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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5C39 it is the complementary color #80A3C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5C39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5C39 shade: #845C34, #956E47, #A6805A, #B7926D and #C8A480

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5C39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5C39 shade: #7F5C39, #6E4A26, #5D3813, #4C2600 and #3B1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5C39 shade: #7F5C39, #7F4939 and #7F3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5C39 shade: #7F5C39, #7F6F39, #7C7F39, #697F39 and #567F39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5C39 shade matches the following richer shades: #7F5C39, #8E5C2A, #9C5C1B and #AB5C0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5C39 shade: #7F5C39, #705C48, #615C57, #525C65 and #435C74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5C39 shade: #7F393B, #7F4939, #7F5C39, #7F6E39 and #7C7F39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5C39 shade: #46331F, #62472C, #7F5C39, #9B7046 and #B38557

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5C39 shade: #7F5C39, #4E7F39 and #40397F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5C39 shade: #7F5C39, #397F5C and #5C397F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5C39 shade: #7F5C39, #4E7F39, #395C7F and #6A397F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5C39 shade: #7F5C39, #397F39, #395C7F and #7F397F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

Complementary color

CMYK 35 / 18 / 0 / 22

HEX #80A3C6

RGB 128 163 198

HSL 210, 0.38%, 0.64%

LAB 65.64, -3.37, -21.79

 

CMYK 0 / 30 / 61 / 48

HEX #845C34

RGB 132 92 52

HSL 30, 0.43%, 0.36%

LAB 42.47, 11.79, 29.27

 

CMYK 0 / 26 / 52 / 42

HEX #956E47

RGB 149 110 71

HSL 30, 0.35%, 0.43%

LAB 49.49, 10.61, 27.68

 

CMYK 0 / 23 / 46 / 35

HEX #A6805A

RGB 166 128 90

HSL 30, 0.3%, 0.5%

LAB 56.37, 9.65, 26.23

 

CMYK 0 / 20 / 40 / 28

HEX #B7926D

RGB 183 146 109

HSL 30, 0.34%, 0.57%

LAB 63.12, 8.85, 24.89

 

CMYK 0 / 18 / 36 / 22

HEX #C8A480

RGB 200 164 128

HSL 30, 0.4%, 0.64%

LAB 69.75, 8.17, 23.67

 

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

CMYK 0 / 33 / 65 / 57

HEX #6E4A26

RGB 110 74 38

HSL 30, 0.49%, 0.29%

LAB 34.71, 11.25, 27.29

 

CMYK 0 / 40 / 80 / 64

HEX #5D3813

RGB 93 56 19

HSL 30, 0.66%, 0.22%

LAB 27.3, 12.94, 28.93

 

CMYK 0 / 50 / 100 / 70

HEX #4C2600

RGB 76 38 0

HSL 30, 1%, 0.15%

LAB 19.73, 15.04, 28.72

 

CMYK 0 / 66 / 100 / 77

HEX #3B1400

RGB 59 20 0

HSL 20.34, 1%, 0.12%

LAB 12.16, 17.9, 18.56

 

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

CMYK 0 / 43 / 55 / 50

HEX #7F4939

RGB 127 73 57

HSL 13.71, 0.38%, 0.36%

LAB 37.06, 21.22, 19.43

 

CMYK 0 / 55 / 55 / 50

HEX #7F3939

RGB 127 57 57

HSL 0, 0.38%, 0.36%

LAB 33.42, 30.3, 14.63

 

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

CMYK 0 / 13 / 55 / 50

HEX #7F6F39

RGB 127 111 57

HSL 46.29, 0.38%, 0.36%

LAB 47.2, -1.18, 32.06

 

CMYK 2 / 0 / 55 / 50

HEX #7C7F39

RGB 124 127 57

HSL 62.57, 0.38%, 0.36%

LAB 51.56, -11.51, 37.11

 

CMYK 17 / 0 / 55 / 50

HEX #697F39

RGB 105 127 57

HSL 78.86, 0.38%, 0.36%

LAB 50.07, -19.76, 34.99

 

CMYK 32 / 0 / 55 / 50

HEX #567F39

RGB 86 127 57

HSL 95.14, 0.38%, 0.36%

LAB 48.83, -27.44, 33.21

 

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

CMYK 0 / 35 / 70 / 44

HEX #8E5C2A

RGB 142 92 42

HSL 30, 0.54%, 0.36%

LAB 43.61, 15.63, 36.3

 

CMYK 0 / 41 / 83 / 39

HEX #9C5C1B

RGB 156 92 27

HSL 30.23, 0.7%, 0.36%

LAB 45.36, 21.23, 45.66

 

CMYK 0 / 46 / 93 / 33

HEX #AB5C0C

RGB 171 92 12

HSL 30.19, 0.87%, 0.36%

LAB 47.42, 27.42, 53.17

 

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

CMYK 0 / 18 / 36 / 56

HEX #705C48

RGB 112 92 72

HSL 30, 0.22%, 0.36%

LAB 40.52, 4.96, 14.57

 

CMYK 0 / 5 / 10 / 62

HEX #615C57

RGB 97 92 87

HSL 30, 0.05%, 0.36%

LAB 39.38, 1.01, 3.58

 

CMYK 19 / 9 / 0 / 60

HEX #525C65

RGB 82 92 101

HSL 208.42, 0.1%, 0.36%

LAB 38.53, -1.74, -6.47

 

CMYK 42 / 21 / 0 / 55

HEX #435C74

RGB 67 92 116

HSL 209.39, 0.27%, 0.36%

LAB 38.04, -2.56, -16.57

 

CMYK 0 / 55 / 54 / 50

HEX #7F393B

RGB 127 57 59

HSL 358.29, 0.38%, 0.36%

LAB 33.47, 30.49, 13.41

 

CMYK 0 / 43 / 55 / 50

HEX #7F4939

RGB 127 73 57

HSL 13.71, 0.38%, 0.36%

LAB 37.06, 21.22, 19.43

 

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

CMYK 0 / 13 / 55 / 50

HEX #7F6E39

RGB 127 110 57

HSL 45.43, 0.38%, 0.36%

LAB 46.92, -0.61, 31.72

 

CMYK 2 / 0 / 55 / 50

HEX #7C7F39

RGB 124 127 57

HSL 62.57, 0.38%, 0.36%

LAB 51.56, -11.51, 37.11

 

CMYK 0 / 27 / 56 / 73

HEX #46331F

RGB 70 51 31

HSL 30.77, 0.39%, 0.2%

LAB 22.89, 5.66, 15.96

 

CMYK 0 / 28 / 55 / 62

HEX #62472C

RGB 98 71 44

HSL 30, 0.38%, 0.28%

LAB 32.45, 7.94, 20.67

 

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

CMYK 0 / 28 / 55 / 39

HEX #9B7046

RGB 155 112 70

HSL 29.65, 0.38%, 0.44%

LAB 50.69, 12.01, 29.88

 

CMYK 0 / 26 / 51 / 30

HEX #B38557

RGB 179 133 87

HSL 30, 0.38%, 0.52%

LAB 59.02, 12.08, 31.56

 

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

CMYK 39 / 0 / 55 / 50

HEX #4E7F39

RGB 78 127 57

HSL 102, 0.38%, 0.36%

LAB 48.38, -30.41, 32.57

 

CMYK 50 / 55 / 0 / 50

HEX #40397F

RGB 64 57 127

HSL 246, 0.38%, 0.36%

LAB 28.24, 22.88, -38.83

 

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

CMYK 55 / 0 / 28 / 50

HEX #397F5C

RGB 57 127 92

HSL 150, 0.38%, 0.36%

LAB 48.03, -30.82, 12.48

 

CMYK 28 / 55 / 0 / 50

HEX #5C397F

RGB 92 57 127

HSL 270, 0.38%, 0.36%

LAB 31.19, 30.3, -33.94

 

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

CMYK 39 / 0 / 55 / 50

HEX #4E7F39

RGB 78 127 57

HSL 102, 0.38%, 0.36%

LAB 48.38, -30.41, 32.57

 

CMYK 55 / 28 / 0 / 50

HEX #395C7F

RGB 57 92 127

HSL 210, 0.38%, 0.36%

LAB 37.94, -1.74, -23.51

 

CMYK 17 / 55 / 0 / 50

HEX #6A397F

RGB 106 57 127

HSL 282, 0.38%, 0.36%

LAB 32.97, 34.33, -31.01

 

CMYK 0 / 28 / 55 / 50

HEX #7F5C39

RGB 127 92 57

HSL 30, 0.38%, 0.36%

LAB 41.94, 9.95, 25.63

 

CMYK 55 / 0 / 55 / 50

HEX #397F39

RGB 57 127 57

HSL 120, 0.38%, 0.36%

LAB 47.42, -37.21, 31.19

 

CMYK 55 / 28 / 0 / 50

HEX #395C7F

RGB 57 92 127

HSL 210, 0.38%, 0.36%

LAB 37.94, -1.74, -23.51

 

CMYK 0 / 55 / 0 / 50

HEX #7F397F

RGB 127 57 127

HSL 300, 0.38%, 0.36%

LAB 35.93, 40.52, -26.15

 

Description

Color code: HEX #7F5C39 | qconv.com Color code: HEX #7F5C39 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 92 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 92 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 55 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 55% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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