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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F78D1 it is the complementary color #80872E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F78D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F78D1 shade: #8478CC, #958ADF, #A69CF2, #B7AEFF and #C8C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F78D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F78D1 shade: #7F78D1, #6E66BE, #5D54AB, #4C4298 and #3B3085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F78D1 shade: #817AD1, #987AD1, #B07AD1, #C87AD1 and #D17AC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F78D1 shade: #817AD1 and #7A7AD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F78D1 shade matches the following richer shades: #817AD1, #756CE0, #695DEE and #5C4FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F78D1 shade: #817AD1, #8D88C3, #9997B5, #A5A5A6 and #B2B498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F78D1 shade: #7AA3D1, #7A8CD1, #807AD1, #977AD1 and #AE7AD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F78D1 shade: #493FB9, #645BC7, #817AD1, #9E99DC and #BBB7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F78D1 shade: #7F78D1, #D17ABA and #97D17A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F78D1 shade: #7F78D1, #D1807A and #7AD180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F78D1 shade: #7F78D1, #D17ABA, #CCD17A and #7AD191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F78D1 shade: #7F78D1, #D17AA0, #CCD17A and #7AD1AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 43 / 0 / 18

HEX #7F78D1

RGB 127 120 209

HSL 244.72, 0.49%, 0.65%

LAB 54.6, 24.26, -45.15

 

Complementary color

CMYK 5 / 0 / 66 / 47

HEX #80872E

RGB 128 135 46

HSL 64.72, 0.49%, 0.35%

LAB 54.15, -14.92, 45.26

 

CMYK 35 / 41 / 0 / 20

HEX #8478CC

RGB 132 120 204

HSL 248.57, 0.45%, 0.64%

LAB 54.76, 24.22, -42.04

 

CMYK 33 / 38 / 0 / 13

HEX #958ADF

RGB 149 138 223

HSL 247.76, 0.57%, 0.71%

LAB 61.56, 23.38, -41.91

 

CMYK 31 / 36 / 0 / 5

HEX #A69CF2

RGB 166 156 242

HSL 246.98, 0.77%, 0.78%

LAB 68.24, 22.64, -41.83

 

CMYK 28 / 32 / 0 / 0

HEX #B7AEFF

RGB 183 174 255

HSL 246.67, 1%, 0.84%

LAB 74.55, 20.52, -38.94

 

CMYK 22 / 25 / 0 / 0

HEX #C8C0FF

RGB 200 192 255

HSL 247.62, 1%, 0.88%

LAB 80.29, 15.58, -29.96

 

CMYK 39 / 43 / 0 / 18

HEX #7F78D1

RGB 127 120 209

HSL 244.72, 0.49%, 0.65%

LAB 54.6, 24.26, -45.15

 

CMYK 42 / 46 / 0 / 25

HEX #6E66BE

RGB 110 102 190

HSL 245.45, 0.4%, 0.57%

LAB 47.67, 25.3, -45.37

 

CMYK 46 / 51 / 0 / 33

HEX #5D54AB

RGB 93 84 171

HSL 246.21, 0.34%, 0.5%

LAB 40.59, 26.51, -45.65

 

CMYK 50 / 57 / 0 / 40

HEX #4C4298

RGB 76 66 152

HSL 246.98, 0.39%, 0.43%

LAB 33.35, 27.93, -45.97

 

CMYK 56 / 64 / 0 / 48

HEX #3B3085

RGB 59 48 133

HSL 247.76, 0.47%, 0.35%

LAB 25.97, 29.6, -46.28

 

CMYK 38 / 42 / 0 / 18

HEX #817AD1

RGB 129 122 209

HSL 244.83, 0.49%, 0.65%

LAB 55.27, 23.6, -44.09

 

CMYK 27 / 42 / 0 / 18

HEX #987AD1

RGB 152 122 209

HSL 260.69, 0.49%, 0.65%

LAB 57.27, 29.9, -40.8

 

CMYK 16 / 42 / 0 / 18

HEX #B07AD1

RGB 176 122 209

HSL 277.24, 0.49%, 0.65%

LAB 59.66, 36.87, -36.87

 

CMYK 4 / 42 / 0 / 18

HEX #C87AD1

RGB 200 122 209

HSL 293.79, 0.49%, 0.65%

LAB 62.34, 44.03, -32.5

 

CMYK 0 / 42 / 6 / 18

HEX #D17AC4

RGB 209 122 196

HSL 308.97, 0.49%, 0.65%

LAB 62.89, 44.42, -24.23

 

CMYK 38 / 42 / 0 / 18

HEX #817AD1

RGB 129 122 209

HSL 244.83, 0.49%, 0.65%

LAB 55.27, 23.6, -44.09

 

CMYK 42 / 42 / 0 / 18

HEX #7A7AD1

RGB 122 122 209

HSL 240, 0.49%, 0.65%

LAB 54.72, 21.79, -44.99

 

CMYK 38 / 42 / 0 / 18

HEX #817AD1

RGB 129 122 209

HSL 244.83, 0.49%, 0.65%

LAB 55.27, 23.6, -44.09

 

CMYK 48 / 52 / 0 / 12

HEX #756CE0

RGB 117 108 224

HSL 244.66, 0.65%, 0.65%

LAB 51.71, 33.35, -58.29

 

CMYK 56 / 61 / 0 / 7

HEX #695DEE

RGB 105 93 238

HSL 244.97, 0.81%, 0.65%

LAB 48.27, 44.08, -71.78

 

CMYK 64 / 69 / 0 / 1

HEX #5C4FFD

RGB 92 79 253

HSL 244.48, 0.98%, 0.65%

LAB 45.58, 54.68, -84.61

 

CMYK 38 / 42 / 0 / 18

HEX #817AD1

RGB 129 122 209

HSL 244.83, 0.49%, 0.65%

LAB 55.27, 23.6, -44.09

 

CMYK 28 / 30 / 0 / 24

HEX #8D88C3

RGB 141 136 195

HSL 245.08, 0.33%, 0.65%

LAB 59.17, 15.06, -29.99

 

CMYK 15 / 17 / 0 / 29

HEX #9997B5

RGB 153 151 181

HSL 244, 0.17%, 0.65%

LAB 63.54, 6.94, -15.31

 

CMYK 1 / 1 / 0 / 35

HEX #A5A5A6

RGB 165 165 166

HSL 240, 0.01%, 0.65%

LAB 67.77, 0.19, -0.52

 

CMYK 1 / 0 / 16 / 29

HEX #B2B498

RGB 178 180 152

HSL 64.29, 0.16%, 0.65%

LAB 72.48, -5.59, 14.07

 

CMYK 42 / 22 / 0 / 18

HEX #7AA3D1

RGB 122 163 209

HSL 211.72, 0.49%, 0.65%

LAB 65.7, -2.04, -27.84

 

CMYK 42 / 33 / 0 / 18

HEX #7A8CD1

RGB 122 140 209

HSL 227.59, 0.49%, 0.65%

LAB 59.43, 11.13, -37.57

 

CMYK 39 / 42 / 0 / 18

HEX #807AD1

RGB 128 122 209

HSL 244.14, 0.49%, 0.65%

LAB 55.19, 23.34, -44.22

 

CMYK 28 / 42 / 0 / 18

HEX #977AD1

RGB 151 122 209

HSL 260, 0.49%, 0.65%

LAB 57.17, 29.62, -40.95

 

CMYK 17 / 42 / 0 / 18

HEX #AE7AD1

RGB 174 122 209

HSL 275.86, 0.49%, 0.65%

LAB 59.45, 36.28, -37.21

 

CMYK 61 / 66 / 0 / 27

HEX #493FB9

RGB 73 63 185

HSL 244.92, 0.49%, 0.49%

LAB 34.95, 39.85, -63.13

 

CMYK 50 / 54 / 0 / 22

HEX #645BC7

RGB 100 91 199

HSL 245, 0.49%, 0.57%

LAB 44.68, 32.35, -55.41

 

CMYK 38 / 42 / 0 / 18

HEX #817AD1

RGB 129 122 209

HSL 244.83, 0.49%, 0.65%

LAB 55.27, 23.6, -44.09

 

CMYK 28 / 30 / 0 / 14

HEX #9E99DC

RGB 158 153 220

HSL 244.48, 0.49%, 0.73%

LAB 65.92, 16.56, -33.39

 

CMYK 19 / 21 / 0 / 9

HEX #BBB7E7

RGB 187 183 231

HSL 245, 0.5%, 0.81%

LAB 76.19, 11.17, -23.42

 

CMYK 39 / 43 / 0 / 18

HEX #7F78D1

RGB 127 120 209

HSL 244.72, 0.49%, 0.65%

LAB 54.6, 24.26, -45.15

 

CMYK 0 / 42 / 11 / 18

HEX #D17ABA

RGB 209 122 186

HSL 315.86, 0.49%, 0.65%

LAB 62.52, 42.73, -19.14

 

CMYK 28 / 0 / 42 / 18

HEX #97D17A

RGB 151 209 122

HSL 100, 0.49%, 0.65%

LAB 78.22, -34.33, 37.27

 

CMYK 39 / 43 / 0 / 18

HEX #7F78D1

RGB 127 120 209

HSL 244.72, 0.49%, 0.65%

LAB 54.6, 24.26, -45.15

 

CMYK 0 / 39 / 42 / 18

HEX #D1807A

RGB 209 128 122

HSL 4.14, 0.49%, 0.65%

LAB 62, 30.61, 16.58

 

CMYK 42 / 0 / 39 / 18

HEX #7AD180

RGB 122 209 128

HSL 124.14, 0.49%, 0.65%

LAB 76.86, -42.82, 32.18

 

CMYK 39 / 43 / 0 / 18

HEX #7F78D1

RGB 127 120 209

HSL 244.72, 0.49%, 0.65%

LAB 54.6, 24.26, -45.15

 

CMYK 0 / 42 / 11 / 18

HEX #D17ABA

RGB 209 122 186

HSL 315.86, 0.49%, 0.65%

LAB 62.52, 42.73, -19.14

 

CMYK 2 / 0 / 42 / 18

HEX #CCD17A

RGB 204 209 122

HSL 63.45, 0.49%, 0.65%

LAB 81.75, -14.48, 42.48

 

CMYK 42 / 0 / 31 / 18

HEX #7AD191

RGB 122 209 145

HSL 135.86, 0.49%, 0.65%

LAB 77.15, -39.96, 23.75

 

CMYK 39 / 43 / 0 / 18

HEX #7F78D1

RGB 127 120 209

HSL 244.72, 0.49%, 0.65%

LAB 54.6, 24.26, -45.15

 

CMYK 0 / 42 / 23 / 18

HEX #D17AA0

RGB 209 122 160

HSL 333.79, 0.49%, 0.65%

LAB 61.66, 38.68, -5.61

 

CMYK 2 / 0 / 42 / 18

HEX #CCD17A

RGB 204 209 122

HSL 63.45, 0.49%, 0.65%

LAB 81.75, -14.48, 42.48

 

CMYK 42 / 0 / 18 / 18

HEX #7AD1AC

RGB 122 209 172

HSL 154.48, 0.49%, 0.65%

LAB 77.71, -34.69, 10.21

 

Description

Color code: HEX #7F78D1 | qconv.com Color code: HEX #7F78D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 120 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 120 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 43 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 43% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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