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Color name
HEX #7F5E4C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5E4C it is the complementary color #80A1B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5E4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5E4C shade: #845E47, #95705A, #A6826D, #B79480 and #C8A693

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5E4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5E4C shade: #7F5E4C, #6E4C39, #5D3A26, #4C2813 and #3B1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5E4C shade: #805F4D, #80514D and #804D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5E4C shade: #805F4D, #806C4D, #807A4D, #77804D and #69804D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5E4C shade matches the following richer shades: #805F4D, #905A3C, #A1552B, #B1501B and #C24B0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5E4C shade: #805F4D, #6F635D, #5E686E, #4E6D7E and #3D728F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5E4C shade: #804D56, #80514D, #805E4D, #806C4D and #807A4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5E4C shade: #4C382E, #664B3D, #805F4D, #99725C and #AB8773

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5E4C shade: #7F5E4C, #63804D and #4D4F80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5E4C shade: #7F5E4C, #4D805E and #5E4D80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5E4C shade: #7F5E4C, #63804D, #4D6E80 and #694D80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5E4C shade: #7F5E4C, #54804D, #4D6E80 and #784D80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

Complementary color

CMYK 28 / 10 / 0 / 30

HEX #80A1B3

RGB 128 161 179

HSL 201.18, 0.25%, 0.6%

LAB 64.43, -7.07, -13.02

 

CMYK 0 / 29 / 46 / 48

HEX #845E47

RGB 132 94 71

HSL 22.62, 0.3%, 0.4%

LAB 43.31, 12.47, 19.31

 

CMYK 0 / 25 / 40 / 42

HEX #95705A

RGB 149 112 90

HSL 22.37, 0.25%, 0.47%

LAB 50.35, 11.56, 17.91

 

CMYK 0 / 22 / 34 / 35

HEX #A6826D

RGB 166 130 109

HSL 22.11, 0.24%, 0.54%

LAB 57.25, 10.79, 16.66

 

CMYK 0 / 19 / 30 / 28

HEX #B79480

RGB 183 148 128

HSL 21.82, 0.28%, 0.61%

LAB 64, 10.15, 15.53

 

CMYK 0 / 17 / 27 / 22

HEX #C8A693

RGB 200 166 147

HSL 21.51, 0.33%, 0.68%

LAB 70.63, 9.58, 14.5

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 0 / 31 / 48 / 57

HEX #6E4C39

RGB 110 76 57

HSL 21.51, 0.32%, 0.33%

LAB 35.56, 11.86, 17.02

 

CMYK 0 / 38 / 59 / 64

HEX #5D3A26

RGB 93 58 38

HSL 21.82, 0.42%, 0.26%

LAB 28.1, 13.1, 18.75

 

CMYK 0 / 47 / 75 / 70

HEX #4C2813

RGB 76 40 19

HSL 22.11, 0.6%, 0.19%

LAB 20.44, 14.73, 20.79

 

CMYK 0 / 63 / 100 / 77

HEX #3B1600

RGB 59 22 0

HSL 22.37, 1%, 0.12%

LAB 12.63, 16.68, 19.2

 

CMYK 0 / 26 / 40 / 50

HEX #805F4D

RGB 128 95 77

HSL 21.18, 0.25%, 0.4%

LAB 43.23, 10.86, 15.53

 

CMYK 0 / 37 / 40 / 50

HEX #80514D

RGB 128 81 77

HSL 4.71, 0.25%, 0.4%

LAB 39.6, 19.18, 10.54

 

CMYK 0 / 40 / 40 / 50

HEX #804D4D

RGB 128 77 77

HSL 0, 0.25%, 0.4%

LAB 38.61, 21.54, 9.16

 

CMYK 0 / 26 / 40 / 50

HEX #805F4D

RGB 128 95 77

HSL 21.18, 0.25%, 0.4%

LAB 43.23, 10.86, 15.53

 

CMYK 0 / 16 / 40 / 50

HEX #806C4D

RGB 128 108 77

HSL 36.47, 0.25%, 0.4%

LAB 46.78, 3.19, 20.29

 

CMYK 0 / 5 / 40 / 50

HEX #807A4D

RGB 128 122 77

HSL 52.94, 0.25%, 0.4%

LAB 50.74, -4.85, 25.47

 

CMYK 7 / 0 / 40 / 50

HEX #77804D

RGB 119 128 77

HSL 70.59, 0.25%, 0.4%

LAB 51.72, -12.04, 26.57

 

CMYK 18 / 0 / 40 / 50

HEX #69804D

RGB 105 128 77

HSL 87.06, 0.25%, 0.4%

LAB 50.66, -17.83, 25

 

CMYK 0 / 26 / 40 / 50

HEX #805F4D

RGB 128 95 77

HSL 21.18, 0.25%, 0.4%

LAB 43.23, 10.86, 15.53

 

CMYK 0 / 38 / 58 / 44

HEX #905A3C

RGB 144 90 60

HSL 21.43, 0.41%, 0.4%

LAB 43.61, 19, 26.44

 

CMYK 0 / 47 / 73 / 37

HEX #A1552B

RGB 161 85 43

HSL 21.36, 0.58%, 0.4%

LAB 44.59, 28, 37.61

 

CMYK 0 / 55 / 85 / 31

HEX #B1501B

RGB 177 80 27

HSL 21.2, 0.74%, 0.4%

LAB 45.86, 36.59, 47.29

 

CMYK 0 / 61 / 95 / 24

HEX #C24B0A

RGB 194 75 10

HSL 21.2, 0.9%, 0.4%

LAB 47.65, 45.21, 55.54

 

CMYK 0 / 26 / 40 / 50

HEX #805F4D

RGB 128 95 77

HSL 21.18, 0.25%, 0.4%

LAB 43.23, 10.86, 15.53

 

CMYK 0 / 11 / 16 / 56

HEX #6F635D

RGB 111 99 93

HSL 20, 0.09%, 0.4%

LAB 42.9, 3.67, 5.14

 

CMYK 15 / 5 / 0 / 57

HEX #5E686E

RGB 94 104 110

HSL 202.5, 0.08%, 0.4%

LAB 43.37, -2.44, -4.67

 

CMYK 38 / 13 / 0 / 51

HEX #4E6D7E

RGB 78 109 126

HSL 201.25, 0.24%, 0.4%

LAB 44.32, -6.59, -13

 

CMYK 57 / 20 / 0 / 44

HEX #3D728F

RGB 61 114 143

HSL 201.22, 0.4%, 0.4%

LAB 45.65, -8.77, -21.2

 

CMYK 0 / 40 / 33 / 50

HEX #804D56

RGB 128 77 86

HSL 349.41, 0.25%, 0.4%

LAB 38.84, 22.76, 3.89

 

CMYK 0 / 37 / 40 / 50

HEX #80514D

RGB 128 81 77

HSL 4.71, 0.25%, 0.4%

LAB 39.6, 19.18, 10.54

 

CMYK 0 / 27 / 40 / 50

HEX #805E4D

RGB 128 94 77

HSL 20, 0.25%, 0.4%

LAB 42.96, 11.45, 15.17

 

CMYK 0 / 16 / 40 / 50

HEX #806C4D

RGB 128 108 77

HSL 36.47, 0.25%, 0.4%

LAB 46.78, 3.19, 20.29

 

CMYK 0 / 5 / 40 / 50

HEX #807A4D

RGB 128 122 77

HSL 52.94, 0.25%, 0.4%

LAB 50.74, -4.85, 25.47

 

CMYK 0 / 26 / 39 / 70

HEX #4C382E

RGB 76 56 46

HSL 20, 0.25%, 0.24%

LAB 25.45, 7.28, 9.69

 

CMYK 0 / 26 / 40 / 60

HEX #664B3D

RGB 102 75 61

HSL 20.49, 0.25%, 0.32%

LAB 34.38, 9.35, 12.8

 

CMYK 0 / 26 / 40 / 50

HEX #805F4D

RGB 128 95 77

HSL 21.18, 0.25%, 0.4%

LAB 43.23, 10.86, 15.53

 

CMYK 0 / 25 / 40 / 40

HEX #99725C

RGB 153 114 92

HSL 21.64, 0.25%, 0.48%

LAB 51.36, 12.34, 18.18

 

CMYK 0 / 21 / 33 / 33

HEX #AB8773

RGB 171 135 115

HSL 21.43, 0.25%, 0.56%

LAB 59.18, 10.81, 15.99

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 23 / 0 / 40 / 50

HEX #63804D

RGB 99 128 77

HSL 94.12, 0.25%, 0.4%

LAB 50.25, -20.21, 24.38

 

CMYK 40 / 38 / 0 / 50

HEX #4D4F80

RGB 77 79 128

HSL 237.65, 0.25%, 0.4%

LAB 35.46, 12.29, -27.91

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 40 / 0 / 27 / 50

HEX #4D805E

RGB 77 128 94

HSL 140, 0.25%, 0.4%

LAB 49.28, -25.1, 13.18

 

CMYK 27 / 40 / 0 / 50

HEX #5E4D80

RGB 94 77 128

HSL 260, 0.25%, 0.4%

LAB 36.45, 18.79, -26.24

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 23 / 0 / 40 / 50

HEX #63804D

RGB 99 128 77

HSL 94.12, 0.25%, 0.4%

LAB 50.25, -20.21, 24.38

 

CMYK 40 / 14 / 0 / 50

HEX #4D6E80

RGB 77 110 128

HSL 201.18, 0.25%, 0.4%

LAB 44.64, -6.9, -13.72

 

CMYK 18 / 40 / 0 / 50

HEX #694D80

RGB 105 77 128

HSL 272.94, 0.25%, 0.4%

LAB 37.61, 22.36, -24.35

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 34 / 0 / 40 / 50

HEX #54804D

RGB 84 128 77

HSL 111.76, 0.25%, 0.4%

LAB 49.32, -25.85, 23

 

CMYK 40 / 14 / 0 / 50

HEX #4D6E80

RGB 77 110 128

HSL 201.18, 0.25%, 0.4%

LAB 44.64, -6.9, -13.72

 

CMYK 6 / 40 / 0 / 50

HEX #784D80

RGB 120 77 128

HSL 290.59, 0.25%, 0.4%

LAB 39.34, 27.36, -21.52

 

Description

Color code: HEX #7F5E4C | qconv.com Color code: HEX #7F5E4C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 94 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 94 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 40 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 40% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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