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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F57B3 it is the complementary color #80A84C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F57B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F57B3 shade: #8457AE, #9569C1, #A67BD4, #B78DE7 and #C89FFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F57B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F57B3 shade: #7F57B3, #6E45A0, #5D338D, #4C217A and #3B0F67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F57B3 shade: #7F56B3, #9856B3, #B156B3, #B3569C and #B35683

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F57B3 shade: #7F56B3, #6556B3 and #5656B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F57B3 shade matches the following richer shades: #7F56B3, #7C42C7, #792EDB and #771BEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F57B3 shade: #7F56B3, #816A9F, #847E8C, #869278 and #89A564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F57B3 shade: #565FB3, #6656B3, #7E56B3, #9756B3 and #B056B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F57B3 shade: #57397E, #6A459B, #7F56B3, #9473C0 and #AA8FCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F57B3 shade: #7F57B3, #B35678 and #56B359

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F57B3 shade: #7F57B3, #B37E56 and #56B37E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F57B3 shade: #7F57B3, #B35678, #8BB356 and #56B391

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F57B3 shade: #7F57B3, #B3565C, #8BB356 and #56B3AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 51 / 0 / 30

HEX #7F57B3

RGB 127 87 179

HSL 266.09, 0.38%, 0.52%

LAB 45.06, 35.68, -43.03

 

Complementary color

CMYK 24 / 0 / 55 / 34

HEX #80A84C

RGB 128 168 76

HSL 86.09, 0.38%, 0.48%

LAB 64.25, -28.98, 42.6

 

CMYK 24 / 50 / 0 / 32

HEX #8457AE

RGB 132 87 174

HSL 271.03, 0.35%, 0.51%

LAB 45.33, 35.82, -39.63

 

CMYK 23 / 46 / 0 / 24

HEX #9569C1

RGB 149 105 193

HSL 270, 0.42%, 0.58%

LAB 52.22, 34.91, -39.65

 

CMYK 22 / 42 / 0 / 17

HEX #A67BD4

RGB 166 123 212

HSL 268.99, 0.51%, 0.66%

LAB 59, 34.06, -39.68

 

CMYK 21 / 39 / 0 / 9

HEX #B78DE7

RGB 183 141 231

HSL 268, 0.65%, 0.73%

LAB 65.66, 33.27, -39.71

 

CMYK 20 / 36 / 0 / 2

HEX #C89FFA

RGB 200 159 250

HSL 267.03, 0.9%, 0.8%

LAB 72.21, 32.53, -39.76

 

CMYK 29 / 51 / 0 / 30

HEX #7F57B3

RGB 127 87 179

HSL 266.09, 0.38%, 0.52%

LAB 45.06, 35.68, -43.03

 

CMYK 31 / 57 / 0 / 37

HEX #6E45A0

RGB 110 69 160

HSL 267.03, 0.4%, 0.45%

LAB 38.04, 36.7, -43.08

 

CMYK 34 / 64 / 0 / 45

HEX #5D338D

RGB 93 51 141

HSL 268, 0.47%, 0.38%

LAB 30.92, 37.71, -43.06

 

CMYK 38 / 73 / 0 / 52

HEX #4C217A

RGB 76 33 122

HSL 268.99, 0.57%, 0.3%

LAB 23.77, 38.54, -42.84

 

CMYK 43 / 85 / 0 / 60

HEX #3B0F67

RGB 59 15 103

HSL 270, 0.75%, 0.23%

LAB 16.75, 38.67, -42.1

 

CMYK 29 / 52 / 0 / 30

HEX #7F56B3

RGB 127 86 179

HSL 266.45, 0.38%, 0.52%

LAB 44.83, 36.26, -43.39

 

CMYK 15 / 52 / 0 / 30

HEX #9856B3

RGB 152 86 179

HSL 282.58, 0.38%, 0.52%

LAB 47.73, 43.12, -38.61

 

CMYK 1 / 52 / 0 / 30

HEX #B156B3

RGB 177 86 179

HSL 298.71, 0.38%, 0.52%

LAB 50.99, 50.16, -33.26

 

CMYK 0 / 52 / 13 / 30

HEX #B3569C

RGB 179 86 156

HSL 314.84, 0.38%, 0.52%

LAB 50.26, 46.76, -20.88

 

CMYK 0 / 52 / 27 / 30

HEX #B35683

RGB 179 86 131

HSL 330.97, 0.38%, 0.52%

LAB 49.35, 42.97, -7.39

 

CMYK 29 / 52 / 0 / 30

HEX #7F56B3

RGB 127 86 179

HSL 266.45, 0.38%, 0.52%

LAB 44.83, 36.26, -43.39

 

CMYK 44 / 52 / 0 / 30

HEX #6556B3

RGB 101 86 179

HSL 249.68, 0.38%, 0.52%

LAB 42.27, 29.6, -47.63

 

CMYK 52 / 52 / 0 / 30

HEX #5656B3

RGB 86 86 179

HSL 240, 0.38%, 0.52%

LAB 41.04, 26.15, -49.67

 

CMYK 29 / 52 / 0 / 30

HEX #7F56B3

RGB 127 86 179

HSL 266.45, 0.38%, 0.52%

LAB 44.83, 36.26, -43.39

 

CMYK 38 / 67 / 0 / 22

HEX #7C42C7

RGB 124 66 199

HSL 266.17, 0.54%, 0.52%

LAB 41.7, 51.5, -60.12

 

CMYK 45 / 79 / 0 / 14

HEX #792EDB

RGB 121 46 219

HSL 266.01, 0.71%, 0.52%

LAB 39.8, 64.81, -74.76

 

CMYK 50 / 89 / 0 / 6

HEX #771BEF

RGB 119 27 239

HSL 266.04, 0.87%, 0.52%

LAB 39.48, 75.06, -86.71

 

CMYK 29 / 52 / 0 / 30

HEX #7F56B3

RGB 127 86 179

HSL 266.45, 0.38%, 0.52%

LAB 44.83, 36.26, -43.39

 

CMYK 19 / 33 / 0 / 38

HEX #816A9F

RGB 129 106 159

HSL 266.04, 0.22%, 0.52%

LAB 48.86, 20.13, -25.31

 

CMYK 6 / 10 / 0 / 45

HEX #847E8C

RGB 132 126 140

HSL 265.71, 0.06%, 0.52%

LAB 53.73, 5.08, -6.75

 

CMYK 8 / 0 / 18 / 43

HEX #869278

RGB 134 146 120

HSL 87.69, 0.11%, 0.52%

LAB 58.96, -9.27, 12.34

 

CMYK 17 / 0 / 39 / 35

HEX #89A564

RGB 137 165 100

HSL 85.85, 0.27%, 0.52%

LAB 64.28, -21.17, 30.55

 

CMYK 52 / 47 / 0 / 30

HEX #565FB3

RGB 86 95 179

HSL 234.19, 0.38%, 0.52%

LAB 43.39, 20.49, -45.91

 

CMYK 43 / 52 / 0 / 30

HEX #6656B3

RGB 102 86 179

HSL 250.32, 0.38%, 0.52%

LAB 42.36, 29.85, -47.48

 

CMYK 30 / 52 / 0 / 30

HEX #7E56B3

RGB 126 86 179

HSL 265.81, 0.38%, 0.52%

LAB 44.72, 35.99, -43.57

 

CMYK 16 / 52 / 0 / 30

HEX #9756B3

RGB 151 86 179

HSL 281.94, 0.38%, 0.52%

LAB 47.61, 42.84, -38.81

 

CMYK 2 / 52 / 0 / 30

HEX #B056B3

RGB 176 86 179

HSL 298.06, 0.38%, 0.52%

LAB 50.85, 49.88, -33.49

 

CMYK 31 / 55 / 0 / 51

HEX #57397E

RGB 87 57 126

HSL 266.09, 0.38%, 0.36%

LAB 30.54, 28.62, -34.39

 

CMYK 32 / 55 / 0 / 39

HEX #6A459B

RGB 106 69 155

HSL 265.81, 0.38%, 0.44%

LAB 37.27, 34.35, -41.32

 

CMYK 29 / 52 / 0 / 30

HEX #7F56B3

RGB 127 86 179

HSL 266.45, 0.38%, 0.52%

LAB 44.83, 36.26, -43.39

 

CMYK 23 / 40 / 0 / 25

HEX #9473C0

RGB 148 115 192

HSL 265.71, 0.38%, 0.6%

LAB 54.41, 28.64, -35.65

 

CMYK 17 / 30 / 0 / 20

HEX #AA8FCD

RGB 170 143 205

HSL 266.13, 0.38%, 0.68%

LAB 63.83, 22.34, -28.19

 

CMYK 29 / 51 / 0 / 30

HEX #7F57B3

RGB 127 87 179

HSL 266.09, 0.38%, 0.52%

LAB 45.06, 35.68, -43.03

 

CMYK 0 / 52 / 33 / 30

HEX #B35678

RGB 179 86 120

HSL 338.06, 0.38%, 0.52%

LAB 49, 41.49, -1.3

 

CMYK 52 / 0 / 50 / 30

HEX #56B359

RGB 86 179 89

HSL 121.94, 0.38%, 0.52%

LAB 65.7, -46.28, 37.46

 

CMYK 29 / 51 / 0 / 30

HEX #7F57B3

RGB 127 87 179

HSL 266.09, 0.38%, 0.52%

LAB 45.06, 35.68, -43.03

 

CMYK 0 / 30 / 52 / 30

HEX #B37E56

RGB 179 126 86

HSL 25.81, 0.38%, 0.52%

LAB 57.25, 15.9, 29.86

 

CMYK 52 / 0 / 30 / 30

HEX #56B37E

RGB 86 179 126

HSL 145.81, 0.38%, 0.52%

LAB 66.31, -39.97, 18.82

 

CMYK 29 / 51 / 0 / 30

HEX #7F57B3

RGB 127 87 179

HSL 266.09, 0.38%, 0.52%

LAB 45.06, 35.68, -43.03

 

CMYK 0 / 52 / 33 / 30

HEX #B35678

RGB 179 86 120

HSL 338.06, 0.38%, 0.52%

LAB 49, 41.49, -1.3

 

CMYK 22 / 0 / 52 / 30

HEX #8BB356

RGB 139 179 86

HSL 85.81, 0.38%, 0.52%

LAB 68.32, -28.97, 42.73

 

CMYK 52 / 0 / 19 / 30

HEX #56B391

RGB 86 179 145

HSL 158.06, 0.38%, 0.52%

LAB 66.72, -35.9, 9.01

 

CMYK 29 / 51 / 0 / 30

HEX #7F57B3

RGB 127 87 179

HSL 266.09, 0.38%, 0.52%

LAB 45.06, 35.68, -43.03

 

CMYK 0 / 52 / 49 / 30

HEX #B3565C

RGB 179 86 92

HSL 356.13, 0.38%, 0.52%

LAB 48.28, 38.32, 14.53

 

CMYK 22 / 0 / 52 / 30

HEX #8BB356

RGB 139 179 86

HSL 85.81, 0.38%, 0.52%

LAB 68.32, -28.97, 42.73

 

CMYK 52 / 0 / 3 / 30

HEX #56B3AD

RGB 86 179 173

HSL 176.13, 0.38%, 0.52%

LAB 67.45, -29.01, -5.39

 

Description

Color code: HEX #7F57B3 | qconv.com Color code: HEX #7F57B3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 87 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 87 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 51 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 51% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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