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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F56C0 it is the complementary color #80A93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F56C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F56C0 shade: #8456BB, #9568CE, #A67AE1, #B78CF4 and #C89EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F56C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F56C0 shade: #7F56C0, #6E44AD, #5D329A, #4C2087 and #3B0E74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F56C0 shade: #8057C1, #9D57C1, #B957C1, #C157AC and #C15790

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F56C0 shade: #8057C1, #6457C1 and #5757C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F56C0 shade matches the following richer shades: #8057C1, #7C45D4, #7832E6 and #7420F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F56C0 shade: #8057C1, #856AAE, #897D9C, #8D8F89 and #91A277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F56C0 shade: #5767C1, #6457C1, #8057C1, #9C57C1 and #B857C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F56C0 shade: #593591, #6B41AF, #8057C1, #9776CC and #AE94D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F56C0 shade: #7F56C0, #C15783 and #59C157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F56C0 shade: #7F56C0, #C18057 and #57C180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F56C0 shade: #7F56C0, #C15783, #99C157 and #57C195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F56C0 shade: #7F56C0, #C15764, #99C157 and #57C1B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 55 / 0 / 25

HEX #7F56C0

RGB 127 86 192

HSL 263.21, 0.46%, 0.55%

LAB 45.6, 39.59, -49.75

 

Complementary color

CMYK 24 / 0 / 63 / 34

HEX #80A93F

RGB 128 169 63

HSL 83.21, 0.46%, 0.45%

LAB 64.42, -30.67, 48.82

 

CMYK 29 / 54 / 0 / 27

HEX #8456BB

RGB 132 86 187

HSL 267.33, 0.43%, 0.54%

LAB 45.84, 39.58, -46.43

 

CMYK 28 / 50 / 0 / 19

HEX #9568CE

RGB 149 104 206

HSL 266.47, 0.51%, 0.61%

LAB 52.67, 38.61, -46.38

 

CMYK 26 / 46 / 0 / 12

HEX #A67AE1

RGB 166 122 225

HSL 265.63, 0.63%, 0.68%

LAB 59.4, 37.69, -46.33

 

CMYK 25 / 43 / 0 / 4

HEX #B78CF4

RGB 183 140 244

HSL 264.81, 0.83%, 0.75%

LAB 66.02, 36.82, -46.3

 

CMYK 22 / 38 / 0 / 0

HEX #C89EFF

RGB 200 158 255

HSL 265.98, 1%, 0.81%

LAB 72.2, 34.2, -42.5

 

CMYK 34 / 55 / 0 / 25

HEX #7F56C0

RGB 127 86 192

HSL 263.21, 0.46%, 0.55%

LAB 45.6, 39.59, -49.75

 

CMYK 36 / 61 / 0 / 32

HEX #6E44AD

RGB 110 68 173

HSL 264, 0.44%, 0.47%

LAB 38.67, 40.68, -49.83

 

CMYK 40 / 68 / 0 / 40

HEX #5D329A

RGB 93 50 154

HSL 264.81, 0.51%, 0.4%

LAB 31.67, 41.72, -49.81

 

CMYK 44 / 76 / 0 / 47

HEX #4C2087

RGB 76 32 135

HSL 265.63, 0.62%, 0.33%

LAB 24.7, 42.51, -49.53

 

CMYK 49 / 88 / 0 / 55

HEX #3B0E74

RGB 59 14 116

HSL 266.47, 0.78%, 0.25%

LAB 17.94, 42.45, -48.62

 

CMYK 34 / 55 / 0 / 24

HEX #8057C1

RGB 128 87 193

HSL 263.21, 0.46%, 0.55%

LAB 45.98, 39.53, -49.7

 

CMYK 19 / 55 / 0 / 24

HEX #9D57C1

RGB 157 87 193

HSL 279.62, 0.46%, 0.55%

LAB 49.3, 46.99, -44.23

 

CMYK 4 / 55 / 0 / 24

HEX #B957C1

RGB 185 87 193

HSL 295.47, 0.46%, 0.55%

LAB 52.93, 54.46, -38.25

 

CMYK 0 / 55 / 11 / 24

HEX #C157AC

RGB 193 87 172

HSL 311.89, 0.46%, 0.55%

LAB 53.09, 53.06, -25.74

 

CMYK 0 / 55 / 25 / 24

HEX #C15790

RGB 193 87 144

HSL 327.74, 0.46%, 0.55%

LAB 52.03, 48.85, -10.91

 

CMYK 34 / 55 / 0 / 24

HEX #8057C1

RGB 128 87 193

HSL 263.21, 0.46%, 0.55%

LAB 45.98, 39.53, -49.7

 

CMYK 48 / 55 / 0 / 24

HEX #6457C1

RGB 100 87 193

HSL 247.36, 0.46%, 0.55%

LAB 43.32, 32.95, -54.12

 

CMYK 55 / 55 / 0 / 24

HEX #5757C1

RGB 87 87 193

HSL 240, 0.46%, 0.55%

LAB 42.3, 30.24, -55.83

 

CMYK 34 / 55 / 0 / 24

HEX #8057C1

RGB 128 87 193

HSL 263.21, 0.46%, 0.55%

LAB 45.98, 39.53, -49.7

 

CMYK 42 / 67 / 0 / 17

HEX #7C45D4

RGB 124 69 212

HSL 263.08, 0.62%, 0.55%

LAB 43.2, 53.3, -65.18

 

CMYK 48 / 78 / 0 / 10

HEX #7832E6

RGB 120 50 230

HSL 263.33, 0.78%, 0.55%

LAB 41.2, 65.81, -78.76

 

CMYK 53 / 87 / 0 / 2

HEX #7420F9

RGB 116 32 249

HSL 263.23, 0.95%, 0.55%

LAB 40.55, 75.83, -90.58

 

CMYK 34 / 55 / 0 / 24

HEX #8057C1

RGB 128 87 193

HSL 263.21, 0.46%, 0.55%

LAB 45.98, 39.53, -49.7

 

CMYK 24 / 39 / 0 / 32

HEX #856AAE

RGB 133 106 174

HSL 263.82, 0.3%, 0.55%

LAB 49.92, 25.02, -32.4

 

CMYK 12 / 20 / 0 / 39

HEX #897D9C

RGB 137 125 156

HSL 263.23, 0.14%, 0.55%

LAB 54.43, 10.89, -14.95

 

CMYK 1 / 0 / 4 / 44

HEX #8D8F89

RGB 141 143 137

HSL 80, 0.03%, 0.55%

LAB 59.08, -1.89, 2.93

 

CMYK 10 / 0 / 27 / 36

HEX #91A277

RGB 145 162 119

HSL 83.72, 0.19%, 0.55%

LAB 64.32, -13.79, 20.43

 

CMYK 55 / 47 / 0 / 24

HEX #5767C1

RGB 87 103 193

HSL 230.94, 0.46%, 0.55%

LAB 46.41, 20.25, -49.21

 

CMYK 48 / 55 / 0 / 24

HEX #6457C1

RGB 100 87 193

HSL 247.36, 0.46%, 0.55%

LAB 43.32, 32.95, -54.12

 

CMYK 34 / 55 / 0 / 24

HEX #8057C1

RGB 128 87 193

HSL 263.21, 0.46%, 0.55%

LAB 45.98, 39.53, -49.7

 

CMYK 19 / 55 / 0 / 24

HEX #9C57C1

RGB 156 87 193

HSL 279.06, 0.46%, 0.55%

LAB 49.17, 46.73, -44.43

 

CMYK 5 / 55 / 0 / 24

HEX #B857C1

RGB 184 87 193

HSL 294.91, 0.46%, 0.55%

LAB 52.79, 54.19, -38.47

 

CMYK 39 / 63 / 0 / 43

HEX #593591

RGB 89 53 145

HSL 263.48, 0.46%, 0.39%

LAB 31.15, 36.72, -45.18

 

CMYK 39 / 63 / 0 / 31

HEX #6B41AF

RGB 107 65 175

HSL 262.91, 0.46%, 0.47%

LAB 37.85, 42.2, -52.36

 

CMYK 34 / 55 / 0 / 24

HEX #8057C1

RGB 128 87 193

HSL 263.21, 0.46%, 0.55%

LAB 45.98, 39.53, -49.7

 

CMYK 26 / 42 / 0 / 20

HEX #9776CC

RGB 151 118 204

HSL 263.02, 0.46%, 0.63%

LAB 55.98, 30.69, -40

 

CMYK 19 / 31 / 0 / 16

HEX #AE94D7

RGB 174 148 215

HSL 263.28, 0.46%, 0.71%

LAB 65.81, 23.01, -30.68

 

CMYK 34 / 55 / 0 / 25

HEX #7F56C0

RGB 127 86 192

HSL 263.21, 0.46%, 0.55%

LAB 45.6, 39.59, -49.75

 

CMYK 0 / 55 / 32 / 24

HEX #C15783

RGB 193 87 131

HSL 335.09, 0.46%, 0.55%

LAB 51.6, 47.13, -3.82

 

CMYK 54 / 0 / 55 / 24

HEX #59C157

RGB 89 193 87

HSL 118.87, 0.46%, 0.55%

LAB 70.14, -51.33, 43.85

 

CMYK 34 / 55 / 0 / 25

HEX #7F56C0

RGB 127 86 192

HSL 263.21, 0.46%, 0.55%

LAB 45.6, 39.59, -49.75

 

CMYK 0 / 34 / 55 / 24

HEX #C18057

RGB 193 128 87

HSL 23.21, 0.46%, 0.55%

LAB 59.4, 20.76, 32.38

 

CMYK 55 / 0 / 34 / 24

HEX #57C180

RGB 87 193 128

HSL 143.21, 0.46%, 0.55%

LAB 70.68, -45.36, 23.71

 

CMYK 34 / 55 / 0 / 25

HEX #7F56C0

RGB 127 86 192

HSL 263.21, 0.46%, 0.55%

LAB 45.6, 39.59, -49.75

 

CMYK 0 / 55 / 32 / 24

HEX #C15783

RGB 193 87 131

HSL 335.09, 0.46%, 0.55%

LAB 51.6, 47.13, -3.82

 

CMYK 21 / 0 / 55 / 24

HEX #99C157

RGB 153 193 87

HSL 82.64, 0.46%, 0.55%

LAB 73.29, -30.17, 48.33

 

CMYK 55 / 0 / 23 / 24

HEX #57C195

RGB 87 193 149

HSL 155.09, 0.46%, 0.55%

LAB 71.1, -41.07, 13.03

 

CMYK 34 / 55 / 0 / 25

HEX #7F56C0

RGB 127 86 192

HSL 263.21, 0.46%, 0.55%

LAB 45.6, 39.59, -49.75

 

CMYK 0 / 55 / 48 / 24

HEX #C15764

RGB 193 87 100

HSL 352.64, 0.46%, 0.55%

LAB 50.77, 43.69, 13.52

 

CMYK 21 / 0 / 55 / 24

HEX #99C157

RGB 153 193 87

HSL 82.64, 0.46%, 0.55%

LAB 73.29, -30.17, 48.33

 

CMYK 55 / 0 / 6 / 24

HEX #57C1B5

RGB 87 193 181

HSL 173.21, 0.46%, 0.55%

LAB 71.89, -33.43, -3.23

 

Description

Color code: HEX #7F56C0 | qconv.com Color code: HEX #7F56C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 86 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 86 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 55 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 55% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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