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Color name
HEX #7F300C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F300C it is the complementary color #80CFF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F300C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F300C shade: #843007, #95421A, #A6542D, #B76640 and #C87853

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F300C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F300C shade: #7F300C, #6E1E00, #5D0C00, #4C0000 and #3B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F300C shade: #7E2F0C, #7E110C and #7E0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F300C shade: #7E2F0C, #7E4E0C, #7E6D0C, #707E0C and #517E0C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F300C shade matches the following richer shades: #7E2F0C and #892B01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F300C shade: #7E2F0C, #733417, #683822, #5D3C2D and #514038

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F300C shade: #7E0C26, #7E100C, #7E2E0C, #7E4C0C and #7E6B0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F300C shade: #321305, #582108, #7E2F0C, #A43E0F and #C94C13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F300C shade: #7F300C, #457E0C and #0C177E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F300C shade: #7F300C, #0C7E2E and #2E0C7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F300C shade: #7F300C, #457E0C, #0C5C7E and #450C7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F300C shade: #7F300C, #237E0C, #0C5C7E and #670C7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 91 / 50

HEX #7F300C

RGB 127 48 12

HSL 18.78, 0.83%, 0.27%

LAB 31, 32.46, 37.65

 

Complementary color

CMYK 47 / 15 / 0 / 5

HEX #80CFF3

RGB 128 207 243

HSL 198.78, 0.83%, 0.73%

LAB 79.43, -14.87, -25.25

 

CMYK 0 / 64 / 95 / 48

HEX #843007

RGB 132 48 7

HSL 19.68, 0.9%, 0.27%

LAB 31.89, 34.35, 40.68

 

CMYK 0 / 56 / 83 / 42

HEX #95421A

RGB 149 66 26

HSL 19.51, 0.7%, 0.34%

LAB 38.48, 32.51, 39.37

 

CMYK 0 / 49 / 73 / 35

HEX #A6542D

RGB 166 84 45

HSL 19.34, 0.57%, 0.41%

LAB 45.13, 30.73, 37.36

 

CMYK 0 / 44 / 65 / 28

HEX #B76640

RGB 183 102 64

HSL 19.16, 0.48%, 0.48%

LAB 51.77, 29.12, 35.33

 

CMYK 0 / 40 / 59 / 22

HEX #C87853

RGB 200 120 83

HSL 18.97, 0.52%, 0.55%

LAB 58.36, 27.69, 33.45

 

CMYK 0 / 62 / 91 / 50

HEX #7F300C

RGB 127 48 12

HSL 18.78, 0.83%, 0.27%

LAB 31, 32.46, 37.65

 

CMYK 0 / 73 / 100 / 57

HEX #6E1E00

RGB 110 30 0

HSL 16.36, 1%, 0.22%

LAB 24.46, 34.13, 35.66

 

CMYK 0 / 87 / 100 / 64

HEX #5D0C00

RGB 93 12 0

HSL 7.74, 1%, 0.18%

LAB 18.32, 34.88, 27.94

 

CMYK 0 / 100 / 100 / 70

HEX #4C0000

RGB 76 0 0

HSL 0, 1%, 0.15%

LAB 12.84, 33.37, 20.14

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 63 / 90 / 51

HEX #7E2F0C

RGB 126 47 12

HSL 18.42, 0.83%, 0.27%

LAB 30.63, 32.57, 37.28

 

CMYK 0 / 87 / 90 / 51

HEX #7E110C

RGB 126 17 12

HSL 2.63, 0.83%, 0.27%

LAB 26.34, 44.3, 33.7

 

CMYK 0 / 90 / 90 / 51

HEX #7E0C0C

RGB 126 12 12

HSL 0, 0.83%, 0.27%

LAB 25.94, 45.45, 33.33

 

CMYK 0 / 63 / 90 / 51

HEX #7E2F0C

RGB 126 47 12

HSL 18.42, 0.83%, 0.27%

LAB 30.63, 32.57, 37.28

 

CMYK 0 / 38 / 90 / 51

HEX #7E4E0C

RGB 126 78 12

HSL 34.74, 0.83%, 0.27%

LAB 37.68, 15.16, 42.96

 

CMYK 0 / 13 / 90 / 51

HEX #7E6D0C

RGB 126 109 12

HSL 51.05, 0.83%, 0.27%

LAB 46.18, -3.07, 49.79

 

CMYK 11 / 0 / 90 / 51

HEX #707E0C

RGB 112 126 12

HSL 67.37, 0.83%, 0.27%

LAB 49.97, -18.98, 52.35

 

CMYK 36 / 0 / 90 / 51

HEX #517E0C

RGB 81 126 12

HSL 83.68, 0.83%, 0.27%

LAB 47.88, -32.26, 49.76

 

CMYK 0 / 63 / 90 / 51

HEX #7E2F0C

RGB 126 47 12

HSL 18.42, 0.83%, 0.27%

LAB 30.63, 32.57, 37.28

 

CMYK 0 / 69 / 99 / 46

HEX #892B01

RGB 137 43 1

HSL 18.53, 0.99%, 0.27%

LAB 31.92, 38.49, 43.59

 

CMYK 0 / 63 / 90 / 51

HEX #7E2F0C

RGB 126 47 12

HSL 18.42, 0.83%, 0.27%

LAB 30.63, 32.57, 37.28

 

CMYK 0 / 55 / 80 / 55

HEX #733417

RGB 115 52 23

HSL 18.91, 0.67%, 0.27%

LAB 29.82, 25.69, 30.48

 

CMYK 0 / 46 / 67 / 59

HEX #683822

RGB 104 56 34

HSL 18.86, 0.51%, 0.27%

LAB 29.13, 19.11, 22.85

 

CMYK 0 / 35 / 52 / 64

HEX #5D3C2D

RGB 93 60 45

HSL 18.75, 0.35%, 0.27%

LAB 28.77, 12.58, 15.18

 

CMYK 0 / 21 / 31 / 68

HEX #514038

RGB 81 64 56

HSL 19.2, 0.18%, 0.27%

LAB 28.65, 5.98, 7.68

 

CMYK 0 / 90 / 70 / 51

HEX #7E0C26

RGB 126 12 38

HSL 346.32, 0.83%, 0.27%

LAB 26.27, 46.42, 17.68

 

CMYK 0 / 87 / 90 / 51

HEX #7E100C

RGB 126 16 12

HSL 2.11, 0.83%, 0.27%

LAB 26.25, 44.55, 33.62

 

CMYK 0 / 63 / 90 / 51

HEX #7E2E0C

RGB 126 46 12

HSL 17.89, 0.83%, 0.27%

LAB 30.44, 33.07, 37.12

 

CMYK 0 / 40 / 90 / 51

HEX #7E4C0C

RGB 126 76 12

HSL 33.68, 0.83%, 0.27%

LAB 37.17, 16.34, 42.55

 

CMYK 0 / 15 / 90 / 51

HEX #7E6B0C

RGB 126 107 12

HSL 50, 0.83%, 0.27%

LAB 45.6, -1.93, 49.33

 

CMYK 0 / 62 / 90 / 80

HEX #321305

RGB 50 19 5

HSL 18.67, 0.82%, 0.11%

LAB 10.22, 14.47, 13.57

 

CMYK 0 / 63 / 91 / 65

HEX #582108

RGB 88 33 8

HSL 18.75, 0.83%, 0.19%

LAB 20.75, 23.96, 27.19

 

CMYK 0 / 63 / 90 / 51

HEX #7E2F0C

RGB 126 47 12

HSL 18.42, 0.83%, 0.27%

LAB 30.63, 32.57, 37.28

 

CMYK 0 / 62 / 91 / 36

HEX #A43E0F

RGB 164 62 15

HSL 18.93, 0.83%, 0.35%

LAB 40.2, 40.12, 46.48

 

CMYK 0 / 62 / 91 / 21

HEX #C94C13

RGB 201 76 19

HSL 18.79, 0.83%, 0.43%

LAB 49.05, 47.45, 54.5

 

CMYK 0 / 62 / 91 / 50

HEX #7F300C

RGB 127 48 12

HSL 18.78, 0.83%, 0.27%

LAB 31, 32.46, 37.65

 

CMYK 45 / 0 / 90 / 51

HEX #457E0C

RGB 69 126 12

HSL 90, 0.83%, 0.27%

LAB 47.25, -36.75, 48.98

 

CMYK 90 / 82 / 0 / 51

HEX #0C177E

RGB 12 23 126

HSL 234.21, 0.83%, 0.27%

LAB 16.49, 37.06, -57.56

 

CMYK 0 / 62 / 91 / 50

HEX #7F300C

RGB 127 48 12

HSL 18.78, 0.83%, 0.27%

LAB 31, 32.46, 37.65

 

CMYK 90 / 0 / 63 / 51

HEX #0C7E2E

RGB 12 126 46

HSL 137.89, 0.83%, 0.27%

LAB 45.9, -46.74, 34.68

 

CMYK 63 / 90 / 0 / 51

HEX #2E0C7E

RGB 46 12 126

HSL 257.89, 0.83%, 0.27%

LAB 17.23, 44.43, -56.26

 

CMYK 0 / 62 / 91 / 50

HEX #7F300C

RGB 127 48 12

HSL 18.78, 0.83%, 0.27%

LAB 31, 32.46, 37.65

 

CMYK 45 / 0 / 90 / 51

HEX #457E0C

RGB 69 126 12

HSL 90, 0.83%, 0.27%

LAB 47.25, -36.75, 48.98

 

CMYK 90 / 27 / 0 / 51

HEX #0C5C7E

RGB 12 92 126

HSL 197.89, 0.83%, 0.27%

LAB 36.44, -9.27, -25.35

 

CMYK 45 / 90 / 0 / 51

HEX #450C7E

RGB 69 12 126

HSL 270, 0.83%, 0.27%

LAB 20.18, 46.95, -51.29

 

CMYK 0 / 62 / 91 / 50

HEX #7F300C

RGB 127 48 12

HSL 18.78, 0.83%, 0.27%

LAB 31, 32.46, 37.65

 

CMYK 72 / 0 / 90 / 51

HEX #237E0C

RGB 35 126 12

HSL 107.89, 0.83%, 0.27%

LAB 46.05, -46.34, 47.47

 

CMYK 90 / 27 / 0 / 51

HEX #0C5C7E

RGB 12 92 126

HSL 197.89, 0.83%, 0.27%

LAB 36.44, -9.27, -25.35

 

CMYK 18 / 90 / 0 / 51

HEX #670C7E

RGB 103 12 126

HSL 287.89, 0.83%, 0.27%

LAB 25.72, 52.13, -42.01

 

Description

Color code: HEX #7F300C | qconv.com Color code: HEX #7F300C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 48 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 48 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 91 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 91% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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