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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F4399 it is the complementary color #80BC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F4399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F4399 shade: #844394, #9555A7, #A667BA, #B779CD and #C88BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F4399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F4399 shade: #7F4399, #6E3186, #5D1F73, #4C0D60 and #3B004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F4399 shade: #7F4398, #964398, #984384, #98436D and #984356

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F4399 shade: #7F4398, #674398, #504398 and #434398

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F4399 shade matches the following richer shades: #7F4398, #8631AA, #8D1FBC and #940ECE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F4399 shade: #7F4398, #785587, #716675, #6A7863 and #638A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F4399 shade: #504398, #674398, #7D4398, #944398 and #984386

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F4399 shade: #4F2A5F, #67367C, #7F4398, #9652B3 and #A76EC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F4399 shade: #7F4399, #98434D and #43985B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F4399 shade: #7F4399, #987D43 and #43987D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F4399 shade: #7F4399, #98434D, #5E9843 and #43988E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F4399 shade: #7F4399, #985343, #5E9843 and #438998

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 56 / 0 / 40

HEX #7F4399

RGB 127 67 153

HSL 281.86, 0.39%, 0.43%

LAB 39.29, 40.67, -36.75

 

Complementary color

CMYK 32 / 0 / 46 / 26

HEX #80BC66

RGB 128 188 102

HSL 101.86, 0.39%, 0.57%

LAB 70.54, -35.3, 37.36

 

CMYK 11 / 55 / 0 / 42

HEX #844394

RGB 132 67 148

HSL 288.15, 0.38%, 0.42%

LAB 39.68, 40.99, -33.07

 

CMYK 11 / 49 / 0 / 35

HEX #9555A7

RGB 149 85 167

HSL 286.83, 0.33%, 0.49%

LAB 46.55, 40.24, -33.46

 

CMYK 11 / 45 / 0 / 27

HEX #A667BA

RGB 166 103 186

HSL 285.54, 0.38%, 0.57%

LAB 53.33, 39.45, -33.75

 

CMYK 11 / 41 / 0 / 20

HEX #B779CD

RGB 183 121 205

HSL 284.29, 0.46%, 0.64%

LAB 60.02, 38.66, -34

 

CMYK 11 / 38 / 0 / 12

HEX #C88BE0

RGB 200 139 224

HSL 283.06, 0.58%, 0.71%

LAB 66.62, 37.89, -34.22

 

CMYK 17 / 56 / 0 / 40

HEX #7F4399

RGB 127 67 153

HSL 281.86, 0.39%, 0.43%

LAB 39.29, 40.67, -36.75

 

CMYK 18 / 63 / 0 / 47

HEX #6E3186

RGB 110 49 134

HSL 283.06, 0.46%, 0.36%

LAB 32.33, 41.33, -36.34

 

CMYK 19 / 73 / 0 / 55

HEX #5D1F73

RGB 93 31 115

HSL 284.29, 0.58%, 0.29%

LAB 25.4, 41.59, -35.62

 

CMYK 21 / 86 / 0 / 62

HEX #4C0D60

RGB 76 13 96

HSL 285.54, 0.76%, 0.21%

LAB 18.67, 40.83, -34.23

 

CMYK 23 / 100 / 0 / 70

HEX #3B004D

RGB 59 0 77

HSL 285.97, 1%, 0.15%

LAB 12.39, 38.13, -31.7

 

CMYK 16 / 56 / 0 / 40

HEX #7F4398

RGB 127 67 152

HSL 282.35, 0.39%, 0.43%

LAB 39.23, 40.45, -36.24

 

CMYK 1 / 56 / 0 / 40

HEX #964398

RGB 150 67 152

HSL 298.59, 0.39%, 0.43%

LAB 42.41, 46.88, -31.01

 

CMYK 0 / 56 / 13 / 40

HEX #984384

RGB 152 67 132

HSL 314.12, 0.39%, 0.43%

LAB 41.78, 43.94, -19.85

 

CMYK 0 / 56 / 28 / 40

HEX #98436D

RGB 152 67 109

HSL 330.35, 0.39%, 0.43%

LAB 40.89, 40.42, -7.04

 

CMYK 0 / 56 / 43 / 40

HEX #984356

RGB 152 67 86

HSL 346.59, 0.39%, 0.43%

LAB 40.18, 37.52, 6.27

 

CMYK 16 / 56 / 0 / 40

HEX #7F4398

RGB 127 67 152

HSL 282.35, 0.39%, 0.43%

LAB 39.23, 40.45, -36.24

 

CMYK 32 / 56 / 0 / 40

HEX #674398

RGB 103 67 152

HSL 265.41, 0.39%, 0.43%

LAB 36.3, 33.94, -41.08

 

CMYK 47 / 56 / 0 / 40

HEX #504398

RGB 80 67 152

HSL 249.18, 0.39%, 0.43%

LAB 33.96, 28.21, -44.97

 

CMYK 56 / 56 / 0 / 40

HEX #434398

RGB 67 67 152

HSL 240, 0.39%, 0.43%

LAB 32.86, 25.34, -46.79

 

CMYK 16 / 56 / 0 / 40

HEX #7F4398

RGB 127 67 152

HSL 282.35, 0.39%, 0.43%

LAB 39.23, 40.45, -36.24

 

CMYK 21 / 71 / 0 / 33

HEX #8631AA

RGB 134 49 170

HSL 282.15, 0.55%, 0.43%

LAB 38.14, 54.75, -48.73

 

CMYK 25 / 84 / 0 / 26

HEX #8D1FBC

RGB 141 31 188

HSL 282.04, 0.72%, 0.43%

LAB 38.33, 65.93, -59.05

 

CMYK 28 / 93 / 0 / 19

HEX #940ECE

RGB 148 14 206

HSL 281.88, 0.87%, 0.43%

LAB 39.69, 73.81, -67.3

 

CMYK 16 / 56 / 0 / 40

HEX #7F4398

RGB 127 67 152

HSL 282.35, 0.39%, 0.43%

LAB 39.23, 40.45, -36.24

 

CMYK 11 / 37 / 0 / 47

HEX #785587

RGB 120 85 135

HSL 282, 0.23%, 0.43%

LAB 41.59, 24.14, -22.3

 

CMYK 3 / 13 / 0 / 54

HEX #716675

RGB 113 102 117

HSL 284, 0.07%, 0.43%

LAB 44.66, 7.37, -6.81

 

CMYK 12 / 0 / 18 / 53

HEX #6A7863

RGB 106 120 99

HSL 100, 0.1%, 0.43%

LAB 48.76, -9.45, 9.81

 

CMYK 28 / 0 / 41 / 46

HEX #638A51

RGB 99 138 81

HSL 101.05, 0.26%, 0.43%

LAB 53.41, -24.73, 26.27

 

CMYK 47 / 56 / 0 / 40

HEX #504398

RGB 80 67 152

HSL 249.18, 0.39%, 0.43%

LAB 33.96, 28.21, -44.97

 

CMYK 32 / 56 / 0 / 40

HEX #674398

RGB 103 67 152

HSL 265.41, 0.39%, 0.43%

LAB 36.3, 33.94, -41.08

 

CMYK 18 / 56 / 0 / 40

HEX #7D4398

RGB 125 67 152

HSL 280.94, 0.39%, 0.43%

LAB 38.97, 39.9, -36.67

 

CMYK 3 / 56 / 0 / 40

HEX #944398

RGB 148 67 152

HSL 297.18, 0.39%, 0.43%

LAB 42.12, 46.32, -31.49

 

CMYK 0 / 56 / 12 / 40

HEX #984386

RGB 152 67 134

HSL 312.71, 0.39%, 0.43%

LAB 41.86, 44.27, -20.94

 

CMYK 17 / 56 / 0 / 63

HEX #4F2A5F

RGB 79 42 95

HSL 281.89, 0.39%, 0.27%

LAB 24.14, 27.35, -24.79

 

CMYK 17 / 56 / 0 / 51

HEX #67367C

RGB 103 54 124

HSL 282, 0.39%, 0.35%

LAB 31.75, 34.46, -31.09

 

CMYK 16 / 56 / 0 / 40

HEX #7F4398

RGB 127 67 152

HSL 282.35, 0.39%, 0.43%

LAB 39.23, 40.45, -36.24

 

CMYK 16 / 54 / 0 / 30

HEX #9652B3

RGB 150 82 179

HSL 282.06, 0.39%, 0.51%

LAB 46.68, 44.69, -40.3

 

CMYK 13 / 43 / 0 / 25

HEX #A76EC0

RGB 167 110 192

HSL 281.71, 0.39%, 0.59%

LAB 55.25, 37.16, -34.19

 

CMYK 17 / 56 / 0 / 40

HEX #7F4399

RGB 127 67 153

HSL 281.86, 0.39%, 0.43%

LAB 39.29, 40.67, -36.75

 

CMYK 0 / 56 / 49 / 40

HEX #98434D

RGB 152 67 77

HSL 352.94, 0.39%, 0.43%

LAB 39.96, 36.57, 11.58

 

CMYK 56 / 0 / 40 / 40

HEX #43985B

RGB 67 152 91

HSL 136.94, 0.39%, 0.43%

LAB 56.49, -39.7, 24.53

 

CMYK 17 / 56 / 0 / 40

HEX #7F4399

RGB 127 67 153

HSL 281.86, 0.39%, 0.43%

LAB 39.29, 40.67, -36.75

 

CMYK 0 / 18 / 56 / 40

HEX #987D43

RGB 152 125 67

HSL 40.94, 0.39%, 0.43%

LAB 53.76, 3, 35.18

 

CMYK 56 / 0 / 18 / 40

HEX #43987D

RGB 67 152 125

HSL 160.94, 0.39%, 0.43%

LAB 57.2, -32.47, 6.51

 

CMYK 17 / 56 / 0 / 40

HEX #7F4399

RGB 127 67 153

HSL 281.86, 0.39%, 0.43%

LAB 39.29, 40.67, -36.75

 

CMYK 0 / 56 / 49 / 40

HEX #98434D

RGB 152 67 77

HSL 352.94, 0.39%, 0.43%

LAB 39.96, 36.57, 11.58

 

CMYK 38 / 0 / 56 / 40

HEX #5E9843

RGB 94 152 67

HSL 100.94, 0.39%, 0.43%

LAB 57.31, -35.07, 38.34

 

CMYK 56 / 0 / 7 / 40

HEX #43988E

RGB 67 152 142

HSL 172.94, 0.39%, 0.43%

LAB 57.66, -28.12, -2.51

 

CMYK 17 / 56 / 0 / 40

HEX #7F4399

RGB 127 67 153

HSL 281.86, 0.39%, 0.43%

LAB 39.29, 40.67, -36.75

 

CMYK 0 / 45 / 56 / 40

HEX #985343

RGB 152 83 67

HSL 11.29, 0.39%, 0.43%

LAB 43.16, 27, 21.99

 

CMYK 38 / 0 / 56 / 40

HEX #5E9843

RGB 94 152 67

HSL 100.94, 0.39%, 0.43%

LAB 57.31, -35.07, 38.34

 

CMYK 56 / 10 / 0 / 40

HEX #438998

RGB 67 137 152

HSL 190.59, 0.39%, 0.43%

LAB 53.33, -17.53, -14.72

 

Description

Color code: HEX #7F4399 | qconv.com Color code: HEX #7F4399 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 67 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 67 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 56 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 56% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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