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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F8C19 it is the complementary color #8073E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F8C19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F8C19 shade: #848C14, #959E27, #A6B03A, #B7C24D and #C8D460

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F8C19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F8C19 shade: #7F8C19, #6E7A06, #5D6800, #4C5600 and #3B4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F8C19 shade: #7E8B18, #8B7918, #8B5A18, #8B3B18 and #8B1C18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F8C19 shade: #7E8B18, #5F8B18, #408B18, #218B18 and #188B2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F8C19 shade matches the following richer shades: #7E8B18 and #88980B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F8C19 shade: #7E8B18, #747E26, #697033, #5F6340 and #55564D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F8C19 shade: #8B5918, #8B7818, #7F8B18, #618B18 and #428B18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F8C19 shade: #3E450C, #5E6812, #7E8B18, #9EAE1F and #BDD125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F8C19 shade: #7F8C19, #188B3B and #68188B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F8C19 shade: #7F8C19, #187F8B and #8B187F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F8C19 shade: #7F8C19, #188B3B, #24188B and #8B1868

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F8C19 shade: #7F8C19, #188B5D, #24188B and #8B1846

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 82 / 45

HEX #7F8C19

RGB 127 140 25

HSL 66.78, 0.7%, 0.32%

LAB 55.42, -19.09, 54.2

 

Complementary color

CMYK 44 / 50 / 0 / 10

HEX #8073E6

RGB 128 115 230

HSL 246.78, 0.7%, 0.68%

LAB 54.62, 33.43, -56.94

 

CMYK 6 / 0 / 86 / 45

HEX #848C14

RGB 132 140 20

HSL 64, 0.75%, 0.31%

LAB 55.8, -17.02, 56.02

 

CMYK 6 / 0 / 75 / 38

HEX #959E27

RGB 149 158 39

HSL 64.54, 0.6%, 0.39%

LAB 62.5, -18.05, 56.84

 

CMYK 6 / 0 / 67 / 31

HEX #A6B03A

RGB 166 176 58

HSL 65.08, 0.5%, 0.46%

LAB 69.09, -18.86, 56.67

 

CMYK 6 / 0 / 60 / 24

HEX #B7C24D

RGB 183 194 77

HSL 65.64, 0.49%, 0.53%

LAB 75.57, -19.49, 55.98

 

CMYK 6 / 0 / 55 / 17

HEX #C8D460

RGB 200 212 96

HSL 66.21, 0.57%, 0.6%

LAB 81.95, -20, 55.04

 

CMYK 9 / 0 / 82 / 45

HEX #7F8C19

RGB 127 140 25

HSL 66.78, 0.7%, 0.32%

LAB 55.42, -19.09, 54.2

 

CMYK 10 / 0 / 95 / 52

HEX #6E7A06

RGB 110 122 6

HSL 66.21, 0.91%, 0.25%

LAB 48.57, -17.94, 52.34

 

CMYK 11 / 0 / 100 / 59

HEX #5D6800

RGB 93 104 0

HSL 66.35, 1%, 0.2%

LAB 41.58, -16.42, 47.75

 

CMYK 12 / 0 / 100 / 66

HEX #4C5600

RGB 76 86 0

HSL 66.98, 1%, 0.17%

LAB 34.38, -14.72, 41.76

 

CMYK 13 / 0 / 100 / 73

HEX #3B4400

RGB 59 68 0

HSL 67.94, 1%, 0.13%

LAB 26.92, -12.96, 35.34

 

CMYK 9 / 0 / 83 / 45

HEX #7E8B18

RGB 126 139 24

HSL 66.78, 0.71%, 0.32%

LAB 55.04, -19.06, 54.12

 

CMYK 0 / 13 / 83 / 45

HEX #8B7918

RGB 139 121 24

HSL 50.61, 0.71%, 0.32%

LAB 50.95, -3.34, 50.98

 

CMYK 0 / 35 / 83 / 45

HEX #8B5A18

RGB 139 90 24

HSL 34.43, 0.71%, 0.32%

LAB 42.56, 14.55, 43.49

 

CMYK 0 / 58 / 83 / 45

HEX #8B3B18

RGB 139 59 24

HSL 18.26, 0.71%, 0.32%

LAB 35.37, 32.02, 36.8

 

CMYK 0 / 80 / 83 / 45

HEX #8B1C18

RGB 139 28 24

HSL 2.09, 0.71%, 0.32%

LAB 30.36, 45.48, 31.94

 

CMYK 9 / 0 / 83 / 45

HEX #7E8B18

RGB 126 139 24

HSL 66.78, 0.71%, 0.32%

LAB 55.04, -19.06, 54.12

 

CMYK 32 / 0 / 83 / 45

HEX #5F8B18

RGB 95 139 24

HSL 82.96, 0.71%, 0.32%

LAB 52.91, -32.24, 51.41

 

CMYK 54 / 0 / 83 / 45

HEX #408B18

RGB 64 139 24

HSL 99.13, 0.71%, 0.32%

LAB 51.41, -43.16, 49.48

 

CMYK 76 / 0 / 83 / 45

HEX #218B18

RGB 33 139 24

HSL 115.3, 0.71%, 0.32%

LAB 50.52, -50.47, 48.34

 

CMYK 83 / 0 / 67 / 45

HEX #188B2E

RGB 24 139 46

HSL 131.48, 0.71%, 0.32%

LAB 50.52, -49.87, 39.91

 

CMYK 9 / 0 / 83 / 45

HEX #7E8B18

RGB 126 139 24

HSL 66.78, 0.71%, 0.32%

LAB 55.04, -19.06, 54.12

 

CMYK 11 / 0 / 93 / 40

HEX #88980B

RGB 136 152 11

HSL 66.81, 0.87%, 0.32%

LAB 59.63, -21.62, 61.06

 

CMYK 9 / 0 / 83 / 45

HEX #7E8B18

RGB 126 139 24

HSL 66.78, 0.71%, 0.32%

LAB 55.04, -19.06, 54.12

 

CMYK 8 / 0 / 70 / 51

HEX #747E26

RGB 116 126 38

HSL 66.82, 0.54%, 0.32%

LAB 50.42, -16.02, 44.53

 

CMYK 6 / 0 / 54 / 56

HEX #697033

RGB 105 112 51

HSL 66.89, 0.37%, 0.32%

LAB 45.4, -12.32, 32.61

 

CMYK 4 / 0 / 35 / 61

HEX #5F6340

RGB 95 99 64

HSL 66.86, 0.21%, 0.32%

LAB 40.78, -7.86, 19.4

 

CMYK 1 / 0 / 10 / 66

HEX #55564D

RGB 85 86 77

HSL 66.67, 0.06%, 0.32%

LAB 36.22, -2.25, 5.1

 

CMYK 0 / 36 / 83 / 45

HEX #8B5918

RGB 139 89 24

HSL 33.91, 0.71%, 0.32%

LAB 42.31, 15.13, 43.25

 

CMYK 0 / 14 / 83 / 45

HEX #8B7818

RGB 139 120 24

HSL 50.09, 0.71%, 0.32%

LAB 50.67, -2.78, 50.73

 

CMYK 9 / 0 / 83 / 45

HEX #7F8B18

RGB 127 139 24

HSL 66.26, 0.71%, 0.32%

LAB 55.12, -18.61, 54.22

 

CMYK 30 / 0 / 83 / 45

HEX #618B18

RGB 97 139 24

HSL 81.91, 0.71%, 0.32%

LAB 53.03, -31.44, 51.57

 

CMYK 53 / 0 / 83 / 45

HEX #428B18

RGB 66 139 24

HSL 98.09, 0.71%, 0.32%

LAB 51.48, -42.55, 49.59

 

CMYK 10 / 0 / 83 / 73

HEX #3E450C

RGB 62 69 12

HSL 67.37, 0.7%, 0.16%

LAB 27.59, -11.39, 31.25

 

CMYK 10 / 0 / 83 / 59

HEX #5E6812

RGB 94 104 18

HSL 66.98, 0.7%, 0.24%

LAB 41.73, -15.36, 43.13

 

CMYK 9 / 0 / 83 / 45

HEX #7E8B18

RGB 126 139 24

HSL 66.78, 0.71%, 0.32%

LAB 55.04, -19.06, 54.12

 

CMYK 9 / 0 / 82 / 32

HEX #9EAE1F

RGB 158 174 31

HSL 66.71, 0.7%, 0.4%

LAB 67.75, -22.54, 64.25

 

CMYK 10 / 0 / 82 / 18

HEX #BDD125

RGB 189 209 37

HSL 66.98, 0.7%, 0.48%

LAB 79.93, -26.34, 74.14

 

CMYK 9 / 0 / 82 / 45

HEX #7F8C19

RGB 127 140 25

HSL 66.78, 0.7%, 0.32%

LAB 55.42, -19.09, 54.2

 

CMYK 83 / 0 / 58 / 45

HEX #188B3B

RGB 24 139 59

HSL 138.26, 0.71%, 0.32%

LAB 50.66, -48.18, 33.86

 

CMYK 25 / 83 / 0 / 45

HEX #68188B

RGB 104 24 139

HSL 281.74, 0.71%, 0.32%

LAB 28.01, 51.7, -46.46

 

CMYK 9 / 0 / 82 / 45

HEX #7F8C19

RGB 127 140 25

HSL 66.78, 0.7%, 0.32%

LAB 55.42, -19.09, 54.2

 

CMYK 83 / 9 / 0 / 45

HEX #187F8B

RGB 24 127 139

HSL 186.26, 0.71%, 0.32%

LAB 48.56, -23.14, -14.48

 

CMYK 0 / 83 / 9 / 45

HEX #8B187F

RGB 139 24 127

HSL 306.26, 0.71%, 0.32%

LAB 33.3, 56.54, -30.16

 

CMYK 9 / 0 / 82 / 45

HEX #7F8C19

RGB 127 140 25

HSL 66.78, 0.7%, 0.32%

LAB 55.42, -19.09, 54.2

 

CMYK 83 / 0 / 58 / 45

HEX #188B3B

RGB 24 139 59

HSL 138.26, 0.71%, 0.32%

LAB 50.66, -48.18, 33.86

 

CMYK 74 / 83 / 0 / 45

HEX #24188B

RGB 36 24 139

HSL 246.26, 0.71%, 0.32%

LAB 19.61, 42.39, -60.56

 

CMYK 0 / 83 / 25 / 45

HEX #8B1868

RGB 139 24 104

HSL 318.26, 0.71%, 0.32%

LAB 32.13, 53.26, -17.4

 

CMYK 9 / 0 / 82 / 45

HEX #7F8C19

RGB 127 140 25

HSL 66.78, 0.7%, 0.32%

LAB 55.42, -19.09, 54.2

 

CMYK 83 / 0 / 33 / 45

HEX #188B5D

RGB 24 139 93

HSL 156, 0.71%, 0.32%

LAB 51.21, -41.79, 16.15

 

CMYK 74 / 83 / 0 / 45

HEX #24188B

RGB 36 24 139

HSL 246.26, 0.71%, 0.32%

LAB 19.61, 42.39, -60.56

 

CMYK 0 / 83 / 50 / 45

HEX #8B1846

RGB 139 24 70

HSL 336, 0.71%, 0.32%

LAB 30.84, 49.48, 2.88

 

Description

Color code: HEX #7F8C19 | qconv.com Color code: HEX #7F8C19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 140 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 140 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 82 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 82% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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