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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EB8FE it is the complementary color #814701. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EB8FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EB8FE shade: #83B8F9, #94CAFF, #A5DCFF, #B6EEFF and #C7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EB8FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EB8FE shade: #7EB8FE, #6DA6EB, #5C94D8, #4B82C5 and #3A70B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EB8FE shade: #81B9FE, #8198FE, #8C81FE, #AD81FE and #CF81FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EB8FE shade: #81B9FE, #8198FE and #8181FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EB8FE shade matches the following richer shades: #81B9FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EB8FE shade: #81B9FE, #8BBAF3, #95BBE9, #A0BCDF and #AABDD4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EB8FE shade: #81FEFE, #81DCFE, #81BBFE, #819AFE and #8981FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EB8FE shade: #2F8CFD, #58A3FD, #81B9FE, #AAD0FE and #D2E6FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EB8FE shade: #7EB8FE, #DC81FE and #EDFE81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EB8FE shade: #7EB8FE, #FE81BB and #BBFE81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EB8FE shade: #7EB8FE, #DC81FE, #FEC381 and #A2FE81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EB8FE shade: #7EB8FE, #FE81FA, #FEC381 and #81FE85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 28 / 0 / 0

HEX #7EB8FE

RGB 126 184 254

HSL 212.81, 0.98%, 0.75%

LAB 73.46, 0.1, -40.37

 

Complementary color

CMYK 0 / 45 / 99 / 49

HEX #814701

RGB 129 71 1

HSL 32.81, 0.98%, 0.25%

LAB 36.32, 20.42, 45.66

 

CMYK 47 / 26 / 0 / 2

HEX #83B8F9

RGB 131 184 249

HSL 213.05, 0.91%, 0.75%

LAB 73.51, -0.21, -37.58

 

CMYK 42 / 21 / 0 / 0

HEX #94CAFF

RGB 148 202 255

HSL 209.72, 1%, 0.79%

LAB 79.48, -4.22, -31.5

 

CMYK 35 / 14 / 0 / 0

HEX #A5DCFF

RGB 165 220 255

HSL 203.33, 1%, 0.82%

LAB 85.2, -9.31, -22.67

 

CMYK 29 / 7 / 0 / 0

HEX #B6EEFF

RGB 182 238 255

HSL 193.97, 1%, 0.86%

LAB 90.92, -13.87, -13.96

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 50 / 28 / 0 / 0

HEX #7EB8FE

RGB 126 184 254

HSL 212.81, 0.98%, 0.75%

LAB 73.46, 0.1, -40.37

 

CMYK 54 / 29 / 0 / 8

HEX #6DA6EB

RGB 109 166 235

HSL 212.86, 0.76%, 0.67%

LAB 66.92, 0.77, -40.33

 

CMYK 57 / 31 / 0 / 15

HEX #5C94D8

RGB 92 148 216

HSL 212.9, 0.61%, 0.6%

LAB 60.26, 1.58, -40.31

 

CMYK 62 / 34 / 0 / 23

HEX #4B82C5

RGB 75 130 197

HSL 212.95, 0.51%, 0.53%

LAB 53.48, 2.59, -40.31

 

CMYK 67 / 37 / 0 / 30

HEX #3A70B2

RGB 58 112 178

HSL 213, 0.51%, 0.46%

LAB 46.58, 3.86, -40.33

 

CMYK 49 / 27 / 0 / 0

HEX #81B9FE

RGB 129 185 254

HSL 213.12, 0.98%, 0.75%

LAB 73.88, 0.22, -39.7

 

CMYK 49 / 40 / 0 / 0

HEX #8198FE

RGB 129 152 254

HSL 228.96, 0.98%, 0.75%

LAB 65.18, 18.96, -53.37

 

CMYK 45 / 49 / 0 / 0

HEX #8C81FE

RGB 140 129 254

HSL 245.28, 0.98%, 0.75%

LAB 60.28, 34.83, -61.15

 

CMYK 32 / 49 / 0 / 0

HEX #AD81FE

RGB 173 129 254

HSL 261.12, 0.98%, 0.75%

LAB 63.13, 42.69, -56.43

 

CMYK 19 / 49 / 0 / 0

HEX #CF81FE

RGB 207 129 254

HSL 277.44, 0.98%, 0.75%

LAB 66.61, 51.46, -50.68

 

CMYK 49 / 27 / 0 / 0

HEX #81B9FE

RGB 129 185 254

HSL 213.12, 0.98%, 0.75%

LAB 73.88, 0.22, -39.7

 

CMYK 49 / 40 / 0 / 0

HEX #8198FE

RGB 129 152 254

HSL 228.96, 0.98%, 0.75%

LAB 65.18, 18.96, -53.37

 

CMYK 49 / 49 / 0 / 0

HEX #8181FE

RGB 129 129 254

HSL 240, 0.98%, 0.75%

LAB 59.46, 32.43, -62.51

 

CMYK 49 / 27 / 0 / 0

HEX #81B9FE

RGB 129 185 254

HSL 213.12, 0.98%, 0.75%

LAB 73.88, 0.22, -39.7

 

CMYK 49 / 27 / 0 / 0

HEX #81B9FE

RGB 129 185 254

HSL 213.12, 0.98%, 0.75%

LAB 73.88, 0.22, -39.7

 

CMYK 43 / 23 / 0 / 5

HEX #8BBAF3

RGB 139 186 243

HSL 212.88, 0.81%, 0.75%

LAB 74.24, -1.05, -33.18

 

CMYK 36 / 20 / 0 / 9

HEX #95BBE9

RGB 149 187 233

HSL 212.86, 0.66%, 0.75%

LAB 74.71, -1.65, -27.01

 

CMYK 28 / 16 / 0 / 13

HEX #A0BCDF

RGB 160 188 223

HSL 213.33, 0.5%, 0.75%

LAB 75.31, -1.57, -20.62

 

CMYK 20 / 11 / 0 / 17

HEX #AABDD4

RGB 170 189 212

HSL 212.86, 0.33%, 0.75%

LAB 75.88, -1.61, -13.72

 

CMYK 49 / 0 / 0 / 0

HEX #81FEFE

RGB 129 254 254

HSL 180, 0.98%, 0.75%

LAB 92.89, -34.81, -10.76

 

CMYK 49 / 13 / 0 / 0

HEX #81DCFE

RGB 129 220 254

HSL 196.32, 0.98%, 0.75%

LAB 83.45, -18.31, -24.97

 

CMYK 49 / 26 / 0 / 0

HEX #81BBFE

RGB 129 187 254

HSL 212.16, 0.98%, 0.75%

LAB 74.42, -0.88, -38.86

 

CMYK 49 / 39 / 0 / 0

HEX #819AFE

RGB 129 154 254

HSL 228, 0.98%, 0.75%

LAB 65.7, 17.8, -52.56

 

CMYK 46 / 49 / 0 / 0

HEX #8981FE

RGB 137 129 254

HSL 243.84, 0.98%, 0.75%

LAB 60.05, 34.17, -61.53

 

CMYK 81 / 45 / 0 / 1

HEX #2F8CFD

RGB 47 140 253

HSL 212.91, 0.98%, 0.59%

LAB 58.46, 12.83, -63.75

 

CMYK 65 / 36 / 0 / 1

HEX #58A3FD

RGB 88 163 253

HSL 212.73, 0.98%, 0.67%

LAB 66.03, 4.3, -51.62

 

CMYK 49 / 27 / 0 / 0

HEX #81B9FE

RGB 129 185 254

HSL 213.12, 0.98%, 0.75%

LAB 73.88, 0.22, -39.7

 

CMYK 33 / 18 / 0 / 0

HEX #AAD0FE

RGB 170 208 254

HSL 212.86, 0.98%, 0.83%

LAB 82.28, -1.91, -26.57

 

CMYK 18 / 10 / 0 / 0

HEX #D2E6FF

RGB 210 230 255

HSL 213.33, 1%, 0.91%

LAB 90.56, -1.57, -14.33

 

CMYK 50 / 28 / 0 / 0

HEX #7EB8FE

RGB 126 184 254

HSL 212.81, 0.98%, 0.75%

LAB 73.46, 0.1, -40.37

 

CMYK 13 / 49 / 0 / 0

HEX #DC81FE

RGB 220 129 254

HSL 283.68, 0.98%, 0.75%

LAB 68.07, 54.91, -48.28

 

CMYK 7 / 0 / 49 / 0

HEX #EDFE81

RGB 237 254 129

HSL 68.16, 0.98%, 0.75%

LAB 96.19, -22.93, 57.33

 

CMYK 50 / 28 / 0 / 0

HEX #7EB8FE

RGB 126 184 254

HSL 212.81, 0.98%, 0.75%

LAB 73.46, 0.1, -40.37

 

CMYK 0 / 49 / 26 / 0

HEX #FE81BB

RGB 254 129 187

HSL 332.16, 0.98%, 0.75%

LAB 69.72, 53.85, -8.29

 

CMYK 26 / 0 / 49 / 0

HEX #BBFE81

RGB 187 254 129

HSL 92.16, 0.98%, 0.75%

LAB 93.03, -41.28, 52.78

 

CMYK 50 / 28 / 0 / 0

HEX #7EB8FE

RGB 126 184 254

HSL 212.81, 0.98%, 0.75%

LAB 73.46, 0.1, -40.37

 

CMYK 13 / 49 / 0 / 0

HEX #DC81FE

RGB 220 129 254

HSL 283.68, 0.98%, 0.75%

LAB 68.07, 54.91, -48.28

 

CMYK 0 / 23 / 49 / 0

HEX #FEC381

RGB 254 195 129

HSL 31.68, 0.98%, 0.75%

LAB 82.75, 13.41, 41.15

 

CMYK 36 / 0 / 49 / 0

HEX #A2FE81

RGB 162 254 129

HSL 104.16, 0.98%, 0.75%

LAB 91.75, -49.56, 50.93

 

CMYK 50 / 28 / 0 / 0

HEX #7EB8FE

RGB 126 184 254

HSL 212.81, 0.98%, 0.75%

LAB 73.46, 0.1, -40.37

 

CMYK 0 / 49 / 2 / 0

HEX #FE81FA

RGB 254 129 250

HSL 301.92, 0.98%, 0.75%

LAB 72.01, 63.36, -39.63

 

CMYK 0 / 23 / 49 / 0

HEX #FEC381

RGB 254 195 129

HSL 31.68, 0.98%, 0.75%

LAB 82.75, 13.41, 41.15

 

CMYK 49 / 0 / 48 / 0

HEX #81FE85

RGB 129 254 133

HSL 121.92, 0.98%, 0.75%

LAB 90.43, -58.59, 47.12

 

Description

Color code: HEX #7EB8FE | qconv.com Color code: HEX #7EB8FE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 184 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 184 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 28 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 28% 0% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - SEA LIFE
Link: http://ryoooooo.cafe24.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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