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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EEE78 it is the complementary color #811187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EEE78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EEE78 shade: #83EE73, #94FF86, #A5FF99, #B6FFAC and #C7FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EEE78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EEE78 shade: #7EEE78, #6DDC65, #5CCA52, #4BB83F and #3AA62C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EEE78 shade: #7DEE77, #9DEE77, #BDEE77, #DDEE77 and #EEDF77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EEE78 shade: #7DEE77, #77EE91, #77EEB1, #77EED1 and #77EBEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EEE78 shade matches the following richer shades: #7DEE77 and #72FB6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EEE78 shade: #7DEE77, #88E283, #93D590, #9EC99C and #A9BDA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EEE78 shade: #BEEE77, #9FEE77, #7FEE77, #77EE8F and #77EEAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EEE78 shade: #37E52D, #5AEA52, #7DEE77, #A0F39C and #C3F7C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EEE78 shade: #7EEE78, #77DEEE and #EE77AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EEE78 shade: #7EEE78, #777FEE and #EE777F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EEE78 shade: #7EEE78, #77DEEE, #E677EE and #EE8777

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EEE78 shade: #7EEE78, #77BAEE, #E677EE and #EEAB77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 50 / 7

HEX #7EEE78

RGB 126 238 120

HSL 116.95, 0.78%, 0.7%

LAB 85.47, -54.84, 47.1

 

Complementary color

CMYK 4 / 87 / 0 / 47

HEX #811187

RGB 129 17 135

HSL 296.95, 0.78%, 0.3%

LAB 31.39, 57.44, -38.3

 

CMYK 45 / 0 / 52 / 7

HEX #83EE73

RGB 131 238 115

HSL 112.2, 0.78%, 0.69%

LAB 85.61, -54.05, 49.66

 

CMYK 42 / 0 / 47 / 0

HEX #94FF86

RGB 148 255 134

HSL 113.06, 1%, 0.76%

LAB 91.48, -53.6, 48.1

 

CMYK 35 / 0 / 40 / 0

HEX #A5FF99

RGB 165 255 153

HSL 112.94, 1%, 0.8%

LAB 92.5, -45.94, 40.41

 

CMYK 29 / 0 / 33 / 0

HEX #B6FFAC

RGB 182 255 172

HSL 112.77, 1%, 0.84%

LAB 93.64, -37.81, 32.67

 

CMYK 22 / 0 / 25 / 0

HEX #C7FFBF

RGB 199 255 191

HSL 112.5, 1%, 0.87%

LAB 94.92, -29.34, 24.98

 

CMYK 47 / 0 / 50 / 7

HEX #7EEE78

RGB 126 238 120

HSL 116.95, 0.78%, 0.7%

LAB 85.47, -54.84, 47.1

 

CMYK 50 / 0 / 54 / 14

HEX #6DDC65

RGB 109 220 101

HSL 115.97, 0.63%, 0.63%

LAB 79.26, -54.8, 48.33

 

CMYK 54 / 0 / 59 / 21

HEX #5CCA52

RGB 92 202 82

HSL 115, 0.53%, 0.56%

LAB 72.97, -54.6, 49.5

 

CMYK 59 / 0 / 66 / 28

HEX #4BB83F

RGB 75 184 63

HSL 114.05, 0.49%, 0.48%

LAB 66.62, -54.16, 50.52

 

CMYK 65 / 0 / 73 / 35

HEX #3AA62C

RGB 58 166 44

HSL 113.11, 0.58%, 0.41%

LAB 60.21, -53.35, 51.19

 

CMYK 47 / 0 / 50 / 7

HEX #7DEE77

RGB 125 238 119

HSL 116.97, 0.78%, 0.7%

LAB 85.42, -55.24, 47.5

 

CMYK 34 / 0 / 50 / 7

HEX #9DEE77

RGB 157 238 119

HSL 100.84, 0.78%, 0.7%

LAB 86.82, -45.57, 49.53

 

CMYK 21 / 0 / 50 / 7

HEX #BDEE77

RGB 189 238 119

HSL 84.71, 0.78%, 0.7%

LAB 88.59, -34.44, 52.08

 

CMYK 7 / 0 / 50 / 7

HEX #DDEE77

RGB 221 238 119

HSL 68.57, 0.78%, 0.7%

LAB 90.71, -22.36, 55.13

 

CMYK 0 / 6 / 50 / 7

HEX #EEDF77

RGB 238 223 119

HSL 52.44, 0.78%, 0.7%

LAB 88.11, -8.26, 52.34

 

CMYK 47 / 0 / 50 / 7

HEX #7DEE77

RGB 125 238 119

HSL 116.97, 0.78%, 0.7%

LAB 85.42, -55.24, 47.5

 

CMYK 50 / 0 / 39 / 7

HEX #77EE91

RGB 119 238 145

HSL 133.11, 0.78%, 0.7%

LAB 85.56, -53.06, 34.96

 

CMYK 50 / 0 / 26 / 7

HEX #77EEB1

RGB 119 238 177

HSL 149.24, 0.78%, 0.7%

LAB 86.13, -47.31, 19.42

 

CMYK 50 / 0 / 12 / 7

HEX #77EED1

RGB 119 238 209

HSL 165.38, 0.78%, 0.7%

LAB 86.84, -40.47, 3.75

 

CMYK 50 / 1 / 0 / 7

HEX #77EBEE

RGB 119 235 238

HSL 181.51, 0.78%, 0.7%

LAB 86.76, -32.03, -11.58

 

CMYK 47 / 0 / 50 / 7

HEX #7DEE77

RGB 125 238 119

HSL 116.97, 0.78%, 0.7%

LAB 85.42, -55.24, 47.5

 

CMYK 55 / 0 / 58 / 2

HEX #72FB6A

RGB 114 251 106

HSL 116.69, 0.95%, 0.7%

LAB 88.74, -64.56, 57.27

 

CMYK 47 / 0 / 50 / 7

HEX #7DEE77

RGB 125 238 119

HSL 116.97, 0.78%, 0.7%

LAB 85.42, -55.24, 47.5

 

CMYK 40 / 0 / 42 / 11

HEX #88E283

RGB 136 226 131

HSL 116.84, 0.62%, 0.7%

LAB 82.52, -45.5, 38.13

 

CMYK 31 / 0 / 32 / 16

HEX #93D590

RGB 147 213 144

HSL 117.39, 0.45%, 0.7%

LAB 79.5, -34.29, 27.65

 

CMYK 21 / 0 / 22 / 21

HEX #9EC99C

RGB 158 201 156

HSL 117.33, 0.29%, 0.7%

LAB 76.95, -22.88, 17.95

 

CMYK 11 / 0 / 11 / 26

HEX #A9BDA8

RGB 169 189 168

HSL 117.14, 0.14%, 0.7%

LAB 74.61, -10.84, 8.3

 

CMYK 20 / 0 / 50 / 7

HEX #BEEE77

RGB 190 238 119

HSL 84.2, 0.78%, 0.7%

LAB 88.65, -34.08, 52.17

 

CMYK 33 / 0 / 50 / 7

HEX #9FEE77

RGB 159 238 119

HSL 99.83, 0.78%, 0.7%

LAB 86.92, -44.91, 49.68

 

CMYK 47 / 0 / 50 / 7

HEX #7FEE77

RGB 127 238 119

HSL 115.97, 0.78%, 0.7%

LAB 85.5, -54.69, 47.61

 

CMYK 50 / 0 / 40 / 7

HEX #77EE8F

RGB 119 238 143

HSL 132.1, 0.78%, 0.7%

LAB 85.53, -53.38, 35.92

 

CMYK 50 / 0 / 26 / 7

HEX #77EEAF

RGB 119 238 175

HSL 148.24, 0.78%, 0.7%

LAB 86.09, -47.7, 20.4

 

CMYK 76 / 0 / 80 / 10

HEX #37E52D

RGB 55 229 45

HSL 116.74, 0.78%, 0.54%

LAB 80.2, -73.97, 70.22

 

CMYK 62 / 0 / 65 / 8

HEX #5AEA52

RGB 90 234 82

HSL 116.84, 0.78%, 0.62%

LAB 82.72, -66.56, 60.38

 

CMYK 47 / 0 / 50 / 7

HEX #7DEE77

RGB 125 238 119

HSL 116.97, 0.78%, 0.7%

LAB 85.42, -55.24, 47.5

 

CMYK 34 / 0 / 36 / 5

HEX #A0F39C

RGB 160 243 156

HSL 117.24, 0.78%, 0.78%

LAB 88.91, -41.83, 34.19

 

CMYK 21 / 0 / 22 / 3

HEX #C3F7C0

RGB 195 247 192

HSL 116.73, 0.77%, 0.86%

LAB 92.54, -26.71, 21.16

 

CMYK 47 / 0 / 50 / 7

HEX #7EEE78

RGB 126 238 120

HSL 116.95, 0.78%, 0.7%

LAB 85.47, -54.84, 47.1

 

CMYK 50 / 7 / 0 / 7

HEX #77DEEE

RGB 119 222 238

HSL 188.07, 0.78%, 0.7%

LAB 83.09, -25.76, -17.08

 

CMYK 0 / 50 / 26 / 7

HEX #EE77AF

RGB 238 119 175

HSL 331.76, 0.78%, 0.7%

LAB 65.33, 51.97, -8.3

 

CMYK 47 / 0 / 50 / 7

HEX #7EEE78

RGB 126 238 120

HSL 116.95, 0.78%, 0.7%

LAB 85.47, -54.84, 47.1

 

CMYK 50 / 47 / 0 / 7

HEX #777FEE

RGB 119 127 238

HSL 235.97, 0.78%, 0.7%

LAB 57.34, 26.67, -57.09

 

CMYK 0 / 50 / 47 / 7

HEX #EE777F

RGB 238 119 127

HSL 355.97, 0.78%, 0.7%

LAB 64.08, 46.49, 17.22

 

CMYK 47 / 0 / 50 / 7

HEX #7EEE78

RGB 126 238 120

HSL 116.95, 0.78%, 0.7%

LAB 85.47, -54.84, 47.1

 

CMYK 50 / 7 / 0 / 7

HEX #77DEEE

RGB 119 222 238

HSL 188.07, 0.78%, 0.7%

LAB 83.09, -25.76, -17.08

 

CMYK 3 / 50 / 0 / 7

HEX #E677EE

RGB 230 119 238

HSL 295.97, 0.78%, 0.7%

LAB 66.66, 59.49, -41.62

 

CMYK 0 / 43 / 50 / 7

HEX #EE8777

RGB 238 135 119

HSL 8.07, 0.78%, 0.7%

LAB 67.15, 37.67, 25.88

 

CMYK 47 / 0 / 50 / 7

HEX #7EEE78

RGB 126 238 120

HSL 116.95, 0.78%, 0.7%

LAB 85.47, -54.84, 47.1

 

CMYK 50 / 22 / 0 / 7

HEX #77BAEE

RGB 119 186 238

HSL 206.22, 0.78%, 0.7%

LAB 73.03, -7.2, -32.42

 

CMYK 3 / 50 / 0 / 7

HEX #E677EE

RGB 230 119 238

HSL 295.97, 0.78%, 0.7%

LAB 66.66, 59.49, -41.62

 

CMYK 0 / 28 / 50 / 7

HEX #EEAB77

RGB 238 171 119

HSL 26.22, 0.78%, 0.7%

LAB 75.22, 18.73, 36.4

 

Description

Color code: HEX #7EEE78 | qconv.com Color code: HEX #7EEE78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 238 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 238 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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