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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5BC9 it is the complementary color #80A436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5BC9 shade: #845BC4, #956DD7, #A67FEA, #B791FD and #C8A3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5BC9 shade: #7F5BC9, #6E49B6, #5D37A3, #4C2590 and #3B137D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5BC9 shade: #7E5BC8, #9C5BC8, #BA5BC8, #C85BB9 and #C85B9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5BC9 shade: #7E5BC8, #615BC8 and #5B5BC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5BC9 shade matches the following richer shades: #7E5BC8, #7849DA, #7237EC and #6C25FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5BC9 shade: #7E5BC8, #856CB6, #8B7EA5, #919093 and #97A181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5BC9 shade: #5B72C8, #605BC8, #7D5BC8, #9A5BC8 and #B85BC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5BC9 shade: #56349C, #673EBB, #7E5BC8, #9779D2 and #AF98DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5BC9 shade: #7F5BC9, #C85B90 and #64C85B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5BC9 shade: #7F5BC9, #C87D5B and #5BC87D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5BC9 shade: #7F5BC9, #C85B90, #A5C85B and #5BC893

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5BC9 shade: #7F5BC9, #C85B6F, #A5C85B and #5BC8B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 55 / 0 / 21

HEX #7F5BC9

RGB 127 91 201

HSL 259.64, 0.5%, 0.57%

LAB 47.25, 39.11, -52.3

 

Complementary color

CMYK 22 / 0 / 67 / 36

HEX #80A436

RGB 128 164 54

HSL 79.64, 0.5%, 0.43%

LAB 62.85, -29, 50.98

 

CMYK 33 / 54 / 0 / 23

HEX #845BC4

RGB 132 91 196

HSL 263.43, 0.47%, 0.56%

LAB 47.46, 39.03, -49.05

 

CMYK 31 / 49 / 0 / 16

HEX #956DD7

RGB 149 109 215

HSL 262.64, 0.57%, 0.64%

LAB 54.27, 38.02, -48.95

 

CMYK 29 / 46 / 0 / 8

HEX #A67FEA

RGB 166 127 234

HSL 261.87, 0.72%, 0.71%

LAB 60.98, 37.07, -48.84

 

CMYK 28 / 43 / 0 / 1

HEX #B791FD

RGB 183 145 253

HSL 261.11, 0.96%, 0.78%

LAB 67.58, 36.19, -48.76

 

CMYK 22 / 36 / 0 / 0

HEX #C8A3FF

RGB 200 163 255

HSL 264.13, 1%, 0.82%

LAB 73.35, 31.46, -40.7

 

CMYK 37 / 55 / 0 / 21

HEX #7F5BC9

RGB 127 91 201

HSL 259.64, 0.5%, 0.57%

LAB 47.25, 39.11, -52.3

 

CMYK 40 / 60 / 0 / 29

HEX #6E49B6

RGB 110 73 182

HSL 260.37, 0.43%, 0.5%

LAB 40.34, 40.28, -52.45

 

CMYK 43 / 66 / 0 / 36

HEX #5D37A3

RGB 93 55 163

HSL 261.11, 0.5%, 0.43%

LAB 33.36, 41.46, -52.53

 

CMYK 47 / 74 / 0 / 44

HEX #4C2590

RGB 76 37 144

HSL 261.87, 0.59%, 0.35%

LAB 26.37, 42.5, -52.39

 

CMYK 53 / 85 / 0 / 51

HEX #3B137D

RGB 59 19 125

HSL 262.64, 0.74%, 0.28%

LAB 19.54, 42.95, -51.75

 

CMYK 37 / 55 / 0 / 22

HEX #7E5BC8

RGB 126 91 200

HSL 259.27, 0.5%, 0.57%

LAB 47.09, 38.6, -51.99

 

CMYK 22 / 55 / 0 / 22

HEX #9C5BC8

RGB 156 91 200

HSL 275.78, 0.5%, 0.57%

LAB 50.36, 46.18, -46.58

 

CMYK 7 / 55 / 0 / 22

HEX #BA5BC8

RGB 186 91 200

HSL 292.29, 0.5%, 0.57%

LAB 54.12, 54.12, -40.37

 

CMYK 0 / 55 / 8 / 22

HEX #C85BB9

RGB 200 91 185

HSL 308.26, 0.5%, 0.57%

LAB 55.34, 55.31, -29.71

 

CMYK 0 / 55 / 22 / 22

HEX #C85B9C

RGB 200 91 156

HSL 324.22, 0.5%, 0.57%

LAB 54.2, 50.82, -14.6

 

CMYK 37 / 55 / 0 / 22

HEX #7E5BC8

RGB 126 91 200

HSL 259.27, 0.5%, 0.57%

LAB 47.09, 38.6, -51.99

 

CMYK 52 / 55 / 0 / 22

HEX #615BC8

RGB 97 91 200

HSL 243.3, 0.5%, 0.57%

LAB 44.51, 32.03, -56.27

 

CMYK 55 / 55 / 0 / 22

HEX #5B5BC8

RGB 91 91 200

HSL 240, 0.5%, 0.57%

LAB 44.06, 30.81, -57.03

 

CMYK 37 / 55 / 0 / 22

HEX #7E5BC8

RGB 126 91 200

HSL 259.27, 0.5%, 0.57%

LAB 47.09, 38.6, -51.99

 

CMYK 45 / 67 / 0 / 15

HEX #7849DA

RGB 120 73 218

HSL 259.45, 0.66%, 0.57%

LAB 43.97, 52.09, -67.38

 

CMYK 52 / 77 / 0 / 7

HEX #7237EC

RGB 114 55 236

HSL 259.56, 0.83%, 0.57%

LAB 41.79, 64.48, -81.21

 

CMYK 57 / 85 / 0 / 1

HEX #6C25FD

RGB 108 37 253

HSL 259.72, 0.98%, 0.57%

LAB 40.58, 74.66, -92.8

 

CMYK 37 / 55 / 0 / 22

HEX #7E5BC8

RGB 126 91 200

HSL 259.27, 0.5%, 0.57%

LAB 47.09, 38.6, -51.99

 

CMYK 27 / 41 / 0 / 29

HEX #856CB6

RGB 133 108 182

HSL 260.27, 0.34%, 0.57%

LAB 50.79, 25.83, -35.67

 

CMYK 16 / 24 / 0 / 35

HEX #8B7EA5

RGB 139 126 165

HSL 260, 0.18%, 0.57%

LAB 55.2, 13.02, -18.97

 

CMYK 1 / 2 / 0 / 42

HEX #919093

RGB 145 144 147

HSL 260, 0.01%, 0.57%

LAB 59.95, 0.96, -1.46

 

CMYK 6 / 0 / 20 / 37

HEX #97A181

RGB 151 161 129

HSL 78.75, 0.15%, 0.57%

LAB 64.69, -9.37, 15.5

 

CMYK 55 / 43 / 0 / 22

HEX #5B72C8

RGB 91 114 200

HSL 227.34, 0.5%, 0.57%

LAB 50.01, 16.57, -47.48

 

CMYK 52 / 55 / 0 / 22

HEX #605BC8

RGB 96 91 200

HSL 242.75, 0.5%, 0.57%

LAB 44.43, 31.82, -56.4

 

CMYK 38 / 55 / 0 / 22

HEX #7D5BC8

RGB 125 91 200

HSL 258.72, 0.5%, 0.57%

LAB 46.99, 38.36, -52.15

 

CMYK 23 / 55 / 0 / 22

HEX #9A5BC8

RGB 154 91 200

HSL 274.68, 0.5%, 0.57%

LAB 50.12, 45.66, -46.97

 

CMYK 8 / 55 / 0 / 22

HEX #B85BC8

RGB 184 91 200

HSL 291.19, 0.5%, 0.57%

LAB 53.86, 53.59, -40.81

 

CMYK 45 / 67 / 0 / 39

HEX #56349C

RGB 86 52 156

HSL 259.62, 0.5%, 0.41%

LAB 31.43, 39.72, -51.46

 

CMYK 45 / 67 / 0 / 27

HEX #673EBB

RGB 103 62 187

HSL 259.68, 0.5%, 0.49%

LAB 37.69, 46.28, -59.72

 

CMYK 37 / 55 / 0 / 22

HEX #7E5BC8

RGB 126 91 200

HSL 259.27, 0.5%, 0.57%

LAB 47.09, 38.6, -51.99

 

CMYK 28 / 42 / 0 / 18

HEX #9779D2

RGB 151 121 210

HSL 260.22, 0.5%, 0.65%

LAB 56.98, 30.44, -41.82

 

CMYK 21 / 31 / 0 / 13

HEX #AF98DD

RGB 175 152 221

HSL 260, 0.5%, 0.73%

LAB 67.12, 22.44, -31.97

 

CMYK 37 / 55 / 0 / 21

HEX #7F5BC9

RGB 127 91 201

HSL 259.64, 0.5%, 0.57%

LAB 47.25, 39.11, -52.3

 

CMYK 0 / 55 / 28 / 22

HEX #C85B90

RGB 200 91 144

HSL 330.83, 0.5%, 0.57%

LAB 53.79, 49.17, -8.16

 

CMYK 50 / 0 / 55 / 22

HEX #64C85B

RGB 100 200 91

HSL 115.05, 0.5%, 0.57%

LAB 72.74, -50.62, 45.15

 

CMYK 37 / 55 / 0 / 21

HEX #7F5BC9

RGB 127 91 201

HSL 259.64, 0.5%, 0.57%

LAB 47.25, 39.11, -52.3

 

CMYK 0 / 38 / 55 / 22

HEX #C87D5B

RGB 200 125 91

HSL 18.72, 0.5%, 0.57%

LAB 59.62, 25.63, 30.64

 

CMYK 55 / 0 / 38 / 22

HEX #5BC87D

RGB 91 200 125

HSL 138.72, 0.5%, 0.57%

LAB 72.9, -47.87, 28.28

 

CMYK 37 / 55 / 0 / 21

HEX #7F5BC9

RGB 127 91 201

HSL 259.64, 0.5%, 0.57%

LAB 47.25, 39.11, -52.3

 

CMYK 0 / 55 / 28 / 22

HEX #C85B90

RGB 200 91 144

HSL 330.83, 0.5%, 0.57%

LAB 53.79, 49.17, -8.16

 

CMYK 18 / 0 / 55 / 22

HEX #A5C85B

RGB 165 200 91

HSL 79.27, 0.5%, 0.57%

LAB 76.11, -28.48, 49.95

 

CMYK 55 / 0 / 27 / 22

HEX #5BC893

RGB 91 200 147

HSL 150.83, 0.5%, 0.57%

LAB 73.31, -43.64, 17.22

 

CMYK 37 / 55 / 0 / 21

HEX #7F5BC9

RGB 127 91 201

HSL 259.64, 0.5%, 0.57%

LAB 47.25, 39.11, -52.3

 

CMYK 0 / 55 / 45 / 22

HEX #C85B6F

RGB 200 91 111

HSL 348.99, 0.5%, 0.57%

LAB 52.85, 45.28, 10.03

 

CMYK 18 / 0 / 55 / 22

HEX #A5C85B

RGB 165 200 91

HSL 79.27, 0.5%, 0.57%

LAB 76.11, -28.48, 49.95

 

CMYK 55 / 0 / 10 / 22

HEX #5BC8B4

RGB 91 200 180

HSL 168.99, 0.5%, 0.57%

LAB 74.08, -36.12, 0.53

 

Description

Color code: HEX #7F5BC9 | qconv.com Color code: HEX #7F5BC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 91 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 91 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 55 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 55% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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