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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F90EDCE it is the complementary color #806F12CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F90EDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F90EDCE shade: #8490E8CE, #95A2FBCE, #A6B4FFCE, #B7C6FFCE and #C8D8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F90EDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F90EDCE shade: #7F90EDCE, #6E7EDACE, #5D6CC7CE, #4C5AB4CE and #3B48A1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F90EDCE shade: #7E8FED, #8A7EED, #A87EED, #C67EED and #E47EED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F90EDCE shade: #7E8FED and #7E7EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F90EDCE shade matches the following richer shades: #7E8FED and #7286F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F90EDCE shade: #7E8FED, #8A97E1, #969FD5, #A1A8C9 and #ADB0BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F90EDCE shade: #7ECBED, #7EAEED, #7E90ED, #897EED and #A67EED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F90EDCE shade: #3550E2, #596FE7, #7E8FED, #A2AEF2 and #C6CDF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F90EDCE shade: #7F90ED, #ED7EE9 and #BCED7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F90EDCE shade: #7F90ED, #ED7E90 and #90ED7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F90EDCE shade: #7F90ED, #ED7EE9, #EDDA7E and #7EED81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F90EDCE shade: #7F90ED, #ED7EC8, #EDDA7E and #7EEDA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 32 / 0 / 6

HEX #7F90EDCE

RGBA 127 144 237 0.81

HSLA 230.73, 0.75%, 0.71%, 0.81

LABA 62.15, 18.14, -48.86, 0.81

 

Complementary color

CMYK 0 / 11 / 70 / 40

HEX #806F12CE

RGBA 128 111 18 0.81

HSLA 50.73, 0.75%, 0.29%, 0.81

LABA 46.98, -3.09, 48.95, 0.81

 

CMYK 35 / 31 / 0 / 7

HEX #8490E8CE

RGBA 132 144 232 0.81

HSLA 232.8, 0.68%, 0.71%, 0.81

LABA 62.24, 17.91, -45.94, 0.81

 

CMYK 33 / 29 / 0 / 1

HEX #95A2FBCE

RGBA 149 162 251 0.81

HSLA 232.35, 0.93%, 0.78%, 0.81

LABA 68.89, 17.11, -45.8, 0.81

 

CMYK 28 / 24 / 0 / 0

HEX #A6B4FFCE

RGBA 166 180 255 0.81

HSLA 230.56, 1%, 0.83%, 0.81

LABA 74.81, 12.48, -38.64, 0.81

 

CMYK 23 / 18 / 0 / 0

HEX #B7C6FFCE

RGBA 183 198 255 0.81

HSLA 227.5, 1%, 0.86%, 0.81

LABA 80.56, 7.34, -29.66, 0.81

 

CMYK 17 / 12 / 0 / 0

HEX #C8D8FFCE

RGBA 200 216 255 0.81

HSLA 222.55, 1%, 0.89%, 0.81

LABA 86.31, 2.72, -20.79, 0.81

 

CMYK 38 / 32 / 0 / 6

HEX #7F90EDCE

RGBA 127 144 237 0.81

HSLA 230.73, 0.75%, 0.71%, 0.81

LABA 62.15, 18.14, -48.86, 0.81

 

CMYK 40 / 34 / 0 / 12

HEX #6E7EDACE

RGBA 110 126 218 0.81

HSLA 231.11, 0.59%, 0.64%, 0.81

LABA 55.38, 19.17, -49.08, 0.81

 

CMYK 43 / 37 / 0 / 18

HEX #5D6CC7CE

RGBA 93 108 199 0.81

HSLA 231.51, 0.49%, 0.57%, 0.81

LABA 48.48, 20.38, -49.34, 0.81

 

CMYK 47 / 41 / 0 / 24

HEX #4C5AB4CE

RGBA 76 90 180 0.81

HSLA 231.92, 0.41%, 0.5%, 0.81

LABA 41.44, 21.84, -49.65, 0.81

 

CMYK 51 / 45 / 0 / 30

HEX #3B48A1CE

RGBA 59 72 161 0.81

HSLA 232.35, 0.46%, 0.43%, 0.81

LABA 34.27, 23.65, -49.98, 0.81

 

CMYK 47 / 40 / 0 / 7

HEX #7E8FED

RGB 126 143 237

HSL 230.81, 0.76%, 0.71%

LAB 61.82, 18.49, -49.38

 

CMYK 42 / 47 / 0 / 7

HEX #8A7EED

RGB 138 126 237

HSL 246.49, 0.76%, 0.71%

LAB 58.45, 31.32, -54.68

 

CMYK 29 / 47 / 0 / 7

HEX #A87EED

RGB 168 126 237

HSL 262.7, 0.76%, 0.71%

LAB 61.1, 38.89, -50.31

 

CMYK 16 / 47 / 0 / 7

HEX #C67EED

RGB 198 126 237

HSL 278.92, 0.76%, 0.71%

LAB 64.19, 47, -45.22

 

CMYK 4 / 47 / 0 / 7

HEX #E47EED

RGB 228 126 237

HSL 295.14, 0.76%, 0.71%

LAB 67.67, 55.34, -39.51

 

CMYK 47 / 40 / 0 / 7

HEX #7E8FED

RGB 126 143 237

HSL 230.81, 0.76%, 0.71%

LAB 61.82, 18.49, -49.38

 

CMYK 47 / 47 / 0 / 7

HEX #7E7EED

RGB 126 126 237

HSL 240, 0.76%, 0.71%

LAB 57.53, 28.52, -56.2

 

CMYK 47 / 40 / 0 / 7

HEX #7E8FED

RGB 126 143 237

HSL 230.81, 0.76%, 0.71%

LAB 61.82, 18.49, -49.38

 

CMYK 54 / 46 / 0 / 3

HEX #7286F8

RGB 114 134 248

HSL 231.04, 0.91%, 0.71%

LAB 59.35, 24.53, -59.43

 

CMYK 47 / 40 / 0 / 7

HEX #7E8FED

RGB 126 143 237

HSL 230.81, 0.76%, 0.71%

LAB 61.82, 18.49, -49.38

 

CMYK 39 / 33 / 0 / 12

HEX #8A97E1

RGB 138 151 225

HSL 231.03, 0.59%, 0.71%

LAB 64.14, 13.43, -39.04

 

CMYK 30 / 25 / 0 / 16

HEX #969FD5

RGB 150 159 213

HSL 231.43, 0.43%, 0.71%

LAB 66.58, 9.07, -28.54

 

CMYK 20 / 16 / 0 / 21

HEX #A1A8C9

RGB 161 168 201

HSL 229.5, 0.27%, 0.71%

LAB 69.33, 4.53, -17.64

 

CMYK 8 / 7 / 0 / 26

HEX #ADB0BD

RGB 173 176 189

HSL 228.75, 0.11%, 0.71%

LAB 71.97, 1.5, -6.99

 

CMYK 47 / 14 / 0 / 7

HEX #7ECBED

RGB 126 203 237

HSL 198.38, 0.76%, 0.71%

LAB 78.03, -14.89, -24.19

 

CMYK 47 / 27 / 0 / 7

HEX #7EAEED

RGB 126 174 237

HSL 214.05, 0.76%, 0.71%

LAB 70.05, 0.72, -36.47

 

CMYK 47 / 39 / 0 / 7

HEX #7E90ED

RGB 126 144 237

HSL 230.27, 0.76%, 0.71%

LAB 62.08, 17.91, -48.97

 

CMYK 42 / 47 / 0 / 7

HEX #897EED

RGB 137 126 237

HSL 245.95, 0.76%, 0.71%

LAB 58.37, 31.08, -54.81

 

CMYK 30 / 47 / 0 / 7

HEX #A67EED

RGB 166 126 237

HSL 261.62, 0.76%, 0.71%

LAB 60.91, 38.36, -50.62

 

CMYK 77 / 65 / 0 / 11

HEX #3550E2

RGB 53 80 226

HSL 230.64, 0.75%, 0.55%

LAB 41.19, 40.95, -76.69

 

CMYK 61 / 52 / 0 / 9

HEX #596FE7

RGB 89 111 231

HSL 230.7, 0.75%, 0.63%

LAB 50.99, 28.27, -63.48

 

CMYK 47 / 40 / 0 / 7

HEX #7E8FED

RGB 126 143 237

HSL 230.81, 0.76%, 0.71%

LAB 61.82, 18.49, -49.38

 

CMYK 33 / 28 / 0 / 5

HEX #A2AEF2

RGB 162 174 242

HSL 231, 0.75%, 0.79%

LAB 72.47, 11.4, -35.26

 

CMYK 20 / 17 / 0 / 3

HEX #C6CDF7

RGB 198 205 247

HSL 231.43, 0.75%, 0.87%

LAB 83.12, 6.19, -21.4

 

CMYK 46 / 39 / 0 / 7

HEX #7F90ED

RGB 127 144 237

HSL 230.73, 0.75%, 0.71%

LAB 62.15, 18.14, -48.86

 

CMYK 0 / 47 / 2 / 7

HEX #ED7EE9

RGB 237 126 233

HSL 302.16, 0.76%, 0.71%

LAB 68.61, 57.17, -35.76

 

CMYK 21 / 0 / 47 / 7

HEX #BCED7E

RGB 188 237 126

HSL 86.49, 0.76%, 0.71%

LAB 88.34, -33.6, 48.46

 

CMYK 46 / 39 / 0 / 7

HEX #7F90ED

RGB 127 144 237

HSL 230.73, 0.75%, 0.71%

LAB 62.15, 18.14, -48.86

 

CMYK 0 / 47 / 39 / 7

HEX #ED7E90

RGB 237 126 144

HSL 350.27, 0.76%, 0.71%

LAB 65.7, 44.4, 9.82

 

CMYK 39 / 0 / 47 / 7

HEX #90ED7E

RGB 144 237 126

HSL 110.27, 0.76%, 0.71%

LAB 86.01, -48.41, 45.07

 

CMYK 46 / 39 / 0 / 7

HEX #7F90ED

RGB 127 144 237

HSL 230.73, 0.75%, 0.71%

LAB 62.15, 18.14, -48.86

 

CMYK 0 / 47 / 2 / 7

HEX #ED7EE9

RGB 237 126 233

HSL 302.16, 0.76%, 0.71%

LAB 68.61, 57.17, -35.76

 

CMYK 0 / 8 / 47 / 7

HEX #EDDA7E

RGB 237 218 126

HSL 49.73, 0.76%, 0.71%

LAB 86.83, -5.52, 47.4

 

CMYK 47 / 0 / 46 / 7

HEX #7EED81

RGB 126 237 129

HSL 121.62, 0.76%, 0.71%

LAB 85.3, -53.23, 42.56

 

CMYK 46 / 39 / 0 / 7

HEX #7F90ED

RGB 127 144 237

HSL 230.73, 0.75%, 0.71%

LAB 62.15, 18.14, -48.86

 

CMYK 0 / 47 / 16 / 7

HEX #ED7EC8

RGB 237 126 200

HSL 320, 0.76%, 0.71%

LAB 67.35, 51.79, -19.37

 

CMYK 0 / 8 / 47 / 7

HEX #EDDA7E

RGB 237 218 126

HSL 49.73, 0.76%, 0.71%

LAB 86.83, -5.52, 47.4

 

CMYK 47 / 0 / 31 / 7

HEX #7EEDA3

RGB 126 237 163

HSL 140, 0.76%, 0.71%

LAB 85.83, -47.79, 26.25

 

Description

Color code: HEX #7F90EDCE | qconv.com Color code: HEX #7F90EDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 144 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 144 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 32 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 32% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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