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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F7DF1CE it is the complementary color #80820ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F7DF1CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F7DF1CE shade: #847DECCE, #958FFFCE, #A6A1FFCE, #B7B3FFCE and #C8C5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F7DF1CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F7DF1CE shade: #7F7DF1CE, #6E6BDECE, #5D59CBCE, #4C47B8CE and #3B35A5CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F7DF1CE shade: #807EF1, #9F7EF1, #BE7EF1, #DD7EF1 and #F17EE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F7DF1CE shade: #807EF1 and #7E7EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F7DF1CE shade matches the following richer shades: #807EF1 and #7572FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F7DF1CE shade: #807EF1, #8B89E6, #9695DA, #A1A0CF and #ACACC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F7DF1CE shade: #7EBAF1, #7E9BF1, #807EF1, #9F7EF1 and #BD7EF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F7DF1CE shade: #3633EA, #5B58EE, #807EF1, #A5A3F5 and #C9C8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F7DF1CE shade: #7F7DF1, #F17ED8 and #AAF17E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F7DF1CE shade: #7F7DF1, #F1807E and #7EF180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F7DF1CE shade: #7F7DF1, #F17ED8, #F0F17E and #7EF197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F7DF1CE shade: #7F7DF1, #F17EB6, #F0F17E and #7EF1BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 39 / 0 / 4

HEX #7F7DF1CE

RGBA 127 125 241 0.81

HSLA 241.03, 0.81%, 0.72%, 0.81

LABA 57.59, 30.51, -58.33, 0.81

 

Complementary color

CMYK 1 / 0 / 72 / 40

HEX #80820ECE

RGBA 128 130 14 0.81

HSLA 61.03, 0.81%, 0.28%, 0.81

LABA 52.49, -13.72, 54.53, 0.81

 

CMYK 36 / 38 / 0 / 6

HEX #847DECCE

RGBA 132 125 236 0.81

HSLA 243.78, 0.74%, 0.71%, 0.81

LABA 57.68, 30.2, -55.38, 0.81

 

CMYK 34 / 36 / 0 / 0

HEX #958FFFCE

RGBA 149 143 255 0.81

HSLA 243.21, 1%, 0.78%, 0.81

LABA 64.37, 29.12, -55.13, 0.81

 

CMYK 28 / 30 / 0 / 0

HEX #A6A1FFCE

RGBA 166 161 255 0.81

HSLA 243.19, 1%, 0.82%, 0.81

LABA 70.05, 23.15, -46.07, 0.81

 

CMYK 23 / 24 / 0 / 0

HEX #B7B3FFCE

RGBA 183 179 255 0.81

HSLA 243.16, 1%, 0.85%, 0.81

LABA 75.78, 17.75, -37.03, 0.81

 

CMYK 17 / 18 / 0 / 0

HEX #C8C5FFCE

RGBA 200 197 255 0.81

HSLA 243.1, 1%, 0.89%, 0.81

LABA 81.53, 12.87, -28.06, 0.81

 

CMYK 38 / 39 / 0 / 4

HEX #7F7DF1CE

RGBA 127 125 241 0.81

HSLA 241.03, 0.81%, 0.72%, 0.81

LABA 57.59, 30.51, -58.33, 0.81

 

CMYK 41 / 42 / 0 / 10

HEX #6E6BDECE

RGBA 110 107 222 0.81

HSLA 241.57, 0.64%, 0.65%, 0.81

LABA 50.81, 31.85, -58.64, 0.81

 

CMYK 44 / 45 / 0 / 17

HEX #5D59CBCE

RGBA 93 89 203 0.81

HSLA 242.11, 0.52%, 0.57%, 0.81

LABA 43.92, 33.38, -58.97, 0.81

 

CMYK 48 / 50 / 0 / 23

HEX #4C47B8CE

RGBA 76 71 184 0.81

HSLA 242.65, 0.44%, 0.5%, 0.81

LABA 36.94, 35.16, -59.29, 0.81

 

CMYK 52 / 55 / 0 / 29

HEX #3B35A5CE

RGBA 59 53 165 0.81

HSLA 243.21, 0.51%, 0.43%, 0.81

LABA 29.89, 37.19, -59.52, 0.81

 

CMYK 47 / 48 / 0 / 5

HEX #807EF1

RGB 128 126 241

HSL 241.04, 0.8%, 0.72%

LAB 57.91, 30.14, -57.82

 

CMYK 34 / 48 / 0 / 5

HEX #9F7EF1

RGB 159 126 241

HSL 257.22, 0.8%, 0.72%

LAB 60.47, 37.57, -53.58

 

CMYK 21 / 48 / 0 / 5

HEX #BE7EF1

RGB 190 126 241

HSL 273.39, 0.8%, 0.72%

LAB 63.52, 45.69, -48.54

 

CMYK 8 / 48 / 0 / 5

HEX #DD7EF1

RGB 221 126 241

HSL 289.57, 0.8%, 0.72%

LAB 67.01, 54.15, -42.82

 

CMYK 0 / 48 / 5 / 5

HEX #F17EE6

RGB 241 126 230

HSL 305.74, 0.8%, 0.72%

LAB 68.99, 57.79, -33.48

 

CMYK 47 / 48 / 0 / 5

HEX #807EF1

RGB 128 126 241

HSL 241.04, 0.8%, 0.72%

LAB 57.91, 30.14, -57.82

 

CMYK 48 / 48 / 0 / 5

HEX #7E7EF1

RGB 126 126 241

HSL 240, 0.8%, 0.72%

LAB 57.76, 29.7, -58.06

 

CMYK 47 / 48 / 0 / 5

HEX #807EF1

RGB 128 126 241

HSL 241.04, 0.8%, 0.72%

LAB 57.91, 30.14, -57.82

 

CMYK 54 / 55 / 0 / 1

HEX #7572FD

RGB 117 114 253

HSL 241.29, 0.97%, 0.72%

LAB 54.98, 38.54, -69.21

 

CMYK 47 / 48 / 0 / 5

HEX #807EF1

RGB 128 126 241

HSL 241.04, 0.8%, 0.72%

LAB 57.91, 30.14, -57.82

 

CMYK 40 / 40 / 0 / 10

HEX #8B89E6

RGB 139 137 230

HSL 241.29, 0.65%, 0.72%

LAB 60.86, 23.19, -46.96

 

CMYK 31 / 32 / 0 / 15

HEX #9695DA

RGB 150 149 218

HSL 240.87, 0.48%, 0.72%

LAB 64.19, 16.03, -35.01

 

CMYK 22 / 23 / 0 / 19

HEX #A1A0CF

RGB 161 160 207

HSL 241.28, 0.33%, 0.72%

LAB 67.44, 10.38, -23.83

 

CMYK 12 / 12 / 0 / 24

HEX #ACACC3

RGB 172 172 195

HSL 240, 0.16%, 0.72%

LAB 71.02, 4.59, -11.7

 

CMYK 48 / 23 / 0 / 5

HEX #7EBAF1

RGB 126 186 241

HSL 208.7, 0.8%, 0.72%

LAB 73.48, -4.74, -33.32

 

CMYK 48 / 36 / 0 / 5

HEX #7E9BF1

RGB 126 155 241

HSL 224.87, 0.8%, 0.72%

LAB 65.14, 12.68, -46.33

 

CMYK 47 / 48 / 0 / 5

HEX #807EF1

RGB 128 126 241

HSL 241.04, 0.8%, 0.72%

LAB 57.91, 30.14, -57.82

 

CMYK 34 / 48 / 0 / 5

HEX #9F7EF1

RGB 159 126 241

HSL 257.22, 0.8%, 0.72%

LAB 60.47, 37.57, -53.58

 

CMYK 22 / 48 / 0 / 5

HEX #BD7EF1

RGB 189 126 241

HSL 272.87, 0.8%, 0.72%

LAB 63.42, 45.42, -48.71

 

CMYK 77 / 78 / 0 / 8

HEX #3633EA

RGB 54 51 234

HSL 240.98, 0.81%, 0.56%

LAB 36.16, 59.92, -89.53

 

CMYK 62 / 63 / 0 / 7

HEX #5B58EE

RGB 91 88 238

HSL 241.2, 0.82%, 0.64%

LAB 46.15, 44.77, -75.28

 

CMYK 47 / 48 / 0 / 5

HEX #807EF1

RGB 128 126 241

HSL 241.04, 0.8%, 0.72%

LAB 57.91, 30.14, -57.82

 

CMYK 33 / 33 / 0 / 4

HEX #A5A3F5

RGB 165 163 245

HSL 241.46, 0.8%, 0.8%

LAB 70.03, 19.17, -40.68

 

CMYK 19 / 20 / 0 / 2

HEX #C9C8F9

RGB 201 200 249

HSL 241.22, 0.8%, 0.88%

LAB 82.14, 10.22, -23.92

 

CMYK 47 / 48 / 0 / 5

HEX #7F7DF1

RGB 127 125 241

HSL 241.03, 0.81%, 0.72%

LAB 57.59, 30.51, -58.33

 

CMYK 0 / 48 / 10 / 5

HEX #F17ED8

RGB 241 126 216

HSL 313.04, 0.8%, 0.72%

LAB 68.45, 55.5, -26.57

 

CMYK 29 / 0 / 48 / 5

HEX #AAF17E

RGB 170 241 126

HSL 97.04, 0.8%, 0.72%

LAB 88.43, -41.72, 48.35

 

CMYK 47 / 48 / 0 / 5

HEX #7F7DF1

RGB 127 125 241

HSL 241.03, 0.81%, 0.72%

LAB 57.59, 30.51, -58.33

 

CMYK 0 / 47 / 48 / 5

HEX #F1807E

RGB 241 128 126

HSL 1.04, 0.8%, 0.72%

LAB 66.25, 42.99, 20.82

 

CMYK 48 / 0 / 47 / 5

HEX #7EF180

RGB 126 241 128

HSL 121.04, 0.8%, 0.72%

LAB 86.46, -54.96, 44.51

 

CMYK 47 / 48 / 0 / 5

HEX #7F7DF1

RGB 127 125 241

HSL 241.03, 0.81%, 0.72%

LAB 57.59, 30.51, -58.33

 

CMYK 0 / 48 / 10 / 5

HEX #F17ED8

RGB 241 126 216

HSL 313.04, 0.8%, 0.72%

LAB 68.45, 55.5, -26.57

 

CMYK 0 / 0 / 48 / 5

HEX #F0F17E

RGB 240 241 126

HSL 60.52, 0.8%, 0.72%

LAB 92.99, -15.77, 54.94

 

CMYK 48 / 0 / 37 / 5

HEX #7EF197

RGB 126 241 151

HSL 133.04, 0.8%, 0.72%

LAB 86.79, -51.51, 33.63

 

CMYK 47 / 48 / 0 / 5

HEX #7F7DF1

RGB 127 125 241

HSL 241.03, 0.81%, 0.72%

LAB 57.59, 30.51, -58.33

 

CMYK 0 / 48 / 24 / 5

HEX #F17EB6

RGB 241 126 182

HSL 330.78, 0.8%, 0.72%

LAB 67.28, 50.46, -9.32

 

CMYK 0 / 0 / 48 / 5

HEX #F0F17E

RGB 240 241 126

HSL 60.52, 0.8%, 0.72%

LAB 92.99, -15.77, 54.94

 

CMYK 48 / 0 / 23 / 5

HEX #7EF1BA

RGB 126 241 186

HSL 151.3, 0.8%, 0.72%

LAB 87.43, -45.12, 16.62

 

Description

Color code: HEX #7F7DF1CE | qconv.com Color code: HEX #7F7DF1CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 125 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 125 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 39 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 39% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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