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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F8E23 it is the complementary color #8071DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F8E23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F8E23 shade: #848E1E, #95A031, #A6B244, #B7C457 and #C8D66A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F8E23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F8E23 shade: #7F8E23, #6E7C10, #5D6A00, #4C5800 and #3B4600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F8E23 shade: #808F24, #8F8124, #8F6424, #8F4724 and #8F2A24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F8E23 shade: #808F24, #638F24, #468F24, #298F24 and #248F3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F8E23 shade matches the following richer shades: #808F24, #8A9D15 and #95AC07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F8E23 shade: #808F24, #758032, #6B7241, #61634F and #56555D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F8E23 shade: #8F6424, #8F8124, #818F24, #648F24 and #478F24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F8E23 shade: #454D13, #626E1B, #808F24, #9DB02C and #B8CD38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F8E23 shade: #7F8E23, #248F47 and #72248F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F8E23 shade: #7F8E23, #24818F and #8F2481

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F8E23 shade: #7F8E23, #248F47, #32248F and #8F246B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F8E23 shade: #7F8E23, #248F68, #32248F and #8F244B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 75 / 44

HEX #7F8E23

RGB 127 142 35

HSL 68.41, 0.6%, 0.35%

LAB 56.07, -19.68, 51.55

 

Complementary color

CMYK 42 / 49 / 0 / 14

HEX #8071DC

RGB 128 113 220

HSL 248.41, 0.6%, 0.65%

LAB 53.56, 31.76, -53.01

 

CMYK 7 / 0 / 79 / 44

HEX #848E1E

RGB 132 142 30

HSL 65.36, 0.65%, 0.34%

LAB 56.43, -17.7, 53.73

 

CMYK 7 / 0 / 69 / 37

HEX #95A031

RGB 149 160 49

HSL 65.95, 0.53%, 0.41%

LAB 63.14, -18.55, 53.78

 

CMYK 7 / 0 / 62 / 30

HEX #A6B244

RGB 166 178 68

HSL 66.55, 0.45%, 0.48%

LAB 69.73, -19.2, 53.17

 

CMYK 7 / 0 / 56 / 23

HEX #B7C457

RGB 183 196 87

HSL 67.16, 0.48%, 0.55%

LAB 76.21, -19.72, 52.25

 

CMYK 7 / 0 / 50 / 16

HEX #C8D66A

RGB 200 214 106

HSL 67.78, 0.57%, 0.63%

LAB 82.6, -20.12, 51.18

 

CMYK 11 / 0 / 75 / 44

HEX #7F8E23

RGB 127 142 35

HSL 68.41, 0.6%, 0.35%

LAB 56.07, -19.68, 51.55

 

CMYK 11 / 0 / 87 / 51

HEX #6E7C10

RGB 110 124 16

HSL 67.78, 0.77%, 0.27%

LAB 49.21, -18.73, 50.74

 

CMYK 12 / 0 / 100 / 58

HEX #5D6A00

RGB 93 106 0

HSL 67.36, 1%, 0.21%

LAB 42.21, -17.5, 48.22

 

CMYK 14 / 0 / 100 / 65

HEX #4C5800

RGB 76 88 0

HSL 68.18, 1%, 0.17%

LAB 35.04, -15.82, 42.25

 

CMYK 16 / 0 / 100 / 73

HEX #3B4600

RGB 59 70 0

HSL 69.43, 1%, 0.14%

LAB 27.6, -14.11, 35.94

 

CMYK 10 / 0 / 75 / 44

HEX #808F24

RGB 128 143 36

HSL 68.41, 0.6%, 0.35%

LAB 56.45, -19.7, 51.58

 

CMYK 0 / 10 / 75 / 44

HEX #8F8124

RGB 143 129 36

HSL 52.15, 0.6%, 0.35%

LAB 53.67, -5.43, 49.36

 

CMYK 0 / 30 / 75 / 44

HEX #8F6424

RGB 143 100 36

HSL 35.89, 0.6%, 0.35%

LAB 45.75, 11.1, 41.53

 

CMYK 0 / 50 / 75 / 44

HEX #8F4724

RGB 143 71 36

HSL 19.63, 0.6%, 0.35%

LAB 38.68, 27.74, 34.15

 

CMYK 0 / 71 / 75 / 44

HEX #8F2A24

RGB 143 42 36

HSL 3.36, 0.6%, 0.35%

LAB 33.18, 42.09, 28.09

 

CMYK 10 / 0 / 75 / 44

HEX #808F24

RGB 128 143 36

HSL 68.41, 0.6%, 0.35%

LAB 56.45, -19.7, 51.58

 

CMYK 31 / 0 / 75 / 44

HEX #638F24

RGB 99 143 36

HSL 84.67, 0.6%, 0.35%

LAB 54.48, -31.86, 48.98

 

CMYK 51 / 0 / 75 / 44

HEX #468F24

RGB 70 143 36

HSL 100.93, 0.6%, 0.35%

LAB 53.03, -42.15, 47.07

 

CMYK 71 / 0 / 75 / 44

HEX #298F24

RGB 41 143 36

HSL 117.2, 0.6%, 0.35%

LAB 52.11, -49.51, 45.84

 

CMYK 75 / 0 / 59 / 44

HEX #248F3B

RGB 36 143 59

HSL 132.9, 0.6%, 0.35%

LAB 52.21, -47.89, 35.75

 

CMYK 10 / 0 / 75 / 44

HEX #808F24

RGB 128 143 36

HSL 68.41, 0.6%, 0.35%

LAB 56.45, -19.7, 51.58

 

CMYK 12 / 0 / 87 / 38

HEX #8A9D15

RGB 138 157 21

HSL 68.38, 0.76%, 0.35%

LAB 61.28, -23.02, 60.58

 

CMYK 13 / 0 / 96 / 33

HEX #95AC07

RGB 149 172 7

HSL 68.36, 0.92%, 0.35%

LAB 66.45, -25.96, 67.34

 

CMYK 10 / 0 / 75 / 44

HEX #808F24

RGB 128 143 36

HSL 68.41, 0.6%, 0.35%

LAB 56.45, -19.7, 51.58

 

CMYK 9 / 0 / 61 / 50

HEX #758032

RGB 117 128 50

HSL 68.46, 0.44%, 0.35%

LAB 51.21, -15.76, 39.99

 

CMYK 6 / 0 / 43 / 55

HEX #6B7241

RGB 107 114 65

HSL 68.57, 0.27%, 0.35%

LAB 46.37, -10.98, 26.23

 

CMYK 2 / 0 / 20 / 61

HEX #61634F

RGB 97 99 79

HSL 66, 0.11%, 0.35%

LAB 41.26, -4.63, 11.13

 

CMYK 8 / 9 / 0 / 64

HEX #56555D

RGB 86 85 93

HSL 247.5, 0.04%, 0.35%

LAB 36.49, 2.16, -4.49

 

CMYK 0 / 30 / 75 / 44

HEX #8F6424

RGB 143 100 36

HSL 35.89, 0.6%, 0.35%

LAB 45.75, 11.1, 41.53

 

CMYK 0 / 10 / 75 / 44

HEX #8F8124

RGB 143 129 36

HSL 52.15, 0.6%, 0.35%

LAB 53.67, -5.43, 49.36

 

CMYK 10 / 0 / 75 / 44

HEX #818F24

RGB 129 143 36

HSL 67.85, 0.6%, 0.35%

LAB 56.53, -19.26, 51.68

 

CMYK 30 / 0 / 75 / 44

HEX #648F24

RGB 100 143 36

HSL 84.11, 0.6%, 0.35%

LAB 54.53, -31.47, 49.06

 

CMYK 50 / 0 / 75 / 44

HEX #478F24

RGB 71 143 36

HSL 100.37, 0.6%, 0.35%

LAB 53.07, -41.84, 47.12

 

CMYK 10 / 0 / 75 / 70

HEX #454D13

RGB 69 77 19

HSL 68.28, 0.6%, 0.19%

LAB 30.93, -12.14, 31.73

 

CMYK 11 / 0 / 75 / 57

HEX #626E1B

RGB 98 110 27

HSL 68.67, 0.61%, 0.27%

LAB 43.98, -16.3, 42.12

 

CMYK 10 / 0 / 75 / 44

HEX #808F24

RGB 128 143 36

HSL 68.41, 0.6%, 0.35%

LAB 56.45, -19.7, 51.58

 

CMYK 11 / 0 / 75 / 31

HEX #9DB02C

RGB 157 176 44

HSL 68.64, 0.6%, 0.43%

LAB 68.31, -23.43, 60.84

 

CMYK 10 / 0 / 73 / 20

HEX #B8CD38

RGB 184 205 56

HSL 68.46, 0.6%, 0.51%

LAB 78.54, -25.73, 67.22

 

CMYK 11 / 0 / 75 / 44

HEX #7F8E23

RGB 127 142 35

HSL 68.41, 0.6%, 0.35%

LAB 56.07, -19.68, 51.55

 

CMYK 75 / 0 / 50 / 44

HEX #248F47

RGB 36 143 71

HSL 139.63, 0.6%, 0.35%

LAB 52.37, -46.06, 29.81

 

CMYK 20 / 75 / 0 / 44

HEX #72248F

RGB 114 36 143

HSL 283.74, 0.6%, 0.35%

LAB 31.4, 50.15, -43.37

 

CMYK 11 / 0 / 75 / 44

HEX #7F8E23

RGB 127 142 35

HSL 68.41, 0.6%, 0.35%

LAB 56.07, -19.68, 51.55

 

CMYK 75 / 10 / 0 / 44

HEX #24818F

RGB 36 129 143

HSL 187.85, 0.6%, 0.35%

LAB 49.57, -21.51, -15.27

 

CMYK 0 / 75 / 10 / 44

HEX #8F2481

RGB 143 36 129

HSL 307.85, 0.6%, 0.35%

LAB 35.37, 54.19, -28.08

 

CMYK 11 / 0 / 75 / 44

HEX #7F8E23

RGB 127 142 35

HSL 68.41, 0.6%, 0.35%

LAB 56.07, -19.68, 51.55

 

CMYK 75 / 0 / 50 / 44

HEX #248F47

RGB 36 143 71

HSL 139.63, 0.6%, 0.35%

LAB 52.37, -46.06, 29.81

 

CMYK 65 / 75 / 0 / 44

HEX #32248F

RGB 50 36 143

HSL 247.85, 0.6%, 0.35%

LAB 23.42, 38.73, -56.72

 

CMYK 0 / 75 / 25 / 44

HEX #8F246B

RGB 143 36 107

HSL 320.19, 0.6%, 0.35%

LAB 34.32, 50.96, -15.88

 

CMYK 11 / 0 / 75 / 44

HEX #7F8E23

RGB 127 142 35

HSL 68.41, 0.6%, 0.35%

LAB 56.07, -19.68, 51.55

 

CMYK 75 / 0 / 27 / 44

HEX #248F68

RGB 36 143 104

HSL 158.13, 0.6%, 0.35%

LAB 52.97, -39.35, 12.36

 

CMYK 65 / 75 / 0 / 44

HEX #32248F

RGB 50 36 143

HSL 247.85, 0.6%, 0.35%

LAB 23.42, 38.73, -56.72

 

CMYK 0 / 75 / 48 / 44

HEX #8F244B

RGB 143 36 75

HSL 338.13, 0.6%, 0.35%

LAB 33.16, 47.24, 3.03

 

Description

Color code: HEX #7F8E23 | qconv.com Color code: HEX #7F8E23 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 142 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 142 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 75 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 75% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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