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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EEA4B it is the complementary color #8115B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EEA4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EEA4B shade: #83EA46, #94FC59, #A5FF6C, #B6FF7F and #C7FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EEA4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EEA4B shade: #7EEA4B, #6DD838, #5CC625, #4BB412 and #3AA200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EEA4B shade: #7FEA4C, #A9EA4C, #D4EA4C, #EAD54C and #EAAB4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EEA4B shade: #7FEA4C, #55EA4C, #4CEA6F, #4CEA99 and #4CEAC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EEA4B shade matches the following richer shades: #7FEA4C and #79FA3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EEA4B shade: #7FEA4C, #85DA5D, #8AC96D, #90B97D and #96A98D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EEA4B shade: #D5EA4C, #ABEA4C, #81EA4C, #57EA4C and #4CEA6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EEA4B shade: #51CC18, #64E528, #7FEA4C, #99EE71 and #B4F296

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EEA4B shade: #7EEA4B, #4CEAD5 and #EA4CC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EEA4B shade: #7EEA4B, #4C81EA and #EA4C81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EEA4B shade: #7EEA4B, #4CEAD5, #B54CEA and #EA4C61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EEA4B shade: #7EEA4B, #4CCFEA, #B54CEA and #EA674C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 68 / 8

HEX #7EEA4B

RGB 126 234 75

HSL 100.75, 0.79%, 0.61%

LAB 83.86, -57.93, 64.69

 

Complementary color

CMYK 28 / 88 / 0 / 29

HEX #8115B4

RGB 129 21 180

HSL 280.75, 0.79%, 0.39%

LAB 35, 64.94, -59.81

 

CMYK 44 / 0 / 70 / 8

HEX #83EA46

RGB 131 234 70

HSL 97.68, 0.8%, 0.6%

LAB 84.02, -56.8, 66.77

 

CMYK 41 / 0 / 65 / 1

HEX #94FC59

RGB 148 252 89

HSL 98.28, 0.96%, 0.67%

LAB 90.15, -57.12, 66.26

 

CMYK 35 / 0 / 58 / 0

HEX #A5FF6C

RGB 165 255 108

HSL 96.73, 1%, 0.71%

LAB 91.95, -51.25, 60.63

 

CMYK 29 / 0 / 50 / 0

HEX #B6FF7F

RGB 182 255 127

HSL 94.22, 1%, 0.75%

LAB 93.01, -43.65, 53.62

 

CMYK 22 / 0 / 43 / 0

HEX #C7FF92

RGB 199 255 146

HSL 90.83, 1%, 0.79%

LAB 94.2, -35.61, 46.35

 

CMYK 46 / 0 / 68 / 8

HEX #7EEA4B

RGB 126 234 75

HSL 100.75, 0.79%, 0.61%

LAB 83.86, -57.93, 64.69

 

CMYK 50 / 0 / 74 / 15

HEX #6DD838

RGB 109 216 56

HSL 100.13, 0.67%, 0.53%

LAB 77.67, -57.44, 64.97

 

CMYK 54 / 0 / 81 / 22

HEX #5CC625

RGB 92 198 37

HSL 99.5, 0.69%, 0.46%

LAB 71.42, -56.69, 64.59

 

CMYK 58 / 0 / 90 / 29

HEX #4BB412

RGB 75 180 18

HSL 98.89, 0.82%, 0.39%

LAB 65.11, -55.55, 63.1

 

CMYK 64 / 0 / 100 / 36

HEX #3AA200

RGB 58 162 0

HSL 98.52, 1%, 0.32%

LAB 58.73, -53.95, 60.28

 

CMYK 46 / 0 / 68 / 8

HEX #7FEA4C

RGB 127 234 76

HSL 100.63, 0.79%, 0.61%

LAB 83.9, -57.55, 64.37

 

CMYK 28 / 0 / 68 / 8

HEX #A9EA4C

RGB 169 234 76

HSL 84.68, 0.79%, 0.61%

LAB 85.91, -43.62, 67.08

 

CMYK 9 / 0 / 68 / 8

HEX #D4EA4C

RGB 212 234 76

HSL 68.35, 0.79%, 0.61%

LAB 88.62, -27.15, 70.72

 

CMYK 0 / 9 / 68 / 8

HEX #EAD54C

RGB 234 213 76

HSL 52.03, 0.79%, 0.61%

LAB 84.79, -7.86, 67.39

 

CMYK 0 / 27 / 68 / 8

HEX #EAAB4C

RGB 234 171 76

HSL 36.08, 0.79%, 0.61%

LAB 74.28, 13.95, 56.39

 

CMYK 46 / 0 / 68 / 8

HEX #7FEA4C

RGB 127 234 76

HSL 100.63, 0.79%, 0.61%

LAB 83.9, -57.55, 64.37

 

CMYK 64 / 0 / 68 / 8

HEX #55EA4C

RGB 85 234 76

HSL 116.58, 0.79%, 0.61%

LAB 82.54, -68.16, 62.51

 

CMYK 68 / 0 / 53 / 8

HEX #4CEA6F

RGB 76 234 111

HSL 133.29, 0.79%, 0.61%

LAB 82.66, -65.96, 47.55

 

CMYK 68 / 0 / 35 / 8

HEX #4CEA99

RGB 76 234 153

HSL 149.24, 0.79%, 0.61%

LAB 83.27, -59.07, 27.66

 

CMYK 68 / 0 / 16 / 8

HEX #4CEAC4

RGB 76 234 196

HSL 165.57, 0.79%, 0.61%

LAB 84.16, -49.77, 6.54

 

CMYK 46 / 0 / 68 / 8

HEX #7FEA4C

RGB 127 234 76

HSL 100.63, 0.79%, 0.61%

LAB 83.9, -57.55, 64.37

 

CMYK 52 / 0 / 76 / 2

HEX #79FA3C

RGB 121 250 60

HSL 100.74, 0.95%, 0.61%

LAB 88.33, -66.22, 74.22

 

CMYK 46 / 0 / 68 / 8

HEX #7FEA4C

RGB 127 234 76

HSL 100.63, 0.79%, 0.61%

LAB 83.9, -57.55, 64.37

 

CMYK 39 / 0 / 57 / 15

HEX #85DA5D

RGB 133 218 93

HSL 100.8, 0.63%, 0.61%

LAB 79.57, -47.77, 52.59

 

CMYK 31 / 0 / 46 / 21

HEX #8AC96D

RGB 138 201 109

HSL 101.09, 0.46%, 0.61%

LAB 75, -36.87, 39.56

 

CMYK 22 / 0 / 32 / 27

HEX #90B97D

RGB 144 185 125

HSL 101, 0.3%, 0.61%

LAB 70.95, -24.94, 26.12

 

CMYK 11 / 0 / 17 / 34

HEX #96A98D

RGB 150 169 141

HSL 100.71, 0.14%, 0.61%

LAB 67.11, -11.97, 12.25

 

CMYK 9 / 0 / 68 / 8

HEX #D5EA4C

RGB 213 234 76

HSL 67.97, 0.79%, 0.61%

LAB 88.69, -26.75, 70.82

 

CMYK 27 / 0 / 68 / 8

HEX #ABEA4C

RGB 171 234 76

HSL 83.92, 0.79%, 0.61%

LAB 86.02, -42.89, 67.23

 

CMYK 45 / 0 / 68 / 8

HEX #81EA4C

RGB 129 234 76

HSL 99.87, 0.79%, 0.61%

LAB 83.98, -56.96, 64.48

 

CMYK 63 / 0 / 68 / 8

HEX #57EA4C

RGB 87 234 76

HSL 115.82, 0.79%, 0.61%

LAB 82.59, -67.75, 62.58

 

CMYK 68 / 0 / 54 / 8

HEX #4CEA6C

RGB 76 234 108

HSL 132.15, 0.79%, 0.61%

LAB 82.63, -66.36, 48.9

 

CMYK 60 / 0 / 88 / 20

HEX #51CC18

RGB 81 204 24

HSL 101, 0.79%, 0.45%

LAB 72.89, -62.15, 68.72

 

CMYK 56 / 0 / 83 / 10

HEX #64E528

RGB 100 229 40

HSL 100.95, 0.78%, 0.53%

LAB 81.24, -65.38, 72.83

 

CMYK 46 / 0 / 68 / 8

HEX #7FEA4C

RGB 127 234 76

HSL 100.63, 0.79%, 0.61%

LAB 83.9, -57.55, 64.37

 

CMYK 36 / 0 / 53 / 7

HEX #99EE71

RGB 153 238 113

HSL 100.8, 0.79%, 0.69%

LAB 86.56, -47.55, 51.95

 

CMYK 26 / 0 / 38 / 5

HEX #B4F296

RGB 180 242 150

HSL 100.43, 0.78%, 0.77%

LAB 89.58, -35.74, 38.26

 

CMYK 46 / 0 / 68 / 8

HEX #7EEA4B

RGB 126 234 75

HSL 100.75, 0.79%, 0.61%

LAB 83.86, -57.93, 64.69

 

CMYK 68 / 0 / 9 / 8

HEX #4CEAD5

RGB 76 234 213

HSL 172.03, 0.79%, 0.61%

LAB 84.58, -45.54, -1.79

 

CMYK 0 / 68 / 18 / 8

HEX #EA4CC0

RGB 234 76 192

HSL 315.95, 0.79%, 0.61%

LAB 58.48, 71.63, -28.47

 

CMYK 46 / 0 / 68 / 8

HEX #7EEA4B

RGB 126 234 75

HSL 100.75, 0.79%, 0.61%

LAB 83.86, -57.93, 64.69

 

CMYK 68 / 45 / 0 / 8

HEX #4C81EA

RGB 76 129 234

HSL 219.87, 0.79%, 0.61%

LAB 55.25, 16.11, -58.34

 

CMYK 0 / 68 / 45 / 8

HEX #EA4C81

RGB 234 76 129

HSL 339.87, 0.79%, 0.61%

LAB 56.33, 64.4, 5.06

 

CMYK 46 / 0 / 68 / 8

HEX #7EEA4B

RGB 126 234 75

HSL 100.75, 0.79%, 0.61%

LAB 83.86, -57.93, 64.69

 

CMYK 68 / 0 / 9 / 8

HEX #4CEAD5

RGB 76 234 213

HSL 172.03, 0.79%, 0.61%

LAB 84.58, -45.54, -1.79

 

CMYK 23 / 68 / 0 / 8

HEX #B54CEA

RGB 181 76 234

HSL 279.87, 0.79%, 0.61%

LAB 52.88, 66.52, -61.69

 

CMYK 0 / 68 / 59 / 8

HEX #EA4C61

RGB 234 76 97

HSL 352.03, 0.79%, 0.61%

LAB 55.61, 61.85, 22.97

 

CMYK 46 / 0 / 68 / 8

HEX #7EEA4B

RGB 126 234 75

HSL 100.75, 0.79%, 0.61%

LAB 83.86, -57.93, 64.69

 

CMYK 68 / 12 / 0 / 8

HEX #4CCFEA

RGB 76 207 234

HSL 190.25, 0.79%, 0.61%

LAB 77.34, -27.19, -23.78

 

CMYK 23 / 68 / 0 / 8

HEX #B54CEA

RGB 181 76 234

HSL 279.87, 0.79%, 0.61%

LAB 52.88, 66.52, -61.69

 

CMYK 0 / 56 / 68 / 8

HEX #EA674C

RGB 234 103 76

HSL 10.25, 0.79%, 0.61%

LAB 59.63, 48.97, 39.94

 

Description

Color code: HEX #7EEA4B | qconv.com Color code: HEX #7EEA4B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 234 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 234 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 68 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 68% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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