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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7ED327 it is the complementary color #812CD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7ED327. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7ED327 shade: #83D322, #94E535, #A5F748, #B6FF5B and #C7FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7ED327. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7ED327 shade: #7ED327, #6DC114, #5CAF01, #4B9D00 and #3A8B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7ED327 shade: #7ED327, #ACD327, #D3CB27, #D39D27 and #D36E27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7ED327 shade: #7ED327, #4FD327, #27D32D, #27D35B and #27D38A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7ED327 shade matches the following richer shades: #7ED327 and #7EE713

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7ED327 shade: #7ED327, #7EBF3B, #7DAB4F, #7D9763 and #7D8278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7ED327 shade: #D3CB27, #AED327, #80D327, #52D327 and #27D32A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7ED327 shade: #548D1A, #69B020, #7ED327, #92DD46 and #A7E369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7ED327 shade: #7ED327, #27D39D and #D327C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7ED327 shade: #7ED327, #2780D3 and #D32780

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7ED327 shade: #7ED327, #27D39D, #7A27D3 and #D3275D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7ED327 shade: #7ED327, #27D3D0, #7A27D3 and #D3272A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 82 / 17

HEX #7ED327

RGB 126 211 39

HSL 89.65, 0.69%, 0.49%

LAB 76.78, -51.13, 69.45

 

Complementary color

CMYK 40 / 80 / 0 / 15

HEX #812CD8

RGB 129 44 216

HSL 269.65, 0.69%, 0.51%

LAB 40.29, 65.98, -72.2

 

CMYK 38 / 0 / 84 / 17

HEX #83D322

RGB 131 211 34

HSL 87.12, 0.72%, 0.48%

LAB 77, -49.64, 70.95

 

CMYK 35 / 0 / 77 / 10

HEX #94E535

RGB 148 229 53

HSL 87.61, 0.77%, 0.55%

LAB 83.23, -50.3, 71.86

 

CMYK 33 / 0 / 71 / 3

HEX #A5F748

RGB 165 247 72

HSL 88.11, 0.92%, 0.63%

LAB 89.39, -50.77, 71.99

 

CMYK 29 / 0 / 64 / 0

HEX #B6FF5B

RGB 182 255 91

HSL 86.71, 1%, 0.68%

LAB 92.67, -46.92, 68.66

 

CMYK 22 / 0 / 57 / 0

HEX #C7FF6E

RGB 199 255 110

HSL 83.17, 1%, 0.72%

LAB 93.79, -39.31, 62.35

 

CMYK 40 / 0 / 82 / 17

HEX #7ED327

RGB 126 211 39

HSL 89.65, 0.69%, 0.49%

LAB 76.78, -51.13, 69.45

 

CMYK 44 / 0 / 90 / 24

HEX #6DC114

RGB 109 193 20

HSL 89.13, 0.81%, 0.42%

LAB 70.48, -50.28, 67.8

 

CMYK 47 / 0 / 99 / 31

HEX #5CAF01

RGB 92 175 1

HSL 88.62, 0.99%, 0.35%

LAB 64.11, -49.16, 64.89

 

CMYK 52 / 0 / 100 / 38

HEX #4B9D00

RGB 75 157 0

HSL 91.34, 1%, 0.31%

LAB 57.66, -47.57, 59.68

 

CMYK 58 / 0 / 100 / 45

HEX #3A8B00

RGB 58 139 0

HSL 94.96, 1%, 0.27%

LAB 51.11, -45.78, 54.25

 

CMYK 40 / 0 / 82 / 17

HEX #7ED327

RGB 126 211 39

HSL 89.65, 0.69%, 0.49%

LAB 76.78, -51.13, 69.45

 

CMYK 18 / 0 / 82 / 17

HEX #ACD327

RGB 172 211 39

HSL 73.6, 0.69%, 0.49%

LAB 79.33, -34.13, 72.68

 

CMYK 0 / 4 / 82 / 17

HEX #D3CB27

RGB 211 203 39

HSL 57.21, 0.69%, 0.49%

LAB 80.01, -14.07, 74.4

 

CMYK 0 / 26 / 82 / 17

HEX #D39D27

RGB 211 157 39

HSL 41.16, 0.69%, 0.49%

LAB 68.1, 9.95, 64.11

 

CMYK 0 / 48 / 82 / 17

HEX #D36E27

RGB 211 110 39

HSL 24.77, 0.69%, 0.49%

LAB 57.22, 35.13, 54.41

 

CMYK 40 / 0 / 82 / 17

HEX #7ED327

RGB 126 211 39

HSL 89.65, 0.69%, 0.49%

LAB 76.78, -51.13, 69.45

 

CMYK 63 / 0 / 82 / 17

HEX #4FD327

RGB 79 211 39

HSL 106.05, 0.69%, 0.49%

LAB 75.07, -64.35, 67.26

 

CMYK 82 / 0 / 79 / 17

HEX #27D32D

RGB 39 211 45

HSL 122.09, 0.69%, 0.49%

LAB 74.32, -70.66, 64.61

 

CMYK 82 / 0 / 57 / 17

HEX #27D35B

RGB 39 211 91

HSL 138.14, 0.69%, 0.49%

LAB 74.68, -66.22, 47.1

 

CMYK 82 / 0 / 35 / 17

HEX #27D38A

RGB 39 211 138

HSL 154.53, 0.69%, 0.49%

LAB 75.36, -58.28, 24.6

 

CMYK 40 / 0 / 82 / 17

HEX #7ED327

RGB 126 211 39

HSL 89.65, 0.69%, 0.49%

LAB 76.78, -51.13, 69.45

 

CMYK 45 / 0 / 92 / 9

HEX #7EE713

RGB 126 231 19

HSL 89.72, 0.85%, 0.49%

LAB 82.72, -59.45, 78.35

 

CMYK 40 / 0 / 82 / 17

HEX #7ED327

RGB 126 211 39

HSL 89.65, 0.69%, 0.49%

LAB 76.78, -51.13, 69.45

 

CMYK 34 / 0 / 69 / 25

HEX #7EBF3B

RGB 126 191 59

HSL 89.55, 0.53%, 0.49%

LAB 70.88, -41.69, 57.3

 

CMYK 27 / 0 / 54 / 33

HEX #7DAB4F

RGB 125 171 79

HSL 90, 0.37%, 0.49%

LAB 65, -31.24, 41.99

 

CMYK 17 / 0 / 34 / 41

HEX #7D9763

RGB 125 151 99

HSL 90, 0.21%, 0.49%

LAB 59.34, -18.78, 24.47

 

CMYK 4 / 0 / 8 / 49

HEX #7D8278

RGB 125 130 120

HSL 90, 0.04%, 0.49%

LAB 53.69, -3.82, 4.76

 

CMYK 0 / 4 / 82 / 17

HEX #D3CB27

RGB 211 203 39

HSL 57.21, 0.69%, 0.49%

LAB 80.01, -14.07, 74.4

 

CMYK 18 / 0 / 82 / 17

HEX #AED327

RGB 174 211 39

HSL 72.91, 0.69%, 0.49%

LAB 79.46, -33.33, 72.85

 

CMYK 39 / 0 / 82 / 17

HEX #80D327

RGB 128 211 39

HSL 88.95, 0.69%, 0.49%

LAB 76.87, -50.46, 69.56

 

CMYK 61 / 0 / 82 / 17

HEX #52D327

RGB 82 211 39

HSL 105, 0.69%, 0.49%

LAB 75.16, -63.67, 67.37

 

CMYK 82 / 0 / 80 / 17

HEX #27D32A

RGB 39 211 42

HSL 121.05, 0.69%, 0.49%

LAB 74.31, -70.84, 65.46

 

CMYK 40 / 0 / 82 / 45

HEX #548D1A

RGB 84 141 26

HSL 89.74, 0.69%, 0.33%

LAB 52.96, -37.22, 50.64

 

CMYK 40 / 0 / 82 / 31

HEX #69B020

RGB 105 176 32

HSL 89.58, 0.69%, 0.41%

LAB 65.09, -44.34, 60.38

 

CMYK 40 / 0 / 82 / 17

HEX #7ED327

RGB 126 211 39

HSL 89.65, 0.69%, 0.49%

LAB 76.78, -51.13, 69.45

 

CMYK 34 / 0 / 68 / 13

HEX #92DD46

RGB 146 221 70

HSL 89.8, 0.69%, 0.57%

LAB 80.89, -46.65, 63.76

 

CMYK 26 / 0 / 54 / 11

HEX #A7E369

RGB 167 227 105

HSL 89.51, 0.69%, 0.65%

LAB 84.06, -38.84, 52.83

 

CMYK 40 / 0 / 82 / 17

HEX #7ED327

RGB 126 211 39

HSL 89.65, 0.69%, 0.49%

LAB 76.78, -51.13, 69.45

 

CMYK 82 / 0 / 26 / 17

HEX #27D39D

RGB 39 211 157

HSL 161.16, 0.69%, 0.49%

LAB 75.73, -54.15, 15.1

 

CMYK 0 / 82 / 7 / 17

HEX #D327C5

RGB 211 39 197

HSL 304.88, 0.69%, 0.49%

LAB 51.07, 78.16, -43.22

 

CMYK 40 / 0 / 82 / 17

HEX #7ED327

RGB 126 211 39

HSL 89.65, 0.69%, 0.49%

LAB 76.78, -51.13, 69.45

 

CMYK 82 / 39 / 0 / 17

HEX #2780D3

RGB 39 128 211

HSL 208.95, 0.69%, 0.49%

LAB 52.48, 3.78, -49.93

 

CMYK 0 / 82 / 39 / 17

HEX #D32780

RGB 211 39 128

HSL 328.95, 0.69%, 0.49%

LAB 48.08, 69.75, -6.9

 

CMYK 40 / 0 / 82 / 17

HEX #7ED327

RGB 126 211 39

HSL 89.65, 0.69%, 0.49%

LAB 76.78, -51.13, 69.45

 

CMYK 82 / 0 / 26 / 17

HEX #27D39D

RGB 39 211 157

HSL 161.16, 0.69%, 0.49%

LAB 75.73, -54.15, 15.1

 

CMYK 42 / 82 / 0 / 17

HEX #7A27D3

RGB 122 39 211

HSL 268.95, 0.69%, 0.49%

LAB 38.36, 65.58, -72.52

 

CMYK 0 / 82 / 56 / 17

HEX #D3275D

RGB 211 39 93

HSL 341.16, 0.69%, 0.49%

LAB 47.09, 66.83, 13.15

 

CMYK 40 / 0 / 82 / 17

HEX #7ED327

RGB 126 211 39

HSL 89.65, 0.69%, 0.49%

LAB 76.78, -51.13, 69.45

 

CMYK 82 / 0 / 1 / 17

HEX #27D3D0

RGB 39 211 208

HSL 178.95, 0.69%, 0.49%

LAB 77.03, -40.84, -10.36

 

CMYK 42 / 82 / 0 / 17

HEX #7A27D3

RGB 122 39 211

HSL 268.95, 0.69%, 0.49%

LAB 38.36, 65.58, -72.52

 

CMYK 0 / 82 / 80 / 17

HEX #D3272A

RGB 211 39 42

HSL 358.95, 0.69%, 0.49%

LAB 46.27, 64.33, 42.58

 

Description

Color code: HEX #7ED327 | qconv.com Color code: HEX #7ED327 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 211 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 211 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 82 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 82% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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