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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EFE8C it is the complementary color #810173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EFE8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EFE8C shade: #83FE87, #94FF9A, #A5FFAD, #B6FFC0 and #C7FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EFE8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EFE8C shade: #7EFE8C, #6DEC79, #5CDA66, #4BC853 and #3AB640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EFE8C shade: #81FE8E, #95FE81, #B7FE81, #D8FE81 and #FAFE81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EFE8C shade: #81FE8E, #81FEB0, #81FED2, #81FEF4 and #81E6FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EFE8C shade matches the following richer shades: #81FE8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EFE8C shade: #81FE8E, #8BF396, #95E99F, #A0DFA7 and #AAD4AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EFE8C shade: #B7FE81, #96FE81, #81FE8D, #81FEAF and #81FED0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EFE8C shade: #2FFD46, #58FD6A, #81FE8E, #AAFEB3 and #D2FFD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EFE8C shade: #7EFE8C, #81D8FE and #FE81A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EFE8C shade: #7EFE8C, #8D81FE and #FE8D81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EFE8C shade: #7EFE8C, #81D8FE, #FE81F1 and #FEA681

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EFE8C shade: #7EFE8C, #81B3FE, #FE81F1 and #FECC81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 45 / 0

HEX #7EFE8C

RGB 126 254 140

HSL 126.56, 0.98%, 0.75%

LAB 90.42, -58.39, 43.74

 

Complementary color

CMYK 0 / 99 / 11 / 49

HEX #810173

RGB 129 1 115

HSL 306.56, 0.98%, 0.25%

LAB 29.23, 56.99, -29.13

 

CMYK 48 / 0 / 47 / 0

HEX #83FE87

RGB 131 254 135

HSL 121.95, 0.98%, 0.75%

LAB 90.53, -57.79, 46.31

 

CMYK 42 / 0 / 40 / 0

HEX #94FF9A

RGB 148 255 154

HSL 123.36, 1%, 0.79%

LAB 91.75, -50.83, 38.81

 

CMYK 35 / 0 / 32 / 0

HEX #A5FFAD

RGB 165 255 173

HSL 125.33, 1%, 0.82%

LAB 92.81, -42.93, 30.91

 

CMYK 29 / 0 / 25 / 0

HEX #B6FFC0

RGB 182 255 192

HSL 128.22, 1%, 0.86%

LAB 94, -34.6, 23.06

 

CMYK 22 / 0 / 17 / 0

HEX #C7FFD3

RGB 199 255 211

HSL 132.86, 1%, 0.89%

LAB 95.31, -25.98, 15.34

 

CMYK 50 / 0 / 45 / 0

HEX #7EFE8C

RGB 126 254 140

HSL 126.56, 0.98%, 0.75%

LAB 90.42, -58.39, 43.74

 

CMYK 54 / 0 / 49 / 7

HEX #6DEC79

RGB 109 236 121

HSL 125.67, 0.77%, 0.68%

LAB 84.29, -58.36, 45.03

 

CMYK 58 / 0 / 53 / 15

HEX #5CDA66

RGB 92 218 102

HSL 124.76, 0.63%, 0.61%

LAB 78.1, -58.18, 46.33

 

CMYK 63 / 0 / 59 / 22

HEX #4BC853

RGB 75 200 83

HSL 123.84, 0.53%, 0.54%

LAB 71.85, -57.78, 47.61

 

CMYK 68 / 0 / 65 / 29

HEX #3AB640

RGB 58 182 64

HSL 122.9, 0.52%, 0.47%

LAB 65.53, -57.06, 48.77

 

CMYK 49 / 0 / 44 / 0

HEX #81FE8E

RGB 129 254 142

HSL 126.24, 0.98%, 0.75%

LAB 90.55, -57.33, 42.96

 

CMYK 41 / 0 / 49 / 0

HEX #95FE81

RGB 149 254 129

HSL 110.4, 0.98%, 0.75%

LAB 91.17, -53.53, 50.08

 

CMYK 28 / 0 / 49 / 0

HEX #B7FE81

RGB 183 254 129

HSL 94.08, 0.98%, 0.75%

LAB 92.81, -42.65, 52.46

 

CMYK 15 / 0 / 49 / 0

HEX #D8FE81

RGB 216 254 129

HSL 78.24, 0.98%, 0.75%

LAB 94.77, -30.86, 55.28

 

CMYK 2 / 0 / 49 / 0

HEX #FAFE81

RGB 250 254 129

HSL 61.92, 0.98%, 0.75%

LAB 97.14, -17.92, 58.69

 

CMYK 49 / 0 / 44 / 0

HEX #81FE8E

RGB 129 254 142

HSL 126.24, 0.98%, 0.75%

LAB 90.55, -57.33, 42.96

 

CMYK 49 / 0 / 31 / 0

HEX #81FEB0

RGB 129 254 176

HSL 142.56, 0.98%, 0.75%

LAB 91.09, -51.8, 26.82

 

CMYK 49 / 0 / 17 / 0

HEX #81FED2

RGB 129 254 210

HSL 158.88, 0.98%, 0.75%

LAB 91.78, -45.07, 10.38

 

CMYK 49 / 0 / 4 / 0

HEX #81FEF4

RGB 129 254 244

HSL 175.2, 0.98%, 0.75%

LAB 92.61, -37.28, -5.99

 

CMYK 49 / 9 / 0 / 0

HEX #81E6FE

RGB 129 230 254

HSL 191.52, 0.98%, 0.75%

LAB 86.21, -23.32, -20.77

 

CMYK 49 / 0 / 44 / 0

HEX #81FE8E

RGB 129 254 142

HSL 126.24, 0.98%, 0.75%

LAB 90.55, -57.33, 42.96

 

CMYK 49 / 0 / 44 / 0

HEX #81FE8E

RGB 129 254 142

HSL 126.24, 0.98%, 0.75%

LAB 90.55, -57.33, 42.96

 

CMYK 43 / 0 / 38 / 5

HEX #8BF396

RGB 139 243 150

HSL 126.35, 0.81%, 0.75%

LAB 87.87, -48.98, 35.64

 

CMYK 36 / 0 / 32 / 9

HEX #95E99F

RGB 149 233 159

HSL 127.14, 0.66%, 0.75%

LAB 85.59, -40.29, 28.14

 

CMYK 28 / 0 / 25 / 13

HEX #A0DFA7

RGB 160 223 167

HSL 126.67, 0.5%, 0.75%

LAB 83.46, -30.93, 21.19

 

CMYK 20 / 0 / 17 / 17

HEX #AAD4AF

RGB 170 212 175

HSL 127.14, 0.33%, 0.75%

LAB 81.14, -20.93, 13.84

 

CMYK 28 / 0 / 49 / 0

HEX #B7FE81

RGB 183 254 129

HSL 94.08, 0.98%, 0.75%

LAB 92.81, -42.65, 52.46

 

CMYK 41 / 0 / 49 / 0

HEX #96FE81

RGB 150 254 129

HSL 109.92, 0.98%, 0.75%

LAB 91.21, -53.23, 50.14

 

CMYK 49 / 0 / 44 / 0

HEX #81FE8D

RGB 129 254 141

HSL 125.76, 0.98%, 0.75%

LAB 90.54, -57.48, 43.43

 

CMYK 49 / 0 / 31 / 0

HEX #81FEAF

RGB 129 254 175

HSL 142.08, 0.98%, 0.75%

LAB 91.07, -51.98, 27.3

 

CMYK 49 / 0 / 18 / 0

HEX #81FED0

RGB 129 254 208

HSL 157.92, 0.98%, 0.75%

LAB 91.73, -45.49, 11.35

 

CMYK 81 / 0 / 72 / 1

HEX #2FFD46

RGB 47 253 70

HSL 126.7, 0.98%, 0.59%

LAB 87.63, -80.27, 69.76

 

CMYK 65 / 0 / 58 / 1

HEX #58FD6A

RGB 88 253 106

HSL 126.55, 0.98%, 0.67%

LAB 88.62, -70.87, 56.95

 

CMYK 49 / 0 / 44 / 0

HEX #81FE8E

RGB 129 254 142

HSL 126.24, 0.98%, 0.75%

LAB 90.55, -57.33, 42.96

 

CMYK 33 / 0 / 30 / 0

HEX #AAFEB3

RGB 170 254 179

HSL 126.43, 0.98%, 0.83%

LAB 92.88, -40, 28.02

 

CMYK 18 / 0 / 16 / 0

HEX #D2FFD7

RGB 210 255 215

HSL 126.67, 1%, 0.91%

LAB 96.05, -21.75, 14.42

 

CMYK 50 / 0 / 45 / 0

HEX #7EFE8C

RGB 126 254 140

HSL 126.56, 0.98%, 0.75%

LAB 90.42, -58.39, 43.74

 

CMYK 49 / 15 / 0 / 0

HEX #81D8FE

RGB 129 216 254

HSL 198.24, 0.98%, 0.75%

LAB 82.34, -16.27, -26.65

 

CMYK 0 / 49 / 35 / 0

HEX #FE81A6

RGB 254 129 166

HSL 342.24, 0.98%, 0.75%

LAB 69.13, 51.24, 2.62

 

CMYK 50 / 0 / 45 / 0

HEX #7EFE8C

RGB 126 254 140

HSL 126.56, 0.98%, 0.75%

LAB 90.42, -58.39, 43.74

 

CMYK 44 / 49 / 0 / 0

HEX #8D81FE

RGB 141 129 254

HSL 245.76, 0.98%, 0.75%

LAB 60.35, 35.06, -61.02

 

CMYK 0 / 44 / 49 / 0

HEX #FE8D81

RGB 254 141 129

HSL 5.76, 0.98%, 0.75%

LAB 70.67, 41.47, 25.42

 

CMYK 50 / 0 / 45 / 0

HEX #7EFE8C

RGB 126 254 140

HSL 126.56, 0.98%, 0.75%

LAB 90.42, -58.39, 43.74

 

CMYK 49 / 15 / 0 / 0

HEX #81D8FE

RGB 129 216 254

HSL 198.24, 0.98%, 0.75%

LAB 82.34, -16.27, -26.65

 

CMYK 0 / 49 / 5 / 0

HEX #FE81F1

RGB 254 129 241

HSL 306.24, 0.98%, 0.75%

LAB 71.64, 61.86, -35.29

 

CMYK 0 / 35 / 49 / 0

HEX #FEA681

RGB 254 166 129

HSL 17.76, 0.98%, 0.75%

LAB 76.03, 28.58, 32.51

 

CMYK 50 / 0 / 45 / 0

HEX #7EFE8C

RGB 126 254 140

HSL 126.56, 0.98%, 0.75%

LAB 90.42, -58.39, 43.74

 

CMYK 49 / 30 / 0 / 0

HEX #81B3FE

RGB 129 179 254

HSL 216, 0.98%, 0.75%

LAB 72.27, 3.55, -42.22

 

CMYK 0 / 49 / 5 / 0

HEX #FE81F1

RGB 254 129 241

HSL 306.24, 0.98%, 0.75%

LAB 71.64, 61.86, -35.29

 

CMYK 0 / 20 / 49 / 0

HEX #FECC81

RGB 254 204 129

HSL 36, 0.98%, 0.75%

LAB 84.92, 8.74, 43.88

 

Description

Color code: HEX #7EFE8C | qconv.com Color code: HEX #7EFE8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 254 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 254 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 45 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 45% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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