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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F751E it is the complementary color #808AE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F751E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F751E shade: #847519, #95872C, #A6993F, #B7AB52 and #C8BD65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F751E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F751E shade: #7F751E, #6E630B, #5D5100, #4C3F00 and #3B2D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F751E shade: #80751E, #805B1E, #80411E, #80261E and #801E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F751E shade: #80751E, #6F801E, #55801E, #3A801E and #20801E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F751E shade matches the following richer shades: #80751E, #8C8011 and #998A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F751E shade: #80751E, #736B2A, #666137, #595744 and #4C4D51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F751E shade: #80401E, #805A1E, #80741E, #71801E and #57801E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F751E shade: #3D380E, #5E5716, #80751E, #A19425 and #C2B32D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F751E shade: #7F751E, #1E8026 and #4D1E80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F751E shade: #7F751E, #1E8074 and #741E80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F751E shade: #7F751E, #1E8026, #1E2980 and #801E77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F751E shade: #7F751E, #1E8043, #1E2980 and #801E5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 76 / 50

HEX #7F751E

RGB 127 117 30

HSL 53.81, 0.62%, 0.31%

LAB 48.67, -6.48, 46.35

 

Complementary color

CMYK 43 / 39 / 0 / 12

HEX #808AE1

RGB 128 138 225

HSL 233.81, 0.62%, 0.69%

LAB 60.07, 18.42, -45.48

 

CMYK 0 / 11 / 81 / 48

HEX #847519

RGB 132 117 25

HSL 51.59, 0.68%, 0.31%

LAB 49.13, -4.35, 48.76

 

CMYK 0 / 9 / 70 / 42

HEX #95872C

RGB 149 135 44

HSL 52, 0.54%, 0.38%

LAB 55.99, -5.58, 48.6

 

CMYK 0 / 8 / 62 / 35

HEX #A6993F

RGB 166 153 63

HSL 52.43, 0.45%, 0.45%

LAB 62.72, -6.55, 47.77

 

CMYK 0 / 7 / 55 / 28

HEX #B7AB52

RGB 183 171 82

HSL 52.87, 0.41%, 0.52%

LAB 69.33, -7.33, 46.68

 

CMYK 0 / 5 / 50 / 22

HEX #C8BD65

RGB 200 189 101

HSL 53.33, 0.47%, 0.59%

LAB 75.83, -7.97, 45.5

 

CMYK 0 / 8 / 76 / 50

HEX #7F751E

RGB 127 117 30

HSL 53.81, 0.62%, 0.31%

LAB 48.67, -6.48, 46.35

 

CMYK 0 / 10 / 90 / 57

HEX #6E630B

RGB 110 99 11

HSL 53.33, 0.82%, 0.24%

LAB 41.63, -5.1, 45.67

 

CMYK 0 / 13 / 100 / 64

HEX #5D5100

RGB 93 81 0

HSL 52.26, 1%, 0.18%

LAB 34.42, -3.29, 42.52

 

CMYK 0 / 17 / 100 / 70

HEX #4C3F00

RGB 76 63 0

HSL 49.74, 1%, 0.15%

LAB 26.99, -1.04, 36.07

 

CMYK 0 / 24 / 100 / 77

HEX #3B2D00

RGB 59 45 0

HSL 45.76, 1%, 0.12%

LAB 19.25, 1.4, 27.51

 

CMYK 0 / 9 / 77 / 50

HEX #80751E

RGB 128 117 30

HSL 53.27, 0.62%, 0.31%

LAB 48.77, -6.01, 46.47

 

CMYK 0 / 29 / 77 / 50

HEX #805B1E

RGB 128 91 30

HSL 37.35, 0.62%, 0.31%

LAB 41.48, 9.06, 39.39

 

CMYK 0 / 49 / 77 / 50

HEX #80411E

RGB 128 65 30

HSL 21.43, 0.62%, 0.31%

LAB 34.93, 24.33, 32.68

 

CMYK 0 / 70 / 77 / 50

HEX #80261E

RGB 128 38 30

HSL 4.9, 0.62%, 0.31%

LAB 29.59, 38.2, 26.89

 

CMYK 0 / 77 / 77 / 50

HEX #801E1E

RGB 128 30 30

HSL 0, 0.62%, 0.31%

LAB 28.41, 41.43, 25.57

 

CMYK 0 / 9 / 77 / 50

HEX #80751E

RGB 128 117 30

HSL 53.27, 0.62%, 0.31%

LAB 48.77, -6.01, 46.47

 

CMYK 13 / 0 / 77 / 50

HEX #6F801E

RGB 111 128 30

HSL 70.41, 0.62%, 0.31%

LAB 50.58, -19.78, 47.69

 

CMYK 34 / 0 / 77 / 50

HEX #55801E

RGB 85 128 30

HSL 86.33, 0.62%, 0.31%

LAB 48.84, -30.75, 45.4

 

CMYK 55 / 0 / 77 / 50

HEX #3A801E

RGB 58 128 30

HSL 102.86, 0.62%, 0.31%

LAB 47.54, -40.22, 43.68

 

CMYK 75 / 0 / 77 / 50

HEX #20801E

RGB 32 128 30

HSL 118.78, 0.62%, 0.31%

LAB 46.76, -46.5, 42.65

 

CMYK 0 / 9 / 77 / 50

HEX #80751E

RGB 128 117 30

HSL 53.27, 0.62%, 0.31%

LAB 48.77, -6.01, 46.47

 

CMYK 0 / 9 / 88 / 45

HEX #8C8011

RGB 140 128 17

HSL 54.15, 0.78%, 0.31%

LAB 53.01, -6.98, 54.72

 

CMYK 0 / 10 / 97 / 40

HEX #998A04

RGB 153 138 4

HSL 53.96, 0.95%, 0.31%

LAB 57.03, -6.66, 60.79

 

CMYK 0 / 9 / 77 / 50

HEX #80751E

RGB 128 117 30

HSL 53.27, 0.62%, 0.31%

LAB 48.77, -6.01, 46.47

 

CMYK 0 / 7 / 63 / 55

HEX #736B2A

RGB 115 107 42

HSL 53.42, 0.46%, 0.31%

LAB 44.7, -5.71, 36.63

 

CMYK 0 / 5 / 46 / 60

HEX #666137

RGB 102 97 55

HSL 53.62, 0.3%, 0.31%

LAB 40.65, -4.72, 24.6

 

CMYK 0 / 2 / 24 / 65

HEX #595744

RGB 89 87 68

HSL 54.29, 0.13%, 0.31%

LAB 36.66, -2.78, 11.36

 

CMYK 6 / 5 / 0 / 68

HEX #4C4D51

RGB 76 77 81

HSL 228, 0.03%, 0.31%

LAB 32.78, 0.49, -2.51

 

CMYK 0 / 50 / 77 / 50

HEX #80401E

RGB 128 64 30

HSL 20.82, 0.62%, 0.31%

LAB 34.7, 24.9, 32.44

 

CMYK 0 / 30 / 77 / 50

HEX #805A1E

RGB 128 90 30

HSL 36.73, 0.62%, 0.31%

LAB 41.21, 9.65, 39.12

 

CMYK 0 / 9 / 77 / 50

HEX #80741E

RGB 128 116 30

HSL 52.65, 0.62%, 0.31%

LAB 48.48, -5.45, 46.2

 

CMYK 12 / 0 / 77 / 50

HEX #71801E

RGB 113 128 30

HSL 69.18, 0.62%, 0.31%

LAB 50.74, -18.89, 47.89

 

CMYK 32 / 0 / 77 / 50

HEX #57801E

RGB 87 128 30

HSL 85.1, 0.62%, 0.31%

LAB 48.96, -29.96, 45.56

 

CMYK 0 / 8 / 77 / 76

HEX #3D380E

RGB 61 56 14

HSL 53.62, 0.63%, 0.15%

LAB 23.18, -3.83, 25.96

 

CMYK 0 / 7 / 77 / 63

HEX #5E5716

RGB 94 87 22

HSL 54.17, 0.62%, 0.23%

LAB 36.47, -5.5, 36.7

 

CMYK 0 / 9 / 77 / 50

HEX #80751E

RGB 128 117 30

HSL 53.27, 0.62%, 0.31%

LAB 48.77, -6.01, 46.47

 

CMYK 0 / 8 / 77 / 37

HEX #A19425

RGB 161 148 37

HSL 53.71, 0.63%, 0.39%

LAB 60.68, -7.54, 56.21

 

CMYK 0 / 8 / 77 / 24

HEX #C2B32D

RGB 194 179 45

HSL 53.96, 0.62%, 0.47%

LAB 72.16, -8.96, 65.18

 

CMYK 0 / 8 / 76 / 50

HEX #7F751E

RGB 127 117 30

HSL 53.81, 0.62%, 0.31%

LAB 48.67, -6.48, 46.35

 

CMYK 77 / 0 / 70 / 50

HEX #1E8026

RGB 30 128 38

HSL 124.9, 0.62%, 0.31%

LAB 46.78, -46.11, 39.4

 

CMYK 40 / 77 / 0 / 50

HEX #4D1E80

RGB 77 30 128

HSL 268.78, 0.62%, 0.31%

LAB 23.88, 41.79, -46.45

 

CMYK 0 / 8 / 76 / 50

HEX #7F751E

RGB 127 117 30

HSL 53.81, 0.62%, 0.31%

LAB 48.67, -6.48, 46.35

 

CMYK 77 / 0 / 9 / 50

HEX #1E8074

RGB 30 128 116

HSL 172.65, 0.62%, 0.31%

LAB 48.23, -30.22, -1.41

 

CMYK 9 / 77 / 0 / 50

HEX #741E80

RGB 116 30 128

HSL 292.65, 0.62%, 0.31%

LAB 29.91, 49.86, -36.41

 

CMYK 0 / 8 / 76 / 50

HEX #7F751E

RGB 127 117 30

HSL 53.81, 0.62%, 0.31%

LAB 48.67, -6.48, 46.35

 

CMYK 77 / 0 / 70 / 50

HEX #1E8026

RGB 30 128 38

HSL 124.9, 0.62%, 0.31%

LAB 46.78, -46.11, 39.4

 

CMYK 77 / 68 / 0 / 50

HEX #1E2980

RGB 30 41 128

HSL 233.27, 0.62%, 0.31%

LAB 21.65, 27.81, -50.28

 

CMYK 0 / 77 / 7 / 50

HEX #801E77

RGB 128 30 119

HSL 305.51, 0.62%, 0.31%

LAB 31.46, 51.01, -28.15

 

CMYK 0 / 8 / 76 / 50

HEX #7F751E

RGB 127 117 30

HSL 53.81, 0.62%, 0.31%

LAB 48.67, -6.48, 46.35

 

CMYK 77 / 0 / 48 / 50

HEX #1E8043

RGB 30 128 67

HSL 142.65, 0.62%, 0.31%

LAB 47.13, -41.98, 25.31

 

CMYK 77 / 68 / 0 / 50

HEX #1E2980

RGB 30 41 128

HSL 233.27, 0.62%, 0.31%

LAB 21.65, 27.81, -50.28

 

CMYK 0 / 77 / 30 / 50

HEX #801E5A

RGB 128 30 90

HSL 323.27, 0.62%, 0.31%

LAB 30.05, 46.73, -11.7

 

Description

Color code: HEX #7F751E | qconv.com Color code: HEX #7F751E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 117 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 117 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 76 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 76% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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