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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EB6DB it is the complementary color #814924. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EB6DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EB6DB shade: #83B6D6, #94C8E9, #A5DAFC, #B6ECFF and #C7FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EB6DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EB6DB shade: #7EB6DB, #6DA4C8, #5C92B5, #4B80A2 and #3A6E8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EB6DB shade: #80B7DB, #809EDB, #8085DB, #9380DB and #AB80DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EB6DB shade: #80B7DB, #809EDB, #8085DB and #8080DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EB6DB shade matches the following richer shades: #80B7DB, #73B9E8 and #65BCF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EB6DB shade: #80B7DB, #8DB4CE, #9AB1C1, #A7AFB3 and #B5ACA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EB6DB shade: #80DBCD, #80D0DB, #80B8DB, #80A0DB and #8087DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EB6DB shade: #3F92C9, #60A4D2, #80B7DB, #A0C9E4 and #C0DBED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EB6DB shade: #7EB6DB, #B580DB and #DBDA80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EB6DB shade: #7EB6DB, #DB80B8 and #B8DB80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EB6DB shade: #7EB6DB, #B580DB, #DBA380 and #A6DB80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EB6DB shade: #7EB6DB, #D080DB, #DBA380 and #8ADB80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 17 / 0 / 14

HEX #7EB6DB

RGB 126 182 219

HSL 203.87, 0.56%, 0.68%

LAB 71.56, -8.69, -24.33

 

Complementary color

CMYK 0 / 43 / 72 / 49

HEX #814924

RGB 129 73 36

HSL 23.87, 0.56%, 0.32%

LAB 37.04, 20.49, 31.76

 

CMYK 39 / 15 / 0 / 16

HEX #83B6D6

RGB 131 182 214

HSL 203.13, 0.5%, 0.68%

LAB 71.65, -8.72, -21.44

 

CMYK 36 / 14 / 0 / 9

HEX #94C8E9

RGB 148 200 233

HSL 203.29, 0.66%, 0.75%

LAB 78.16, -8.88, -21.74

 

CMYK 35 / 13 / 0 / 1

HEX #A5DAFC

RGB 165 218 252

HSL 203.45, 0.94%, 0.82%

LAB 84.57, -9.01, -22.04

 

CMYK 29 / 7 / 0 / 0

HEX #B6ECFF

RGB 182 236 255

HSL 195.62, 1%, 0.86%

LAB 90.39, -12.86, -14.75

 

CMYK 22 / 0 / 0 / 0

HEX #C7FEFF

RGB 199 254 255

HSL 181.07, 1%, 0.89%

LAB 96.1, -16.98, -6.16

 

CMYK 42 / 17 / 0 / 14

HEX #7EB6DB

RGB 126 182 219

HSL 203.87, 0.56%, 0.68%

LAB 71.56, -8.69, -24.33

 

CMYK 46 / 18 / 0 / 22

HEX #6DA4C8

RGB 109 164 200

HSL 203.74, 0.45%, 0.61%

LAB 64.94, -8.42, -24.07

 

CMYK 49 / 19 / 0 / 29

HEX #5C92B5

RGB 92 146 181

HSL 203.6, 0.38%, 0.54%

LAB 58.2, -8.09, -23.81

 

CMYK 54 / 21 / 0 / 36

HEX #4B80A2

RGB 75 128 162

HSL 203.45, 0.37%, 0.46%

LAB 51.32, -7.66, -23.57

 

CMYK 59 / 23 / 0 / 44

HEX #3A6E8F

RGB 58 110 143

HSL 203.29, 0.42%, 0.39%

LAB 44.28, -7.08, -23.32

 

CMYK 42 / 16 / 0 / 14

HEX #80B7DB

RGB 128 183 219

HSL 203.74, 0.56%, 0.68%

LAB 71.94, -8.71, -23.74

 

CMYK 42 / 28 / 0 / 14

HEX #809EDB

RGB 128 158 219

HSL 220.22, 0.56%, 0.68%

LAB 65.09, 5.13, -34.29

 

CMYK 42 / 39 / 0 / 14

HEX #8085DB

RGB 128 133 219

HSL 236.7, 0.56%, 0.68%

LAB 58.49, 19.65, -44.63

 

CMYK 33 / 42 / 0 / 14

HEX #9380DB

RGB 147 128 219

HSL 252.53, 0.56%, 0.68%

LAB 58.75, 27.59, -44.12

 

CMYK 22 / 42 / 0 / 14

HEX #AB80DB

RGB 171 128 219

HSL 268.35, 0.56%, 0.68%

LAB 60.97, 34.31, -40.48

 

CMYK 42 / 16 / 0 / 14

HEX #80B7DB

RGB 128 183 219

HSL 203.74, 0.56%, 0.68%

LAB 71.94, -8.71, -23.74

 

CMYK 42 / 28 / 0 / 14

HEX #809EDB

RGB 128 158 219

HSL 220.22, 0.56%, 0.68%

LAB 65.09, 5.13, -34.29

 

CMYK 42 / 39 / 0 / 14

HEX #8085DB

RGB 128 133 219

HSL 236.7, 0.56%, 0.68%

LAB 58.49, 19.65, -44.63

 

CMYK 42 / 42 / 0 / 14

HEX #8080DB

RGB 128 128 219

HSL 240, 0.56%, 0.68%

LAB 57.21, 22.6, -46.65

 

CMYK 42 / 16 / 0 / 14

HEX #80B7DB

RGB 128 183 219

HSL 203.74, 0.56%, 0.68%

LAB 71.94, -8.71, -23.74

 

CMYK 50 / 20 / 0 / 9

HEX #73B9E8

RGB 115 185 232

HSL 204.1, 0.72%, 0.68%

LAB 72.34, -9.28, -30.25

 

CMYK 59 / 24 / 0 / 4

HEX #65BCF6

RGB 101 188 246

HSL 204, 0.89%, 0.68%

LAB 73.15, -9.6, -36.63

 

CMYK 42 / 16 / 0 / 14

HEX #80B7DB

RGB 128 183 219

HSL 203.74, 0.56%, 0.68%

LAB 71.94, -8.71, -23.74

 

CMYK 32 / 13 / 0 / 19

HEX #8DB4CE

RGB 141 180 206

HSL 204, 0.4%, 0.68%

LAB 71.39, -6.91, -17.4

 

CMYK 20 / 8 / 0 / 24

HEX #9AB1C1

RGB 154 177 193

HSL 204.62, 0.24%, 0.68%

LAB 70.98, -4.42, -10.79

 

CMYK 7 / 2 / 0 / 30

HEX #A7AFB3

RGB 167 175 179

HSL 200, 0.07%, 0.68%

LAB 70.96, -2.01, -3.02

 

CMYK 0 / 5 / 8 / 29

HEX #B5ACA6

RGB 181 172 166

HSL 24, 0.09%, 0.68%

LAB 70.93, 2.15, 4.22

 

CMYK 42 / 0 / 6 / 14

HEX #80DBCD

RGB 128 219 205

HSL 170.77, 0.56%, 0.68%

LAB 81.65, -30.49, -1.65

 

CMYK 42 / 5 / 0 / 14

HEX #80D0DB

RGB 128 208 219

HSL 187.25, 0.56%, 0.68%

LAB 78.93, -21.7, -13.16

 

CMYK 42 / 16 / 0 / 14

HEX #80B8DB

RGB 128 184 219

HSL 203.08, 0.56%, 0.68%

LAB 72.22, -9.25, -23.31

 

CMYK 42 / 27 / 0 / 14

HEX #80A0DB

RGB 128 160 219

HSL 218.9, 0.56%, 0.68%

LAB 65.63, 3.99, -33.45

 

CMYK 42 / 38 / 0 / 14

HEX #8087DB

RGB 128 135 219

HSL 235.38, 0.56%, 0.68%

LAB 59, 18.47, -43.82

 

CMYK 69 / 27 / 0 / 21

HEX #3F92C9

RGB 63 146 201

HSL 203.91, 0.56%, 0.52%

LAB 57.88, -7.44, -35.71

 

CMYK 54 / 22 / 0 / 18

HEX #60A4D2

RGB 96 164 210

HSL 204.21, 0.56%, 0.6%

LAB 64.72, -8.5, -30.02

 

CMYK 42 / 16 / 0 / 14

HEX #80B7DB

RGB 128 183 219

HSL 203.74, 0.56%, 0.68%

LAB 71.94, -8.71, -23.74

 

CMYK 30 / 12 / 0 / 11

HEX #A0C9E4

RGB 160 201 228

HSL 203.82, 0.56%, 0.76%

LAB 78.95, -7.31, -17.79

 

CMYK 19 / 8 / 0 / 7

HEX #C0DBED

RGB 192 219 237

HSL 204, 0.56%, 0.84%

LAB 86, -5.19, -11.81

 

CMYK 42 / 17 / 0 / 14

HEX #7EB6DB

RGB 126 182 219

HSL 203.87, 0.56%, 0.68%

LAB 71.56, -8.69, -24.33

 

CMYK 17 / 42 / 0 / 14

HEX #B580DB

RGB 181 128 219

HSL 274.95, 0.56%, 0.68%

LAB 61.98, 37.21, -38.82

 

CMYK 0 / 0 / 42 / 14

HEX #DBDA80

RGB 219 218 128

HSL 59.34, 0.56%, 0.68%

LAB 85.38, -12.46, 44.31

 

CMYK 42 / 17 / 0 / 14

HEX #7EB6DB

RGB 126 182 219

HSL 203.87, 0.56%, 0.68%

LAB 71.56, -8.69, -24.33

 

CMYK 0 / 42 / 16 / 14

HEX #DB80B8

RGB 219 128 184

HSL 323.08, 0.56%, 0.68%

LAB 64.93, 42.54, -14.25

 

CMYK 16 / 0 / 42 / 14

HEX #B8DB80

RGB 184 219 128

HSL 83.08, 0.56%, 0.68%

LAB 83.13, -26.39, 40.94

 

CMYK 42 / 17 / 0 / 14

HEX #7EB6DB

RGB 126 182 219

HSL 203.87, 0.56%, 0.68%

LAB 71.56, -8.69, -24.33

 

CMYK 17 / 42 / 0 / 14

HEX #B580DB

RGB 181 128 219

HSL 274.95, 0.56%, 0.68%

LAB 61.98, 37.21, -38.82

 

CMYK 0 / 26 / 42 / 14

HEX #DBA380

RGB 219 163 128

HSL 23.08, 0.56%, 0.68%

LAB 71.43, 16.31, 26.26

 

CMYK 24 / 0 / 42 / 14

HEX #A6DB80

RGB 166 219 128

HSL 94.95, 0.56%, 0.68%

LAB 82.02, -32.92, 39.29

 

CMYK 42 / 17 / 0 / 14

HEX #7EB6DB

RGB 126 182 219

HSL 203.87, 0.56%, 0.68%

LAB 71.56, -8.69, -24.33

 

CMYK 5 / 42 / 0 / 14

HEX #D080DB

RGB 208 128 219

HSL 292.75, 0.56%, 0.68%

LAB 64.93, 45.18, -33.99

 

CMYK 0 / 26 / 42 / 14

HEX #DBA380

RGB 219 163 128

HSL 23.08, 0.56%, 0.68%

LAB 71.43, 16.31, 26.26

 

CMYK 37 / 0 / 42 / 14

HEX #8ADB80

RGB 138 219 128

HSL 113.41, 0.56%, 0.68%

LAB 80.53, -42.29, 37.09

 

Description

Color code: HEX #7EB6DB | qconv.com Color code: HEX #7EB6DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 182 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 182 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 17 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 17% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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