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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EE03A it is the complementary color #811FC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EE03A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EE03A shade: #83E035, #94F248, #A5FF5B, #B6FF6E and #C7FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EE03A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EE03A shade: #7EE03A, #6DCE27, #5CBC14, #4BAA01 and #3A9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EE03A shade: #7DE038, #AAE038, #D7E038, #E0BB38 and #E08E38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EE03A shade: #7DE038, #50E038, #38E04E, #38E07B and #38E0A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EE03A shade matches the following richer shades: #7DE038 and #7AF326

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EE03A shade: #7DE038, #80CD4B, #84BB5E, #87A870 and #8B9683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EE03A shade: #D8E038, #ABE038, #7EE038, #52E038 and #38E04C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EE03A shade: #56AB1B, #68CF20, #7DE038, #94E65C and #ACEB80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EE03A shade: #7EE03A, #38E0BC and #E038C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EE03A shade: #7EE03A, #387EE0 and #E0387E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EE03A shade: #7EE03A, #38E0BC, #9A38E0 and #E0385D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EE03A shade: #7EE03A, #38D2E0, #9A38E0 and #E04638

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 74 / 12

HEX #7EE03A

RGB 126 224 58

HSL 95.42, 0.73%, 0.55%

LAB 80.77, -55.26, 67.58

 

Complementary color

CMYK 35 / 84 / 0 / 23

HEX #811FC5

RGB 129 31 197

HSL 275.42, 0.73%, 0.45%

LAB 37.26, 65.94, -66.15

 

CMYK 42 / 0 / 76 / 12

HEX #83E035

RGB 131 224 53

HSL 92.63, 0.73%, 0.54%

LAB 80.96, -53.96, 69.43

 

CMYK 39 / 0 / 70 / 5

HEX #94F248

RGB 148 242 72

HSL 93.18, 0.87%, 0.62%

LAB 87.13, -54.43, 69.45

 

CMYK 35 / 0 / 64 / 0

HEX #A5FF5B

RGB 165 255 91

HSL 92.93, 1%, 0.68%

LAB 91.81, -52.72, 67.48

 

CMYK 29 / 0 / 57 / 0

HEX #B6FF6E

RGB 182 255 110

HSL 90.21, 1%, 0.72%

LAB 92.84, -45.35, 61.01

 

CMYK 22 / 0 / 49 / 0

HEX #C7FF81

RGB 199 255 129

HSL 86.67, 1%, 0.75%

LAB 93.99, -37.51, 54.1

 

CMYK 44 / 0 / 74 / 12

HEX #7EE03A

RGB 126 224 58

HSL 95.42, 0.73%, 0.55%

LAB 80.77, -55.26, 67.58

 

CMYK 47 / 0 / 81 / 19

HEX #6DCE27

RGB 109 206 39

HSL 94.85, 0.68%, 0.48%

LAB 74.53, -54.62, 67.14

 

CMYK 51 / 0 / 89 / 26

HEX #5CBC14

RGB 92 188 20

HSL 94.29, 0.81%, 0.41%

LAB 68.24, -53.67, 65.63

 

CMYK 56 / 0 / 99 / 33

HEX #4BAA01

RGB 75 170 1

HSL 93.73, 0.99%, 0.34%

LAB 61.87, -52.37, 62.84

 

CMYK 62 / 0 / 100 / 40

HEX #3A9800

RGB 58 152 0

HSL 97.11, 1%, 0.3%

LAB 55.44, -50.48, 57.67

 

CMYK 44 / 0 / 75 / 12

HEX #7DE038

RGB 125 224 56

HSL 95.36, 0.73%, 0.55%

LAB 80.71, -55.69, 68.17

 

CMYK 24 / 0 / 75 / 12

HEX #AAE038

RGB 170 224 56

HSL 79.29, 0.73%, 0.55%

LAB 82.99, -40.04, 71.14

 

CMYK 4 / 0 / 75 / 12

HEX #D7E038

RGB 215 224 56

HSL 63.21, 0.73%, 0.55%

LAB 86.03, -22.13, 75.07

 

CMYK 0 / 17 / 75 / 12

HEX #E0BB38

RGB 224 187 56

HSL 46.79, 0.73%, 0.55%

LAB 77.09, 0.3, 67

 

CMYK 0 / 37 / 75 / 12

HEX #E08E38

RGB 224 142 56

HSL 30.71, 0.73%, 0.55%

LAB 66.12, 24.22, 56.37

 

CMYK 44 / 0 / 75 / 12

HEX #7DE038

RGB 125 224 56

HSL 95.36, 0.73%, 0.55%

LAB 80.71, -55.69, 68.17

 

CMYK 64 / 0 / 75 / 12

HEX #50E038

RGB 80 224 56

HSL 111.43, 0.73%, 0.55%

LAB 79.22, -67.43, 66.19

 

CMYK 75 / 0 / 65 / 12

HEX #38E04E

RGB 56 224 78

HSL 127.86, 0.73%, 0.55%

LAB 78.87, -69.77, 57.58

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 75 / 0 / 25 / 12

HEX #38E0A9

RGB 56 224 169

HSL 160.36, 0.73%, 0.55%

LAB 80.19, -54.7, 15.04

 

CMYK 44 / 0 / 75 / 12

HEX #7DE038

RGB 125 224 56

HSL 95.36, 0.73%, 0.55%

LAB 80.71, -55.69, 68.17

 

CMYK 50 / 0 / 84 / 5

HEX #7AF326

RGB 122 243 38

HSL 95.41, 0.9%, 0.55%

LAB 86.2, -64.48, 77.97

 

CMYK 44 / 0 / 75 / 12

HEX #7DE038

RGB 125 224 56

HSL 95.36, 0.73%, 0.55%

LAB 80.71, -55.69, 68.17

 

CMYK 38 / 0 / 63 / 20

HEX #80CD4B

RGB 128 205 75

HSL 95.54, 0.57%, 0.55%

LAB 75.3, -45.69, 55.56

 

CMYK 29 / 0 / 50 / 27

HEX #84BB5E

RGB 132 187 94

HSL 95.48, 0.41%, 0.55%

LAB 70.35, -34.43, 41.17

 

CMYK 20 / 0 / 33 / 34

HEX #87A870

RGB 135 168 112

HSL 95.36, 0.24%, 0.55%

LAB 65.22, -21.73, 25.34

 

CMYK 7 / 0 / 13 / 41

HEX #8B9683

RGB 139 150 131

HSL 94.74, 0.08%, 0.55%

LAB 60.73, -7.61, 8.68

 

CMYK 4 / 0 / 75 / 12

HEX #D8E038

RGB 216 224 56

HSL 62.86, 0.73%, 0.55%

LAB 86.1, -21.72, 75.17

 

CMYK 24 / 0 / 75 / 12

HEX #ABE038

RGB 171 224 56

HSL 78.93, 0.73%, 0.55%

LAB 83.05, -39.66, 71.22

 

CMYK 44 / 0 / 75 / 12

HEX #7EE038

RGB 126 224 56

HSL 95, 0.73%, 0.55%

LAB 80.76, -55.38, 68.22

 

CMYK 63 / 0 / 75 / 12

HEX #52E038

RGB 82 224 56

HSL 110.71, 0.73%, 0.55%

LAB 79.27, -67.01, 66.26

 

CMYK 75 / 0 / 66 / 12

HEX #38E04C

RGB 56 224 76

HSL 127.14, 0.73%, 0.55%

LAB 78.85, -69.97, 58.37

 

CMYK 50 / 0 / 84 / 33

HEX #56AB1B

RGB 86 171 27

HSL 95.42, 0.73%, 0.39%

LAB 62.66, -48.78, 59.2

 

CMYK 50 / 0 / 85 / 19

HEX #68CF20

RGB 104 207 32

HSL 95.31, 0.73%, 0.47%

LAB 74.62, -56.79, 68.87

 

CMYK 44 / 0 / 75 / 12

HEX #7DE038

RGB 125 224 56

HSL 95.36, 0.73%, 0.55%

LAB 80.71, -55.69, 68.17

 

CMYK 36 / 0 / 60 / 10

HEX #94E65C

RGB 148 230 92

HSL 95.65, 0.73%, 0.63%

LAB 83.79, -47.96, 58.03

 

CMYK 27 / 0 / 46 / 8

HEX #ACEB80

RGB 172 235 128

HSL 95.33, 0.73%, 0.71%

LAB 86.87, -38.13, 45.49

 

CMYK 44 / 0 / 74 / 12

HEX #7EE03A

RGB 126 224 58

HSL 95.42, 0.73%, 0.55%

LAB 80.77, -55.26, 67.58

 

CMYK 75 / 0 / 16 / 12

HEX #38E0BC

RGB 56 224 188

HSL 167.14, 0.73%, 0.55%

LAB 80.62, -50.18, 5.62

 

CMYK 0 / 75 / 14 / 12

HEX #E038C1

RGB 224 56 193

HSL 311.07, 0.73%, 0.55%

LAB 54.58, 75.95, -35.24

 

CMYK 44 / 0 / 74 / 12

HEX #7EE03A

RGB 126 224 58

HSL 95.42, 0.73%, 0.55%

LAB 80.77, -55.26, 67.58

 

CMYK 75 / 44 / 0 / 12

HEX #387EE0

RGB 56 126 224

HSL 215, 0.73%, 0.55%

LAB 53.11, 11.64, -56.23

 

CMYK 0 / 75 / 44 / 12

HEX #E0387E

RGB 224 56 126

HSL 335, 0.73%, 0.55%

LAB 52.04, 68.21, 0.42

 

CMYK 44 / 0 / 74 / 12

HEX #7EE03A

RGB 126 224 58

HSL 95.42, 0.73%, 0.55%

LAB 80.77, -55.26, 67.58

 

CMYK 75 / 0 / 16 / 12

HEX #38E0BC

RGB 56 224 188

HSL 167.14, 0.73%, 0.55%

LAB 80.62, -50.18, 5.62

 

CMYK 31 / 75 / 0 / 12

HEX #9A38E0

RGB 154 56 224

HSL 275, 0.73%, 0.55%

LAB 45.74, 67.33, -67.74

 

CMYK 0 / 75 / 58 / 12

HEX #E0385D

RGB 224 56 93

HSL 346.79, 0.73%, 0.55%

LAB 51.23, 65.61, 19.19

 

CMYK 44 / 0 / 74 / 12

HEX #7EE03A

RGB 126 224 58

HSL 95.42, 0.73%, 0.55%

LAB 80.77, -55.26, 67.58

 

CMYK 75 / 6 / 0 / 12

HEX #38D2E0

RGB 56 210 224

HSL 185, 0.73%, 0.55%

LAB 77.47, -34.12, -18.26

 

CMYK 31 / 75 / 0 / 12

HEX #9A38E0

RGB 154 56 224

HSL 275, 0.73%, 0.55%

LAB 45.74, 67.33, -67.74

 

CMYK 0 / 69 / 75 / 12

HEX #E04638

RGB 224 70 56

HSL 5, 0.73%, 0.55%

LAB 52.41, 58.81, 42.15

 

Description

Color code: HEX #7EE03A | qconv.com Color code: HEX #7EE03A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 224 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 224 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 74 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 74% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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