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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F7127 it is the complementary color #808ED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F7127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F7127 shade: #847122, #958335, #A69548, #B7A75B and #C8B96E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F7127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F7127 shade: #7F7127, #6E5F14, #5D4D01, #4C3B00 and #3B2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F7127 shade: #817328, #815A28, #814228, #812A28 and #812828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F7127 shade: #817328, #778128, #5F8128, #478128 and #2F8128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F7127 shade matches the following richer shades: #817328, #8E7C1A and #9C850C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F7127 shade: #817328, #736935, #666043, #585750 and #4A4D5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F7127 shade: #814228, #815A28, #817228, #788128 and #608128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F7127 shade: #423A14, #61561E, #817328, #A08F31 and #C0AB3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F7127 shade: #7F7127, #28812B and #4E2881

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F7127 shade: #7F7127, #288172 and #722881

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F7127 shade: #7F7127, #28812B, #283681 and #81287E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F7127 shade: #7F7127, #288145, #283681 and #812863

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 69 / 50

HEX #7F7127

RGB 127 113 39

HSL 50.45, 0.53%, 0.33%

LAB 47.58, -3.72, 41.48

 

Complementary color

CMYK 41 / 34 / 0 / 15

HEX #808ED8

RGB 128 142 216

HSL 230.45, 0.53%, 0.67%

LAB 60.69, 13.51, -39.49

 

CMYK 0 / 14 / 74 / 48

HEX #847122

RGB 132 113 34

HSL 48.37, 0.59%, 0.33%

LAB 48.05, -1.67, 44.31

 

CMYK 0 / 12 / 64 / 42

HEX #958335

RGB 149 131 53

HSL 48.75, 0.48%, 0.4%

LAB 54.95, -2.8, 43.49

 

CMYK 0 / 10 / 57 / 35

HEX #A69548

RGB 166 149 72

HSL 49.15, 0.39%, 0.47%

LAB 61.71, -3.7, 42.34

 

CMYK 0 / 9 / 50 / 28

HEX #B7A75B

RGB 183 167 91

HSL 49.57, 0.39%, 0.54%

LAB 68.36, -4.43, 41.1

 

CMYK 0 / 8 / 45 / 22

HEX #C8B96E

RGB 200 185 110

HSL 50, 0.45%, 0.61%

LAB 74.89, -5.03, 39.85

 

CMYK 0 / 11 / 69 / 50

HEX #7F7127

RGB 127 113 39

HSL 50.45, 0.53%, 0.33%

LAB 47.58, -3.72, 41.48

 

CMYK 0 / 14 / 82 / 57

HEX #6E5F14

RGB 110 95 20

HSL 50, 0.69%, 0.25%

LAB 40.49, -2.46, 41.87

 

CMYK 0 / 17 / 99 / 64

HEX #5D4D01

RGB 93 77 1

HSL 49.57, 0.98%, 0.18%

LAB 33.22, -0.83, 41.3

 

CMYK 0 / 22 / 100 / 70

HEX #4C3B00

RGB 76 59 0

HSL 46.58, 1%, 0.15%

LAB 25.76, 1.49, 34.96

 

CMYK 0 / 31 / 100 / 77

HEX #3B2900

RGB 59 41 0

HSL 41.69, 1%, 0.12%

LAB 17.99, 4.08, 26.03

 

CMYK 0 / 11 / 69 / 49

HEX #817328

RGB 129 115 40

HSL 50.56, 0.53%, 0.33%

LAB 48.36, -3.86, 41.9

 

CMYK 0 / 30 / 69 / 49

HEX #815A28

RGB 129 90 40

HSL 33.71, 0.53%, 0.33%

LAB 41.43, 10.7, 34.47

 

CMYK 0 / 49 / 69 / 49

HEX #814228

RGB 129 66 40

HSL 17.53, 0.53%, 0.33%

LAB 35.43, 24.77, 27.67

 

CMYK 0 / 67 / 69 / 49

HEX #812A28

RGB 129 42 40

HSL 1.35, 0.53%, 0.33%

LAB 30.58, 37.31, 21.88

 

CMYK 0 / 69 / 69 / 49

HEX #812828

RGB 129 40 40

HSL 0, 0.53%, 0.33%

LAB 30.25, 38.22, 21.47

 

CMYK 0 / 11 / 69 / 49

HEX #817328

RGB 129 115 40

HSL 50.56, 0.53%, 0.33%

LAB 48.36, -3.86, 41.9

 

CMYK 8 / 0 / 69 / 49

HEX #778128

RGB 119 129 40

HSL 66.74, 0.53%, 0.33%

LAB 51.58, -16.14, 44.95

 

CMYK 26 / 0 / 69 / 49

HEX #5F8128

RGB 95 129 40

HSL 82.92, 0.53%, 0.33%

LAB 49.84, -26.5, 42.6

 

CMYK 45 / 0 / 69 / 49

HEX #478128

RGB 71 129 40

HSL 99.1, 0.53%, 0.33%

LAB 48.5, -35.62, 40.78

 

CMYK 64 / 0 / 69 / 49

HEX #2F8128

RGB 47 129 40

HSL 115.28, 0.53%, 0.33%

LAB 47.57, -42.74, 39.5

 

CMYK 0 / 11 / 69 / 49

HEX #817328

RGB 129 115 40

HSL 50.56, 0.53%, 0.33%

LAB 48.36, -3.86, 41.9

 

CMYK 0 / 13 / 82 / 44

HEX #8E7C1A

RGB 142 124 26

HSL 50.69, 0.69%, 0.33%

LAB 52.11, -3.55, 51.46

 

CMYK 0 / 15 / 92 / 39

HEX #9C850C

RGB 156 133 12

HSL 50.42, 0.86%, 0.33%

LAB 55.96, -2.4, 58.78

 

CMYK 0 / 11 / 69 / 49

HEX #817328

RGB 129 115 40

HSL 50.56, 0.53%, 0.33%

LAB 48.36, -3.86, 41.9

 

CMYK 0 / 9 / 54 / 55

HEX #736935

RGB 115 105 53

HSL 50.32, 0.37%, 0.33%

LAB 44.24, -3.61, 30.39

 

CMYK 0 / 6 / 34 / 60

HEX #666043

RGB 102 96 67

HSL 49.71, 0.21%, 0.33%

LAB 40.57, -2.58, 17.46

 

CMYK 0 / 1 / 9 / 65

HEX #585750

RGB 88 87 80

HSL 52.5, 0.05%, 0.33%

LAB 36.87, -1.02, 4.21

 

CMYK 21 / 18 / 0 / 63

HEX #4A4D5E

RGB 74 77 94

HSL 231, 0.12%, 0.33%

LAB 33.07, 2.91, -10.35

 

CMYK 0 / 49 / 69 / 49

HEX #814228

RGB 129 66 40

HSL 17.53, 0.53%, 0.33%

LAB 35.43, 24.77, 27.67

 

CMYK 0 / 30 / 69 / 49

HEX #815A28

RGB 129 90 40

HSL 33.71, 0.53%, 0.33%

LAB 41.43, 10.7, 34.47

 

CMYK 0 / 12 / 69 / 49

HEX #817228

RGB 129 114 40

HSL 49.89, 0.53%, 0.33%

LAB 48.08, -3.3, 41.61

 

CMYK 7 / 0 / 69 / 49

HEX #788128

RGB 120 129 40

HSL 66.07, 0.53%, 0.33%

LAB 51.66, -15.7, 45.06

 

CMYK 26 / 0 / 69 / 49

HEX #608128

RGB 96 129 40

HSL 82.25, 0.53%, 0.33%

LAB 49.91, -26.09, 42.69

 

CMYK 0 / 12 / 70 / 74

HEX #423A14

RGB 66 58 20

HSL 49.57, 0.53%, 0.17%

LAB 24.43, -2.03, 24.3

 

CMYK 0 / 11 / 69 / 62

HEX #61561E

RGB 97 86 30

HSL 50.15, 0.53%, 0.25%

LAB 36.54, -2.93, 33.18

 

CMYK 0 / 11 / 69 / 49

HEX #817328

RGB 129 115 40

HSL 50.56, 0.53%, 0.33%

LAB 48.36, -3.86, 41.9

 

CMYK 0 / 11 / 69 / 37

HEX #A08F31

RGB 160 143 49

HSL 50.81, 0.53%, 0.41%

LAB 59.29, -4.7, 50.18

 

CMYK 0 / 11 / 69 / 25

HEX #C0AB3B

RGB 192 171 59

HSL 50.53, 0.53%, 0.49%

LAB 69.93, -5, 57.83

 

CMYK 0 / 11 / 69 / 50

HEX #7F7127

RGB 127 113 39

HSL 50.45, 0.53%, 0.33%

LAB 47.58, -3.72, 41.48

 

CMYK 69 / 0 / 67 / 49

HEX #28812B

RGB 40 129 43

HSL 122.02, 0.53%, 0.33%

LAB 47.4, -44.02, 37.91

 

CMYK 40 / 69 / 0 / 49

HEX #4E2881

RGB 78 40 129

HSL 265.62, 0.53%, 0.33%

LAB 25.93, 37.14, -43.75

 

CMYK 0 / 11 / 69 / 50

HEX #7F7127

RGB 127 113 39

HSL 50.45, 0.53%, 0.33%

LAB 47.58, -3.72, 41.48

 

CMYK 69 / 0 / 12 / 49

HEX #288172

RGB 40 129 114

HSL 169.89, 0.53%, 0.33%

LAB 48.72, -29.79, 0.51

 

CMYK 12 / 69 / 0 / 49

HEX #722881

RGB 114 40 129

HSL 289.89, 0.53%, 0.33%

LAB 31.07, 45.57, -35.21

 

CMYK 0 / 11 / 69 / 50

HEX #7F7127

RGB 127 113 39

HSL 50.45, 0.53%, 0.33%

LAB 47.58, -3.72, 41.48

 

CMYK 69 / 0 / 67 / 49

HEX #28812B

RGB 40 129 43

HSL 122.02, 0.53%, 0.33%

LAB 47.4, -44.02, 37.91

 

CMYK 69 / 58 / 0 / 49

HEX #283681

RGB 40 54 129

HSL 230.56, 0.53%, 0.33%

LAB 25.79, 20.69, -44.14

 

CMYK 0 / 69 / 2 / 49

HEX #81287E

RGB 129 40 126

HSL 302.02, 0.53%, 0.33%

LAB 33.33, 48.74, -29.59

 

CMYK 0 / 11 / 69 / 50

HEX #7F7127

RGB 127 113 39

HSL 50.45, 0.53%, 0.33%

LAB 47.58, -3.72, 41.48

 

CMYK 69 / 0 / 47 / 49

HEX #288145

RGB 40 129 69

HSL 139.55, 0.53%, 0.33%

LAB 47.73, -40.24, 25.03

 

CMYK 69 / 58 / 0 / 49

HEX #283681

RGB 40 54 129

HSL 230.56, 0.53%, 0.33%

LAB 25.79, 20.69, -44.14

 

CMYK 0 / 69 / 23 / 49

HEX #812863

RGB 129 40 99

HSL 320.22, 0.53%, 0.33%

LAB 32, 44.38, -14.54

 

Description

Color code: HEX #7F7127 | qconv.com Color code: HEX #7F7127 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 113 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 113 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 69 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 69% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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