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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EEBDB it is the complementary color #811424. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EEBDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EEBDB shade: #83EBD6, #94FDE9, #A5FFFC, #B6FFFF and #C7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EEBDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EEBDB shade: #7EEBDB, #6DD9C8, #5CC7B5, #4BB5A2 and #3AA38F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EEBDB shade: #7FEBDB, #7FEBBE, #7FEBA0, #7FEB83 and #97EB7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EEBDB shade: #7FEBDB, #7FDDEB, #7FC0EB, #7FA3EB and #7F86EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EEBDB shade matches the following richer shades: #7FEBDB and #73F6E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EEBDB shade: #7FEBDB, #8BDFD2, #96D3CA, #A2C7C1 and #AEBBB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EEBDB shade: #7FEBA1, #7FEBBE, #7FEBDA, #7FDEEB and #7FC1EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EEBDB shade: #37DFC7, #5BE5D1, #7FEBDB, #A2F0E5 and #C6F6EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EEBDB shade: #7EEBDB, #847FEB and #EBAF7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EEBDB shade: #7EEBDB, #DA7FEB and #EBDA7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EEBDB shade: #7EEBDB, #847FEB, #EB7F8F and #E5EB7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EEBDB shade: #7EEBDB, #A47FEB, #EB7F8F and #C5EB7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 7 / 8

HEX #7EEBDB

RGB 126 235 219

HSL 171.19, 0.73%, 0.71%

LAB 86.49, -35.19, -1.97

 

Complementary color

CMYK 0 / 84 / 72 / 49

HEX #811424

RGB 129 20 36

HSL 351.19, 0.73%, 0.29%

LAB 27.56, 45.28, 20.76

 

CMYK 44 / 0 / 9 / 8

HEX #83EBD6

RGB 131 235 214

HSL 167.88, 0.72%, 0.72%

LAB 86.55, -35.19, 0.77

 

CMYK 42 / 0 / 8 / 1

HEX #94FDE9

RGB 148 253 233

HSL 168.57, 0.96%, 0.79%

LAB 92.76, -35.07, 0.01

 

CMYK 35 / 0 / 1 / 0

HEX #A5FFFC

RGB 165 255 252

HSL 178, 1%, 0.82%

LAB 94.55, -27.45, -7.11

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 46 / 0 / 7 / 8

HEX #7EEBDB

RGB 126 235 219

HSL 171.19, 0.73%, 0.71%

LAB 86.49, -35.19, -1.97

 

CMYK 50 / 0 / 8 / 15

HEX #6DD9C8

RGB 109 217 200

HSL 170.56, 0.59%, 0.64%

LAB 80.21, -35.22, -1.19

 

CMYK 54 / 0 / 9 / 22

HEX #5CC7B5

RGB 92 199 181

HSL 169.91, 0.49%, 0.57%

LAB 73.84, -35.2, -0.36

 

CMYK 59 / 0 / 10 / 29

HEX #4BB5A2

RGB 75 181 162

HSL 169.25, 0.42%, 0.5%

LAB 67.39, -35.09, 0.55

 

CMYK 64 / 0 / 12 / 36

HEX #3AA38F

RGB 58 163 143

HSL 168.57, 0.48%, 0.43%

LAB 60.85, -34.85, 1.56

 

CMYK 46 / 0 / 7 / 8

HEX #7FEBDB

RGB 127 235 219

HSL 171.11, 0.73%, 0.71%

LAB 86.53, -34.96, -1.91

 

CMYK 46 / 0 / 19 / 8

HEX #7FEBBE

RGB 127 235 190

HSL 155, 0.73%, 0.71%

LAB 85.83, -41.43, 12.28

 

CMYK 46 / 0 / 32 / 8

HEX #7FEBA0

RGB 127 235 160

HSL 138.33, 0.73%, 0.71%

LAB 85.23, -47.22, 26.99

 

CMYK 46 / 0 / 44 / 8

HEX #7FEB83

RGB 127 235 131

HSL 122.22, 0.73%, 0.71%

LAB 84.78, -51.86, 40.94

 

CMYK 36 / 0 / 46 / 8

HEX #97EB7F

RGB 151 235 127

HSL 106.67, 0.73%, 0.71%

LAB 85.77, -45.24, 44.36

 

CMYK 46 / 0 / 7 / 8

HEX #7FEBDB

RGB 127 235 219

HSL 171.11, 0.73%, 0.71%

LAB 86.53, -34.96, -1.91

 

CMYK 46 / 6 / 0 / 8

HEX #7FDDEB

RGB 127 221 235

HSL 187.78, 0.73%, 0.71%

LAB 83.03, -24.3, -15.55

 

CMYK 46 / 18 / 0 / 8

HEX #7FC0EB

RGB 127 192 235

HSL 203.89, 0.73%, 0.71%

LAB 74.96, -9.42, -27.81

 

CMYK 46 / 31 / 0 / 8

HEX #7FA3EB

RGB 127 163 235

HSL 220, 0.73%, 0.71%

LAB 67.05, 6.58, -40.04

 

CMYK 46 / 43 / 0 / 8

HEX #7F86EB

RGB 127 134 235

HSL 236.11, 0.73%, 0.71%

LAB 59.49, 23.44, -51.97

 

CMYK 46 / 0 / 7 / 8

HEX #7FEBDB

RGB 127 235 219

HSL 171.11, 0.73%, 0.71%

LAB 86.53, -34.96, -1.91

 

CMYK 53 / 0 / 8 / 4

HEX #73F6E3

RGB 115 246 227

HSL 171.3, 0.88%, 0.71%

LAB 89.44, -40.65, -1.87

 

CMYK 46 / 0 / 7 / 8

HEX #7FEBDB

RGB 127 235 219

HSL 171.11, 0.73%, 0.71%

LAB 86.53, -34.96, -1.91

 

CMYK 38 / 0 / 6 / 13

HEX #8BDFD2

RGB 139 223 210

HSL 170.71, 0.57%, 0.71%

LAB 83.4, -28.43, -1.69

 

CMYK 29 / 0 / 4 / 17

HEX #96D3CA

RGB 150 211 202

HSL 171.15, 0.41%, 0.71%

LAB 80.37, -21.31, -1.81

 

CMYK 19 / 0 / 3 / 22

HEX #A2C7C1

RGB 162 199 193

HSL 170.27, 0.25%, 0.71%

LAB 77.51, -13.49, -1.09

 

CMYK 7 / 0 / 1 / 27

HEX #AEBBB9

RGB 174 187 185

HSL 170.77, 0.09%, 0.71%

LAB 74.85, -4.86, -0.54

 

CMYK 46 / 0 / 31 / 8

HEX #7FEBA1

RGB 127 235 161

HSL 138.89, 0.73%, 0.71%

LAB 85.25, -47.04, 26.5

 

CMYK 46 / 0 / 19 / 8

HEX #7FEBBE

RGB 127 235 190

HSL 155, 0.73%, 0.71%

LAB 85.83, -41.43, 12.28

 

CMYK 46 / 0 / 7 / 8

HEX #7FEBDA

RGB 127 235 218

HSL 170.56, 0.73%, 0.71%

LAB 86.5, -35.2, -1.43

 

CMYK 46 / 6 / 0 / 8

HEX #7FDEEB

RGB 127 222 235

HSL 187.22, 0.73%, 0.71%

LAB 83.31, -24.79, -15.13

 

CMYK 46 / 18 / 0 / 8

HEX #7FC1EB

RGB 127 193 235

HSL 203.33, 0.73%, 0.71%

LAB 75.23, -9.95, -27.38

 

CMYK 75 / 0 / 11 / 13

HEX #37DFC7

RGB 55 223 199

HSL 171.43, 0.72%, 0.55%

LAB 80.58, -47.06, -0.28

 

CMYK 60 / 0 / 9 / 10

HEX #5BE5D1

RGB 91 229 209

HSL 171.3, 0.73%, 0.63%

LAB 83.37, -42, -1.4

 

CMYK 46 / 0 / 7 / 8

HEX #7FEBDB

RGB 127 235 219

HSL 171.11, 0.73%, 0.71%

LAB 86.53, -34.96, -1.91

 

CMYK 33 / 0 / 5 / 6

HEX #A2F0E5

RGB 162 240 229

HSL 171.54, 0.72%, 0.79%

LAB 89.7, -26.2, -2.32

 

CMYK 20 / 0 / 3 / 4

HEX #C6F6EF

RGB 198 246 239

HSL 171.25, 0.73%, 0.87%

LAB 93.52, -16.63, -1.7

 

CMYK 46 / 0 / 7 / 8

HEX #7EEBDB

RGB 126 235 219

HSL 171.19, 0.73%, 0.71%

LAB 86.49, -35.19, -1.97

 

CMYK 44 / 46 / 0 / 8

HEX #847FEB

RGB 132 127 235

HSL 242.78, 0.73%, 0.71%

LAB 58.12, 28.74, -54.13

 

CMYK 0 / 26 / 46 / 8

HEX #EBAF7F

RGB 235 175 127

HSL 26.67, 0.73%, 0.71%

LAB 75.98, 16.17, 33.11

 

CMYK 46 / 0 / 7 / 8

HEX #7EEBDB

RGB 126 235 219

HSL 171.19, 0.73%, 0.71%

LAB 86.49, -35.19, -1.97

 

CMYK 7 / 46 / 0 / 8

HEX #DA7FEB

RGB 218 127 235

HSL 290.56, 0.73%, 0.71%

LAB 66.58, 51.66, -40.2

 

CMYK 0 / 7 / 46 / 8

HEX #EBDA7F

RGB 235 218 127

HSL 50.56, 0.73%, 0.71%

LAB 86.67, -6.22, 46.68

 

CMYK 46 / 0 / 7 / 8

HEX #7EEBDB

RGB 126 235 219

HSL 171.19, 0.73%, 0.71%

LAB 86.49, -35.19, -1.97

 

CMYK 44 / 46 / 0 / 8

HEX #847FEB

RGB 132 127 235

HSL 242.78, 0.73%, 0.71%

LAB 58.12, 28.74, -54.13

 

CMYK 0 / 46 / 39 / 8

HEX #EB7F8F

RGB 235 127 143

HSL 351.11, 0.73%, 0.71%

LAB 65.61, 43.08, 10.22

 

CMYK 3 / 0 / 46 / 8

HEX #E5EB7F

RGB 229 235 127

HSL 63.33, 0.73%, 0.71%

LAB 90.6, -17.05, 51.4

 

CMYK 46 / 0 / 7 / 8

HEX #7EEBDB

RGB 126 235 219

HSL 171.19, 0.73%, 0.71%

LAB 86.49, -35.19, -1.97

 

CMYK 30 / 46 / 0 / 8

HEX #A47FEB

RGB 164 127 235

HSL 260.56, 0.73%, 0.71%

LAB 60.84, 36.78, -49.63

 

CMYK 0 / 46 / 39 / 8

HEX #EB7F8F

RGB 235 127 143

HSL 351.11, 0.73%, 0.71%

LAB 65.61, 43.08, 10.22

 

CMYK 16 / 0 / 46 / 8

HEX #C5EB7F

RGB 197 235 127

HSL 81.11, 0.73%, 0.71%

LAB 88.36, -29.26, 48.15

 

Description

Color code: HEX #7EEBDB | qconv.com Color code: HEX #7EEBDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 235 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 235 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 7 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 7% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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