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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F75CD it is the complementary color #808A32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F75CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F75CD shade: #8475C8, #9587DB, #A699EE, #B7ABFF and #C8BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F75CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F75CD shade: #7F75CD, #6E63BA, #5D51A7, #4C3F94 and #3B2D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F75CD shade: #7E74CD, #9674CD, #AE74CD, #C674CD and #CD74BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F75CD shade: #7E74CD and #7474CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F75CD shade matches the following richer shades: #7E74CD, #7365DC, #6756EC and #5B47FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F75CD shade: #7E74CD, #8A84BE, #9693AE, #A2A29F and #AEB190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F75CD shade: #749BCD, #7483CD, #7D74CD, #9574CD and #AC74CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F75CD shade: #4C3FB0, #6256C2, #7E74CD, #9B93D8 and #B7B1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F75CD shade: #7F75CD, #CD74B2 and #8FCD74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F75CD shade: #7F75CD, #CD7D74 and #74CD7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F75CD shade: #7F75CD, #CD74B2, #C4CD74 and #74CD8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F75CD shade: #7F75CD, #CD7498, #C4CD74 and #74CDAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 43 / 0 / 20

HEX #7F75CD

RGB 127 117 205

HSL 246.82, 0.47%, 0.63%

LAB 53.65, 24.93, -44.4

 

Complementary color

CMYK 7 / 0 / 64 / 46

HEX #808A32

RGB 128 138 50

HSL 66.82, 0.47%, 0.37%

LAB 55.07, -16.22, 44.46

 

CMYK 34 / 42 / 0 / 22

HEX #8475C8

RGB 132 117 200

HSL 250.84, 0.43%, 0.62%

LAB 53.81, 24.91, -41.26

 

CMYK 32 / 38 / 0 / 14

HEX #9587DB

RGB 149 135 219

HSL 250, 0.54%, 0.69%

LAB 60.63, 24.08, -41.14

 

CMYK 30 / 36 / 0 / 7

HEX #A699EE

RGB 166 153 238

HSL 249.18, 0.71%, 0.77%

LAB 67.32, 23.34, -41.07

 

CMYK 28 / 33 / 0 / 0

HEX #B7ABFF

RGB 183 171 255

HSL 248.57, 1%, 0.84%

LAB 73.81, 22.18, -40.09

 

CMYK 22 / 26 / 0 / 0

HEX #C8BDFF

RGB 200 189 255

HSL 250, 1%, 0.87%

LAB 79.55, 17.21, -31.09

 

CMYK 38 / 43 / 0 / 20

HEX #7F75CD

RGB 127 117 205

HSL 246.82, 0.47%, 0.63%

LAB 53.65, 24.93, -44.4

 

CMYK 41 / 47 / 0 / 27

HEX #6E63BA

RGB 110 99 186

HSL 247.59, 0.39%, 0.56%

LAB 46.69, 25.96, -44.61

 

CMYK 44 / 51 / 0 / 35

HEX #5D51A7

RGB 93 81 167

HSL 248.37, 0.35%, 0.49%

LAB 39.58, 27.16, -44.88

 

CMYK 49 / 57 / 0 / 42

HEX #4C3F94

RGB 76 63 148

HSL 249.18, 0.4%, 0.41%

LAB 32.32, 28.56, -45.18

 

CMYK 54 / 65 / 0 / 49

HEX #3B2D81

RGB 59 45 129

HSL 250, 0.48%, 0.34%

LAB 24.93, 30.19, -45.47

 

CMYK 39 / 43 / 0 / 20

HEX #7E74CD

RGB 126 116 205

HSL 246.74, 0.47%, 0.63%

LAB 53.31, 25.26, -44.93

 

CMYK 27 / 43 / 0 / 20

HEX #9674CD

RGB 150 116 205

HSL 262.92, 0.47%, 0.63%

LAB 55.46, 31.8, -41.39

 

CMYK 15 / 43 / 0 / 20

HEX #AE74CD

RGB 174 116 205

HSL 279.1, 0.47%, 0.63%

LAB 57.94, 38.72, -37.33

 

CMYK 3 / 43 / 0 / 20

HEX #C674CD

RGB 198 116 205

HSL 295.28, 0.47%, 0.63%

LAB 60.7, 45.82, -32.82

 

CMYK 0 / 43 / 8 / 20

HEX #CD74BC

RGB 205 116 188

HSL 311.46, 0.47%, 0.63%

LAB 60.87, 44.91, -22.85

 

CMYK 39 / 43 / 0 / 20

HEX #7E74CD

RGB 126 116 205

HSL 246.74, 0.47%, 0.63%

LAB 53.31, 25.26, -44.93

 

CMYK 43 / 43 / 0 / 20

HEX #7474CD

RGB 116 116 205

HSL 240, 0.47%, 0.63%

LAB 52.52, 22.72, -46.23

 

CMYK 39 / 43 / 0 / 20

HEX #7E74CD

RGB 126 116 205

HSL 246.74, 0.47%, 0.63%

LAB 53.31, 25.26, -44.93

 

CMYK 48 / 54 / 0 / 14

HEX #7365DC

RGB 115 101 220

HSL 247.06, 0.63%, 0.63%

LAB 49.64, 35.89, -59.37

 

CMYK 56 / 64 / 0 / 7

HEX #6756EC

RGB 103 86 236

HSL 246.8, 0.8%, 0.63%

LAB 46.44, 47.17, -73.64

 

CMYK 64 / 72 / 0 / 2

HEX #5B47FB

RGB 91 71 251

HSL 246.67, 0.96%, 0.63%

LAB 43.79, 58.21, -86.43

 

CMYK 39 / 43 / 0 / 20

HEX #7E74CD

RGB 126 116 205

HSL 246.74, 0.47%, 0.63%

LAB 53.31, 25.26, -44.93

 

CMYK 27 / 31 / 0 / 25

HEX #8A84BE

RGB 138 132 190

HSL 246.21, 0.31%, 0.63%

LAB 57.68, 15.22, -29.48

 

CMYK 14 / 16 / 0 / 32

HEX #9693AE

RGB 150 147 174

HSL 246.67, 0.14%, 0.63%

LAB 62, 6.65, -13.71

 

CMYK 0 / 0 / 2 / 36

HEX #A2A29F

RGB 162 162 159

HSL 60, 0.02%, 0.63%

LAB 66.54, -0.56, 1.55

 

CMYK 2 / 0 / 19 / 31

HEX #AEB190

RGB 174 177 144

HSL 65.45, 0.17%, 0.63%

LAB 71.18, -6.77, 16.57

 

CMYK 43 / 24 / 0 / 20

HEX #749BCD

RGB 116 155 205

HSL 213.71, 0.47%, 0.63%

LAB 62.98, -0.22, -29.84

 

CMYK 43 / 36 / 0 / 20

HEX #7483CD

RGB 116 131 205

HSL 229.89, 0.47%, 0.63%

LAB 56.44, 13.74, -40.04

 

CMYK 39 / 43 / 0 / 20

HEX #7D74CD

RGB 125 116 205

HSL 246.07, 0.47%, 0.63%

LAB 53.23, 25, -45.06

 

CMYK 27 / 43 / 0 / 20

HEX #9574CD

RGB 149 116 205

HSL 262.25, 0.47%, 0.63%

LAB 55.37, 31.52, -41.55

 

CMYK 16 / 43 / 0 / 20

HEX #AC74CD

RGB 172 116 205

HSL 277.75, 0.47%, 0.63%

LAB 57.72, 38.14, -37.68

 

CMYK 57 / 64 / 0 / 31

HEX #4C3FB0

RGB 76 63 176

HSL 246.9, 0.47%, 0.47%

LAB 34.45, 37.45, -58.6

 

CMYK 49 / 56 / 0 / 24

HEX #6256C2

RGB 98 86 194

HSL 246.67, 0.47%, 0.55%

LAB 42.98, 33.43, -55.25

 

CMYK 39 / 43 / 0 / 20

HEX #7E74CD

RGB 126 116 205

HSL 246.74, 0.47%, 0.63%

LAB 53.31, 25.26, -44.93

 

CMYK 28 / 32 / 0 / 15

HEX #9B93D8

RGB 155 147 216

HSL 246.96, 0.47%, 0.71%

LAB 63.99, 18.12, -34.18

 

CMYK 19 / 22 / 0 / 11

HEX #B7B1E3

RGB 183 177 227

HSL 247.2, 0.47%, 0.79%

LAB 74.23, 12.33, -24.28

 

CMYK 38 / 43 / 0 / 20

HEX #7F75CD

RGB 127 117 205

HSL 246.82, 0.47%, 0.63%

LAB 53.65, 24.93, -44.4

 

CMYK 0 / 43 / 13 / 20

HEX #CD74B2

RGB 205 116 178

HSL 318.2, 0.47%, 0.63%

LAB 60.5, 43.24, -17.71

 

CMYK 30 / 0 / 43 / 20

HEX #8FCD74

RGB 143 205 116

HSL 101.8, 0.47%, 0.63%

LAB 76.54, -36.06, 38.05

 

CMYK 38 / 43 / 0 / 20

HEX #7F75CD

RGB 127 117 205

HSL 246.82, 0.47%, 0.63%

LAB 53.65, 24.93, -44.4

 

CMYK 0 / 39 / 43 / 20

HEX #CD7D74

RGB 205 125 116

HSL 6.07, 0.47%, 0.63%

LAB 60.7, 30.03, 18.13

 

CMYK 43 / 0 / 39 / 20

HEX #74CD7D

RGB 116 205 125

HSL 126.07, 0.47%, 0.63%

LAB 75.36, -43.32, 31.7

 

CMYK 38 / 43 / 0 / 20

HEX #7F75CD

RGB 127 117 205

HSL 246.82, 0.47%, 0.63%

LAB 53.65, 24.93, -44.4

 

CMYK 0 / 43 / 13 / 20

HEX #CD74B2

RGB 205 116 178

HSL 318.2, 0.47%, 0.63%

LAB 60.5, 43.24, -17.71

 

CMYK 4 / 0 / 43 / 20

HEX #C4CD74

RGB 196 205 116

HSL 66.07, 0.47%, 0.63%

LAB 79.99, -16.26, 43.12

 

CMYK 43 / 0 / 30 / 20

HEX #74CD8F

RGB 116 205 143

HSL 138.2, 0.47%, 0.63%

LAB 75.67, -40.24, 22.74

 

CMYK 38 / 43 / 0 / 20

HEX #7F75CD

RGB 127 117 205

HSL 246.82, 0.47%, 0.63%

LAB 53.65, 24.93, -44.4

 

CMYK 0 / 43 / 26 / 20

HEX #CD7498

RGB 205 116 152

HSL 335.73, 0.47%, 0.63%

LAB 59.65, 39.3, -4.05

 

CMYK 4 / 0 / 43 / 20

HEX #C4CD74

RGB 196 205 116

HSL 66.07, 0.47%, 0.63%

LAB 79.99, -16.26, 43.12

 

CMYK 43 / 0 / 17 / 20

HEX #74CDAA

RGB 116 205 170

HSL 156.4, 0.47%, 0.63%

LAB 76.24, -34.85, 9.16

 

Description

Color code: HEX #7F75CD | qconv.com Color code: HEX #7F75CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 117 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 117 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 43 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 43% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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