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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EEE27 it is the complementary color #8111D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EEE27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EEE27 shade: #83EE22, #94FF35, #A5FF48, #B6FF5B and #C7FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EEE27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EEE27 shade: #7EEE27, #6DDC14, #5CCA01, #4BB800 and #3AA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EEE27 shade: #7DED26, #B3ED26, #E9ED26, #EDBC26 and #ED8726

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EEE27 shade: #7DED26, #47ED26, #26ED3A, #26ED70 and #26EDA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EEE27 shade matches the following richer shades: #7DED26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EEE27 shade: #7DED26, #80DA39, #82C74C, #84B45F and #87A172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EEE27 shade: #EAED26, #B5ED26, #80ED26, #4BED26 and #26ED37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EEE27 shade: #56B20E, #69D912, #7DED26, #94F04C and #ABF472

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EEE27 shade: #7EEE27, #26EDBC and #ED26CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EEE27 shade: #7EEE27, #2680ED and #ED2680

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EEE27 shade: #7EEE27, #26EDBC, #9426ED and #ED2658

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EEE27 shade: #7EEE27, #26E3ED, #9426ED and #ED3026

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 84 / 7

HEX #7EEE27

RGB 126 238 39

HSL 93.77, 0.85%, 0.54%

LAB 84.86, -61.47, 76.63

 

Complementary color

CMYK 40 / 92 / 0 / 15

HEX #8111D8

RGB 129 17 216

HSL 273.77, 0.85%, 0.46%

LAB 37.89, 73.07, -76.14

 

CMYK 45 / 0 / 86 / 7

HEX #83EE22

RGB 131 238 34

HSL 91.47, 0.86%, 0.53%

LAB 85.04, -60.14, 77.92

 

CMYK 42 / 0 / 79 / 0

HEX #94FF35

RGB 148 255 53

HSL 91.78, 1%, 0.6%

LAB 90.81, -60.54, 78.9

 

CMYK 35 / 0 / 72 / 0

HEX #A5FF48

RGB 165 255 72

HSL 89.51, 1%, 0.64%

LAB 91.68, -54.03, 74.27

 

CMYK 29 / 0 / 64 / 0

HEX #B6FF5B

RGB 182 255 91

HSL 86.71, 1%, 0.68%

LAB 92.67, -46.92, 68.66

 

CMYK 22 / 0 / 57 / 0

HEX #C7FF6E

RGB 199 255 110

HSL 83.17, 1%, 0.72%

LAB 93.79, -39.31, 62.35

 

CMYK 47 / 0 / 84 / 7

HEX #7EEE27

RGB 126 238 39

HSL 93.77, 0.85%, 0.54%

LAB 84.86, -61.47, 76.63

 

CMYK 50 / 0 / 91 / 14

HEX #6DDC14

RGB 109 220 20

HSL 93.3, 0.83%, 0.47%

LAB 78.75, -60.46, 74.68

 

CMYK 54 / 0 / 100 / 21

HEX #5CCA01

RGB 92 202 1

HSL 92.84, 0.99%, 0.4%

LAB 72.57, -59.14, 71.56

 

CMYK 59 / 0 / 100 / 28

HEX #4BB800

RGB 75 184 0

HSL 95.54, 1%, 0.36%

LAB 66.35, -57.35, 66.52

 

CMYK 65 / 0 / 100 / 35

HEX #3AA600

RGB 58 166 0

HSL 99.04, 1%, 0.33%

LAB 60.04, -55.3, 61.32

 

CMYK 47 / 0 / 84 / 7

HEX #7DED26

RGB 125 237 38

HSL 93.77, 0.85%, 0.54%

LAB 84.52, -61.44, 76.54

 

CMYK 24 / 0 / 84 / 7

HEX #B3ED26

RGB 179 237 38

HSL 77.49, 0.85%, 0.54%

LAB 87.14, -43.04, 79.83

 

CMYK 2 / 0 / 84 / 7

HEX #E9ED26

RGB 233 237 38

HSL 61.21, 0.85%, 0.54%

LAB 90.79, -21.53, 84.38

 

CMYK 0 / 21 / 84 / 7

HEX #EDBC26

RGB 237 188 38

HSL 45.23, 0.85%, 0.54%

LAB 78.53, 4.77, 74.36

 

CMYK 0 / 43 / 84 / 7

HEX #ED8726

RGB 237 135 38

HSL 29.25, 0.85%, 0.54%

LAB 66.11, 32.67, 63.96

 

CMYK 47 / 0 / 84 / 7

HEX #7DED26

RGB 125 237 38

HSL 93.77, 0.85%, 0.54%

LAB 84.52, -61.44, 76.54

 

CMYK 70 / 0 / 84 / 7

HEX #47ED26

RGB 71 237 38

HSL 110.05, 0.85%, 0.54%

LAB 82.94, -74.22, 74.54

 

CMYK 84 / 0 / 76 / 7

HEX #26ED3A

RGB 38 237 58

HSL 126.03, 0.85%, 0.54%

LAB 82.53, -77.43, 68.57

 

CMYK 84 / 0 / 53 / 7

HEX #26ED70

RGB 38 237 112

HSL 142.31, 0.85%, 0.54%

LAB 82.99, -71.73, 47.35

 

CMYK 84 / 0 / 30 / 7

HEX #26EDA6

RGB 38 237 166

HSL 158.59, 0.85%, 0.54%

LAB 83.83, -62.05, 21.64

 

CMYK 47 / 0 / 84 / 7

HEX #7DED26

RGB 125 237 38

HSL 93.77, 0.85%, 0.54%

LAB 84.52, -61.44, 76.54

 

CMYK 47 / 0 / 84 / 7

HEX #7DED26

RGB 125 237 38

HSL 93.77, 0.85%, 0.54%

LAB 84.52, -61.44, 76.54

 

CMYK 41 / 0 / 74 / 15

HEX #80DA39

RGB 128 218 57

HSL 93.54, 0.69%, 0.54%

LAB 79.06, -52.33, 66.27

 

CMYK 35 / 0 / 62 / 22

HEX #82C74C

RGB 130 199 76

HSL 93.66, 0.52%, 0.54%

LAB 73.62, -42.36, 53.31

 

CMYK 27 / 0 / 47 / 29

HEX #84B45F

RGB 132 180 95

HSL 93.88, 0.36%, 0.54%

LAB 68.3, -31.04, 38.15

 

CMYK 16 / 0 / 29 / 37

HEX #87A172

RGB 135 161 114

HSL 93.19, 0.2%, 0.54%

LAB 63.22, -17.85, 21.57

 

CMYK 1 / 0 / 84 / 7

HEX #EAED26

RGB 234 237 38

HSL 60.9, 0.85%, 0.54%

LAB 90.87, -21.12, 84.47

 

CMYK 24 / 0 / 84 / 7

HEX #B5ED26

RGB 181 237 38

HSL 76.88, 0.85%, 0.54%

LAB 87.26, -42.28, 79.98

 

CMYK 46 / 0 / 84 / 7

HEX #80ED26

RGB 128 237 38

HSL 92.86, 0.85%, 0.54%

LAB 84.64, -60.54, 76.69

 

CMYK 68 / 0 / 84 / 7

HEX #4BED26

RGB 75 237 38

HSL 108.84, 0.85%, 0.54%

LAB 83.02, -73.51, 74.64

 

CMYK 84 / 0 / 77 / 7

HEX #26ED37

RGB 38 237 55

HSL 125.13, 0.85%, 0.54%

LAB 82.52, -77.63, 69.48

 

CMYK 52 / 0 / 92 / 30

HEX #56B20E

RGB 86 178 14

HSL 93.66, 0.85%, 0.38%

LAB 64.84, -51.88, 63.69

 

CMYK 52 / 0 / 92 / 15

HEX #69D912

RGB 105 217 18

HSL 93.77, 0.85%, 0.46%

LAB 77.68, -60.56, 74.02

 

CMYK 47 / 0 / 84 / 7

HEX #7DED26

RGB 125 237 38

HSL 93.77, 0.85%, 0.54%

LAB 84.52, -61.44, 76.54

 

CMYK 38 / 0 / 68 / 6

HEX #94F04C

RGB 148 240 76

HSL 93.66, 0.85%, 0.62%

LAB 86.57, -53.36, 67.43

 

CMYK 30 / 0 / 53 / 4

HEX #ABF472

RGB 171 244 114

HSL 93.69, 0.86%, 0.7%

LAB 89.19, -44, 54.85

 

CMYK 47 / 0 / 84 / 7

HEX #7EEE27

RGB 126 238 39

HSL 93.77, 0.85%, 0.54%

LAB 84.86, -61.47, 76.63

 

CMYK 84 / 0 / 21 / 7

HEX #26EDBC

RGB 38 237 188

HSL 165.23, 0.85%, 0.54%

LAB 84.28, -57.06, 10.84

 

CMYK 0 / 84 / 13 / 7

HEX #ED26CF

RGB 237 38 207

HSL 309.05, 0.85%, 0.54%

LAB 55.98, 84.78, -40.92

 

CMYK 47 / 0 / 84 / 7

HEX #7EEE27

RGB 126 238 39

HSL 93.77, 0.85%, 0.54%

LAB 84.86, -61.47, 76.63

 

CMYK 84 / 46 / 0 / 7

HEX #2680ED

RGB 38 128 237

HSL 212.86, 0.85%, 0.54%

LAB 53.99, 13.49, -62.1

 

CMYK 0 / 84 / 46 / 7

HEX #ED2680

RGB 237 38 128

HSL 332.86, 0.85%, 0.54%

LAB 52.89, 76.22, 0.75

 

CMYK 47 / 0 / 84 / 7

HEX #7EEE27

RGB 126 238 39

HSL 93.77, 0.85%, 0.54%

LAB 84.86, -61.47, 76.63

 

CMYK 84 / 0 / 21 / 7

HEX #26EDBC

RGB 38 237 188

HSL 165.23, 0.85%, 0.54%

LAB 84.28, -57.06, 10.84

 

CMYK 38 / 84 / 0 / 7

HEX #9426ED

RGB 148 38 237

HSL 273.17, 0.85%, 0.54%

LAB 43.94, 75.09, -78.1

 

CMYK 0 / 84 / 63 / 7

HEX #ED2658

RGB 237 38 88

HSL 344.92, 0.85%, 0.54%

LAB 51.94, 73.46, 23.6

 

CMYK 47 / 0 / 84 / 7

HEX #7EEE27

RGB 126 238 39

HSL 93.77, 0.85%, 0.54%

LAB 84.86, -61.47, 76.63

 

CMYK 84 / 4 / 0 / 7

HEX #26E3ED

RGB 38 227 237

HSL 183.02, 0.85%, 0.54%

LAB 82.63, -39.64, -17.43

 

CMYK 38 / 84 / 0 / 7

HEX #9426ED

RGB 148 38 237

HSL 273.17, 0.85%, 0.54%

LAB 43.94, 75.09, -78.1

 

CMYK 0 / 80 / 84 / 7

HEX #ED3026

RGB 237 48 38

HSL 3.02, 0.85%, 0.54%

LAB 52.13, 69.22, 51.94

 

Description

Color code: HEX #7EEE27 | qconv.com Color code: HEX #7EEE27 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 238 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 238 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 84 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 84% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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