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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F24B1 it is the complementary color #80DB4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F24B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F24B1 shade: #8424AC, #9536BF, #A648D2, #B75AE5 and #C86CF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F24B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F24B1 shade: #7F24B1, #6E129E, #5D008B, #4C0078 and #3B0065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F24B1 shade: #8024B2, #A624B2, #B22498, #B22472 and #B2244B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F24B1 shade: #8024B2, #5A24B2, #3324B2 and #2424B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F24B1 shade matches the following richer shades: #8024B2, #8513C3 and #8A02D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F24B1 shade: #8024B2, #7B36A0, #76478F, #71587E and #6B6A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F24B1 shade: #3324B2, #5824B2, #7E24B2, #A424B2 and #B2249A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F24B1 shade: #4E166D, #671D90, #8024B2, #982CD4 and #A94EDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F24B1 shade: #7F24B1, #B2243C and #24B245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F24B1 shade: #7F24B1, #B27E24 and #24B27E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F24B1 shade: #7F24B1, #B2243C, #58B224 and #24B29A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F24B1 shade: #7F24B1, #B23724, #58B224 and #249FB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 80 / 0 / 31

HEX #7F24B1

RGB 127 36 177

HSL 278.72, 0.66%, 0.42%

LAB 35.88, 59.83, -56.6

 

Complementary color

CMYK 42 / 0 / 64 / 14

HEX #80DB4E

RGB 128 219 78

HSL 98.72, 0.66%, 0.58%

LAB 79.5, -51.19, 58.89

 

CMYK 23 / 79 / 0 / 33

HEX #8424AC

RGB 132 36 172

HSL 282.35, 0.65%, 0.41%

LAB 36.26, 59.68, -52.97

 

CMYK 22 / 72 / 0 / 25

HEX #9536BF

RGB 149 54 191

HSL 281.61, 0.56%, 0.48%

LAB 42.44, 60.19, -54.09

 

CMYK 21 / 66 / 0 / 18

HEX #A648D2

RGB 166 72 210

HSL 280.87, 0.61%, 0.55%

LAB 48.75, 60.09, -54.81

 

CMYK 20 / 61 / 0 / 10

HEX #B75AE5

RGB 183 90 229

HSL 280.14, 0.73%, 0.63%

LAB 55.11, 59.65, -55.28

 

CMYK 19 / 56 / 0 / 3

HEX #C86CF8

RGB 200 108 248

HSL 279.43, 0.91%, 0.7%

LAB 61.47, 59.02, -55.6

 

CMYK 28 / 80 / 0 / 31

HEX #7F24B1

RGB 127 36 177

HSL 278.72, 0.66%, 0.42%

LAB 35.88, 59.83, -56.6

 

CMYK 30 / 89 / 0 / 38

HEX #6E129E

RGB 110 18 158

HSL 279.43, 0.8%, 0.35%

LAB 29.95, 58.34, -54.94

 

CMYK 33 / 100 / 0 / 45

HEX #5D008B

RGB 93 0 139

HSL 280.14, 1%, 0.27%

LAB 24.29, 55.68, -52.59

 

CMYK 37 / 100 / 0 / 53

HEX #4C0078

RGB 76 0 120

HSL 278, 1%, 0.24%

LAB 19.61, 49.62, -48.36

 

CMYK 42 / 100 / 0 / 60

HEX #3B0065

RGB 59 0 101

HSL 275.05, 1%, 0.2%

LAB 14.79, 43.4, -44

 

CMYK 28 / 80 / 0 / 30

HEX #8024B2

RGB 128 36 178

HSL 278.87, 0.66%, 0.42%

LAB 36.11, 60.21, -56.83

 

CMYK 7 / 80 / 0 / 30

HEX #A624B2

RGB 166 36 178

HSL 294.93, 0.66%, 0.42%

LAB 42.13, 67.19, -46.81

 

CMYK 0 / 80 / 15 / 30

HEX #B22498

RGB 178 36 152

HSL 310.99, 0.66%, 0.42%

LAB 42.75, 65.64, -30.15

 

CMYK 0 / 80 / 36 / 30

HEX #B22472

RGB 178 36 114

HSL 327.04, 0.66%, 0.42%

LAB 41.12, 60.91, -9.34

 

CMYK 0 / 80 / 58 / 30

HEX #B2244B

RGB 178 36 75

HSL 343.52, 0.66%, 0.42%

LAB 39.97, 57.42, 13.59

 

CMYK 28 / 80 / 0 / 30

HEX #8024B2

RGB 128 36 178

HSL 278.87, 0.66%, 0.42%

LAB 36.11, 60.21, -56.83

 

CMYK 49 / 80 / 0 / 30

HEX #5A24B2

RGB 90 36 178

HSL 262.82, 0.66%, 0.42%

LAB 31, 54.27, -65.39

 

CMYK 71 / 80 / 0 / 30

HEX #3324B2

RGB 51 36 178

HSL 246.34, 0.66%, 0.42%

LAB 27.24, 49.91, -71.71

 

CMYK 80 / 80 / 0 / 30

HEX #2424B2

RGB 36 36 178

HSL 240, 0.66%, 0.42%

LAB 26.31, 48.82, -73.29

 

CMYK 28 / 80 / 0 / 30

HEX #8024B2

RGB 128 36 178

HSL 278.87, 0.66%, 0.42%

LAB 36.11, 60.21, -56.83

 

CMYK 32 / 90 / 0 / 24

HEX #8513C3

RGB 133 19 195

HSL 278.86, 0.82%, 0.42%

LAB 36.73, 68.9, -65.82

 

CMYK 35 / 99 / 0 / 17

HEX #8A02D4

RGB 138 2 212

HSL 278.86, 0.98%, 0.42%

LAB 38.2, 75.17, -73.28

 

CMYK 28 / 80 / 0 / 30

HEX #8024B2

RGB 128 36 178

HSL 278.87, 0.66%, 0.42%

LAB 36.11, 60.21, -56.83

 

CMYK 23 / 66 / 0 / 37

HEX #7B36A0

RGB 123 54 160

HSL 279.06, 0.5%, 0.42%

LAB 36.72, 47.87, -45.1

 

CMYK 17 / 50 / 0 / 44

HEX #76478F

RGB 118 71 143

HSL 279.17, 0.34%, 0.42%

LAB 38.45, 33.59, -32.1

 

CMYK 10 / 30 / 0 / 51

HEX #71587E

RGB 113 88 126

HSL 279.47, 0.18%, 0.42%

LAB 41.21, 17.87, -17.49

 

CMYK 1 / 2 / 0 / 58

HEX #6B6A6C

RGB 107 106 108

HSL 270, 0.01%, 0.42%

LAB 44.96, 0.8, -0.99

 

CMYK 71 / 80 / 0 / 30

HEX #3324B2

RGB 51 36 178

HSL 246.34, 0.66%, 0.42%

LAB 27.24, 49.91, -71.71

 

CMYK 51 / 80 / 0 / 30

HEX #5824B2

RGB 88 36 178

HSL 261.97, 0.66%, 0.42%

LAB 30.76, 54, -65.79

 

CMYK 29 / 80 / 0 / 30

HEX #7E24B2

RGB 126 36 178

HSL 278.03, 0.66%, 0.42%

LAB 35.81, 59.87, -57.32

 

CMYK 8 / 80 / 0 / 30

HEX #A424B2

RGB 164 36 178

HSL 294.08, 0.66%, 0.42%

LAB 41.8, 66.81, -47.36

 

CMYK 0 / 80 / 13 / 30

HEX #B2249A

RGB 178 36 154

HSL 310.14, 0.66%, 0.42%

LAB 42.85, 65.93, -31.2

 

CMYK 28 / 80 / 0 / 57

HEX #4E166D

RGB 78 22 109

HSL 278.62, 0.66%, 0.26%

LAB 21.2, 40.82, -38.65

 

CMYK 28 / 80 / 0 / 44

HEX #671D90

RGB 103 29 144

HSL 278.61, 0.66%, 0.34%

LAB 28.84, 50.88, -48.21

 

CMYK 28 / 80 / 0 / 30

HEX #8024B2

RGB 128 36 178

HSL 278.87, 0.66%, 0.42%

LAB 36.11, 60.21, -56.83

 

CMYK 28 / 79 / 0 / 17

HEX #982CD4

RGB 152 44 212

HSL 278.57, 0.66%, 0.5%

LAB 43.11, 68.68, -65.17

 

CMYK 23 / 64 / 0 / 14

HEX #A94EDB

RGB 169 78 219

HSL 278.72, 0.66%, 0.58%

LAB 50.69, 59.94, -56.82

 

CMYK 28 / 80 / 0 / 31

HEX #7F24B1

RGB 127 36 177

HSL 278.72, 0.66%, 0.42%

LAB 35.88, 59.83, -56.6

 

CMYK 0 / 80 / 66 / 30

HEX #B2243C

RGB 178 36 60

HSL 349.86, 0.66%, 0.42%

LAB 39.67, 56.48, 22.66

 

CMYK 80 / 0 / 61 / 30

HEX #24B245

RGB 36 178 69

HSL 133.94, 0.66%, 0.42%

LAB 63.87, -58.63, 44.57

 

CMYK 28 / 80 / 0 / 31

HEX #7F24B1

RGB 127 36 177

HSL 278.72, 0.66%, 0.42%

LAB 35.88, 59.83, -56.6

 

CMYK 0 / 29 / 80 / 30

HEX #B27E24

RGB 178 126 36

HSL 38.03, 0.66%, 0.42%

LAB 56.6, 12.23, 53.44

 

CMYK 80 / 0 / 29 / 30

HEX #24B27E

RGB 36 178 126

HSL 158.03, 0.66%, 0.42%

LAB 64.74, -48.59, 16.46

 

CMYK 28 / 80 / 0 / 31

HEX #7F24B1

RGB 127 36 177

HSL 278.72, 0.66%, 0.42%

LAB 35.88, 59.83, -56.6

 

CMYK 0 / 80 / 66 / 30

HEX #B2243C

RGB 178 36 60

HSL 349.86, 0.66%, 0.42%

LAB 39.67, 56.48, 22.66

 

CMYK 51 / 0 / 80 / 30

HEX #58B224

RGB 88 178 36

HSL 98.03, 0.66%, 0.42%

LAB 65, -50.43, 58.88

 

CMYK 80 / 0 / 13 / 30

HEX #24B29A

RGB 36 178 154

HSL 169.86, 0.66%, 0.42%

LAB 65.4, -41.63, 1.97

 

CMYK 28 / 80 / 0 / 31

HEX #7F24B1

RGB 127 36 177

HSL 278.72, 0.66%, 0.42%

LAB 35.88, 59.83, -56.6

 

CMYK 0 / 69 / 80 / 30

HEX #B23724

RGB 178 55 36

HSL 8.03, 0.66%, 0.42%

LAB 41.73, 48.79, 39.18

 

CMYK 51 / 0 / 80 / 30

HEX #58B224

RGB 88 178 36

HSL 98.03, 0.66%, 0.42%

LAB 65, -50.43, 58.88

 

CMYK 80 / 11 / 0 / 30

HEX #249FB2

RGB 36 159 178

HSL 188.03, 0.66%, 0.42%

LAB 60.24, -25.56, -19.15

 

Description

Color code: HEX #7F24B1 | qconv.com Color code: HEX #7F24B1 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 36 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 36 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 80 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 80% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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