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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7ECC35 it is the complementary color #8133CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7ECC35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7ECC35 shade: #83CC30, #94DE43, #A5F056, #B6FF69 and #C7FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7ECC35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7ECC35 shade: #7ECC35, #6DBA22, #5CA80F, #4B9600 and #3A8400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7ECC35 shade: #7DCC33, #A6CC33, #CCC933, #CC9F33 and #CC7633

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7ECC35 shade: #7DCC33, #54CC33, #33CC3C, #33CC65 and #33CC8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7ECC35 shade matches the following richer shades: #7DCC33, #7CE11E and #7CF50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7ECC35 shade: #7DCC33, #7EB748, #7EA35C, #7F8E71 and #807986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7ECC35 shade: #CCC733, #A8CC33, #80CC33, #57CC33 and #33CC38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7ECC35 shade: #558A22, #69AB2B, #7DCC33, #92D454 and #A7DD75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7ECC35 shade: #7ECC35, #33CC9E and #CC33BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7ECC35 shade: #7ECC35, #3380CC and #CC3380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7ECC35 shade: #7ECC35, #33CC9E, #8033CC and #CC3361

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7ECC35 shade: #7ECC35, #33CCCC, #8033CC and #CC3333

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 74 / 20

HEX #7ECC35

RGB 126 204 53

HSL 90.99, 0.6%, 0.5%

LAB 74.75, -47.58, 63.36

 

Complementary color

CMYK 36 / 75 / 0 / 21

HEX #8133CA

RGB 129 51 202

HSL 270.99, 0.6%, 0.5%

LAB 40.08, 60.06, -64.46

 

CMYK 36 / 0 / 76 / 20

HEX #83CC30

RGB 131 204 48

HSL 88.08, 0.62%, 0.49%

LAB 74.97, -46.13, 65.28

 

CMYK 33 / 0 / 70 / 13

HEX #94DE43

RGB 148 222 67

HSL 88.65, 0.7%, 0.57%

LAB 81.26, -46.58, 65.29

 

CMYK 31 / 0 / 64 / 6

HEX #A5F056

RGB 165 240 86

HSL 89.22, 0.84%, 0.64%

LAB 87.48, -46.88, 64.81

 

CMYK 29 / 0 / 59 / 0

HEX #B6FF69

RGB 182 255 105

HSL 89.2, 1%, 0.71%

LAB 92.79, -45.79, 63.09

 

CMYK 22 / 0 / 51 / 0

HEX #C7FF7C

RGB 199 255 124

HSL 85.65, 1%, 0.74%

LAB 93.93, -38.01, 56.32

 

CMYK 38 / 0 / 74 / 20

HEX #7ECC35

RGB 126 204 53

HSL 90.99, 0.6%, 0.5%

LAB 74.75, -47.58, 63.36

 

CMYK 41 / 0 / 82 / 27

HEX #6DBA22

RGB 109 186 34

HSL 90.39, 0.69%, 0.43%

LAB 68.38, -46.99, 62.88

 

CMYK 45 / 0 / 91 / 34

HEX #5CA80F

RGB 92 168 15

HSL 89.8, 0.84%, 0.36%

LAB 61.93, -46.1, 61.2

 

CMYK 50 / 0 / 100 / 41

HEX #4B9600

RGB 75 150 0

HSL 90, 1%, 0.29%

LAB 55.39, -44.86, 57.89

 

CMYK 56 / 0 / 100 / 48

HEX #3A8400

RGB 58 132 0

HSL 93.64, 1%, 0.26%

LAB 48.76, -43.14, 52.4

 

CMYK 39 / 0 / 75 / 20

HEX #7DCC33

RGB 125 204 51

HSL 90.98, 0.6%, 0.5%

LAB 74.69, -48.04, 63.95

 

CMYK 19 / 0 / 75 / 20

HEX #A6CC33

RGB 166 204 51

HSL 74.9, 0.6%, 0.5%

LAB 77, -32.79, 66.97

 

CMYK 0 / 1 / 75 / 20

HEX #CCC933

RGB 204 201 51

HSL 58.82, 0.6%, 0.5%

LAB 78.95, -15.63, 69.8

 

CMYK 0 / 22 / 75 / 20

HEX #CC9F33

RGB 204 159 51

HSL 42.35, 0.6%, 0.5%

LAB 67.93, 6.26, 59.41

 

CMYK 0 / 42 / 75 / 20

HEX #CC7633

RGB 204 118 51

HSL 26.27, 0.6%, 0.5%

LAB 58.07, 28.49, 49.65

 

CMYK 39 / 0 / 75 / 20

HEX #7DCC33

RGB 125 204 51

HSL 90.98, 0.6%, 0.5%

LAB 74.69, -48.04, 63.95

 

CMYK 59 / 0 / 75 / 20

HEX #54CC33

RGB 84 204 51

HSL 107.06, 0.6%, 0.5%

LAB 73.1, -60.1, 61.85

 

CMYK 75 / 0 / 71 / 20

HEX #33CC3C

RGB 51 204 60

HSL 123.53, 0.6%, 0.5%

LAB 72.37, -65.88, 57.67

 

CMYK 75 / 0 / 50 / 20

HEX #33CC65

RGB 51 204 101

HSL 139.61, 0.6%, 0.5%

LAB 72.78, -61, 40.08

 

CMYK 75 / 0 / 30 / 20

HEX #33CC8E

RGB 51 204 142

HSL 155.69, 0.6%, 0.5%

LAB 73.44, -53.47, 19.91

 

CMYK 39 / 0 / 75 / 20

HEX #7DCC33

RGB 125 204 51

HSL 90.98, 0.6%, 0.5%

LAB 74.69, -48.04, 63.95

 

CMYK 45 / 0 / 87 / 12

HEX #7CE11E

RGB 124 225 30

HSL 91.08, 0.76%, 0.5%

LAB 80.87, -57.54, 75.01

 

CMYK 49 / 0 / 96 / 4

HEX #7CF50A

RGB 124 245 10

HSL 90.89, 0.92%, 0.5%

LAB 86.81, -65.28, 82.54

 

CMYK 39 / 0 / 75 / 20

HEX #7DCC33

RGB 125 204 51

HSL 90.98, 0.6%, 0.5%

LAB 74.69, -48.04, 63.95

 

CMYK 31 / 0 / 61 / 28

HEX #7EB748

RGB 126 183 72

HSL 90.81, 0.44%, 0.5%

LAB 68.58, -37.1, 49.4

 

CMYK 23 / 0 / 44 / 36

HEX #7EA35C

RGB 126 163 92

HSL 91.27, 0.28%, 0.5%

LAB 62.85, -25.44, 32.78

 

CMYK 11 / 0 / 20 / 44

HEX #7F8E71

RGB 127 142 113

HSL 91.03, 0.11%, 0.5%

LAB 57.12, -10.98, 13.67

 

CMYK 4 / 10 / 0 / 47

HEX #807986

RGB 128 121 134

HSL 272.31, 0.05%, 0.5%

LAB 51.82, 5.28, -6.11

 

CMYK 0 / 2 / 75 / 20

HEX #CCC733

RGB 204 199 51

HSL 58.04, 0.6%, 0.5%

LAB 78.42, -14.63, 69.3

 

CMYK 18 / 0 / 75 / 20

HEX #A8CC33

RGB 168 204 51

HSL 74.12, 0.6%, 0.5%

LAB 77.13, -31.99, 67.14

 

CMYK 37 / 0 / 75 / 20

HEX #80CC33

RGB 128 204 51

HSL 89.8, 0.6%, 0.5%

LAB 74.83, -47.01, 64.14

 

CMYK 57 / 0 / 75 / 20

HEX #57CC33

RGB 87 204 51

HSL 105.88, 0.6%, 0.5%

LAB 73.19, -59.35, 61.98

 

CMYK 75 / 0 / 73 / 20

HEX #33CC38

RGB 51 204 56

HSL 121.96, 0.6%, 0.5%

LAB 72.35, -66.22, 59.11

 

CMYK 38 / 0 / 75 / 46

HEX #558A22

RGB 85 138 34

HSL 90.58, 0.6%, 0.34%

LAB 52.09, -35.06, 47.11

 

CMYK 39 / 0 / 75 / 33

HEX #69AB2B

RGB 105 171 43

HSL 90.94, 0.6%, 0.42%

LAB 63.59, -41.65, 55.53

 

CMYK 39 / 0 / 75 / 20

HEX #7DCC33

RGB 125 204 51

HSL 90.98, 0.6%, 0.5%

LAB 74.69, -48.04, 63.95

 

CMYK 31 / 0 / 60 / 17

HEX #92D454

RGB 146 212 84

HSL 90.94, 0.6%, 0.58%

LAB 78.37, -41.68, 55.37

 

CMYK 24 / 0 / 47 / 13

HEX #A7DD75

RGB 167 221 117

HSL 91.15, 0.6%, 0.66%

LAB 82.49, -34.83, 45.3

 

CMYK 38 / 0 / 74 / 20

HEX #7ECC35

RGB 126 204 53

HSL 90.99, 0.6%, 0.5%

LAB 74.75, -47.58, 63.36

 

CMYK 75 / 0 / 23 / 20

HEX #33CC9E

RGB 51 204 158

HSL 161.96, 0.6%, 0.5%

LAB 73.78, -49.86, 11.84

 

CMYK 0 / 75 / 7 / 20

HEX #CC33BD

RGB 204 51 189

HSL 305.88, 0.6%, 0.5%

LAB 50.55, 72.47, -39.49

 

CMYK 38 / 0 / 74 / 20

HEX #7ECC35

RGB 126 204 53

HSL 90.99, 0.6%, 0.5%

LAB 74.75, -47.58, 63.36

 

CMYK 75 / 37 / 0 / 20

HEX #3380CC

RGB 51 128 204

HSL 209.8, 0.6%, 0.5%

LAB 52.4, 2.49, -46.07

 

CMYK 0 / 75 / 37 / 20

HEX #CC3380

RGB 204 51 128

HSL 329.8, 0.6%, 0.5%

LAB 47.96, 64.67, -7.22

 

CMYK 38 / 0 / 74 / 20

HEX #7ECC35

RGB 126 204 53

HSL 90.99, 0.6%, 0.5%

LAB 74.75, -47.58, 63.36

 

CMYK 75 / 0 / 23 / 20

HEX #33CC9E

RGB 51 204 158

HSL 161.96, 0.6%, 0.5%

LAB 73.78, -49.86, 11.84

 

CMYK 37 / 75 / 0 / 20

HEX #8033CC

RGB 128 51 204

HSL 270.2, 0.6%, 0.5%

LAB 40.11, 60.35, -65.58

 

CMYK 0 / 75 / 52 / 20

HEX #CC3361

RGB 204 51 97

HSL 341.96, 0.6%, 0.5%

LAB 47.06, 61.83, 10.45

 

CMYK 38 / 0 / 74 / 20

HEX #7ECC35

RGB 126 204 53

HSL 90.99, 0.6%, 0.5%

LAB 74.75, -47.58, 63.36

 

CMYK 75 / 0 / 0 / 20

HEX #33CCCC

RGB 51 204 204

HSL 180, 0.6%, 0.5%

LAB 74.98, -37.72, -11.24

 

CMYK 37 / 75 / 0 / 20

HEX #8033CC

RGB 128 51 204

HSL 270.2, 0.6%, 0.5%

LAB 40.11, 60.35, -65.58

 

CMYK 0 / 75 / 75 / 20

HEX #CC3333

RGB 204 51 51

HSL 0, 0.6%, 0.5%

LAB 46.24, 59.13, 37.11

 

Description

Color code: HEX #7ECC35 | qconv.com Color code: HEX #7ECC35 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 204 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 204 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 74 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 74% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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