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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F2883 it is the complementary color #80D77C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F2883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F2883 shade: #84287E, #953A91, #A64CA4, #B75EB7 and #C870CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F2883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F2883 shade: #7F2883, #6E1670, #5D045D, #4C004A and #3B0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F2883 shade: #812985, #852970, #852957, #85293E and #852929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F2883 shade: #812985, #682985, #4F2985, #362985 and #292985

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F2883 shade matches the following richer shades: #812985, #8D1B93 and #9A0DA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F2883 shade: #812985, #743777, #674569, #5A535B and #4D614D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F2883 shade: #4F2985, #682985, #802985, #852971 and #852958

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F2883 shade: #431546, #621F65, #812985, #9F32A4 and #BD3DC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F2883 shade: #7F2883, #853729 and #29855B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F2883 shade: #7F2883, #858029 and #298580

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F2883 shade: #7F2883, #853729, #2D8529 and #297785

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F2883 shade: #7F2883, #855229, #2D8529 and #295B85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 69 / 0 / 49

HEX #7F2883

RGB 127 40 131

HSL 297.36, 0.53%, 0.34%

LAB 33.28, 49.15, -32.81

 

Complementary color

CMYK 40 / 0 / 42 / 16

HEX #80D77C

RGB 128 215 124

HSL 117.36, 0.53%, 0.66%

LAB 78.84, -44.22, 36.82

 

CMYK 0 / 70 / 5 / 48

HEX #84287E

RGB 132 40 126

HSL 303.91, 0.53%, 0.34%

LAB 33.84, 49.5, -28.76

 

CMYK 0 / 61 / 3 / 42

HEX #953A91

RGB 149 58 145

HSL 302.64, 0.44%, 0.41%

LAB 40.34, 49.58, -30.03

 

CMYK 0 / 54 / 1 / 35

HEX #A64CA4

RGB 166 76 164

HSL 301.33, 0.37%, 0.47%

LAB 46.92, 49.21, -30.94

 

CMYK 0 / 49 / 0 / 28

HEX #B75EB7

RGB 183 94 183

HSL 300, 0.38%, 0.54%

LAB 53.48, 48.62, -31.63

 

CMYK 1 / 45 / 0 / 21

HEX #C870CA

RGB 200 112 202

HSL 298.67, 0.46%, 0.62%

LAB 60.01, 47.93, -32.17

 

CMYK 3 / 69 / 0 / 49

HEX #7F2883

RGB 127 40 131

HSL 297.36, 0.53%, 0.34%

LAB 33.28, 49.15, -32.81

 

CMYK 2 / 80 / 0 / 56

HEX #6E1670

RGB 110 22 112

HSL 298.67, 0.67%, 0.26%

LAB 26.9, 48.27, -31.12

 

CMYK 0 / 96 / 0 / 64

HEX #5D045D

RGB 93 4 93

HSL 300, 0.92%, 0.19%

LAB 20.84, 46.01, -28.57

 

CMYK 0 / 100 / 3 / 70

HEX #4C004A

RGB 76 0 74

HSL 301.58, 1%, 0.15%

LAB 15.65, 40.58, -24.19

 

CMYK 0 / 100 / 7 / 77

HEX #3B0037

RGB 59 0 55

HSL 304.07, 1%, 0.12%

LAB 10.6, 33.91, -19.01

 

CMYK 3 / 69 / 0 / 48

HEX #812985

RGB 129 41 133

HSL 297.39, 0.53%, 0.34%

LAB 33.87, 49.6, -33.1

 

CMYK 0 / 69 / 16 / 48

HEX #852970

RGB 133 41 112

HSL 313.7, 0.53%, 0.34%

LAB 33.44, 47.06, -20.56

 

CMYK 0 / 69 / 35 / 48

HEX #852957

RGB 133 41 87

HSL 330, 0.53%, 0.34%

LAB 32.39, 43.53, -6.12

 

CMYK 0 / 69 / 53 / 48

HEX #85293E

RGB 133 41 62

HSL 346.3, 0.53%, 0.34%

LAB 31.62, 40.83, 9.11

 

CMYK 0 / 69 / 69 / 48

HEX #852929

RGB 133 41 41

HSL 0, 0.53%, 0.34%

LAB 31.19, 39.26, 22.16

 

CMYK 3 / 69 / 0 / 48

HEX #812985

RGB 129 41 133

HSL 297.39, 0.53%, 0.34%

LAB 33.87, 49.6, -33.1

 

CMYK 22 / 69 / 0 / 48

HEX #682985

RGB 104 41 133

HSL 281.09, 0.53%, 0.34%

LAB 29.97, 43.56, -39.56

 

CMYK 41 / 69 / 0 / 48

HEX #4F2985

RGB 79 41 133

HSL 264.78, 0.53%, 0.34%

LAB 26.57, 37.91, -45.21

 

CMYK 59 / 69 / 0 / 48

HEX #362985

RGB 54 41 133

HSL 248.48, 0.53%, 0.34%

LAB 23.88, 33.07, -49.71

 

CMYK 69 / 69 / 0 / 48

HEX #292985

RGB 41 41 133

HSL 240, 0.53%, 0.34%

LAB 22.83, 31.06, -51.47

 

CMYK 3 / 69 / 0 / 48

HEX #812985

RGB 129 41 133

HSL 297.39, 0.53%, 0.34%

LAB 33.87, 49.6, -33.1

 

CMYK 4 / 82 / 0 / 42

HEX #8D1B93

RGB 141 27 147

HSL 297, 0.69%, 0.34%

LAB 35.11, 59.43, -39.63

 

CMYK 4 / 92 / 0 / 37

HEX #9A0DA1

RGB 154 13 161

HSL 297.16, 0.85%, 0.34%

LAB 37.36, 66.94, -44.42

 

CMYK 3 / 69 / 0 / 48

HEX #812985

RGB 129 41 133

HSL 297.39, 0.53%, 0.34%

LAB 33.87, 49.6, -33.1

 

CMYK 3 / 54 / 0 / 53

HEX #743777

RGB 116 55 119

HSL 297.19, 0.37%, 0.34%

LAB 33.51, 36.7, -25.06

 

CMYK 2 / 34 / 0 / 59

HEX #674569

RGB 103 69 105

HSL 296.67, 0.21%, 0.34%

LAB 34.31, 21.29, -15.15

 

CMYK 1 / 9 / 0 / 64

HEX #5A535B

RGB 90 83 91

HSL 292.5, 0.05%, 0.34%

LAB 36.21, 4.53, -3.62

 

CMYK 21 / 0 / 21 / 62

HEX #4D614D

RGB 77 97 77

HSL 120, 0.11%, 0.34%

LAB 39.01, -11.98, 8.96

 

CMYK 41 / 69 / 0 / 48

HEX #4F2985

RGB 79 41 133

HSL 264.78, 0.53%, 0.34%

LAB 26.57, 37.91, -45.21

 

CMYK 22 / 69 / 0 / 48

HEX #682985

RGB 104 41 133

HSL 281.09, 0.53%, 0.34%

LAB 29.97, 43.56, -39.56

 

CMYK 4 / 69 / 0 / 48

HEX #802985

RGB 128 41 133

HSL 296.74, 0.53%, 0.34%

LAB 33.71, 49.35, -33.37

 

CMYK 0 / 69 / 15 / 48

HEX #852971

RGB 133 41 113

HSL 313.04, 0.53%, 0.34%

LAB 33.49, 47.22, -21.12

 

CMYK 0 / 69 / 34 / 48

HEX #852958

RGB 133 41 88

HSL 329.35, 0.53%, 0.34%

LAB 32.43, 43.66, -6.71

 

CMYK 4 / 70 / 0 / 73

HEX #431546

RGB 67 21 70

HSL 296.33, 0.54%, 0.18%

LAB 16.36, 29.78, -20.39

 

CMYK 3 / 69 / 0 / 60

HEX #621F65

RGB 98 31 101

HSL 297.43, 0.53%, 0.26%

LAB 25.31, 39.93, -26.67

 

CMYK 3 / 69 / 0 / 48

HEX #812985

RGB 129 41 133

HSL 297.39, 0.53%, 0.34%

LAB 33.87, 49.6, -33.1

 

CMYK 3 / 70 / 0 / 36

HEX #9F32A4

RGB 159 50 164

HSL 297.37, 0.53%, 0.42%

LAB 41.74, 58.76, -39.17

 

CMYK 3 / 69 / 0 / 24

HEX #BD3DC3

RGB 189 61 195

HSL 297.31, 0.53%, 0.5%

LAB 49.61, 66.84, -44.61

 

CMYK 3 / 69 / 0 / 49

HEX #7F2883

RGB 127 40 131

HSL 297.36, 0.53%, 0.34%

LAB 33.28, 49.15, -32.81

 

CMYK 0 / 59 / 69 / 48

HEX #853729

RGB 133 55 41

HSL 9.13, 0.53%, 0.34%

LAB 33.73, 32.51, 25.23

 

CMYK 69 / 0 / 32 / 48

HEX #29855B

RGB 41 133 91

HSL 152.61, 0.53%, 0.34%

LAB 49.5, -37.26, 15

 

CMYK 3 / 69 / 0 / 49

HEX #7F2883

RGB 127 40 131

HSL 297.36, 0.53%, 0.34%

LAB 33.28, 49.15, -32.81

 

CMYK 0 / 4 / 69 / 48

HEX #858029

RGB 133 128 41

HSL 56.74, 0.53%, 0.34%

LAB 52.49, -9.2, 45.84

 

CMYK 69 / 0 / 4 / 48

HEX #298580

RGB 41 133 128

HSL 176.74, 0.53%, 0.34%

LAB 50.46, -27.54, -5.14

 

CMYK 3 / 69 / 0 / 49

HEX #7F2883

RGB 127 40 131

HSL 297.36, 0.53%, 0.34%

LAB 33.28, 49.15, -32.81

 

CMYK 0 / 59 / 69 / 48

HEX #853729

RGB 133 55 41

HSL 9.13, 0.53%, 0.34%

LAB 33.73, 32.51, 25.23

 

CMYK 66 / 0 / 69 / 48

HEX #2D8529

RGB 45 133 41

HSL 117.39, 0.53%, 0.34%

LAB 48.88, -44.62, 40.45

 

CMYK 69 / 11 / 0 / 48

HEX #297785

RGB 41 119 133

HSL 189.13, 0.53%, 0.34%

LAB 46.12, -18.72, -14.6

 

CMYK 3 / 69 / 0 / 49

HEX #7F2883

RGB 127 40 131

HSL 297.36, 0.53%, 0.34%

LAB 33.28, 49.15, -32.81

 

CMYK 0 / 38 / 69 / 48

HEX #855229

RGB 133 82 41

HSL 26.74, 0.53%, 0.34%

LAB 39.88, 17.33, 32.36

 

CMYK 66 / 0 / 69 / 48

HEX #2D8529

RGB 45 133 41

HSL 117.39, 0.53%, 0.34%

LAB 48.88, -44.62, 40.45

 

CMYK 69 / 32 / 0 / 48

HEX #295B85

RGB 41 91 133

HSL 207.39, 0.53%, 0.34%

LAB 37.2, -2.36, -28.38

 

Description

Color code: HEX #7F2883 | qconv.com Color code: HEX #7F2883 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 40 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 40 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 69 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 69% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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