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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EE049 it is the complementary color #811FB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EE049. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EE049 shade: #83E044, #94F257, #A5FF6A, #B6FF7D and #C7FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EE049. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EE049 shade: #7EE049, #6DCE36, #5CBC23, #4BAA10 and #3A9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EE049 shade: #7DE048, #A6E048, #CFE048, #E0C848 and #E09F48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EE049 shade: #7DE048, #54E048, #48E065, #48E08E and #48E0B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EE049 shade matches the following richer shades: #7DE048 and #78F137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EE049 shade: #7DE048, #82CF59, #88BD6B, #8DAC7C and #929B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EE049 shade: #D1E048, #A8E048, #80E048, #57E048 and #48E061

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EE049 shade: #54B61F, #64DA25, #7DE048, #96E66B and #AFEC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EE049 shade: #7EE049, #48E0C7 and #E048BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EE049 shade: #7EE049, #4880E0 and #E04880

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EE049 shade: #7EE049, #48E0C7, #A848E0 and #E04861

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EE049 shade: #7EE049, #48CCE0, #A848E0 and #E05C48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 67 / 12

HEX #7EE049

RGB 126 224 73

HSL 98.94, 0.71%, 0.58%

LAB 80.87, -54.22, 62.31

 

Complementary color

CMYK 29 / 83 / 0 / 29

HEX #811FB6

RGB 129 31 182

HSL 278.94, 0.71%, 0.42%

LAB 36.03, 62.79, -59.32

 

CMYK 42 / 0 / 70 / 12

HEX #83E044

RGB 131 224 68

HSL 95.77, 0.72%, 0.57%

LAB 81.05, -53.02, 64.45

 

CMYK 39 / 0 / 64 / 5

HEX #94F257

RGB 148 242 87

HSL 96.39, 0.86%, 0.65%

LAB 87.24, -53.32, 63.9

 

CMYK 35 / 0 / 58 / 0

HEX #A5FF6A

RGB 165 255 106

HSL 96.24, 1%, 0.71%

LAB 91.94, -51.43, 61.47

 

CMYK 29 / 0 / 51 / 0

HEX #B6FF7D

RGB 182 255 125

HSL 93.69, 1%, 0.75%

LAB 92.99, -43.86, 54.51

 

CMYK 22 / 0 / 44 / 0

HEX #C7FF90

RGB 199 255 144

HSL 90.27, 1%, 0.78%

LAB 94.17, -35.85, 47.28

 

CMYK 44 / 0 / 67 / 12

HEX #7EE049

RGB 126 224 73

HSL 98.94, 0.71%, 0.58%

LAB 80.87, -54.22, 62.31

 

CMYK 47 / 0 / 74 / 19

HEX #6DCE36

RGB 109 206 54

HSL 98.29, 0.61%, 0.51%

LAB 74.61, -53.78, 62.63

 

CMYK 51 / 0 / 81 / 26

HEX #5CBC23

RGB 92 188 35

HSL 97.65, 0.69%, 0.44%

LAB 68.29, -53.09, 62.27

 

CMYK 56 / 0 / 91 / 33

HEX #4BAA10

RGB 75 170 16

HSL 97.01, 0.83%, 0.36%

LAB 61.9, -52.02, 60.73

 

CMYK 62 / 0 / 100 / 40

HEX #3A9800

RGB 58 152 0

HSL 97.11, 1%, 0.3%

LAB 55.44, -50.48, 57.67

 

CMYK 44 / 0 / 68 / 12

HEX #7DE048

RGB 125 224 72

HSL 99.08, 0.71%, 0.58%

LAB 80.82, -54.6, 62.63

 

CMYK 26 / 0 / 68 / 12

HEX #A6E048

RGB 166 224 72

HSL 82.89, 0.71%, 0.58%

LAB 82.85, -40.62, 65.38

 

CMYK 8 / 0 / 68 / 12

HEX #CFE048

RGB 207 224 72

HSL 66.71, 0.71%, 0.58%

LAB 85.53, -24.63, 68.96

 

CMYK 0 / 11 / 68 / 12

HEX #E0C848

RGB 224 200 72

HSL 50.53, 0.71%, 0.58%

LAB 80.53, -5.66, 64.34

 

CMYK 0 / 29 / 68 / 12

HEX #E09F48

RGB 224 159 72

HSL 34.34, 0.71%, 0.58%

LAB 70.25, 15.91, 53.55

 

CMYK 44 / 0 / 68 / 12

HEX #7DE048

RGB 125 224 72

HSL 99.08, 0.71%, 0.58%

LAB 80.82, -54.6, 62.63

 

CMYK 63 / 0 / 68 / 12

HEX #54E048

RGB 84 224 72

HSL 115.26, 0.71%, 0.58%

LAB 79.42, -65.36, 60.73

 

CMYK 68 / 0 / 55 / 12

HEX #48E065

RGB 72 224 101

HSL 131.45, 0.71%, 0.58%

LAB 79.4, -64.55, 48.24

 

CMYK 68 / 0 / 37 / 12

HEX #48E08E

RGB 72 224 142

HSL 147.63, 0.71%, 0.58%

LAB 79.98, -58.03, 28.84

 

CMYK 68 / 0 / 18 / 12

HEX #48E0B7

RGB 72 224 183

HSL 163.82, 0.71%, 0.58%

LAB 80.8, -49.3, 8.57

 

CMYK 44 / 0 / 68 / 12

HEX #7DE048

RGB 125 224 72

HSL 99.08, 0.71%, 0.58%

LAB 80.82, -54.6, 62.63

 

CMYK 50 / 0 / 77 / 5

HEX #78F137

RGB 120 241 55

HSL 99.03, 0.87%, 0.58%

LAB 85.59, -63.55, 73.08

 

CMYK 44 / 0 / 68 / 12

HEX #7DE048

RGB 125 224 72

HSL 99.08, 0.71%, 0.58%

LAB 80.82, -54.6, 62.63

 

CMYK 37 / 0 / 57 / 19

HEX #82CF59

RGB 130 207 89

HSL 99.15, 0.55%, 0.58%

LAB 76.13, -44.53, 50.38

 

CMYK 28 / 0 / 43 / 26

HEX #88BD6B

RGB 136 189 107

HSL 98.78, 0.38%, 0.58%

LAB 71.34, -32.29, 35.94

 

CMYK 18 / 0 / 28 / 33

HEX #8DAC7C

RGB 141 172 124

HSL 98.75, 0.22%, 0.58%

LAB 66.99, -19.68, 21.3

 

CMYK 6 / 0 / 9 / 39

HEX #929B8D

RGB 146 155 141

HSL 98.57, 0.07%, 0.58%

LAB 62.91, -5.92, 6.23

 

CMYK 7 / 0 / 68 / 12

HEX #D1E048

RGB 209 224 72

HSL 65.92, 0.71%, 0.58%

LAB 85.67, -23.82, 69.16

 

CMYK 25 / 0 / 68 / 12

HEX #A8E048

RGB 168 224 72

HSL 82.11, 0.71%, 0.58%

LAB 82.97, -39.88, 65.54

 

CMYK 43 / 0 / 68 / 12

HEX #80E048

RGB 128 224 72

HSL 97.89, 0.71%, 0.58%

LAB 80.94, -53.67, 62.8

 

CMYK 61 / 0 / 68 / 12

HEX #57E048

RGB 87 224 72

HSL 114.08, 0.71%, 0.58%

LAB 79.5, -64.7, 60.84

 

CMYK 68 / 0 / 57 / 12

HEX #48E061

RGB 72 224 97

HSL 129.87, 0.71%, 0.58%

LAB 79.36, -65.06, 50.02

 

CMYK 54 / 0 / 83 / 29

HEX #54B61F

RGB 84 182 31

HSL 98.94, 0.71%, 0.42%

LAB 66.09, -53.34, 61.23

 

CMYK 54 / 0 / 83 / 15

HEX #64DA25

RGB 100 218 37

HSL 99.12, 0.71%, 0.5%

LAB 77.87, -61.68, 70.53

 

CMYK 44 / 0 / 68 / 12

HEX #7DE048

RGB 125 224 72

HSL 99.08, 0.71%, 0.58%

LAB 80.82, -54.6, 62.63

 

CMYK 35 / 0 / 53 / 10

HEX #96E66B

RGB 150 230 107

HSL 99.02, 0.71%, 0.66%

LAB 84.04, -45.8, 51.67

 

CMYK 26 / 0 / 40 / 7

HEX #AFEC8E

RGB 175 236 142

HSL 98.94, 0.71%, 0.74%

LAB 87.51, -35.78, 39.49

 

CMYK 44 / 0 / 67 / 12

HEX #7EE049

RGB 126 224 73

HSL 98.94, 0.71%, 0.58%

LAB 80.87, -54.22, 62.31

 

CMYK 68 / 0 / 11 / 12

HEX #48E0C7

RGB 72 224 199

HSL 170.13, 0.71%, 0.58%

LAB 81.19, -45.36, 0.65

 

CMYK 0 / 68 / 16 / 12

HEX #E048BC

RGB 224 72 188

HSL 314.21, 0.71%, 0.58%

LAB 56.2, 70.04, -29.83

 

CMYK 44 / 0 / 67 / 12

HEX #7EE049

RGB 126 224 73

HSL 98.94, 0.71%, 0.58%

LAB 80.87, -54.22, 62.31

 

CMYK 68 / 43 / 0 / 12

HEX #4880E0

RGB 72 128 224

HSL 217.89, 0.71%, 0.58%

LAB 54.24, 12.61, -54.39

 

CMYK 0 / 68 / 43 / 12

HEX #E04880

RGB 224 72 128

HSL 337.89, 0.71%, 0.58%

LAB 54.07, 62.91, 2.17

 

CMYK 44 / 0 / 67 / 12

HEX #7EE049

RGB 126 224 73

HSL 98.94, 0.71%, 0.58%

LAB 80.87, -54.22, 62.31

 

CMYK 68 / 0 / 11 / 12

HEX #48E0C7

RGB 72 224 199

HSL 170.13, 0.71%, 0.58%

LAB 81.19, -45.36, 0.65

 

CMYK 25 / 68 / 0 / 12

HEX #A848E0

RGB 168 72 224

HSL 277.89, 0.71%, 0.58%

LAB 49.91, 63.46, -60.91

 

CMYK 0 / 68 / 57 / 12

HEX #E04861

RGB 224 72 97

HSL 350.13, 0.71%, 0.58%

LAB 53.33, 60.3, 19.62

 

CMYK 44 / 0 / 67 / 12

HEX #7EE049

RGB 126 224 73

HSL 98.94, 0.71%, 0.58%

LAB 80.87, -54.22, 62.31

 

CMYK 68 / 9 / 0 / 12

HEX #48CCE0

RGB 72 204 224

HSL 187.89, 0.71%, 0.58%

LAB 76.04, -29.27, -20.4

 

CMYK 25 / 68 / 0 / 12

HEX #A848E0

RGB 168 72 224

HSL 277.89, 0.71%, 0.58%

LAB 49.91, 63.46, -60.91

 

CMYK 0 / 59 / 68 / 12

HEX #E05C48

RGB 224 92 72

HSL 7.89, 0.71%, 0.58%

LAB 56.06, 50.29, 37.52

 

Description

Color code: HEX #7EE049 | qconv.com Color code: HEX #7EE049 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 224 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 224 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 67 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 67% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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