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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F48D5 it is the complementary color #80B72A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F48D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F48D5 shade: #8448D0, #955AE3, #A66CF6, #B77EFF and #C890FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F48D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F48D5 shade: #7F48D5, #6E36C2, #5D24AF, #4C129C and #3B0089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F48D5 shade: #7F48D5, #A548D5, #CB48D5, #D548B9 and #D54893

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F48D5 shade: #7F48D5, #5948D5 and #4848D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F48D5 shade matches the following richer shades: #7F48D5, #7B36E8 and #7724FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F48D5 shade: #7F48D5, #835AC3, #876CB1, #8B7F9F and #8F918D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F48D5 shade: #485DD5, #5948D5, #7E48D5, #A448D5 and #CA48D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F48D5 shade: #5726A6, #692DC7, #7F48D5, #976ADD and #AE8BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F48D5 shade: #7F48D5, #D54883 and #4AD548

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F48D5 shade: #7F48D5, #D57E48 and #48D57E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F48D5 shade: #7F48D5, #D54883, #9FD548 and #48D59B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F48D5 shade: #7F48D5, #D54859, #9FD548 and #48D5C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 66 / 0 / 16

HEX #7F48D5

RGB 127 72 213

HSL 263.4, 0.63%, 0.56%

LAB 44.16, 52.62, -64.18

 

Complementary color

CMYK 30 / 0 / 77 / 28

HEX #80B72A

RGB 128 183 42

HSL 83.4, 0.63%, 0.44%

LAB 68.48, -38.5, 60.98

 

CMYK 37 / 65 / 0 / 18

HEX #8448D0

RGB 132 72 208

HSL 266.47, 0.59%, 0.55%

LAB 44.37, 52.35, -60.95

 

CMYK 34 / 60 / 0 / 11

HEX #955AE3

RGB 149 90 227

HSL 265.84, 0.71%, 0.62%

LAB 50.98, 51.42, -61.01

 

CMYK 33 / 56 / 0 / 4

HEX #A66CF6

RGB 166 108 246

HSL 265.22, 0.88%, 0.69%

LAB 57.55, 50.44, -60.98

 

CMYK 28 / 51 / 0 / 0

HEX #B77EFF

RGB 183 126 255

HSL 266.51, 1%, 0.75%

LAB 63.52, 47.07, -56.3

 

CMYK 22 / 44 / 0 / 0

HEX #C890FF

RGB 200 144 255

HSL 270.27, 1%, 0.78%

LAB 69.07, 41.83, -47.4

 

CMYK 40 / 66 / 0 / 16

HEX #7F48D5

RGB 127 72 213

HSL 263.4, 0.63%, 0.56%

LAB 44.16, 52.62, -64.18

 

CMYK 43 / 72 / 0 / 24

HEX #6E36C2

RGB 110 54 194

HSL 264, 0.56%, 0.49%

LAB 37.57, 53.48, -63.99

 

CMYK 47 / 79 / 0 / 31

HEX #5D24AF

RGB 93 36 175

HSL 264.6, 0.66%, 0.41%

LAB 31.08, 53.92, -63.45

 

CMYK 51 / 88 / 0 / 39

HEX #4C129C

RGB 76 18 156

HSL 265.22, 0.79%, 0.34%

LAB 24.86, 53.44, -62.27

 

CMYK 57 / 100 / 0 / 46

HEX #3B0089

RGB 59 0 137

HSL 265.84, 1%, 0.27%

LAB 18.95, 51.89, -60.32

 

CMYK 40 / 66 / 0 / 16

HEX #7F48D5

RGB 127 72 213

HSL 263.4, 0.63%, 0.56%

LAB 44.16, 52.62, -64.18

 

CMYK 23 / 66 / 0 / 16

HEX #A548D5

RGB 165 72 213

HSL 279.57, 0.63%, 0.56%

LAB 48.81, 60.5, -56.44

 

CMYK 5 / 66 / 0 / 16

HEX #CB48D5

RGB 203 72 213

HSL 295.74, 0.63%, 0.56%

LAB 54.17, 68.95, -47.57

 

CMYK 0 / 66 / 13 / 16

HEX #D548B9

RGB 213 72 185

HSL 311.91, 0.63%, 0.56%

LAB 54.33, 66.87, -31.14

 

CMYK 0 / 66 / 31 / 16

HEX #D54893

RGB 213 72 147

HSL 328.09, 0.63%, 0.56%

LAB 52.83, 61.8, -11.17

 

CMYK 40 / 66 / 0 / 16

HEX #7F48D5

RGB 127 72 213

HSL 263.4, 0.63%, 0.56%

LAB 44.16, 52.62, -64.18

 

CMYK 58 / 66 / 0 / 16

HEX #5948D5

RGB 89 72 213

HSL 247.23, 0.63%, 0.56%

LAB 40.51, 45.9, -70.28

 

CMYK 66 / 66 / 0 / 16

HEX #4848D5

RGB 72 72 213

HSL 240, 0.63%, 0.56%

LAB 39.27, 43.48, -72.37

 

CMYK 40 / 66 / 0 / 16

HEX #7F48D5

RGB 127 72 213

HSL 263.4, 0.63%, 0.56%

LAB 44.16, 52.62, -64.18

 

CMYK 47 / 77 / 0 / 9

HEX #7B36E8

RGB 123 54 232

HSL 263.26, 0.79%, 0.56%

LAB 42.27, 65.1, -78.12

 

CMYK 52 / 86 / 0 / 2

HEX #7724FA

RGB 119 36 250

HSL 263.27, 0.96%, 0.56%

LAB 41.35, 75.25, -89.8

 

CMYK 40 / 66 / 0 / 16

HEX #7F48D5

RGB 127 72 213

HSL 263.4, 0.63%, 0.56%

LAB 44.16, 52.62, -64.18

 

CMYK 33 / 54 / 0 / 24

HEX #835AC3

RGB 131 90 195

HSL 263.43, 0.47%, 0.56%

LAB 47.08, 39.09, -49.09

 

CMYK 24 / 39 / 0 / 31

HEX #876CB1

RGB 135 108 177

HSL 263.48, 0.31%, 0.56%

LAB 50.75, 25.18, -32.83

 

CMYK 13 / 20 / 0 / 38

HEX #8B7F9F

RGB 139 127 159

HSL 262.5, 0.14%, 0.56%

LAB 55.25, 11.08, -15.43

 

CMYK 1 / 0 / 3 / 43

HEX #8F918D

RGB 143 145 141

HSL 90, 0.02%, 0.56%

LAB 59.9, -1.5, 1.86

 

CMYK 66 / 56 / 0 / 16

HEX #485DD5

RGB 72 93 213

HSL 231.06, 0.63%, 0.56%

LAB 44.25, 30.58, -64.25

 

CMYK 58 / 66 / 0 / 16

HEX #5948D5

RGB 89 72 213

HSL 247.23, 0.63%, 0.56%

LAB 40.51, 45.9, -70.28

 

CMYK 41 / 66 / 0 / 16

HEX #7E48D5

RGB 126 72 213

HSL 262.98, 0.63%, 0.56%

LAB 44.05, 52.42, -64.36

 

CMYK 23 / 66 / 0 / 16

HEX #A448D5

RGB 164 72 213

HSL 279.15, 0.63%, 0.56%

LAB 48.67, 60.28, -56.66

 

CMYK 5 / 66 / 0 / 16

HEX #CA48D5

RGB 202 72 213

HSL 295.32, 0.63%, 0.56%

LAB 54.02, 68.72, -47.81

 

CMYK 48 / 77 / 0 / 35

HEX #5726A6

RGB 87 38 166

HSL 262.97, 0.63%, 0.4%

LAB 29.83, 49.82, -60.13

 

CMYK 47 / 77 / 0 / 22

HEX #692DC7

RGB 105 45 199

HSL 263.38, 0.63%, 0.48%

LAB 35.99, 58.02, -69.52

 

CMYK 40 / 66 / 0 / 16

HEX #7F48D5

RGB 127 72 213

HSL 263.4, 0.63%, 0.56%

LAB 44.16, 52.62, -64.18

 

CMYK 32 / 52 / 0 / 13

HEX #976ADD

RGB 151 106 221

HSL 263.48, 0.63%, 0.64%

LAB 54.14, 41.72, -52.53

 

CMYK 24 / 39 / 0 / 10

HEX #AE8BE5

RGB 174 139 229

HSL 263.33, 0.63%, 0.72%

LAB 64.26, 31.33, -40.86

 

CMYK 40 / 66 / 0 / 16

HEX #7F48D5

RGB 127 72 213

HSL 263.4, 0.63%, 0.56%

LAB 44.16, 52.62, -64.18

 

CMYK 0 / 66 / 38 / 16

HEX #D54883

RGB 213 72 131

HSL 334.89, 0.63%, 0.56%

LAB 52.31, 60, -2.42

 

CMYK 65 / 0 / 66 / 16

HEX #4AD548

RGB 74 213 72

HSL 119.15, 0.63%, 0.56%

LAB 75.77, -63.7, 56.74

 

CMYK 40 / 66 / 0 / 16

HEX #7F48D5

RGB 127 72 213

HSL 263.4, 0.63%, 0.56%

LAB 44.16, 52.62, -64.18

 

CMYK 0 / 41 / 66 / 16

HEX #D57E48

RGB 213 126 72

HSL 22.98, 0.63%, 0.56%

LAB 61.25, 29.02, 43.17

 

CMYK 66 / 0 / 41 / 16

HEX #48D57E

RGB 72 213 126

HSL 142.98, 0.63%, 0.56%

LAB 76.36, -56.79, 32.23

 

CMYK 40 / 66 / 0 / 16

HEX #7F48D5

RGB 127 72 213

HSL 263.4, 0.63%, 0.56%

LAB 44.16, 52.62, -64.18

 

CMYK 0 / 66 / 38 / 16

HEX #D54883

RGB 213 72 131

HSL 334.89, 0.63%, 0.56%

LAB 52.31, 60, -2.42

 

CMYK 25 / 0 / 66 / 16

HEX #9FD548

RGB 159 213 72

HSL 82.98, 0.63%, 0.56%

LAB 79.29, -38.34, 61.55

 

CMYK 66 / 0 / 27 / 16

HEX #48D59B

RGB 72 213 155

HSL 155.32, 0.63%, 0.56%

LAB 76.88, -51.13, 17.85

 

CMYK 40 / 66 / 0 / 16

HEX #7F48D5

RGB 127 72 213

HSL 263.4, 0.63%, 0.56%

LAB 44.16, 52.62, -64.18

 

CMYK 0 / 66 / 58 / 16

HEX #D54859

RGB 213 72 89

HSL 352.77, 0.63%, 0.56%

LAB 51.27, 56.28, 21.3

 

CMYK 25 / 0 / 66 / 16

HEX #9FD548

RGB 159 213 72

HSL 82.98, 0.63%, 0.56%

LAB 79.29, -38.34, 61.55

 

CMYK 66 / 0 / 8 / 16

HEX #48D5C5

RGB 72 213 197

HSL 173.19, 0.63%, 0.56%

LAB 77.87, -41.05, -3.14

 

Description

Color code: HEX #7F48D5 | qconv.com Color code: HEX #7F48D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 72 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 72 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 66 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 66% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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