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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F4024 it is the complementary color #80BFDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F4024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F4024 shade: #84401F, #955232, #A66445, #B77658 and #C8886B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F4024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F4024 shade: #7F4024, #6E2E11, #5D1C00, #4C0A00 and #3B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F4024 shade: #7F4024, #7F2724 and #7F2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F4024 shade: #7F4024, #7F5924, #7F7124, #757F24 and #5C7F24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F4024 shade matches the following richer shades: #7F4024, #8C3B17 and #9A3609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F4024 shade: #7F4024, #724531, #654A3E, #584F4C and #4A5459

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F4024 shade: #7F2439, #7F2724, #7F3F24, #7F5824 and #7F7024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F4024 shade: #3F2012, #5F301B, #7F4024, #9F502D and #C06036

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F4024 shade: #7F4024, #527F24 and #242D7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F4024 shade: #7F4024, #247F3F and #3F247F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F4024 shade: #7F4024, #527F24, #24647F and #52247F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F4024 shade: #7F4024, #367F24, #24647F and #6D247F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 72 / 50

HEX #7F4024

RGB 127 64 36

HSL 18.46, 0.56%, 0.32%

LAB 34.61, 24.8, 28.96

 

Complementary color

CMYK 42 / 13 / 0 / 14

HEX #80BFDB

RGB 128 191 219

HSL 198.46, 0.56%, 0.68%

LAB 74.17, -12.97, -20.35

 

CMYK 0 / 52 / 77 / 48

HEX #84401F

RGB 132 64 31

HSL 19.6, 0.62%, 0.32%

LAB 35.34, 26.68, 32.77

 

CMYK 0 / 45 / 66 / 42

HEX #955232

RGB 149 82 50

HSL 19.39, 0.5%, 0.39%

LAB 42.24, 24.98, 30.67

 

CMYK 0 / 40 / 58 / 35

HEX #A66445

RGB 166 100 69

HSL 19.18, 0.41%, 0.46%

LAB 49.07, 23.5, 28.73

 

CMYK 0 / 36 / 52 / 28

HEX #B77658

RGB 183 118 88

HSL 18.95, 0.4%, 0.53%

LAB 55.82, 22.22, 27.01

 

CMYK 0 / 32 / 47 / 22

HEX #C8886B

RGB 200 136 107

HSL 18.71, 0.46%, 0.6%

LAB 62.46, 21.12, 25.47

 

CMYK 0 / 50 / 72 / 50

HEX #7F4024

RGB 127 64 36

HSL 18.46, 0.56%, 0.32%

LAB 34.61, 24.8, 28.96

 

CMYK 0 / 58 / 85 / 57

HEX #6E2E11

RGB 110 46 17

HSL 18.71, 0.73%, 0.25%

LAB 27.6, 26.61, 31.17

 

CMYK 0 / 70 / 100 / 64

HEX #5D1C00

RGB 93 28 0

HSL 18.06, 1%, 0.18%

LAB 20.66, 28.42, 30.63

 

CMYK 0 / 87 / 100 / 70

HEX #4C0A00

RGB 76 10 0

HSL 7.89, 1%, 0.15%

LAB 14.14, 29.66, 21.86

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 50 / 72 / 50

HEX #7F4024

RGB 127 64 36

HSL 18.46, 0.56%, 0.32%

LAB 34.61, 24.8, 28.96

 

CMYK 0 / 69 / 72 / 50

HEX #7F2724

RGB 127 39 36

HSL 1.98, 0.56%, 0.32%

LAB 29.64, 37.71, 23.18

 

CMYK 0 / 72 / 72 / 50

HEX #7F2424

RGB 127 36 36

HSL 0, 0.56%, 0.32%

LAB 29.16, 39.01, 22.6

 

CMYK 0 / 50 / 72 / 50

HEX #7F4024

RGB 127 64 36

HSL 18.46, 0.56%, 0.32%

LAB 34.61, 24.8, 28.96

 

CMYK 0 / 30 / 72 / 50

HEX #7F5924

RGB 127 89 36

HSL 34.95, 0.56%, 0.32%

LAB 40.87, 10.1, 35.84

 

CMYK 0 / 11 / 72 / 50

HEX #7F7124

RGB 127 113 36

HSL 50.77, 0.56%, 0.32%

LAB 47.56, -3.9, 42.8

 

CMYK 8 / 0 / 72 / 50

HEX #757F24

RGB 117 127 36

HSL 66.59, 0.56%, 0.32%

LAB 50.79, -16.23, 45.75

 

CMYK 28 / 0 / 72 / 50

HEX #5C7F24

RGB 92 127 36

HSL 83.08, 0.56%, 0.32%

LAB 48.98, -27.05, 43.34

 

CMYK 0 / 50 / 72 / 50

HEX #7F4024

RGB 127 64 36

HSL 18.46, 0.56%, 0.32%

LAB 34.61, 24.8, 28.96

 

CMYK 0 / 58 / 84 / 45

HEX #8C3B17

RGB 140 59 23

HSL 18.46, 0.72%, 0.32%

LAB 35.53, 32.39, 37.5

 

CMYK 0 / 65 / 94 / 40

HEX #9A3609

RGB 154 54 9

HSL 18.62, 0.89%, 0.32%

LAB 36.98, 39.99, 45.37

 

CMYK 0 / 50 / 72 / 50

HEX #7F4024

RGB 127 64 36

HSL 18.46, 0.56%, 0.32%

LAB 34.61, 24.8, 28.96

 

CMYK 0 / 39 / 57 / 55

HEX #724531

RGB 114 69 49

HSL 18.46, 0.4%, 0.32%

LAB 34.1, 17.09, 20.15

 

CMYK 0 / 27 / 39 / 60

HEX #654A3E

RGB 101 74 62

HSL 18.46, 0.24%, 0.32%

LAB 34.01, 9.66, 11.64

 

CMYK 0 / 10 / 14 / 65

HEX #584F4C

RGB 88 79 76

HSL 15, 0.07%, 0.32%

LAB 34.37, 3.14, 3.12

 

CMYK 17 / 6 / 0 / 65

HEX #4A5459

RGB 74 84 89

HSL 200, 0.09%, 0.32%

LAB 35.04, -2.74, -4.25

 

CMYK 0 / 72 / 55 / 50

HEX #7F2439

RGB 127 36 57

HSL 346.15, 0.56%, 0.32%

LAB 29.59, 40.5, 9.4

 

CMYK 0 / 69 / 72 / 50

HEX #7F2724

RGB 127 39 36

HSL 1.98, 0.56%, 0.32%

LAB 29.64, 37.71, 23.18

 

CMYK 0 / 50 / 72 / 50

HEX #7F3F24

RGB 127 63 36

HSL 17.8, 0.56%, 0.32%

LAB 34.38, 25.36, 28.7

 

CMYK 0 / 31 / 72 / 50

HEX #7F5824

RGB 127 88 36

HSL 34.29, 0.56%, 0.32%

LAB 40.6, 10.7, 35.55

 

CMYK 0 / 12 / 72 / 50

HEX #7F7024

RGB 127 112 36

HSL 50.11, 0.56%, 0.32%

LAB 47.27, -3.34, 42.5

 

CMYK 0 / 49 / 71 / 75

HEX #3F2012

RGB 63 32 18

HSL 18.67, 0.56%, 0.16%

LAB 16.17, 13.43, 15.83

 

CMYK 0 / 49 / 72 / 63

HEX #5F301B

RGB 95 48 27

HSL 18.53, 0.56%, 0.24%

LAB 25.64, 19.31, 22.66

 

CMYK 0 / 50 / 72 / 50

HEX #7F4024

RGB 127 64 36

HSL 18.46, 0.56%, 0.32%

LAB 34.61, 24.8, 28.96

 

CMYK 0 / 50 / 72 / 38

HEX #9F502D

RGB 159 80 45

HSL 18.42, 0.56%, 0.4%

LAB 43.21, 30, 34.94

 

CMYK 0 / 50 / 72 / 25

HEX #C06036

RGB 192 96 54

HSL 18.26, 0.56%, 0.48%

LAB 51.65, 35.39, 40.89

 

CMYK 0 / 50 / 72 / 50

HEX #7F4024

RGB 127 64 36

HSL 18.46, 0.56%, 0.32%

LAB 34.61, 24.8, 28.96

 

CMYK 35 / 0 / 72 / 50

HEX #527F24

RGB 82 127 36

HSL 89.67, 0.56%, 0.32%

LAB 48.39, -31.03, 42.54

 

CMYK 72 / 65 / 0 / 50

HEX #242D7F

RGB 36 45 127

HSL 234.07, 0.56%, 0.32%

LAB 22.94, 25.49, -47.52

 

CMYK 0 / 50 / 72 / 50

HEX #7F4024

RGB 127 64 36

HSL 18.46, 0.56%, 0.32%

LAB 34.61, 24.8, 28.96

 

CMYK 72 / 0 / 50 / 50

HEX #247F3F

RGB 36 127 63

HSL 137.8, 0.56%, 0.32%

LAB 46.86, -41.26, 27.17

 

CMYK 50 / 72 / 0 / 50

HEX #3F247F

RGB 63 36 127

HSL 257.8, 0.56%, 0.32%

LAB 23.17, 35.75, -47.05

 

CMYK 0 / 50 / 72 / 50

HEX #7F4024

RGB 127 64 36

HSL 18.46, 0.56%, 0.32%

LAB 34.61, 24.8, 28.96

 

CMYK 35 / 0 / 72 / 50

HEX #527F24

RGB 82 127 36

HSL 89.67, 0.56%, 0.32%

LAB 48.39, -31.03, 42.54

 

CMYK 72 / 21 / 0 / 50

HEX #24647F

RGB 36 100 127

HSL 197.8, 0.56%, 0.32%

LAB 39.62, -10.86, -20.98

 

CMYK 35 / 72 / 0 / 50

HEX #52247F

RGB 82 36 127

HSL 270.33, 0.56%, 0.32%

LAB 25.53, 39.59, -43.12

 

CMYK 0 / 50 / 72 / 50

HEX #7F4024

RGB 127 64 36

HSL 18.46, 0.56%, 0.32%

LAB 34.61, 24.8, 28.96

 

CMYK 57 / 0 / 72 / 50

HEX #367F24

RGB 54 127 36

HSL 108.13, 0.56%, 0.32%

LAB 47.09, -40.49, 40.79

 

CMYK 72 / 21 / 0 / 50

HEX #24647F

RGB 36 100 127

HSL 197.8, 0.56%, 0.32%

LAB 39.62, -10.86, -20.98

 

CMYK 14 / 72 / 0 / 50

HEX #6D247F

RGB 109 36 127

HSL 288.13, 0.56%, 0.32%

LAB 29.53, 45.7, -36.47

 

Description

Color code: HEX #7F4024 | qconv.com Color code: HEX #7F4024 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 64 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 64 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 72 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 72% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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