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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EEF98 it is the complementary color #811067. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EEF98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EEF98 shade: #83EF93, #94FFA6, #A5FFB9, #B6FFCC and #C7FFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EEF98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EEF98 shade: #7EEF98, #6DDD85, #5CCB72, #4BB95F and #3AA74C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EEF98 shade: #80EF9A, #84EF80, #A2EF80, #C0EF80 and #DEEF80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EEF98 shade: #80EF9A, #80EFB8, #80EFD6, #80EBEF and #80CDEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EEF98 shade matches the following richer shades: #80EF9A and #74FB93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EEF98 shade: #80EF9A, #8BE4A0, #97D8A6, #A3CDAC and #AEC1B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EEF98 shade: #A3EF80, #85EF80, #80EF98, #80EFB6 and #80EFD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EEF98 shade: #36E65F, #5BEB7C, #80EF9A, #A5F4B7 and #C9F8D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EEF98 shade: #7EEF98, #80C1EF and #EF8094

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EEF98 shade: #7EEF98, #9880EF and #EF9880

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EEF98 shade: #7EEF98, #80C1EF, #EF80D7 and #EFAE80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EEF98 shade: #7EEF98, #809FEF, #EF80D7 and #EFD080

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 36 / 6

HEX #7EEF98

RGB 126 239 152

HSL 133.81, 0.78%, 0.72%

LAB 86.22, -50.52, 32.37

 

Complementary color

CMYK 0 / 88 / 20 / 49

HEX #811067

RGB 129 16 103

HSL 313.81, 0.78%, 0.28%

LAB 29.46, 52.7, -21.05

 

CMYK 45 / 0 / 38 / 6

HEX #83EF93

RGB 131 239 147

HSL 128.89, 0.77%, 0.73%

LAB 86.34, -50, 35.07

 

CMYK 42 / 0 / 35 / 0

HEX #94FFA6

RGB 148 255 166

HSL 130.09, 1%, 0.79%

LAB 91.94, -48.97, 33.11

 

CMYK 35 / 0 / 27 / 0

HEX #A5FFB9

RGB 165 255 185

HSL 133.33, 1%, 0.82%

LAB 93.02, -40.93, 25.14

 

CMYK 29 / 0 / 20 / 0

HEX #B6FFCC

RGB 182 255 204

HSL 138.08, 1%, 0.86%

LAB 94.24, -32.51, 17.27

 

CMYK 22 / 0 / 13 / 0

HEX #C7FFDF

RGB 199 255 223

HSL 145.71, 1%, 0.89%

LAB 95.58, -23.81, 9.56

 

CMYK 47 / 0 / 36 / 6

HEX #7EEF98

RGB 126 239 152

HSL 133.81, 0.78%, 0.72%

LAB 86.22, -50.52, 32.37

 

CMYK 51 / 0 / 40 / 13

HEX #6DDD85

RGB 109 221 133

HSL 132.86, 0.62%, 0.65%

LAB 79.99, -50.65, 33.63

 

CMYK 55 / 0 / 44 / 20

HEX #5CCB72

RGB 92 203 114

HSL 131.89, 0.52%, 0.58%

LAB 73.68, -50.68, 34.95

 

CMYK 59 / 0 / 49 / 27

HEX #4BB95F

RGB 75 185 95

HSL 130.91, 0.44%, 0.51%

LAB 67.29, -50.56, 36.35

 

CMYK 65 / 0 / 54 / 35

HEX #3AA74C

RGB 58 167 76

HSL 129.91, 0.48%, 0.44%

LAB 60.83, -50.2, 37.78

 

CMYK 46 / 0 / 36 / 6

HEX #80EF9A

RGB 128 239 154

HSL 134.05, 0.78%, 0.72%

LAB 86.33, -49.66, 31.52

 

CMYK 45 / 0 / 46 / 6

HEX #84EF80

RGB 132 239 128

HSL 117.84, 0.78%, 0.72%

LAB 86.1, -52.5, 44.12

 

CMYK 32 / 0 / 46 / 6

HEX #A2EF80

RGB 162 239 128

HSL 101.62, 0.78%, 0.72%

LAB 87.47, -43.28, 46.12

 

CMYK 20 / 0 / 46 / 6

HEX #C0EF80

RGB 192 239 128

HSL 85.41, 0.78%, 0.72%

LAB 89.16, -32.85, 48.58

 

CMYK 7 / 0 / 46 / 6

HEX #DEEF80

RGB 222 239 128

HSL 69.19, 0.78%, 0.72%

LAB 91.15, -21.61, 51.48

 

CMYK 46 / 0 / 36 / 6

HEX #80EF9A

RGB 128 239 154

HSL 134.05, 0.78%, 0.72%

LAB 86.33, -49.66, 31.52

 

CMYK 46 / 0 / 23 / 6

HEX #80EFB8

RGB 128 239 184

HSL 150.27, 0.78%, 0.72%

LAB 86.89, -44.16, 16.9

 

CMYK 46 / 0 / 10 / 6

HEX #80EFD6

RGB 128 239 214

HSL 166.49, 0.78%, 0.72%

LAB 87.57, -37.73, 2.24

 

CMYK 46 / 2 / 0 / 6

HEX #80EBEF

RGB 128 235 239

HSL 182.16, 0.78%, 0.72%

LAB 87.11, -29.85, -11.54

 

CMYK 46 / 14 / 0 / 6

HEX #80CDEF

RGB 128 205 239

HSL 198.38, 0.78%, 0.72%

LAB 78.74, -14.92, -24.16

 

CMYK 46 / 0 / 36 / 6

HEX #80EF9A

RGB 128 239 154

HSL 134.05, 0.78%, 0.72%

LAB 86.33, -49.66, 31.52

 

CMYK 54 / 0 / 41 / 2

HEX #74FB93

RGB 116 251 147

HSL 133.78, 0.94%, 0.72%

LAB 89.31, -58.61, 38.84

 

CMYK 46 / 0 / 36 / 6

HEX #80EF9A

RGB 128 239 154

HSL 134.05, 0.78%, 0.72%

LAB 86.33, -49.66, 31.52

 

CMYK 39 / 0 / 30 / 11

HEX #8BE4A0

RGB 139 228 160

HSL 134.16, 0.62%, 0.72%

LAB 83.71, -40.86, 25

 

CMYK 30 / 0 / 23 / 15

HEX #97D8A6

RGB 151 216 166

HSL 133.85, 0.45%, 0.72%

LAB 80.99, -30.66, 18.21

 

CMYK 20 / 0 / 16 / 20

HEX #A3CDAC

RGB 163 205 172

HSL 132.86, 0.3%, 0.72%

LAB 78.71, -20.33, 11.93

 

CMYK 10 / 0 / 8 / 24

HEX #AEC1B2

RGB 174 193 178

HSL 132.63, 0.13%, 0.72%

LAB 76.29, -9.35, 5.34

 

CMYK 32 / 0 / 46 / 6

HEX #A3EF80

RGB 163 239 128

HSL 101.08, 0.78%, 0.72%

LAB 87.52, -42.95, 46.19

 

CMYK 44 / 0 / 46 / 6

HEX #85EF80

RGB 133 239 128

HSL 117.3, 0.78%, 0.72%

LAB 86.15, -52.22, 44.17

 

CMYK 46 / 0 / 36 / 6

HEX #80EF98

RGB 128 239 152

HSL 132.97, 0.78%, 0.72%

LAB 86.3, -50, 32.49

 

CMYK 46 / 0 / 24 / 6

HEX #80EFB6

RGB 128 239 182

HSL 149.19, 0.78%, 0.72%

LAB 86.85, -44.56, 17.88

 

CMYK 46 / 0 / 12 / 6

HEX #80EFD3

RGB 128 239 211

HSL 164.86, 0.78%, 0.72%

LAB 87.5, -38.42, 3.7

 

CMYK 77 / 0 / 59 / 10

HEX #36E65F

RGB 54 230 95

HSL 133.98, 0.78%, 0.56%

LAB 80.85, -70.05, 52.58

 

CMYK 61 / 0 / 47 / 8

HEX #5BEB7C

RGB 91 235 124

HSL 133.75, 0.78%, 0.64%

LAB 83.49, -61.61, 42.47

 

CMYK 46 / 0 / 36 / 6

HEX #80EF9A

RGB 128 239 154

HSL 134.05, 0.78%, 0.72%

LAB 86.33, -49.66, 31.52

 

CMYK 32 / 0 / 25 / 4

HEX #A5F4B7

RGB 165 244 183

HSL 133.67, 0.78%, 0.8%

LAB 89.91, -36.33, 21.88

 

CMYK 19 / 0 / 15 / 3

HEX #C9F8D4

RGB 201 248 212

HSL 134.04, 0.77%, 0.88%

LAB 93.58, -21.8, 12.39

 

CMYK 47 / 0 / 36 / 6

HEX #7EEF98

RGB 126 239 152

HSL 133.81, 0.78%, 0.72%

LAB 86.22, -50.52, 32.37

 

CMYK 46 / 19 / 0 / 6

HEX #80C1EF

RGB 128 193 239

HSL 204.86, 0.78%, 0.72%

LAB 75.43, -8.61, -29.24

 

CMYK 0 / 46 / 38 / 6

HEX #EF8094

RGB 239 128 148

HSL 349.19, 0.78%, 0.72%

LAB 66.46, 44.54, 8.67

 

CMYK 47 / 0 / 36 / 6

HEX #7EEF98

RGB 126 239 152

HSL 133.81, 0.78%, 0.72%

LAB 86.22, -50.52, 32.37

 

CMYK 36 / 46 / 0 / 6

HEX #9880EF

RGB 152 128 239

HSL 252.97, 0.78%, 0.72%

LAB 60.2, 34.14, -52.94

 

CMYK 0 / 36 / 46 / 6

HEX #EF9880

RGB 239 152 128

HSL 12.97, 0.78%, 0.72%

LAB 71.12, 30.03, 26.25

 

CMYK 47 / 0 / 36 / 6

HEX #7EEF98

RGB 126 239 152

HSL 133.81, 0.78%, 0.72%

LAB 86.22, -50.52, 32.37

 

CMYK 46 / 19 / 0 / 6

HEX #80C1EF

RGB 128 193 239

HSL 204.86, 0.78%, 0.72%

LAB 75.43, -8.61, -29.24

 

CMYK 0 / 46 / 10 / 6

HEX #EF80D7

RGB 239 128 215

HSL 312.97, 0.78%, 0.72%

LAB 68.53, 53.77, -25.91

 

CMYK 0 / 27 / 46 / 6

HEX #EFAE80

RGB 239 174 128

HSL 24.86, 0.78%, 0.72%

LAB 76.18, 18.39, 32.93

 

CMYK 47 / 0 / 36 / 6

HEX #7EEF98

RGB 126 239 152

HSL 133.81, 0.78%, 0.72%

LAB 86.22, -50.52, 32.37

 

CMYK 46 / 33 / 0 / 6

HEX #809FEF

RGB 128 159 239

HSL 223.24, 0.78%, 0.72%

LAB 66.23, 10.26, -43.53

 

CMYK 0 / 46 / 10 / 6

HEX #EF80D7

RGB 239 128 215

HSL 312.97, 0.78%, 0.72%

LAB 68.53, 53.77, -25.91

 

CMYK 0 / 13 / 46 / 6

HEX #EFD080

RGB 239 208 128

HSL 43.24, 0.78%, 0.72%

LAB 84.49, 0.58, 43.56

 

Description

Color code: HEX #7EEF98 | qconv.com Color code: HEX #7EEF98 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 239 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 239 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 36 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 36% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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