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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F51153F it is the complementary color #80AEEA3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F51153F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F51153F shade: #8451103F, #9563233F, #A675363F, #B787493F and #C8995C3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F51153F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F51153F shade: #7F51153F, #6E3F023F, #5D2D003F, #4C1B003F and #3B09003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F51153F shade: #7F5115, #7F3415, #7F1815 and #7F1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F51153F shade: #7F5115, #7F6E15, #747F15, #577F15 and #3B7F15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F51153F shade matches the following richer shades: #7F5115 and #8B5309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F51153F shade: #7F5115, #734F21, #674E2D, #5B4C39 and #4F4B45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F51153F shade: #7F1615, #7F3315, #7F4F15, #7F6C15 and #767F15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F51153F shade: #382409, #5C3A0F, #7F5115, #A3681A and #C67E20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F51153F shade: #7F5115, #2F7F15 and #25157F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F51153F shade: #7F5115, #157F4F and #4F157F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F51153F shade: #7F5115, #2F7F15, #15457F and #65157F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F51153F shade: #7F5115, #157F1A, #15457F and #7F157A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 21 / 13

HEX #7F51153F

RGBA 127 81 21 0.25

HSLA 33.96, 0.72%, 0.29%, 0.25

LABA 38.64, 14.13, 40.54, 0.25

 

Complementary color

CMYK 11 / 6 / 0 / 2

HEX #80AEEA3F

RGBA 128 174 234 0.25

HSLA 213.96, 0.72%, 0.71%, 0.25

LABA 70.04, 0.35, -34.85, 0.25

 

CMYK 0 / 10 / 22 / 12

HEX #8451103F

RGBA 132 81 16 0.25

HSLA 33.62, 0.78%, 0.29%, 0.25

LABA 39.29, 16.3, 43.28, 0.25

 

CMYK 0 / 8 / 19 / 10

HEX #9563233F

RGBA 149 99 35 0.25

HSLA 33.68, 0.62%, 0.36%, 0.25

LABA 46.22, 14.39, 42.71, 0.25

 

CMYK 0 / 7 / 17 / 9

HEX #A675363F

RGBA 166 117 54 0.25

HSLA 33.75, 0.51%, 0.43%, 0.25

LABA 53.05, 12.81, 41.45, 0.25

 

CMYK 0 / 7 / 15 / 7

HEX #B787493F

RGBA 183 135 73 0.25

HSLA 33.82, 0.43%, 0.5%, 0.25

LABA 59.78, 11.5, 40.01, 0.25

 

CMYK 0 / 6 / 14 / 5

HEX #C8995C3F

RGBA 200 153 92 0.25

HSLA 33.89, 0.5%, 0.57%, 0.25

LABA 66.39, 10.41, 38.57, 0.25

 

CMYK 0 / 9 / 21 / 13

HEX #7F51153F

RGBA 127 81 21 0.25

HSLA 33.96, 0.72%, 0.29%, 0.25

LABA 38.64, 14.13, 40.54, 0.25

 

CMYK 0 / 11 / 25 / 14

HEX #6E3F023F

RGBA 110 63 2 0.25

HSLA 33.89, 0.96%, 0.22%, 0.25

LABA 31.52, 16.28, 40.74, 0.25

 

CMYK 0 / 13 / 25 / 16

HEX #5D2D003F

RGBA 93 45 0 0.25

HSLA 29.03, 1%, 0.18%, 0.25

LABA 24.33, 18.98, 34.46, 0.25

 

CMYK 0 / 16 / 25 / 18

HEX #4C1B003F

RGBA 76 27 0 0.25

HSLA 21.32, 1%, 0.15%, 0.25

LABA 17.09, 21.69, 25.59, 0.25

 

CMYK 0 / 21 / 25 / 19

HEX #3B09003F

RGBA 59 9 0 0.25

HSLA 9.15, 1%, 0.12%, 0.25

LABA 9.99, 23.69, 15.56, 0.25

 

CMYK 0 / 36 / 83 / 50

HEX #7F5115

RGB 127 81 21

HSL 33.96, 0.72%, 0.29%

LAB 38.64, 14.13, 40.54

 

CMYK 0 / 59 / 83 / 50

HEX #7F3415

RGB 127 52 21

HSL 17.55, 0.72%, 0.29%

LAB 31.86, 30.67, 34.23

 

CMYK 0 / 81 / 83 / 50

HEX #7F1815

RGB 127 24 21

HSL 1.7, 0.72%, 0.29%

LAB 27.35, 42.83, 29.85

 

CMYK 0 / 83 / 83 / 50

HEX #7F1515

RGB 127 21 21

HSL 0, 0.72%, 0.29%

LAB 27.02, 43.75, 29.53

 

CMYK 0 / 36 / 83 / 50

HEX #7F5115

RGB 127 81 21

HSL 33.96, 0.72%, 0.29%

LAB 38.64, 14.13, 40.54

 

CMYK 0 / 13 / 83 / 50

HEX #7F6E15

RGB 127 110 21

HSL 50.38, 0.72%, 0.29%

LAB 46.6, -2.9, 47.66

 

CMYK 9 / 0 / 83 / 50

HEX #747F15

RGB 116 127 21

HSL 66.23, 0.72%, 0.29%

LAB 50.62, -17.41, 50.8

 

CMYK 31 / 0 / 83 / 50

HEX #577F15

RGB 87 127 21

HSL 82.64, 0.72%, 0.29%

LAB 48.58, -29.98, 48.21

 

CMYK 54 / 0 / 83 / 50

HEX #3B7F15

RGB 59 127 21

HSL 98.49, 0.72%, 0.29%

LAB 47.19, -40.09, 46.42

 

CMYK 0 / 36 / 83 / 50

HEX #7F5115

RGB 127 81 21

HSL 33.96, 0.72%, 0.29%

LAB 38.64, 14.13, 40.54

 

CMYK 0 / 40 / 94 / 45

HEX #8B5309

RGB 139 83 9

HSL 34.15, 0.88%, 0.29%

LAB 40.73, 18.22, 46.96

 

CMYK 0 / 36 / 83 / 50

HEX #7F5115

RGB 127 81 21

HSL 33.96, 0.72%, 0.29%

LAB 38.64, 14.13, 40.54

 

CMYK 0 / 31 / 71 / 55

HEX #734F21

RGB 115 79 33

HSL 33.66, 0.55%, 0.29%

LAB 36.64, 10.23, 32.38

 

CMYK 0 / 24 / 56 / 60

HEX #674E2D

RGB 103 78 45

HSL 34.14, 0.39%, 0.29%

LAB 35.05, 6.09, 23.44

 

CMYK 0 / 16 / 37 / 64

HEX #5B4C39

RGB 91 76 57

HSL 33.53, 0.23%, 0.29%

LAB 33.33, 3.15, 13.65

 

CMYK 0 / 5 / 13 / 69

HEX #4F4B45

RGB 79 75 69

HSL 36, 0.07%, 0.29%

LAB 32.09, 0.44, 4.16

 

CMYK 0 / 83 / 83 / 50

HEX #7F1615

RGB 127 22 21

HSL 0.57, 0.72%, 0.29%

LAB 27.13, 43.46, 29.63

 

CMYK 0 / 60 / 83 / 50

HEX #7F3315

RGB 127 51 21

HSL 16.98, 0.72%, 0.29%

LAB 31.66, 31.19, 34.04

 

CMYK 0 / 38 / 83 / 50

HEX #7F4F15

RGB 127 79 21

HSL 32.83, 0.72%, 0.29%

LAB 38.12, 15.31, 40.07

 

CMYK 0 / 15 / 83 / 50

HEX #7F6C15

RGB 127 108 21

HSL 49.25, 0.72%, 0.29%

LAB 46.03, -1.75, 47.15

 

CMYK 7 / 0 / 83 / 50

HEX #767F15

RGB 118 127 21

HSL 65.09, 0.72%, 0.29%

LAB 50.79, -16.5, 51

 

CMYK 0 / 36 / 84 / 78

HEX #382409

RGB 56 36 9

HSL 34.47, 0.72%, 0.13%

LAB 16.12, 6.42, 19.97

 

CMYK 0 / 37 / 84 / 64

HEX #5C3A0F

RGB 92 58 15

HSL 33.51, 0.72%, 0.21%

LAB 27.67, 10.99, 31.22

 

CMYK 0 / 36 / 83 / 50

HEX #7F5115

RGB 127 81 21

HSL 33.96, 0.72%, 0.29%

LAB 38.64, 14.13, 40.54

 

CMYK 0 / 36 / 84 / 36

HEX #A3681A

RGB 163 104 26

HSL 34.16, 0.72%, 0.37%

LAB 49.21, 17.53, 49.82

 

CMYK 0 / 36 / 84 / 22

HEX #C67E20

RGB 198 126 32

HSL 33.98, 0.72%, 0.45%

LAB 59, 20.92, 57.94

 

CMYK 0 / 36 / 83 / 50

HEX #7F5115

RGB 127 81 21

HSL 33.96, 0.72%, 0.29%

LAB 38.64, 14.13, 40.54

 

CMYK 63 / 0 / 83 / 50

HEX #2F7F15

RGB 47 127 21

HSL 105.28, 0.72%, 0.29%

LAB 46.76, -43.49, 45.87

 

CMYK 71 / 83 / 0 / 50

HEX #25157F

RGB 37 21 127

HSL 249.06, 0.72%, 0.29%

LAB 17.75, 40.15, -56.07

 

CMYK 0 / 36 / 83 / 50

HEX #7F5115

RGB 127 81 21

HSL 33.96, 0.72%, 0.29%

LAB 38.64, 14.13, 40.54

 

CMYK 83 / 0 / 38 / 50

HEX #157F4F

RGB 21 127 79

HSL 152.83, 0.72%, 0.29%

LAB 46.85, -40.41, 18.19

 

CMYK 38 / 83 / 0 / 50

HEX #4F157F

RGB 79 21 127

HSL 272.83, 0.72%, 0.29%

LAB 22.76, 45.69, -47.64

 

CMYK 0 / 36 / 83 / 50

HEX #7F5115

RGB 127 81 21

HSL 33.96, 0.72%, 0.29%

LAB 38.64, 14.13, 40.54

 

CMYK 63 / 0 / 83 / 50

HEX #2F7F15

RGB 47 127 21

HSL 105.28, 0.72%, 0.29%

LAB 46.76, -43.49, 45.87

 

CMYK 83 / 46 / 0 / 50

HEX #15457F

RGB 21 69 127

HSL 212.83, 0.72%, 0.29%

LAB 29.28, 6.83, -37.29

 

CMYK 20 / 83 / 0 / 50

HEX #65157F

RGB 101 21 127

HSL 285.28, 0.72%, 0.29%

LAB 26.26, 49.61, -41.79

 

CMYK 0 / 36 / 83 / 50

HEX #7F5115

RGB 127 81 21

HSL 33.96, 0.72%, 0.29%

LAB 38.64, 14.13, 40.54

 

CMYK 83 / 0 / 80 / 50

HEX #157F1A

RGB 21 127 26

HSL 122.83, 0.72%, 0.29%

LAB 46.19, -48.18, 43.48

 

CMYK 83 / 46 / 0 / 50

HEX #15457F

RGB 21 69 127

HSL 212.83, 0.72%, 0.29%

LAB 29.28, 6.83, -37.29

 

CMYK 0 / 83 / 4 / 50

HEX #7F157A

RGB 127 21 122

HSL 302.83, 0.72%, 0.29%

LAB 30.53, 53.94, -31.53

 

Description

Color code: HEX #7F51153F | qconv.com Color code: HEX #7F51153F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 81 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 81 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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