0.02, 2.31

 

CMYK 0 / 5 / 19 / 28

HEX #B7AE94

RGB 183 174 148

HSL 44.57, 0.2%, 0.65%

LAB 71.2, -1.13, 14.51

 

CMYK 39 / 7 / 0 / 19

HEX #7EBFCE

RGB 126 191 206

HSL 191.25, 0.45%, 0.65%

LAB 73.64, -16.85, -14.08

 

CMYK 39 / 17 / 0 / 19

HEX #7EAACE

RGB 126 170 206

HSL 207, 0.45%, 0.65%

LAB 67.76, -5.66, -23.01

 

CMYK 39 / 28 / 0 / 19

HEX #7E94CE

RGB 126 148 206

HSL 223.5, 0.45%, 0.65%

LAB 61.72, 6.71, -32.31

 

CMYK 39 / 38 / 0 / 19

HEX #7E7FCE

RGB 126 127 206

HSL 239.25, 0.45%, 0.65%

LAB 56.16, 19.01, -41

 

CMYK 29 / 39 / 0 / 19

HEX #927ECE

RGB 146 126 206

HSL 255, 0.45%, 0.65%

LAB 57.55, 25.13, -38.7

 

CMYK 62 / 45 / 0 / 29

HEX #4463B5

RGB 68 99 181

HSL 223.54, 0.45%, 0.49%

LAB 43.49, 14.89, -46.98

 

CMYK 51 / 37 / 0 / 24

HEX #607BC3

RGB 96 123 195

HSL 223.64, 0.45%, 0.57%

LAB 52.5, 10.6, -40.65

 

CMYK 39 / 28 / 0 / 19

HEX #7E94CE

RGB 126 148 206

HSL 223.5, 0.45%, 0.65%

LAB 61.72, 6.71, -32.31

 

CMYK 28 / 21 / 0 / 15

HEX #9CACD9

RGB 156 172 217

HSL 224.26, 0.45%, 0.73%

LAB 70.58, 4.55, -24.57

 

CMYK 19 / 14 / 0 / 10

HEX #B9C5E5

RGB 185 197 229

HSL 223.64, 0.46%, 0.81%

LAB 79.56, 2.52, -17.25

 

CMYK 39 / 28 / 0 / 19

HEX #7F95CF

RGB 127 149 207

HSL 223.5, 0.45%, 0.65%

LAB 62.09, 6.68, -32.28

 

CMYK 3 / 39 / 0 / 19

HEX #C77ECE

RGB 199 126 206

HSL 294.75, 0.45%, 0.65%

LAB 62.94, 41.03, -29.89

 

CMYK 13 / 0 / 39 / 19

HEX #B4CE7E

RGB 180 206 126

HSL 79.5, 0.45%, 0.65%

LAB 79.24, -21.82, 36.93

 

CMYK 39 / 28 / 0 / 19

HEX #7F95CF

RGB 127 149 207

HSL 223.5, 0.45%, 0.65%

LAB 62.09, 6.68, -32.28

 

CMYK 0 / 39 / 28 / 19

HEX #CE7E94

RGB 206 126 148

HSL 343.5, 0.45%, 0.65%

LAB 61.81, 33.79, 1.43

 

CMYK 28 / 0 / 39 / 19

HEX #94CE7E

RGB 148 206 126

HSL 103.5, 0.45%, 0.65%

LAB 77.25, -33.43, 33.95

 

CMYK 39 / 28 / 0 / 19

HEX #7F95CF

RGB 127 149 207

HSL 223.5, 0.45%, 0.65%

LAB 62.09, 6.68, -32.28

 

CMYK 3 / 39 / 0 / 19

HEX #C77ECE

RGB 199 126 206

HSL 294.75, 0.45%, 0.65%

LAB 62.94, 41.03, -29.89

 

CMYK 0 / 11 / 39 / 19

HEX #CEB77E

RGB 206 183 126

HSL 42.75, 0.45%, 0.65%

LAB 75.14, 0.17, 32

 

CMYK 36 / 0 / 39 / 19

HEX #84CE7E

RGB 132 206 126

HSL 115.5, 0.45%, 0.65%

LAB 76.41, -38.73, 32.7

 

CMYK 39 / 28 / 0 / 19

HEX #7F95CF

RGB 127 149 207

HSL 223.5, 0.45%, 0.65%

LAB 62.09, 6.68, -32.28

 

CMYK 0 / 39 / 8 / 19

HEX #CE7EBD

RGB 206 126 189

HSL 312.75, 0.45%, 0.65%

LAB 63.11, 40.15, -19.98

 

CMYK 0 / 11 / 39 / 19

HEX #CEB77E

RGB 206 183 126

HSL 42.75, 0.45%, 0.65%

LAB 75.14, 0.17, 32

 

CMYK 39 / 0 / 31 / 19

HEX #7ECE8F

RGB 126 206 143

HSL 132.75, 0.45%, 0.65%

LAB 76.41, -37.8, 23.82

 

Description

Color code: HEX #7F95CF | qconv.com Color code: HEX #7F95CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 149 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 149 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 28 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 28% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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